View source for Now we have the fourth scene. Does Advaita speak to anyone in the fourth scene or is that...?

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{{terms|"Does Advaita speak to anyone in the fourth scene or is that"|"Now we have the fourth scene"}}
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[[Category:Questions asked to Srila Prabhupada]]
[[Category:Questions asked to SP... 1974]]
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<div id="Conversations_and_Morning_Walks" class="section" sec_index="5" parent="compilation" text="Conversations and Morning Walks"><h2>Conversations and Morning Walks</h2>
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<div id="1967_Conversations_and_Morning_Walks" class="sub_section" sec_index="0" parent="Conversations_and_Morning_Walks" text="1967 Conversations and Morning Walks"><h3>1967 Conversations and Morning Walks</h3>
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<div id="DiscourseonLordCaitanyaPlayBetweenSrilaPrabhupadaandHayagrivaApril561967SanFrancisco_0" class="quote" parent="1967_Conversations_and_Morning_Walks" book="Con" index="1" link="Discourse on Lord Caitanya Play Between Srila Prabhupada and Hayagriva -- April 5-6, 1967, San Francisco" link_text="Discourse on Lord Caitanya Play Between Srila Prabhupada and Hayagriva -- April 5-6, 1967, San Francisco">
<div class="heading">Yes.
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<span class="link">[[Vanisource:Discourse on Lord Caitanya Play Between Srila Prabhupada and Hayagriva -- April 5-6, 1967, San Francisco|Discourse on Lord Caitanya Play Between Srila Prabhupada and Hayagriva -- April 5-6, 1967, San Francisco]]: </span><div class="text"><p style="display: inline;">Prabhupāda: So next scene is rāsa dance. Rāsa dance means Kṛṣṇa and Rādhārāṇī in the center, and the gopīs, they are surrounding. You have seen that surrounding scene they were dancing the other day in the park, hand to hand.</p>
<p>Hayagrīva: Yes, yes.</p>
<p>Prabhupāda: So one Kṛṣṇa and one gopī, they are dancing. That should be, scene should be... Then the rāsa dance should be stopped and Kṛṣṇa will talk with the gopīs. Kṛṣṇa will say to the gopīs that "My dear friends, you have come to Me in this dead of night. It is not very good because it is the duty of every woman to please her husband. So what your husband will think that you have come in such dead of night? A woman's duty is not to give up her husband even he is not of good character or if he is unfortunate, if he is old, or if he is diseased. Still, husband is worshiped by the wife. So you have come here, it is very sinful. So you... People will decry it. Please go back. Now we have finished." So in this way the gopīs will reply that, "You cannot request us to go back because with great difficulty and with great, I mean to say, ecstatic desire we have come to You, and it is not Your duty to ask us to go back." In this way you arrange some talking that Kṛṣṇa is asking them to go back, but they are insisting, "No, let us continue our rāsa dance." Then when the rāsa dance is finished, the gopīs will go, then Kṛṣṇa in His halilak(?), He says that "They are My heart and soul, these gopīs. They are so sincere devotees that they do not care for family encumbrances and all, any bad name. They come to Me. So how shall I repay them?" He was thinking. "How shall I repay their so ecstatic love?" So He thought that "I cannot repay them unless and until I take up their situation to understand Me. Because I Myself cannot understand Me. I have to take the position of the gopīs, how they are loving Me." So with that consideration He took the form of Lord Caitanya. Therefore Kṛṣṇa is blackish, Lord Caitanya is of the color of the gopīs. The whole life of Lord Caitanya is representation of gopīs' love towards Kṛṣṇa. That should be painted in that picture. You have got to ask anything?</p>
<p>Hayagrīva: This is His determination to incarnate as Lord Caitanya.</p>
<p>Prabhupāda: Lord Caitanya, yes.</p>
<p>Hayagrīva: In order to...</p>
<p>Prabhupāda: In order to appreciate Kṛṣṇa in the form of gopī. Just like I have got dealings with you. So you have got your individuality, I have got my individuality, but if I want to study how you are so much obedient and loving to me, then I have to go to your position. It is very natural psychology. Yes. You have to paint in that way.</p>
<p>Hayagrīva: I think that's clear.</p>
