View source for This kaisora age can be translated as adolescence. At the end of this period all the gopis said, "Krsna is the killer of the attraction of Cupid, and as such He disturbs the patience of all newly-married girls"

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[[Category:The Nectar of Devotion Chapter 26 - Stimulation for Ecstatic Love]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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This kaiśora age can be translated as adolescence. At the end of this period all the gopīs said, "Kṛṣṇa is the killer of the attraction of Cupid, and as such He disturbs the patience of all newly-married girls. Kṛṣṇa's bodily features have become so exquisite—it is as if they are all manifesting an artistic sense of the highest sort. His dancing eyes have dimmed the brilliance of the most expert dancer, and so there is no longer any comparison to the beauty of Kṛṣṇa.
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[[Vanisource:NOD 26 (1970)|Nectar of Devotion, 26]]
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In the kaiśora age, beginning from the eleventh year and continuing up to the end of the fifteenth year, Kṛṣṇa's arms, legs and thighs became marked with three divisional lines. At that time Kṛṣṇa's chest challenged the hill of the marakata jewel. His arms challenged the pillars of the indranīla jewel, the three lines of His waist challenged the waves of the River Yamunā, and His thighs challenged beautiful bananas. One gopī said, "With all these exquisite features of His body, Kṛṣṇa is too extraordinarily beautiful, and therefore I am always thinking of Him to protect me because He is the killer of all demons."

The idea expressed in this statement is that the gopīs were comparing their attraction for Kṛṣṇa to an attack by demons; and to counteract their attraction for the beauty of Kṛṣṇa, they were also turning to Kṛṣṇa hopefully, because He is the killer of all kinds of demons. In other words they were perplexed because on one hand they were attracted by the beauty of Kṛṣṇa, and on the other they needed Kṛṣṇa to drive away the demon of such attraction.

This kaiśora age can be translated as adolescence. At the end of this period all the gopīs said, "Kṛṣṇa is the killer of the attraction of Cupid, and as such He disturbs the patience of all newly-married girls. Kṛṣṇa's bodily features have become so exquisite—it is as if they are all manifesting an artistic sense of the highest sort. His dancing eyes have dimmed the brilliance of the most expert dancer, and so there is no longer any comparison to the beauty of Kṛṣṇa." Learned scholars therefore describe the features of His body at this time as nava-yauvana, newly-invented youthfulness. At this stage of Kṛṣṇa's bodily features, the conjugal love affairs with the gopīs and similar pastimes become very prominent.

There are six features of conjugal love affairs, called peacemaking, picking a quarrel, going to meet one's lover, sitting together, separation and support. Lord Kṛṣṇa expanded an empire of these six features, of which He was the ruling prince. Somewhere He was picking quarrels with the young girls, somewhere He was scratching them with the nails of parrots, somewhere He was busy going to visit the gopīs, and somewhere He was negotiating through cowherd friends to take shelter of the gopīs.
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