In His vaibhava-prakāśa feature, the Lord manifests Himself as Balarāma. The Balarāma feature is as good as Kṛṣṇa Himself, the only difference being that Kṛṣṇa's bodily hue is blackish and Balarāma's is whitish. The vaibhava-prakāśa form was also displayed when Kṛṣṇa appeared before His mother Devakī in the four-handed form of Nārāyaṇa, just when He entered the world. Then at the request of His parents He transformed Himself into a two-handed form. Thus He sometimes manifests four hands and sometimes two. The two-handed form is vaibhava-prakāśa, and the four-handed form is prābhava-prakāśa. In His personal form, Kṛṣṇa is just like a cowherd boy, and He thinks of Himself in that way. But when He is in the Vāsudeva form, He thinks of Himself as the son of a kṣatriya and feels like a kṣatriya, a princely administrator.
White (CC and Other Books)
Expressions researched:
"white"
|"whitened"
|"whiteness"
|"whiter"
|"whites"
|"whitewash"
|"whitish"
Sri Caitanya-caritamrta
CC Adi-lila
"In the spiritual realm, beyond the material covering, is the unlimited Brahman effulgence, which is free from material contamination. That effulgent white light is understood by transcendentalists to be the light of all lights. In that realm there is no need of sunshine, moonshine, fire or electricity for illumination. Indeed, whatever illumination appears in the material world is only a reflection of that supreme illumination. That Brahman is in front and in back, in the north, south, east and west, and also overhead and below. In other words, that supreme Brahman effulgence spreads throughout both the material and spiritual skies."
The transcendental personal forms of the Lord are a mystery, and the symptoms of these forms, which are absolutely different from anything made of mundane elements, are also mysterious. The innumerable forms of the Lord, such as Śyāmasundara, Nārāyaṇa, Rāma and Gaurasundara; the colors of these forms (white, red, yellow, cloudlike śyāma and others); His qualities, as the responsive Personality of Godhead to pure devotees and as impersonal Brahman to dry speculators; His uncommon activities like lifting Govardhana Hill, marrying more than sixteen thousand queens at Dvārakā, and entering the rāsa dance with the damsels of Vraja, expanding Himself in as many forms as there were damsels in the dance—these and innumerable other uncommon acts and attributes are all mysteries, one aspect of which is presented in the scientific knowledge of the Bhagavad-gītā, which is read and adored all over the world by all classes of scholars, with as many interpretations as there are empiric philosophers. The truth of these mysteries was revealed to Brahmā by the descending process, without the help of the ascending one. The Lord's mercy descends to a devotee like Brahmā and, through Brahmā, to Nārada, from Nārada to Vyāsa, from Vyāsadeva to Śukadeva and so on in the bona fide chain of disciplic succession. We cannot discover the mysteries of the Lord by our mundane endeavors; they are only revealed, by His grace, to the proper devotees.
"This boy (Kṛṣṇa) has three other colors—white, red and yellow—as He appears in different ages. Now He has appeared in a transcendental blackish color."
This is a verse from Śrīmad-Bhāgavatam (10.8.13).
White, red and yellow—these are the three bodily lusters that the Lord, the husband of the goddess of fortune, assumes in the ages of Satya, Tretā and Kali respectively.
This text is from Śrīmad-Bhāgavatam (11.5.32). Śrīla Jīva Gosvāmī has explained this verse in his commentary on the Bhāgavatam, known as the Krama-sandarbha, wherein he says that Lord Kṛṣṇa also appears with a golden complexion. That golden Lord Kṛṣṇa is Lord Caitanya, who is worshiped by intelligent men in this age. That is confirmed in Śrīmad-Bhāgavatam by Garga Muni, who said that although the child Kṛṣṇa was blackish, He also appears in three other colors—red, white and yellow. He exhibited His white and red complexions in the Satya and Tretā ages respectively. He did not exhibit the remaining color, yellow-gold, until He appeared as Lord Caitanya, who is known as Gaura Hari.
The author of Śrī Caitanya-caritāmṛta advises everyone to give up all engagements of sense gratification and, like the gopīs, dovetail oneself entirely with the will of the Supreme Lord. That is the ultimate instruction of Kṛṣṇa in the Bhagavad-gītā. We should be prepared to do anything and everything to please the Lord, even at the risk of violating the Vedic principles or ethical laws. That is the standard of love of Godhead. Such activities in pure love of Godhead are as spotless as white linen that has been completely washed. Śrīla Bhaktivinoda Ṭhākura warns us in this connection that we should not mistakenly think that the idea of giving up everything implies the renunciation of duties necessary in relation to the body and mind. Even such duties are not sense gratification if they are undertaken in a spirit of service to Kṛṣṇa.
The residents of Vaikuṇṭha have brilliantly black complexions much more fascinating and attractive than the dull white and black complexions found in the material world. Their bodies, being spiritual, have no equals in the material world. The beauty of a bright cloud when lightning flashes on it merely hints at their beauty. Generally the inhabitants of Vaikuṇṭha dress in yellow clothing. Their bodies are delicate and attractively built, and their eyes are like the petals of lotus flowers.
