Inquiring from Rupa Gosvami: Difference between revisions
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[[Category:Questions and Answers - Umbrella Category]] | |||
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Latest revision as of 12:54, 24 May 2024
Pages relevant to - inquiring from Rupa Gosvami
Pages in category "Inquiring from Rupa Gosvami"
The following 14 pages are in this category, out of 14 total.
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- Ramananda Raya further inquired, "What are the natural characteristics of awakening love of Godhead?" Rupa Gosvami replied, "These are the natural characteristics of love of God"
- Ramananda Raya inquired, "By which subdivision of style do the players enter?" Rupa Gosvami then began to speak specifically about this subject
- Ramananda Raya inquired, "How have you introduced the assembly of the players?" Rupa Gosvami replied, The players assemble at a suitable time under the heading of pravartaka
- Ramananda Raya inquired, "What are the characteristics of emotional love?" Rupa Gosvami replied, "This is the nature of emotional love for Krsna
- Ramananda Raya inquired, "What kind of drama are you (Rupa Gosvami) writing? We can understand that it is a mine of conclusive statements"
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- Sri Caitanya Mahaprabhu then sat down with Haridasa and Rupa Gosvami. They inquired from one another about auspicious news and then continued to talk together for some time
- Srila Ramananda Raya further inquired, "How have you (Rupa Gosvami) described Vrndavana, the vibration of the transcendental flute, and the relationship between Krsna and Radhika?'
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- The technical inquiries by Srila Ramananda Raya and the replies of Srila Rupa Gosvami indicate that both of them were expert and fully conversant with the techniques of writing drama
- Then Ramananda Raya inquired from Rupa Gosvami about the causes of the loving affairs between Krsna and the gopis, such as previous attachment, transformations of love, endeavors for love, and exchanges of letters disclosing the gopis
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- When Sri Caitanya Mahaprabhu inquired about Sanatana Gosvami, Rupa Gosvami replied, "I did not meet him"
- When Srila Ramananda Raya further inquired about the second introductory verse, Srila Rupa Gosvami was somewhat hesitant, but nevertheless he began to recite
- When Srila Ramananda Raya inquired which of these five Srila Rupa Gosvami had used to accomplish the technical introduction to his drama Lalita-madhava, Rupa Gosvami replied that he had used the introduction technically called udghatyaka