View source for While discussing the transcendental vibration, they (the gopis) remembered also how Krsna dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear

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[[Category:Discussing about Krsna]]
[[Category:Transcendental]]
[[Category:Krsna's Vibrations]]
[[Category:Krsna and the Gopis]]
[[Category:Remembering Krsna]]
[[Category:Krsna's Dress]]
[[Category:Krsna's Decorations]]
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[[Category:Krsna's Peacock Feather]]
[[Category:Krsna's Head]]
[[Category:Krsna Is Just Like]]
[[Category:Krsna As a Dancing Actor]]
[[Category:With]]
[[Category:Krsna's Blueness]]
[[Category:Flower]]
[[Category:Push]]
[[Category:Over]]
[[Category:Krsna's Ears]]
[[Category:Krsna Book Chapter 21 - The Gopis Attracted by the Flute]]
[[Category:Krsna Book Chapters 01 to 90]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Krsna, The Supreme Personality of Godhead</h3>
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While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips.
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[[Vanisource:KB 21|Krsna Book, 21]]
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With the arrival of the beautiful autumn season, the waters in the lakes and rivers became as clear as crystal and filled with fragrant lotus flowers, and breezes blew very pleasantly. At that time Kṛṣṇa entered the forest of Vṛndāvana with the cows and cowherd boys. Kṛṣṇa was very much pleased with the atmosphere of the forest, where flowers bloomed and bees and drones hummed very jubilantly. While the birds, trees and plants were all looking very happy, Kṛṣṇa, tending the cows and accompanied by Śrī Balarāma and the cowherd boys, began to vibrate His transcendental flute. After hearing the vibration of the flute of Kṛṣṇa, the gopīs in Vṛndāvana remembered Him and began to talk amongst themselves about how nicely Kṛṣṇa was playing His flute. When the gopīs were describing the sweet vibration of Kṛṣṇa’s flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibrations. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.

Kṛṣṇa was very expert in playing the flute, and the gopīs were captivated by the sound vibration, which was attractive not only to them but to all living creatures who heard it. One of the gopīs told her friends, “The highest perfection of the eyes is to see Kṛṣṇa and Balarāma entering the forest and playing Their flutes and tending the cows with Their friends.”

Persons who are constantly engaged in the transcendental meditation of seeing Kṛṣṇa, internally and externally, by thinking of Him playing the flute, entering the Vṛndāvana forest and tending the cows with the cowherd boys have really attained the perfection of samādhi. Samādhi (trance) means absorption of all the activities of the senses in a particular object, and the gopīs indicate that the pastimes of Kṛṣṇa are the perfection of all meditation and samādhi. It is confirmed in the Bhagavad-gītā that anyone who is always absorbed in the thought of Kṛṣṇa is the topmost of all yogīs.

Another gopī expressed her opinion that Kṛṣṇa and Balarāma, while tending the cows, appeared just like actors going to play on a dramatic stage. Kṛṣṇa was dressed in glowing garments of yellow, Balarāma in blue, and They held new twigs of mango tree, peacock feathers and bunches of flowers in Their hands. Dressed with garlands of lotus flowers, They were sometimes singing very sweetly among Their friends. One gopī told her friends, “How is it Kṛṣṇa and Balarāma are looking so beautiful?” Another gopī said, “My dear friends, we cannot even think of His bamboo flute—what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Kṛṣṇa, which is actually the property of us gopīs?” Kṛṣṇa sometimes kisses the gopīs; therefore the transcendental nectar of His lips is available only to them. So the gopīs asked, “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Kṛṣṇa’s lips? Because the flute is engaged in the service of the Supreme Lord, the mother and the father of the flute must be happy.”

The lakes and the rivers are considered to be the mothers of the trees because the trees live simply by drinking water. So the waters of the lakes and rivers of Vṛndāvana were in a happy mood, full of blooming lotus flowers, because the waters were thinking, “How is it that our son, the bamboo rod, is enjoying the nectar of Kṛṣṇa’s lips?” The bamboo trees standing by the banks of the rivers and the lakes were also happy to see their descendant so engaged in the service of the Lord, just as persons who are advanced in transcendental knowledge take pleasure in seeing their descendants engage in the service of the Lord. The trees were overwhelmed with joy and were incessantly yielding honey, which flowed from the beehives hanging on their branches.
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