Lord Viṣṇu lies there with the goddess of fortune, and it is said that during the four months of the rainy season He enjoys sleeping on that Śeṣa Nāga bed. East of Sumeru is the ocean of milk, in which there is a white city on a white island where the Lord can be seen sitting with His consort, Lakṣmījī, on a throne of Śeṣa. That feature of Viṣṇu also enjoys sleeping during the four months of the rainy season. The Śvetadvīpa in the milk ocean is situated just south of the ocean of salt water. It is calculated that the area of Śvetadvīpa is 200,000 square miles. This transcendentally beautiful island is decorated with desire trees to please Lord Viṣṇu and His consort.” There are references to Śvetadvīpa in the Brahmāṇḍa Purāṇa, Viṣṇu Purāṇa, Mahābhārata and Padma Purāṇa, and there is the following reference in Śrīmad-Bhāgavatam (11.15.18).
Our Kṛṣṇa consciousness movement acts on this principle. We simply give people the chance to hear about the Supreme Personality of Godhead and give them prasādam to eat, and the actual result is that all over the world people are responding to this process and becoming pure devotees of Lord Kṛṣṇa. We have opened hundreds of centers all over the world just to give people in general a chance to hear about Kṛṣṇa and accept Kṛṣṇa's prasādam. These two processes can be accepted by anyone, even a child. It doesn’t matter whether one is poor or rich, learned or foolish, black or white, old or still a child—anyone who simply hears about the Supreme Personality of Godhead and takes prasādam is certainly elevated to the transcendental position of devotional service.
“One's beautiful body may be decorated with jewels, but one spot of white leprosy makes the entire body abominable.
The great sage Bharata Muni, an authority on poetic metaphor, has given his opinion in this connection as follows.
“"As one"s body, although well-decorated with ornaments, is made unfortunate by even one spot of white leprosy, so an entire poem is made useless by a fault, despite alliteration, similes and metaphors.’
CC Madhya-lila
There are also fourteen manvantara incarnations: Yajña, Vibhu, Satyasena, Hari, Vaikuṇṭha, Ajita, Vāmana, Sārvabhauma, Ṛṣabha, Viṣvaksena, Dharmasetu, Sudhāmā, Yogeśvara and Bṛhadbhānu. There are also four incarnations for the four yugas, and their colors are described as white, red, blackish and black (sometimes yellow, as in the case of Lord Caitanya Mahāprabhu). There are different types of millenniums and incarnations for those millenniums. The categories called āveśa, prābhava, vaibhava and para constitute different situations for the different incarnations. According to specific pastimes, the names are spiritually empowered. There are also descriptions of the difference between the powerful and the power, and the inconceivable activities of the Supreme Lord.
“Love for Lord Kṛṣṇa is very pure, just like the waters of the Ganges. That love is an ocean of nectar. That pure attachment to Kṛṣṇa does not conceal any spot, which would appear just like a spot of ink on a white cloth.
Unalloyed love of Kṛṣṇa is just like a big sheet of white cloth. Absence of attachment is compared to a black spot on that white cloth. Just as the black spot is prominent, so the absence of love of Godhead is prominent on the platform of pure love of Godhead.
Besides the other preparations, there were chipped rice made with milk and mixed with bananas, and also white squash boiled in milk. Indeed, it is not possible to describe all the preparations that were made.
The young brāhmaṇa took this opportunity to speak: "Please write this down on paper in black and white so that you may not again change your word of honor."
All the assembled people got this statement down in black and white and, taking the signatures of agreement from both of them, served as the mediators.
“"In the past, your son has had bodies of three different colors, according to the age. These colors were white, red and yellow. In this age (Dvāpara-yuga) He has accepted a blackish body."
This verse from Śrīmad-Bhāgavatam (10.8.13) was spoken by Garga Muni when he was performing the rituals at Lord Kṛṣṇa's name-giving ceremony. He states that the incarnations of the Lord in other ages had been white, red and yellow. This yellow color refers to Śrī Caitanya Mahāprabhu, whose bodily complexion was yellowish. This confirms that in past Kali-yugas the Lord also had incarnated in a body that was yellow in hue. It is understood that the Lord incarnates in different colors for the different yugas (Satya, Tretā, Dvāpara and Kali). Accepting the color yellow (pīta), as well as other characteristics, the Lord incarnated as Śrī Caitanya Mahāprabhu. This is the verdict of all Vedic authorities.
At Vṛddhakola, Lord Śrī Caitanya Mahāprabhu visited the temple of Śveta-varāha, the white boar incarnation. After offering Him respects, the Lord visited the temple of Lord Śiva, wherein the deity is dressed with yellow garments.
The temple of the white boar incarnation is situated at Vṛddhakola, or Śrī Muṣṇam. The temple is made of stone and is located about one mile south of an oasis known as Balipīṭham. There is a Deity of the white boar incarnation, above whose head Śeṣa Nāga serves as an umbrella.
"As soon as the general public finds a little fault in the behavior of a sannyāsī, they advertise it like wildfire. A black spot of ink cannot be hidden on a white cloth. It is always very prominent."
The decorations included bright mirrors and hundreds and hundreds of cāmaras (white whisks made of yak tails). On top of the car were a neat and clean canopy and a very beautiful flag.
The fine, white sand spread all over the path resembled the bank of the Yamunā, and the small gardens on both sides looked just like those in Vṛndāvana.
Everyone saw the complexion of His body change from white to pink, so that His luster resembled that of the mallikā flower.
Thus the Bhaṭṭācārya prepared a great variety of food and spread a fine cloth over a white wooden platform.
The four yuga-avatāras are (1) śukla (white) in Satya-yuga (SB 11.5.21), (2) rakta (red) in Tretā-yuga (SB 11.5.24), (3) śyāma (dark blue) in Dvāpara-yuga (SB 11.5.27) and (4) generally kṛṣṇa (black) but in special cases pīta (yellow) as Caitanya Mahāprabhu in Kali-yuga (SB 11.5.32 and 10.8.13).
