View source for You have to wait for relishing that Krsna's rasa-lila, to become more perfect in Krsna consciousness

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{{terms|"you have to wait for relishing that Kṛṣṇa's rasa-līlā, to become more perfect in Kṛṣṇa consciousness"}}
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{{compiler|SharmisthaK}}
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[[Category:You Have To]]
[[Category:Wait]]
[[Category:Relishing Krsna]]
[[Category:Krsna's Rasa-lila]]
[[Category:Become Perfect]]
[[Category:More Perfect]]
[[Category:Perfect Krsna Consciousness]]
[[Category:Pages Needing Audio - SHARMISTHA]]
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<h2>Lectures</h2>
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<h3>General Lectures</h3>
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You have to wait for relishing that Kṛṣṇa's rasa-līlā, to become more perfect in Kṛṣṇa consciousness. Anarthāpagamam. Anartha means when one is freed from all anarthas. But it is so nice, even those who are with anartha, misgivings, if they are devotee, if they have got full surrender unto Kṛṣṇa, so they also will derive benefit.
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[[Vanisource:681115 - Lecture - Los Angeles|681115 - Lecture - Los Angeles]]
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Prabhupāda: Kṛṣṇa's rāsa-līlā should not be discussed in public meeting. It is most confidential. Lord Caitanya Mahāprabhu never discussed. He discussed Kṛṣṇa's pastimes, līlā with gopīs, with His confidential . . . very confidential circle. Or those who are . . . Lord Caitanya had many thousands of followers, and . . .

He was not discussing even within these five persons, śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsadi, Nityānanda, Advaita, Gadādhara, Śrīvāsa and Himself, these five persons. So when He was at Navadvīpa, He was not discussing even with them, what to speak of others. He set up this example so that in future people may be very cautious. Because unless one understands what is Kṛṣṇa, how he can understand Kṛṣṇa's pastime?

So this discussion of rāsa-līlā is the summit of Kṛṣṇa consciousness. It is not ordinary thing. They're purely spiritual. There is nothing material. But because we are not completely free from material concept of life, we may think that Kṛṣṇa's līlā is something like this material. So that is offense. But that is the ultimate goal, to understand Kṛṣṇa's rāsa-līlā.

But you have to wait for relishing that Kṛṣṇa's rasa-līlā, to become more perfect in Kṛṣṇa consciousness. Anarthāpagamam. Anartha means when one is freed from all anarthas. But it is so nice, even those who are with anartha, misgivings, if they are devotee, if they have got full surrender unto Kṛṣṇa, so they also will derive benefit.

Kṛṣṇa's rāsa-līlā means that Kṛṣṇa was adopted, or foster child. Is that foster child? Yes. So, of Nanda Mahārāja. His father exchanged. His father, Vasudeva, wanted to save Kṛṣṇa, and he brought from Mathurā to Vṛndāvana, Gokula. And Nanda Mahārāja had a daughter. So he placed Kṛṣṇa on the lap of Yaśodā and took away the daughter, and this daughter was given to Kaṁsa for killing. Just see, there is selfishness. He wanted to save his own son and wanted to kill Yaśodā's daughter. (chuckling) You see?

So this is not selfishness; therefore we shall misunderstand. That daughter was not ordinary child; she was the material energy herself, Durgā. So when Kaṁsa took that child by the leg and wanted to . . . what is called? Slash? Smash, yes. . . . smash on the stone, the daughter slipped from his hand and appeared as Durgā that, "You fool, you want to kill me. The boy, the child who will kill you, is already born. Don't try for killing me. He's already born."

So Kṛṣṇa, up to sixteen years, He was in Vṛndāvana. Naturally, there were many children, boys and girls, they played together. So they were very . . . Kṛṣṇa, everyone loved. Vṛndāvana means simply center figure is Kṛṣṇa, and everyone loves. So some of the girls, they loved Kṛṣṇa, and a girl's loving means she wants Kṛṣṇa as husband.

But according to Vedic concept, the girls are married at the age of twelve to sixteen years, and boys are married from twenty to twenty-five years. So all the girls were married mostly, but Kṛṣṇa was not married. And some of the girls were not married, but all the girls, they were very fond of Kṛṣṇa. So from the childhood they were friends. So Kṛṣṇa used to play His flute, and all the girls would come.

So this rāsa-līlā was performed on this day, the Kṛṣṇa, in the full moon night, He played the flute, and the girls assembled and there was dance. There is similar dance, just like ball dance in your country. But the specific significance of this dance was that Kṛṣṇa bifurcated Himself in so many boys as many girls there were, and they began to dance in pair. That is sum and substance of rāsa-līlā.
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