<p>Prabhupāda: Huh? That's clear. Accha. Then fourth scene is lunar eclipse. You'll have to arrange a scene that just in the evening there is appearance of the full moon on the side of the Ganges and people are taking bath half in the water and half above the water, and they're all chanting, this same scene, Hare Kṛṣṇa, Hare Kṛṣṇa, with mṛdaṅga and... Yes. So somebody comes, Advaita. Advaita comes in the scene to take bath in the Ganges and begins to dance. "Oh, my mission is now fulfilled! My mission is now fulfilled!" He'll talk. He was very sorry to see the condition of the people that everyone is engaged simply for material sense gratification. Nobody is engaged in love of Godhead. So he wanted to rectify their behavior, but he thought that "I am ordinary man, what can I do? If Kṛṣṇa Himself comes, then He can do it." Therefore he worshiped Kṛṣṇa, and he simply offered Ganges water and tulasī leaf. In this way Kṛṣṇa has taken His incarnation as Lord Caitanya. So he has understood now at this moment Lord Caitanya is now taken His appearance. So he was dancing, "Now my mission is fulfilled. Now my mission is fulfilled."</p>
<p>Hayagrīva: That's Advaita.</p>
<p>Prabhupāda: Advaita. Lunar eclipse, everyone taking bath in the Ganges and chanting.</p>
<p>Hayagrīva: And Advaita is introduced there and he's very joyful on this occasion because he had requested that this incarnation...</p>
<p>Prabhupāda: Yes. He prayed. He prayed to Kṛṣṇa that "You come."</p>
<p>Hayagrīva: He's aware at this time that this is the occurrence of Lord Caitanya's incarnation.</p>
<p>Prabhupāda: Yes. Yes. So this scene should be entered like that.</p>
<p>Hayagrīva: Now I noticed in the list of characters we have up here, Rādhārāṇī. She doesn't appear at this point.</p>
<p>Prabhupāda: No. Rādhārāṇī will be in the rāsa dance?</p>
<p>Hayagrīva: Oh. In the rāsa dance.</p>
<p>Prabhupāda: Yes.</p>
<p>Hayagrīva: That's the...</p>
<p>Prabhupāda: Rādhārāṇī and Kṛṣṇa in the center. And Kṛṣṇa has expanded Himself for other gopīs, hand to hand.</p>
<p>Hayagrīva: That's the third scene, the rāsa dance. So Rādhārāṇī appears in that?</p>
<p>Prabhupāda: That's the third scene, yes. There is the appearance, appearance of Rādhārāṇī.</p>
<p>Hayagrīva: The damsels of Vṛndāvana appear also in the...</p>
<p>Prabhupāda: No, the dance was in Vṛndāvana. Yes. Rāsa dance was in Vṛndāvana.</p>
<p>Hayagrīva: The damsels of Vṛndāvana also appear in the third scene.</p>
<p>Prabhupāda: Yes. Third scene. Yes. Rāsa dance of Lord Kṛṣṇa and His associates, Lord Kṛṣṇa's determination.</p>
<p>Hayagrīva: All right. Now we have the fourth scene. Does Advaita speak to anyone in the fourth scene or is that...?</p>
<p>Prabhupāda: Yes.</p>
<p>Hayagrīva: Is there anyone there? Any of these characters there? I'm trying to introduce these characters.</p>
<p>Prabhupāda: Yes, certainly.</p>
<p>Hayagrīva: The characters should be introduced in the first act.</p>
<p>Prabhupāda: Yes. There should be...</p>
<p>Hayagrīva: A few of them. Not all of them, but a few of them should be...</p>
<p>Prabhupāda: Śrīnivāsa. Śrīnivāsa and Haridāsa. Haridāsa character is there?</p>
<p>Hayagrīva: Yes, I have this.</p>
<p>Prabhupāda: Yes. Haridāsa should be a old man.</p>
<p>Hayagrīva: So Advaita is old too, isn't he?</p>
<p>Prabhupāda: Advaita is old.</p>
<p>Hayagrīva: And Nivas.</p>
<p>Prabhupāda: He is not so old. He is middle-aged man.</p>
<p>Hayagrīva: Could you give me a brief rundown on their...? Are they devotee, they're devotees...</p>
<p>Prabhupāda: Just like the picture is, Advaita, say, his age is about forty years, and Haridāsa and Advaita, he was about more than fifty years old at that time when Caitanya Mahāprabhu was born. They were quite old men. His father's age.</p>
<p>Hayagrīva: They're all devotees.</p>
<p>Prabhupāda: They're all devotees. When Caitanya Mahāprabhu was propagating His saṅkīrtana movement the brāhmaṇas, the orthodox brāhmaṇas, they took objection. "This is not according to Hindu śāstra. This is something new." But only these two gentlemen, they... Advaita happened to be the head of the brāhmaṇa community. So his support... And he was a well-to-do man, he was rich man, influential man. His support made Caitanya's movement successful in Nabadwip. He was a very influential man. And similarly, Śrīnivāsa, he was also, he belonged to the brāhmaṇa community. And Advaita gave shelter to Haridāsa. Haridāsa was a Muhammadan. So he was punished by the Muhammadan magistrate and he took shelter at the house of Advaita. He was maintaining him. You can make them appear in the scene. They were talking between Haridāsa and Śrīnivāsa and Advaita and all of them chanting and dancing, "Now our mission is fulfilled."</p>
<p>Hayagrīva: Yes, I see. All right. Now the fifth scene...</p>
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