“In the four yugas—Satya, Tretā, Dvāpara and Kali—the Lord incarnates in four colors: white, red, black and yellow respectively. These are the colors of the incarnations in different millenniums.
“"This child formerly had three colors according to the prescribed color for different millenniums. Formerly He was white, red and yellow, and now He has assumed a blackish color."
This verse from Śrīmad-Bhāgavatam (10.8.13) was spoken by Garga Muni when performing the name-giving ceremony for Kṛṣṇa at the house of Nanda Mahārāja. The following two verses are also from Śrīmad-Bhāgavatam (11.5.21, 24).
“"In Satya-yuga the Lord appeared in a body colored white, with four arms and matted hair. He wore tree bark and bore a black antelope skin. He wore a sacred thread and a garland of rudrākṣa beads. He carried a rod and a waterpot, and He was a brahmacārī."
“As the white incarnation, the Lord taught religion and meditation. He offered benedictions to Kardama Muni, and in this way He showed His causeless mercy.
Kardama Muni was one of the prajāpatis. He married Devahūti, the daughter of Manu, and their son was Kapiladeva. The Supreme Lord was very pleased with Kardama Muni's austerities, and He appeared before Kardama Muni in a whitish body. This happened in the Satya-yuga millennium, when people were accustomed to practicing meditation.
“Kṛṣṇa wears a pearl necklace that appears like a chain of white ducks around His neck. The peacock feather in His hair appears like a rainbow, and His yellow garments appear like lightning in the sky. Kṛṣṇa appears like a newly risen cloud, and the gopīs appear like newly grown grains in the field. Constant rains of nectarean pastimes fall upon these newly grown grains, and it seems that the gopīs are receiving beams of life from Kṛṣṇa, exactly as grains receive life from the rains.
Illusory stories opposed to the conclusions of Kṛṣṇa consciousness concern the destruction of the Yadu dynasty, Kṛṣṇa's disappearance, the story that Kṛṣṇa and Balarāma arise from a black hair and a white hair of Kṣīrodakaśāyī Viṣṇu, and the story about the kidnapping of the queens. Śrī Caitanya Mahāprabhu explained to Sanātana Gosvāmī the proper conclusions of these stories.
Thus in Śrīmad-Bhāgavatam, the Viṣṇu Purāṇa and the Mahābhārata there are references to Kṛṣṇa and Balarāma being incarnations of a black hair and a white hair respectively. It is stated that Lord Viṣṇu snatched two hairs—one white and one black—from His head. These two hairs entered the wombs of Rohiṇī and Devakī, members of the Yadu dynasty. Balarāma was born from Rohiṇī, and Kṛṣṇa was born of Devakī. Thus Balarāma appeared from the first hair, and Kṛṣṇa appeared from the second hair. It was also foretold that all the asuras, who are enemies of the demigods, would be cut down by Lord Viṣṇu by His white and black plenary expansions and that the Supreme Personality of Godhead would appear and perform wonderful activities. In this connection, one should see the Laghu-bhāgavatāmṛta, the chapter called Kṛṣṇāmṛta, verses 156–164. Śrīla Rūpa Gosvāmī has refuted this argument about the hair incarnation, and his refutation is supported by Śrī Baladeva Vidyābhūṣaṇa's commentaries. This matter is further discussed in the Kṛṣṇa-sandarbha (29) and in the commentary known as Sarva-saṁvādinī, by Śrīla Jīva Gosvāmī.
CC Antya-lila
“"The beauty of Kṛṣṇa"s eyes surpasses the beauty of white lotus flowers, His yellow garments surpass the brilliance of fresh decorations of kuṅkuma, His ornaments of selected forest flowers subdue the hankering for the best of garments, and His bodily beauty possesses mind-attracting splendor greater than the jewels known as marakata-maṇi (emeralds).’
This verse from the Vidagdha-mādhava (1.17) is spoken by Paurṇamāsī.
"Please go to the sister of Śikhi Māhiti. In my name, ask her for a māna of white rice and bring it here."
In India śukla-cāula (white rice) is also called ātapa-cāula, or rice that has not been boiled before being husked. Another kind of rice, called siddha-cāula (brown rice), is boiled before being husked. Generally, first-class fine white rice is required for offerings to the Deity. Thus Bhagavān Ācārya asked Choṭa Haridāsa, or Junior Haridāsa, a singer in the assembly of Śrī Caitanya Mahāprabhu, to get some of this rice from the sister of Śikhi Māhiti. A māna is a standard of measurement in Orissa for rice and other food grains.
When the Bengali poet heard this chastisement from Svarūpa Dāmodara Gosvāmī, he was ashamed, fearful and astonished. Indeed, being like a duck in a society of white swans, he could not say anything.
Whenever Vallabha Bhaṭṭa entered the society of devotees, headed by Advaita Ācārya, he was like a duck in a society of white swans.
She made many sweetmeats in the shape of balls. Some were made with powdered coconut, and others looked as white as the water of the Ganges. In this way she made many varieties of long-lasting sugar confections.
His entire body faded to the color of a white conchshell, and then He began to quiver like the waves in the ocean.
The Lord was lying on the ground, His body elongated and bleached white by the water. He was covered from head to foot with sand.
“All the gopīs entrusted their silken garments and ornaments to the care of their friends and then put on fine white cloth. Lord Kṛṣṇa, taking His beloved gopīs with Him, bathed and performed very nice pastimes in the water of the Yamunā.
