View source for The creative instruments are eleven, the ingredients are five, and all of them are products of mahat, or materialistic ego. These creations by the Lord in His feature of Karanodakasayi Visnu are called maha-kalpa

<div id="compilation">
<div id="facts">
{{terms|"The creative instruments are eleven, the ingredients are five, and all of them are products of mahat, or materialistic ego. These creations by the Lord in His feature of Kāraṇodakaśāyī Viṣṇu are called mahā-kalpa"}}
{{notes|}}
{{compiler|Iswaraj}}
{{complete|ALL}}
{{first|2020-08-21T08:41:23Z}}
{{last|2020-08-21T08:41:23Z}}
{{totals_by_section|BG=0|SB=1|CC=0|OB=0|Lec=0|Con=0|Let=0}}
{{total|1}}
{{toc right}}
[[Category:Creative]]
[[Category:Instrument]]
[[Category:Eleven]]
[[Category:Ingredient]]
[[Category:Five]]
[[Category:All Of Them]]
[[Category:Product]]
[[Category:Materialistic]]
[[Category:Material Ego]]
[[Category:Created by God]]
[[Category:God's Features]]
[[Category:Karanodakasayi Visnu - Maha-Visnu]]
[[Category:Is Called...]]
[[Category:Srimad-Bhagavatam, Canto 02 Chapter 10 Purports - Bhagavatam Is the Answer to All Questions]]
[[Category:Srimad Bhagavatam, Canto 02 Purports]]
</div>
<div id="section">
<h2>Srimad-Bhagavatam</h2>
</div>
<div id="sub_section">
<h3>SB Canto 2</h3>
</div>
<div class="quote">
<div class="quote_heading">
The creative instruments are eleven, the ingredients are five, and all of them are products of mahat, or materialistic ego. These creations by the Lord in His feature of Kāraṇodakaśāyī Viṣṇu are called mahā-kalpa. The creation of Brahmā and dispersion of the material ingredients are called vikalpa, and the creation by Brahmā in each day of his life is called kalpa.
</div>

<div class="quote_link">
[[Vanisource:SB 2.10.46|SB 2.10.46, Translation and Purport]]
</div>
<div class="quote_translation">
This process of creation and annihilation described in summary herein is the regulative principle during the duration of Brahmā's one day. It is also the regulative principle in the creation of mahat, in which the material nature is dispersed.
</div>
<div class="text">
There are three different types of creation, called mahā-kalpa, vikalpa and kalpa. In the mahā-kalpa the Lord assumes the first puruṣa incarnation as Kāraṇodakaśāyī Viṣṇu with all the potencies of the mahat-tattva and the sixteen principles of creative matter and instruments. The creative instruments are eleven, the ingredients are five, and all of them are products of mahat, or materialistic ego. These creations by the Lord in His feature of Kāraṇodakaśāyī Viṣṇu are called mahā-kalpa. The creation of Brahmā and dispersion of the material ingredients are called vikalpa, and the creation by Brahmā in each day of his life is called kalpa. Therefore each day of Brahmā is called a kalpa, and there are thirty kalpas in terms of Brahmā's days. This is also confirmed in the Bhagavad-gītā ([[Vanisource:BG 8.17 (1972)|BG 8.17]]) as follows:

<div class="quote_verse">
:sahasra-yuga-paryantam
:ahar yad brahmaṇo viduḥ
:rātiṁ yuga-sahasrāntāṁ
:te 'ho-rātra-vido janāḥ
</div>

In the upper planetary system the duration of one complete day and night is equal to one complete year of this earth. This is accepted even by the modern scientist and attested by the astronauts. Similarly, in the region of still higher planetary systems the duration of day and night is still greater than in the heavenly planets. The four yugas are calculated in terms of the heavenly calendars and accordingly are twelve thousand years in terms of the heavenly planets. This is called a divya-yuga, and one thousand divya-yugas make one day of Brahmā. The creation during the day of Brahmā is called kalpa, and the creation of Brahmā is called vikalpa. When vikalpas are made possible by the breathing of Mahā-Viṣṇu, this is called a mahā-kalpa. There are regular and systematic cycles of these mahā-kalpas, vikalpas and kalpas. In answer to Mahārāja Parīkṣit's question about them, Śukadeva Gosvāmī answered in the Prabhāsa-khaṇḍa of the Skanda Purāṇa.
</div>
</div>
</div>