View source for When Krsna played upon his flute, all the gopis, or cowherd girls, were attracted by the sound and left their household duties, and when they came to Him, He danced with them - CC Intro

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[[Category:When Krsna]]
[[Category:Krsna's Playing]]
[[Category:Krsna's Flute]]
[[Category:Krsna and the Gopis]]
[[Category:Krsna and the Cowherd Girls]]
[[Category:Were]]
[[Category:Attracted by Krsna]]
[[Category:Krsna's Sounds]]
[[Category:Leave]]
[[Category:Their]]
[[Category:Duty of a Householder]]
[[Category:When]]
[[Category:Coming to Krsna]]
[[Category:Krsna's Dancing]]
[[Category:Sri Caitanya-caritamrta, Introduction]]
[[Category:Sri Caitanya-caritamrta - 62 Chapters]]
[[Category:Sri Caitanya-caritamrta, Adi-lila 17 Chapters]]

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<h2>Sri Caitanya-caritamrta</h2>
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<h3>CC Preface and Introduction</h3>
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Finally Kṛṣṇadāsa Kavirāja Gosvāmī offers his blessings to his readers in the name of the Gopīnātha Deity, who is Kṛṣṇa as master and proprietor of the gopīs. When Kṛṣṇa played upon his flute, all the gopīs, or cowherd girls, were attracted by the sound and left their household duties, and when they came to Him, He danced with them.
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[[Vanisource:CC Introduction|CC Introduction]]
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Vṛndāvana is actually experienced as it is by persons who have stopped trying to derive pleasure from material enjoyment. “When will my mind become cleansed of all hankering for material enjoyment so I will be able to see Vṛndāvana?” one great devotee asks. The more Kṛṣṇa conscious we become and the more we advance, the more everything is revealed as spiritual. Thus Kṛṣṇadāsa Kavirāja Gosvāmī considered the Vṛndāvana in India to be as good as the Vṛndāvana in the spiritual sky, and in the sixteenth verse of the Caitanya-caritāmṛta he describes Rādhārāṇī and Kṛṣṇa as seated beneath a wish-fulfilling tree in Vṛndāvana, on a throne decorated with valuable jewels. There Kṛṣṇa’s dear gopī friends serve Rādhā and Kṛṣṇa by singing, dancing, offering betel nuts and refreshments, and decorating Their Lordships with flowers. Even today in India people decorate swinging thrones and re-create this scene during the month of July-August. Generally at that time people go to Vṛndāvana to offer their respects to the Deities there.

Finally Kṛṣṇadāsa Kavirāja Gosvāmī offers his blessings to his readers in the name of the Gopīnātha Deity, who is Kṛṣṇa as master and proprietor of the gopīs. When Kṛṣṇa played upon his flute, all the gopīs, or cowherd girls, were attracted by the sound and left their household duties, and when they came to Him, He danced with them. These activities are all described in the Tenth Canto of Śrīmad-Bhāgavatam. These gopīs were childhood friends of Kṛṣṇa, and many were married, for in India the girls are generally married by the age of twelve. The boys, however, are not married before eighteen, so Kṛṣṇa, who was fifteen or sixteen at the time, was not married. Nonetheless, He called these girls from their homes and invited them to dance with Him. That dance is called the rāsa-līlā dance, and it is the most elevated of all the Vṛndāvana pastimes. Kṛṣṇa is therefore called Gopīnātha because He is the beloved master of the gopīs.

Kṛṣṇadāsa Kavirāja Gosvāmī petitions the blessings of Lord Gopīnātha: “May that Gopīnātha, the master of the gopīs, Kṛṣṇa, bless you. May you become blessed by Gopīnātha.” The author of the Caitanya-caritāmṛta prays that just as Kṛṣṇa attracted the gopīs by the sweet sound of His flute, He will also attract the reader’s mind by that transcendental vibration.
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