“Then Kṛṣṇa quarreled with Rādhārāṇī, and all the gopīs hid themselves in a cluster of white lotus flowers. They submerged their bodies up to their necks in the water. Only their faces floated above the surface, and the faces were indistinguishable from the lotuses.
“Many white lotus flowers were floating in the water, and as many bluish lotus flowers came nearby. As they came close together, the white and blue lotuses collided and began fighting with one another. The gopīs on the bank of the Yamunā watched with great amusement.
“The hands of the gopīs, which resembled red lotus flowers, arose from the water in pairs to obstruct the bluish flowers. The blue lotuses tried to plunder the white cakravāka birds, and the red lotuses tried to protect them. Thus there was a fight between the two.
“"Let there be all victory for the chanting of the holy name of Lord Kṛṣṇa, which can cleanse the mirror of the heart and stop the miseries of the blazing fire of material existence. That chanting is the waxing moon that spreads the white lotus of good fortune for all living entities. It is the life and soul of all education. The chanting of the holy name of Kṛṣṇa expands the blissful ocean of transcendental life. It gives a cooling effect to everyone and enables one to taste full nectar at every step."
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
The four yuga-avatāras are also described in Śrīmad-Bhāgavatam. In the Satya-yuga the incarnation of God is white; in the Tretā-yuga He is red; in the Dvāpara-yuga He is blackish; and in the Kali-yuga He is also blackish, but sometimes, in a special Kali-yuga, His color is yellowish (as in the case of Caitanya Mahāprabhu). As far as the śaktyāveśa-avatāras are concerned, they include Kapila, Ṛṣabha, Ananta, Brahmā (although sometimes the Lord Himself becomes Brahmā), Catuḥsana (the Kumāras, who are the incarnation of knowledge), Nārada (the incarnation of devotional service), King Pṛthu (the incarnation of administrative power) and Paraśurāma (the incarnation who subdues evil principles).
After describing the Manu incarnations, Lord Caitanya described the yuga-avatāras to Sanātana Gosvāmī. There are four yugas, or millenniums—Satya, Tretā, Dvāpara and Kali—and in each millennium the Supreme Lord appears in an incarnation of a different color. In the Satya-yuga the color of the principal incarnation is white, in the Tretā-yuga the color is red, in the Dvāpara-yuga blackish (Kṛṣṇa), and in the Kali-yuga yellow (Caitanya Mahāprabhu). This is confirmed in Śrīmad-Bhāgavatam (10.8.13) by the astrologer Garga Muni, who calculated Kṛṣṇa's horoscope in the house of Nanda Mahārāja.
In the Satya-yuga the process of self-realization was meditation, and this process was taught by the white incarnation of God. This incarnation gave a benediction to the sage Kardama by which he obtained an incarnation of the Personality of Godhead as his son. In the Satya-yuga everyone meditated on Kṛṣṇa, and each and every living entity was in full knowledge. In the present age, the Kali-yuga, people who are not in full knowledge are still attempting various meditative processes not recommended for this age.
Kṛṣṇa is known as Madana-mohana because He conquers the mind of Cupid. He is also known as Madana-mohana due to His bestowing favors upon the damsels of Vraja and accepting their devotional service. After conquering Cupid's pride, the Lord engages in the rāsa dance as the new Cupid. He is also known as Madana-mohana because of His ability to conquer the minds of women with His five arrows of form, taste, smell, sound and touch. The pearls of the necklace hanging on Kṛṣṇa's neck are as white as ducks, and the peacock feather decorating His head is colored like a rainbow. His yellow garment is like lightning in the sky, and Kṛṣṇa Himself is like a newly arrived cloud. The gopīs are like food grains in the field, and when the cloud pours rain on those grains, it appears that Kṛṣṇa is nourishing the hearts of the gopīs by calling down His pastime rain of mercy. Indeed, ducks fly in the sky during the rainy season, and rainbows can also be seen at that time. Kṛṣṇa freely moves among His friends as a cowherd boy in Vṛndāvana, and when He plays His flute, all living creatures, mobile and immobile, are overwhelmed with ecstasy. They quiver, and tears flow from their eyes.
Nectar of Devotion
Gaurī means "white woman," and Lord Śiva's wife is called Gaurī. The beautiful women residing within the palaces of Kṛṣṇa were so much whiter than Gaurī that they were compared to the moonshine, and they were constantly visible to Kṛṣṇa. Therefore, no one can be enjoying more than Kṛṣṇa. The conception of enjoyment is beautiful women, ornaments and riches. And all of these were fabulously present in the palaces of Kṛṣṇa, defeating even the imagination of Kuvera, Lord Indra or Lord Śiva.
It is stated that the diffusion of Kṛṣṇa's fame is like the moonshine, which turns darkness into light. In other words, if Kṛṣṇa consciousness is preached all over the world, the darkness of ignorance and the anxiety of material existence will turn into the whiteness of purity, peacefulness and prosperity.
When the great sage Nārada was chanting the glories of the Lord, the bluish line on the neck of Lord Śiva disappeared. Upon seeing this, Gaurī, the wife of Lord Śiva, suspected Lord Śiva of being someone else disguised as her husband, and out of fear she immediately left his company. Upon hearing the chanting of Kṛṣṇa's name, Lord Balarāma saw that His dress had become white, although He was generally accustomed to a bluish dress. And the cowherd girls saw all of the water of the Yamunā River turn into milk, so they began to churn it into butter. In other words, by the spreading of Kṛṣṇa consciousness, or the glories of Kṛṣṇa, everything became white and pure.
