View source for Thus attacked, Kaliya looked for an opportunity to bite Him, but Krsna moved around him. As Krsna and Kaliya moved in a circle, the serpent gradually became fatigued, and his strength seemed to diminish considerably

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{{terms|"Thus attacked, Kāliya looked for an opportunity to bite Him, but Kṛṣṇa moved around him. As Kṛṣṇa and Kāliya moved in a circle, the serpent gradually became fatigued, and his strength seemed to diminish considerably"}}
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{{compiler|Visnu Murti}}
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[[Category:Krsna's Attacking]]
[[Category:Krsna and Kaliya]]
[[Category:Look]]
[[Category:Opportunity]]
[[Category:Biting Krsna]]
[[Category:Krsna's Moving]]
[[Category:Around]]
[[Category:In A Circle]]
[[Category:Serpent]]
[[Category:Gradually]]
[[Category:Become]]
[[Category:Fatigue]]
[[Category:Strength]]
[[Category:Seem]]
[[Category:Diminish]]
[[Category:Considerable]]
[[Category:Krsna Book Chapter 16 - Subduing Kaliya]]
[[Category:Krsna Book Chapters 01 to 90]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Krsna, The Supreme Personality of Godhead</h3>
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Licking his lips with bifurcated tongues, the serpent looked at Kṛṣṇa with double hoods, and his eyesight was full of poison. Kṛṣṇa immediately pounced upon him, just as Garuḍa swoops upon a snake. Thus attacked, Kāliya looked for an opportunity to bite Him, but Kṛṣṇa moved around him. As Kṛṣṇa and Kāliya moved in a circle, the serpent gradually became fatigued, and his strength seemed to diminish considerably. Kṛṣṇa immediately pressed down the serpent’s hoods and jumped up on them. The Lord’s lotus feet became tinged with red from the rays of the jewels on the snake’s hoods. Then He who is the original artist of all fine arts, such as dancing, began to dance upon the hoods of the serpent, although they were moving to and fro.
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[[Vanisource:KB 16|Krsna Book, 16]]
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All the inhabitants of Vṛndāvana came out of the village to see Kṛṣṇa. The assembly consisted of children, old men, women, animals and all living entities; they knew that Kṛṣṇa was their only means of sustenance. While this was happening, Balarāma, who is the master of all knowledge, stood there simply smiling. He knew how powerful His younger brother was and that there was no cause for anxiety when Kṛṣṇa was fighting with an ordinary serpent of the material world. He did not, therefore, personally take any part in their sorrow. On the other hand, all the inhabitants of Vṛndāvana, being disturbed, began to search out Kṛṣṇa by following the impression of His footprints on the ground, and thus they moved hastily toward the bank of the Yamunā. Finally, by following the footprints marked with flag, bow and conchshell, the inhabitants of Vṛndāvana arrived at the riverbank and saw that all the cows and boys were weeping to behold Kṛṣṇa enwrapped in the coils of the black serpent. Then they became still more overwhelmed with grief. While Balarāma was smiling to see their lamentation, all the inhabitants of Vrajabhūmi merged into the ocean of grief because they thought that Kṛṣṇa was finished. Although the residents of Vṛndāvana did not know much about Kṛṣṇa, their love for Him was beyond comparison. As soon as they saw that Kṛṣṇa was in the river Yamunā enveloped by the serpent Kāliya and that all the boys and cows were lamenting, they simply began to think of Kṛṣṇa’s friendship, His smiling face, His sweet words and His dealings with them. Thinking of all these and seeing that their Kṛṣṇa was now within the clutches of Kāliya, they at once felt that the three worlds had become vacant. Lord Caitanya also said that He was seeing the three worlds as vacant for want of Kṛṣṇa. This is the highest stage of Kṛṣṇa consciousness. Almost all of the inhabitants of Vṛndāvana had the highest ecstatic love for Kṛṣṇa.

