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Shakespeare

Lectures

Bhagavad-gita As It Is Lectures

Lecture on BG 3.17-20 -- New York, May 27, 1966:

Just like Śukadeva Gosvāmī. He was, as the other day we were narrating the story of Śukadeva Gosvāmī, he was passing on naked, sixteen-years-old boy, young boy, and very nice feature of the body, peaceful. And he was passing naked, and the girls who were taking bath, naked on the river, they saw that innocent person, so they did not cover their body. But when the father was passing, such a learned sage, old man, Vyāsadeva, who is the author of all Vedic literatures—he is not an ordinary man. But because he was a worldly man, a householder, the girls, after seeing him, covered their body. That story the other day we have narrated before you. So the stage of Śukadeva Gosvāmī is ātma-rati, self-satisfied, doesn't care for anything of the world. He is aloof from the world. We should not imitate Śukadeva Gosvāmī and become naked. (chuckles)

Simply by... There are many so-called mendicants in India. They, I mean to say, loiter in the street naked, and sometimes they are arrested by the police, like that. Imitation is not required. Imitation is not required. But there is a stage like that. Just like a madman. Sometimes a madman, he also, I mean to say, wanders the street naked. So he is also compact in some thought, but he is a madman. But similarly, a person who is completely compact in Kṛṣṇa thought, Kṛṣṇa consciousness, he is also a madman according to the calculation of this world.

I think there is a line in Shakespeare's literature, "The lunatic, mad, and the poet" or something like that, "all compact in thought." (The actual reference is A Midsummer Night's Dream, Act V, Scene I: "The lunatic, the lover, and the poet, are of imagination all compact."). So a madman and a ātma-rati person, self-satisfied man, outwardly, you will find there is no difference, but inwardly, oh, there is vast difference.

There is a story of Jaḍa Bharata. Jaḍa Bharata, a brāhmaṇa boy whose name was Jaḍa Bharata. He was formerly the emperor of this world. His name was Mahārāja Bharata. And by his name now India is called Bhāratavarṣa. Formerly this whole planet was named as Bhāratavarṣa. Before that, this planet was named as Ilāvṛtavarṣa, long, long years, millions of years before. But Jaḍa Bharata, he also lived ātma-rati, self-satisfied. In the beginning of his spiritual life he left this world, a very young age. When he was only twenty-four years old he left his wife, children, and kingdom. It is not joke. An emperor with beautiful young wife, small children, and palace—he left everything. There are many instances like that.

Srimad-Bhagavatam Lectures

Lecture on SB 1.10.13 -- Mayapura, June 26, 1973:

Devotee (3): No, I think that's Rajneesh Acarya.

Prabhupāda: Eh?

Devotee (3): Rajneesh Acarya says that one should have unrestricted sex life.

Prabhupāda: So there are so many rascals. Therefore...

Indian: Shakespeare writes in his books that marriage is nothing but legal prostitution.

Prabhupāda: Yes. So that is their interpretation. Marriage, Vedic śāstra enjoins marriage, and it is for prostitution. Just see the interpretation. All the great ṛṣis, they recommended: "Yes, you can go on, prostitution, with your prostitution, under the sanction of the śāstra." No, it is not that. The real purpose is to restrict. Just like meat-eating. Meat-eating is recommended in Vedic literature. There is kālī-pūjā. Kālī-pūjā. By sacrificing one goat before Goddess Kālī. Goddess Kālī's worshiped on the amāvasyā. Amāvasyā takes place once in a month. Therefore these rascals who are meat-eaters, they'll be restricted. If they accept the śāstra, "No, no, if we eat meat from the butcher's place, then we shall be sinful. Let us eat meat..." Just like in Calcutta you'll find so many butchers, they have kept one Goddess Kālī deity so that people will think now it is not sinful. Here the māṁsa, the meat is not..., it is sanctified. Hindu-brāhmaṇa-kati(?). So these things are going on. Actually, it is restriction. And even when there is bali, the sacrifice is given, the mantra means, the mantra says that "This man is killing you. You'll get next life a human being. But you have the opportunity, option, to kill him." This is the mantra. Now, if somebody's responsible, he'll certainly think that "I am going to be killed by this goat again?" Māṁsa khadati. Mām: "He will eat me." That is māṁsa. So no responsible man will take that responsibility, that "I will kill this animal. Again he'll become a man and he'll kill me. No, no. Stop this business."

Lecture on SB 2.9.1 -- Tokyo, April 20, 1972:

Sometimes we played in our younger age Caitanya-līlā. I introduced. And one big director, Amrtalal Chosa, he was just like grandfather. He was one of the, just like in England Shakespeare and others, big, big dramatic, well-known persons. This Amrtalal Chosa and Girish Chandra Chosa, they introduced in India theatric... So we called him to give us direction. He was giving us direction, and repeatedly he was telling that "You feel like that," especially to me. "You feel like that." So actually, when we played according to his direction, the audience were all crying. And we could not understand how they cried. We could not understand. On the stage when we played, it was so perfect that all audience were crying. Actually we saw they were smearing over their eyes with... But the whole thing is artificial, but the effect to the audience became so nice. So similarly, we are... Actually we have nothing to do with this material world, But we have been trained by the illusory energy in such a way that we are thinking, "I am Indian. I am American. I am this. I am that. I am brāhmaṇa. I am śūdra. I have to do this. I have got so much duty," all these illusions, simply thinking. We have nothing to do with all this nonsense, but still, we are taking it very serious. "I have to do like that. I have to do like that. I am this. I am that." That's all. That is explained.