Ākalpa refers to the texture of Kṛṣṇa's hair, His nicely dressed body anointed with sandalwood pulp and decorated with flower garlands, His tilaka and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else it was reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.
Sometimes, due to great aggrievement caused by the dealings of Kṛṣṇa, the body changes color. The gopīs therefore addressed the Lord thus: "Dear Kṛṣṇa, due to separation from You, all of the denizens of Vṛndāvana have changed their color. And because of this change of color even the great sage Nārada was thinking of Vṛndāvana as a white island in the ocean of milk."
The shedding of tears, however, sometimes makes the eyes become swollen and whitish, and sometimes the lenses of the eyes become differently focused. Faltering of the voice may sometimes cause choking in the throat and extreme anxiety. As the different symptoms of these ecstatic manifestations are localized, they are accompanied by different local reactions; e.g., when the throat is choked up because of a faltering voice, there may be a sound like "ghura." Such sounds choke the voice, and with extreme mental anxiety they may be manifest in different ways. All these symptoms are listed under the dried-up existential condition known as smoky, and they are exhibited in different ways.
There is another instance of this. A messenger from Kṛṣṇa came to Śrīmatī Rādhārāṇī while She was sleeping, and Rādhārāṇī immediately awakened. Similarly, when Kṛṣṇa began to blow on His flute in the night, all of the gopīs, the beautiful daughters of the cowherd men, immediately got up from their sleep. There is a very beautiful comparison made in this connection: "The lotus flower is sometimes surrounded by white swans, and sometimes it is surrounded by black wasps who are collecting its honey. When there is a thundering in the sky, the swans go away, but the black wasps stay to enjoy the lotus flowers." The gopīs' sleeping condition is compared to the white swans, and the sound of Kṛṣṇa's flute is compared to a black wasp. When Kṛṣṇa's flute sounded, the white swans, which represent the sleeping condition of the gopīs, were immediately vanquished, and the black wasp sound of the flute began to enjoy the lotus flower of the gopīs' beauty.
Neutrality can be further subdivided into general, transparent and peaceful. An attraction for Kṛṣṇa by the people in general or by children cannot take any specific or satisfactory position. It can be manifest sometimes in trembling of the body and changing of the color of the eyes (to red, white, etc.), although there is no symptom of any particular affection.
Transcendental pleasure derived from devotional service can be divided into two groups: direct devotional service and indirect devotional service. Direct devotional service is divided into five transcendental humors or flavors, and indirect devotional service is divided into seven transcendental humors. Direct devotional services are as follows: neutrality, servitude, fraternity, paternity and conjugal love. Indirect devotional service is divided into laughter, compassion, anger, chivalry, dread, astonishment and ghastliness. Devotional service can therefore be divided into twelve types, each of which has a different color. The colors are white, multicolored, orange, red, light green, gray, yellow, off-whitish, smoky, pink, black and cloudy. The twelve different kinds of transcendental humors are controlled by different incarnations of God, such as Kapila, Mādhava, Upendra, Nṛsiṁha, Nanda-nandana, Balarāma, Kūrma, Kalki, Rāghava, Bhārgava, Varāha and Matsya.
Those who are constantly engaged in the personal service of the Lord are called anugas, or followers. Examples of such followers are Sucandra, Maṇḍana, Stamba and Sutamba. They are all inhabitants of the city of Dvārakā, and they are dressed and ornamented like the other associates. The specific services entrusted to the anugas are varied. Maṇḍana always bears the umbrella over the head of Lord Kṛṣṇa. Sucandra is engaged in fanning with the white cāmara bunch of hair, and Sutamba is engaged in supplying betel nuts. All of them are great devotees, and they are always busy in the transcendental loving service of the Lord.
One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."
One of the sakhās, known as Devaprastha, is described as follows. He is very strong, a ready scholar, and is very expert in playing ball. He wears a white dress, and he ties his hair into a bunch with a rope. Whenever there is a fight between Kṛṣṇa and the demons, Devaprastha is the first to help, and he fights just like an elephant.
Childhood age, childish dress, movements by the child, sweet words spoken by the child, nice smiling and various forms of childish play are considered provocations for increasing parental love for Kṛṣṇa. The childhood ages of Kṛṣṇa are divided into three periods: the beginning of kaumāra age, the middle of kaumāra age and the end of kaumāra age. During the beginning and middle of the kaumāra age, Kṛṣṇa's thighs are fatty, and the inner part of His eyes are whitish. There are signs of teeth coming out, and He is very mild and gentle. He is described as follows: "When Kṛṣṇa had only three or four teeth coming out of His gums, His thighs were fatty, His body was very, very short, and He began to enhance the parental love of Nanda Mahārāja and mother Yaśodā with the activities of His childish body.
Mother Yaśodā would then address Nanda Mahārāja, "See my dear son, whose eyes are white, who has a turban on His head, a wrapper on His body and leg bells which tinkle very sweetly on His feet. He is coming near, along with His surabhi calves, and just see how He is wandering upon the sacred land of Vṛndāvana!"
When mother Yaśodā, the Queen of Gokula, was going to see her son Kṛṣṇa at Kurukṣetra, one of her friends addressed her thus: "My dear Queen, the milk flowing out of your breast-mountain has already whitened the River Ganges, and the tears from your eyes, mixed with black mascara, have already blackened the color of the Yamunā. And as you are standing just between the two rivers, I think that there is no need for your anxiety to see your son's face. Your parental affection has already been exhibited to Him by these two rivers!"