When mother Yaśodā arrived, she wanted to enter the river Yamunā, and being checked, she fainted. Her friends, who were equally aggrieved, were shedding tears like torrents of rain or waves of the river, but in order to bring mother Yaśodā to consciousness, they began to speak loudly about the transcendental pastimes of Kṛṣṇa. Mother Yaśodā remained still, as if dead, because her consciousness was concentrated on the face of Kṛṣṇa. Nanda and all the other cowherd men, who had dedicated everything, including their lives, to Kṛṣṇa, were ready to enter the waters of the Yamunā, but Lord Balarāma checked them because He was in perfect knowledge that there was no danger.

For two hours Kṛṣṇa remained like an ordinary child gripped in the coils of Kāliya, but when He saw that all the inhabitants of Gokula—including His mother and father, the gopīs, the boys and the cows—were just on the point of death and that they had no shelter for salvation from imminent death, Kṛṣṇa immediately freed Himself. He began to expand His body, and when the serpent tried to hold Him, he felt a great strain. On account of the strain, his coils slackened, and he had no alternative but to let loose the Personality of Godhead, Kṛṣṇa, from his grasp. Kāliya then became very angry, and his great hoods expanded. He exhaled poisonous fumes from his nostrils, his eyes blazed like fire, and flames issued from his mouth. The great serpent remained still for some time, looking at Kṛṣṇa. Licking his lips with bifurcated tongues, the serpent looked at Kṛṣṇa with double hoods, and his eyesight was full of poison. Kṛṣṇa immediately pounced upon him, just as Garuḍa swoops upon a snake. Thus attacked, Kāliya looked for an opportunity to bite Him, but Kṛṣṇa moved around him. As Kṛṣṇa and Kāliya moved in a circle, the serpent gradually became fatigued, and his strength seemed to diminish considerably. Kṛṣṇa immediately pressed down the serpent’s hoods and jumped up on them. The Lord’s lotus feet became tinged with red from the rays of the jewels on the snake’s hoods. Then He who is the original artist of all fine arts, such as dancing, began to dance upon the hoods of the serpent, although they were moving to and fro. Upon seeing this, the denizens of the upper planets showered flowers, beat drums, played different types of flutes and sang various prayers and songs. In this way, all the denizens of heaven, such as the Gandharvas, Siddhas and demigods, became very much pleased.

While Kṛṣṇa was dancing on his hoods, Kāliya tried to push Him down with some of his other hoods. Kāliya had about a hundred hoods, but Kṛṣṇa took control of them. He began to dash Kāliya with His lotus feet, and this was more than the serpent could bear. Gradually, Kāliya was reduced to struggling for his very life. He vomited all kinds of refuse and exhaled fire. While throwing up poisonous material from within, Kāliya became reduced in his sinful situation. Out of great anger, he began to struggle for existence and tried to raise one of his hoods to kill the Lord. The Lord immediately captured that hood and subdued it by kicking it and dancing on it. It actually appeared as if the Supreme Personality of Godhead Viṣṇu was being worshiped; the poisons emanating from the mouth of the serpent appeared to be like flower offerings. Kāliya then began to vomit blood instead of poison; he was completely fatigued. His whole body appeared to be broken by the kicks of the Lord. Within his mind, however, he finally began to understand that Kṛṣṇa is the Supreme Personality of Godhead, and he surrendered unto Him. He realized that Kṛṣṇa is the Supreme Lord, the master of everything.

The wives of the serpent, known as the Nāgapatnīs, saw that their husband had been subdued by the Lord’s kicking and that he was almost at the point of death due to bearing the heavy burden of the Lord, within whose abdomen the whole universe remains. Kāliya’s wives prepared to worship the Lord, and in their haste their clothes, hair and ornaments became disarrayed. They also surrendered unto the Supreme Lord and began to pray. They appeared before Him, put forward their offspring and anxiously offered respectful obeisances, falling down on the bank of the Yamunā. The Nāgapatnīs knew that Kṛṣṇa is the shelter of all surrendered souls, and they desired to release their husband from the impending danger by pleasing the Lord with their prayers.
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