Krsna, The Supreme Personality of Godhead
“You are called śuklam. Śuklam, or "whiteness," is the symbolic representation of the Absolute Truth because it is unaffected by the material qualities. Lord Brahmā is called rakta, or red, because Brahmā represents the quality of passion for creation. Darkness is entrusted to Lord Śiva because he annihilates the cosmos. The creation, annihilation and maintenance of this cosmic manifestation are conducted by Your potencies, yet You are always unaffected by those qualities. As confirmed in the Vedas, harir hi nirguṇaḥ sākṣāt: "The Supreme Personality of Godhead is always free from all material qualities." It is also said that the qualities of passion and ignorance are nonexistent in the person of the Supreme Lord.
Garga Muni then informed Nanda Mahārāja, "As far as your son is concerned, this child has taken different bodily complexions in different yugas (millennia). First of all He assumed the color white, then the color red, and then the color yellow, and now He has assumed the color black. Besides that, He was formerly the son of Vasudeva; therefore His name should be Vāsudeva as well as Kṛṣṇa. Some people will call Him Kṛṣṇa, and some will call Him Vāsudeva. But one thing you must know: this son has had many, many other names and activities due to His different pastimes."
The autumn season takes away the rolling of dark clouds in the sky as well as the polluted water. Filthy conditions on the ground also become cleansed. Similarly, a person who takes to Kṛṣṇa consciousness immediately becomes cleansed of all dirty things within and without. Kṛṣṇa is therefore known as Hari. Hari means "he who takes away." Kṛṣṇa immediately takes away all unclean habits from anyone who takes to Kṛṣṇa consciousness. The clouds of autumn are white, for they do not carry any water. Similarly, a retired man, being freed from all responsibility of family affairs (namely, maintaining the home, wife and children) and taking completely to Kṛṣṇa consciousness, becomes freed from all anxieties and looks as white as clouds in autumn. Sometimes in autumn the falls come down from the top of the hill to supply clean water, and sometimes they stop.
On hearing the praises of the cowherd men in Vṛndāvana, King Nanda said, “My dear friends, in reply to you I can simply present the statement of Garga Muni so that your doubts may be cleared. When he came to perform the name-giving ceremony, he said that this boy descends in different periods of time in different colors and that this time He has appeared in Vṛndāvana in a blackish color, known as kṛṣṇa. Previously He had a white color, then a red color, then a yellow color. He also said that this boy was once the son of Vasudeva, and everyone who knows of His previous birth calls Him Vāsudeva. Actually, he said that my son has many varieties of names, according to His different qualities and activities. Gargācārya assured me that this boy would be all-auspicious for my family and that He would be able to give transcendental blissful pleasure to all the cowherd men and cows in Vṛndāvana.
When Akrūra entered Vṛndāvana, he saw Kṛṣṇa and Balarāma engaged in supervising the milking of the cows. Kṛṣṇa was dressed in yellow garments and Balarāma in bluish. Akrūra also saw that Their eyes were exactly like the beautiful lotus flower that grows during the autumn season. He saw Kṛṣṇa and Balarāma in the spring of Their youth. Although They had the same bodily features, Kṛṣṇa was blackish in complexion, whereas Balarāma was whitish. Both were the shelter of the goddess of fortune. They had well-constructed bodies, beautiful hands and pleasing faces, and They were as strong as elephants. Now, after seeing Their footprints, marked with flag, trident, thunderbolt and lotus, Akrūra actually saw Kṛṣṇa and Balarāma face to face.
While he was standing in the river, Akrūra suddenly saw Balarāma and Kṛṣṇa within the water. He was surprised to see Them there because he was confident that They were sitting on the chariot. Confused, he immediately came out of the water and went to see where the boys were, and he was very much surprised to see that They were sitting on the chariot as before. When he saw Them on the chariot, he began to wonder whether he had mistakenly seen Them in the water. He therefore went back to the river. This time he saw not only Balarāma and Kṛṣṇa there but many of the demigods and all the Siddhas, Cāraṇas and Gandharvas. They were all bowing down before the Lord. He also saw Lord Śeṣa Nāga, with thousands of hoods. Lord Śeṣa Nāga was covered with bluish garments, and His necks were all white. The white necks of Śeṣa Nāga appeared exactly like snowcapped mountains. On the coiled lap of Śeṣa Nāga, Kṛṣṇa was sitting very soberly, with four hands. His eyes were like the reddish petals of the lotus flower.
Another lady said, “Don’t you see how the face of Lord Balarāma has turned especially beautiful? There is a reddish hue on His white face because He is engaged in a strenuous wrestling match with Muṣṭika.”
Requested by Lord Kṛṣṇa, Uddhava immediately left on his chariot and carried the message to Gokula. He approached Vṛndāvana at sunset, when the cows were returning home from the pasturing ground. Uddhava and his chariot were covered by the dust raised by the hooves of the cows. He saw bulls running after cows for mating; other cows, with overladen milk bags, were running after their calves to feed them with milk. Uddhava saw that the entire land of Vṛndāvana was filled with white cows and their calves, running here and there all over Gokula, and he could hear the sound of milking. Every residential house in Vṛndāvana was decorated for the worship of the sun-god and the fire-god and for the reception of guests, cows, brāhmaṇas and demigods. Every home was sanctified by lights and incense. All over Vṛndāvana there were nice gardens filled with flowers and the sounds of humming bees and singing birds. The lakes were filled with lotus flowers and with ducks and swans.
When the demigod Indra saw that Kṛṣṇa was constructing a particular city of His own choice, he sent the celebrated pārijāta tree of the heavenly planets to be planted in the new city, and he also sent a parliamentary house, Sudharmā. The specific quality of this assembly house was that anyone participating in a meeting within it would overcome the influence of invalidity due to old age. The demigod Varuṇa presented a horse, which was all white except for black ears and which could run at the speed of the mind. Kuvera, the treasurer of the demigods, presented the art of attaining the eight perfectional stages of material opulence. In this way, all the demigods began to present their respective gifts according to their different capacities.
In the meantime, Kṛṣṇa engaged in the pastime of offering the Khāṇḍava forest, which belonged to King Indra. Kṛṣṇa wanted to give it to Agni, the fire-god. The Khāṇḍava forest contained many varieties of drugs, and Agni required to eat them for rejuvenation. Agni, however, did not touch the Khāṇḍava forest directly but requested Kṛṣṇa to help him. Agni knew that Kṛṣṇa was very much pleased with him because he had formerly given Him the Sudarśana disc. So in order to satisfy Agni, Kṛṣṇa became the chariot driver of Arjuna, and both went to the Khāṇḍava forest. After Agni had eaten up the Khāṇḍava forest, he was very much pleased. At this time he offered Arjuna a special bow known as Gāṇḍīva, four white horses, one chariot and an invincible quiver with two special arrows considered to be talismans, which had so much power that no warrior could counteract them.
Within their minds, they decided to accept Lord Kṛṣṇa as their husband without hesitation. Each one of them prayed to Providence that Kṛṣṇa might become her husband. Sincerely and seriously, they offered their hearts to the lotus feet of Kṛṣṇa with an unalloyed devotional attitude. As the Supersoul in everyone's heart, Kṛṣṇa could understand their uncontaminated desire, and He agreed to accept them as His wives. Thus He arranged for suitable garments and ornaments for them, and each of them, seated on a palanquin, was dispatched to Dvārakā City. Kṛṣṇa also collected unlimited wealth from the palace, a treasure of chariots, horses, jewels and so on. He took from the palace fifty white elephants, each with four tusks, and all of them were dispatched to Dvārakā.
The palace of Rukmiṇī was wonderfully furnished. Hanging from the ceiling were many canopies with laces bedecked with pearl garlands, and the whole palace was illuminated by the effulgence of valuable jewels. There were many flower groves of mallikā and cāmeli, which are considered the most fragrant flowers in India. There were many clusters of these plants, with blooming flowers enhancing the beauty of the palace. And because of the exquisite fragrance of the flowers, little groups of humming bees gathered around the trees, and at night the pleasing moonshine glittered through the network of holes in the windows. There were many heavily flowered trees of pārijāta, and the mild wind stirred the fragrance of the flowers all around. Incense burned within the walls of the palace, and the fragrant smoke leaked out of the window shutters. Within the room were mattresses covered with white bedsheets; the bedding was as soft and white as milk foam. In this situation, Lord Śrī Kṛṣṇa sat very comfortably and enjoyed the service of Rukmiṇījī, who was assisted by her maidservants.
Upon displaying this submissive attitude, the Yamunā was forgiven, and when she came nearby, Lord Balarāma enjoyed the pleasure of swimming in her waters along with the gopīs in the same way that an elephant enjoys himself along with his many she-elephants. After a long time, when Lord Balarāma had enjoyed to His full satisfaction, He came out of the water, and immediately a goddess of fortune offered Him a nice blue garment and a valuable necklace made of gold. After bathing in the Yamunā, Lord Balarāma, dressed in blue garments and decorated with golden ornaments, looked very attractive to everyone. Lord Balarāma's complexion is white, and when He was properly dressed He looked exactly like the white elephant of King Indra in the heavenly planets. The river Yamunā still has many small branches due to being scratched by the plowshare of Lord Balarāma. And all these branches of the river Yamunā still glorify the omnipotence of Lord Balarāma.
The language and tone used by Balarāma are simply abusive, and due to the influence of this age it appears that the shoes befitting the feet want to rise to the top of the head, where the helmet is worn. We are connected with the Yadu dynasty by marriage, and because of this they have been given the chance to come live with us, dine with us and sleep with us; now they are taking advantage of these privileges. They had practically no position before we gave them a portion of our kingdom to rule, and now they are trying to command us. We have allowed the Yadu dynasty to use the royal insignias like the whisk, fan, conchshell, white umbrella, crown, royal throne, sitting place and bedstead, along with everything else befitting the royal order. They should not have used such royal paraphernalia in our presence, but we did not check them due to our family relationships. Now they have the audacity to order us to do things. Well, enough of their impudence!
“Even the King of heaven, Indra, abides by the order of the Yadu dynasty; and you consider King Ugrasena, the head of the Bhojas, Vṛṣṇis, Andhakas and Yādavas, to be the leader of a small phalanx! Your conclusion is wonderful! You do not care for King Ugrasena, whose order is obeyed even by King Indra. Consider the exalted position of the Yadu dynasty. They have forcibly used both the assembly house and the pārijāta tree of the heavenly planets, and still you think that they cannot order you. Don’t you even think that Lord Kṛṣṇa, the Supreme Personality of Godhead, can sit on the exalted royal throne and command everyone? All right! If your thinking is like that, you deserve to be taught a very good lesson. You have thought it wise that the royal insignias like the whisk, fan, white umbrella, royal throne and other princely paraphernalia not be used by the Yadu dynasty. Does this mean that even Lord Kṛṣṇa, the Lord of the whole creation and the husband of the goddess of fortune, cannot use this royal paraphernalia? The dust of Kṛṣṇa's lotus feet is worshiped by all the great demigods.
When the brāhmaṇa entered his personal apartment in the palace, he saw that it was not an apartment but the residence of the King of heaven. The palace was surrounded by many columns of jewels. The couches and the bedsteads were made of ivory and bedecked with gold and jewels, and the bedding was as white as the foam of milk and as soft as a lotus. There were many whisks hanging from golden rods, and many golden thrones with sitting cushions as soft as lotus flowers. In various places there were velvet and silken canopies with laces of pearls hanging all around. The structure of the building stood on excellent transparent marble, with engravings made of emerald stones. All the women in the palace carried lamps made of valuable jewels. The flames and the jewels combined to produce a wonderfully brilliant light. When the brāhmaṇa saw his position suddenly changed to one of opulence, and when he could not determine the cause for such a sudden change, he began to consider very gravely how it had happened.
Accompanied by Kṛṣṇa, Arjuna saw a large palace within the water. There were many thousands of pillars and columns made of valuable jewels, and the glaring effulgence of those columns was so beautiful that Arjuna was charmed by it. Within that palace, Arjuna and Kṛṣṇa saw the gigantic form of Anantadeva, who is also known as Śeṣa. Lord Anantadeva, or Śeṣa Nāga, was in the form of a great serpent with thousands of hoods, each one decorated with valuable, effulgent jewels, beautifully dazzling. Each of Anantadeva's hoods had two eyes, which appeared very fearful. His body was as white as the mountaintop of Kailāsa, which is always covered with snow. His necks were bluish, as were His tongues. Thus Arjuna saw the Śeṣa Nāga form, and he also saw that on the very soft, white body of Śeṣa Nāga, Lord Mahā-Viṣṇu was lying very comfortably. He appeared all-pervading and very powerful, and Arjuna could understand that the Supreme Personality of Godhead in that form is known as Puruṣottama.
All the sixteen thousand palaces of Kṛṣṇa's queens were situated in this beautiful city of Dvārakā, and Lord Kṛṣṇa, the supreme eternal enjoyer of all these facilities, expanded Himself into sixteen thousand forms and simultaneously engaged in different family affairs in those sixteen thousand palaces. In each and every one of the palaces there were nicely decorated gardens and lakes. The crystal-clear water of the lakes contained many blooming lotus flowers of different colors, like blue, yellow, white and red, and the saffron powder from the lotus flowers was blown all around by the breeze. All the lakes were full of beautiful swans, ducks and cranes, crying occasionally with melodious sounds. Lord Śrī Kṛṣṇa sometimes entered those lakes or the rivers with His wives and enjoyed swimming pastimes with them in full jubilation. Sometimes the wives of Lord Kṛṣṇa, who were all goddesses of fortune, would embrace the Lord in the midst of the water while swimming or taking a bath, and the red vermilion of kuṅkuma decorating their beautiful breasts would adorn the chest of the Lord with a reddish color.
Light of the Bhagavata
In the varṇāśrama system the student goes to the āśrama of the master to take lessons from him and serve him, even as a menial servant. The troubles o the student are at once mitigated when he attains transcendental knowledge in terms of his relation with Śrī Kṛṣṇa, the Personality of Godhead. As the white clouds no longer bear the burden of water in the autumn sky, the student finds that the troubles of drawing water for the master become a burdenless job if the student, by the grace of his master, attains to spiritual knowledge.
The beautiful white clouds, freed from all burdens of water distribution, float in midair, like mendicants freed from all family responsibilities.
But that does not mean that there is no reality in them. One should not conclude that there is no good money simply because one has met with counterfeit coins. The sannyāsa-āśrama is meant for complete freedom from all anxieties, and it is meant for uplifting the fallen souls, who are merged in materialism. But unless the sannyāsī is freed from all cares and anxieties, like a white cloud, it is difficult for him to do anything good for society.
Sri Isopanisad
"In the spiritual realm, beyond the material covering, is the unlimited Brahman effulgence, which is free from material contamination. That effulgent white light is understood by transcendentalists to be the light of all lights. In that realm there is no need of sunshine, moonshine, fire or electricity for illumination. Indeed, whatever illumination appears in the material world is only a reflection of that supreme illumination. That Brahman is in front and in back, in the north, south, east and west, and also overhead and below. In other words, that supreme Brahman effulgence spreads throughout both the material and spiritual skies."
Narada-bhakti-sutra (sutras 1 to 8 only)
Lust leads to fruitive activity for sense gratification. There are different kinds of duties for the human being, such as political obligations, performance of Vedic rituals, obligations for maintaining the body, and social formalities and conventions, but all such activities are directed toward satisfying one's own senses. The gopīs, however, simply wanted to satisfy Kṛṣṇa's senses, and thus they completely gave up the conventional path of social restriction, not caring for their relatives or the chastisement of their husbands. They gave up everything for the satisfaction of Kṛṣṇa, showing their strong attachment to Kṛṣṇa to be as spotless as washed white cloth.
| Page Title: | White (CC and Other Books) |
| Compiler: | Rishab, Visnu Murti |
| Created: | 23 of May, 2011 |
| Totals by Section: | BG=0, SB=0, CC=47, OB=43, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 90 |