Lecture on SB 7.9.18 -- Mayapur, February 25, 1976:

Even in the bird society there are classes: crow society, swan society, pigeon society, sparrow society. Everyone has got society. But one society is different from another society. Similarly, where there is kṛṣṇa-kathā, the crowslike men will not come. Where there is cinema, where there is prostitute dance, where there is drinking, the crowslike men will gather. Tad vāyasa-tīrtham. Tad vāyasa... Vāyasa means crows. So, na tad vacaś citra-padaṁ harer yaśo pragṛṇīta karhicit, tad vāyasaṁ tīrtham. Any literature, very nicely written, just like Shakespeare writing or some other, big, big mundane writers, their writing, it is very nicely written, grammatically very correct, and metaphorically very nicely meant... Na tad vacaś citra-padam. Citra-padam means very artistically written. There are literatures very artistical. Na tad vacaś citra-padaṁ harer yaśo pragṛṇīta karhicit. But there is no glorification of the Lord; simply literary presentation. Such kind of literature is described, tad vāyasa-tīrtham: "This kind of literature is preferred by the class of men who are like crows." Crows. But the Vedic literature, which is sung by Lord Brahmā or Lord Śiva or a devotee, even that is broken language presented, tad gṛṇanti śṛṇvanti sādhavaḥ: "They'll be accepted by saintly person. They'll sing it and they'll accept it." That is the secret of success. If your literature is exactly following the mahājano yena sa gataḥ, then it will be liked by highly advanced saintly person.

Conversations and Morning Walks

1973 Conversations and Morning Walks

Room Conversation with Indian Ambassador -- September 5, 1973, Stockholm:

Prabhupāda: Why you should misuse Bhagavad-gītā.

Ambassador: The devil can quote the scripture for his purpose.

Prabhupāda: Eh?

Ambassador: That's what Shakespeare said, sir, "The devil can quote the scripture for his purpose."

Prabhupāda: That's it. Yes. That's a fact. Yes, why you should try to introduce your philosophy... Now, say, for Gandhi's non-violence. Where is non-violence in Bhagavad-gītā.

Ambassador: (laughs.) It's... Yeah, this is true. Ahiṁsā paramo dharmaḥ, dharmo 'hiṁsā tathaiva ca. (?)

Prabhupāda: So our, our point is that you may express your own op... Everyone has got right to... Especially Mahatma Gandhi, he was actually a great personality. There is no doubt about it. But so far Bhagavad-gītā is concerned, he did not know anything. But from his behavior, it was seen that at heart he was a devotee. Yes. At heart he was a devotee. Yes. Because he was chanting...

Room Conversation with Indian Guest -- October 4, 1973, Bombay:

Prabhupāda: Then why your knowledge and my knowledge different?

Guest (1): Because of our construction of mind.

Prabhupāda: That's it. That's it, that...

Guest (1): The vibration comes the same, but one poet may write a poetry of a very high..., you know, Shakespeare...

Prabhupāda: I've got... I made...

Guest (1): And another can be a lower form. But both of them are true. For me, even in the lower poetry's true, the higher is true. But it is a question of gradation merely, where the man has reached to.

Prabhupāda: Well, everything is true, but higher true, or lower true?

Guest (1): Both are true.

Prabhupāda: Both are true, but both are not the same thing. Then why higher and lower?

Room Conversation -- November 4, 1973, Delhi:

Prabhupāda: So far I am concerned, although people say I am Sanskrit scholar, but we are not educated as Sanskrit scholar. Whatever Sanskrit we have learned from this book only. A Sanskrit scholar is different, he learns grammar 14 years.

Guest: A waste of time, a waste of life.

Prabhupāda: Yes. Then other side, he takes a whole time, you see?

Guest: (indistinct) greatest Romanian poet and he studies Sanskrit and (indistinct) he's worshiped like Shakespeare in Romania. And (indistinct)

Prabhupāda: In Germany there are many Sanskrit scholars.

Guest: Max Muller for example.

Prabhupāda: Max Muller was not very big scholar, but at the present moment there are many actually scholars.

Guest: And Lesnee(?), Professor Lesnee(?) was another scholar in Bengali and Sanskrit.

Prabhupāda: But that does not mean he knows the Vedic literatures.

1976 Conversations and Morning Walks

Room Conversation -- January 8, 1976, Nellore:

Prabhupāda: No, no, don't bring any other.... That is...

Acyutānanda: He claimed that an angel...

Prabhupāda: If you accept.... We are taking from God. Kṛṣṇa instructed Brahmā, Brahmā instructed Nārada, Nārada instructed Vyāsadeva, and therefore we are taking.

Acyutānanda: So it is a novel. Like Shakespeare wrote Hamlet...

Prabhupāda: Yes. It may be novel for you because we take you as a mūḍha. We don't give any credit. We say.... Find out this, mūdho nābhijānāti mām ebhyaḥ param.

Tamāla Kṛṣṇa: I have this, mūḍho 'yam nābhijānāti loko mām ajam avyayam (BG 7.25)?

Prabhupāda: Hm hm.

Room Conversation -- June 18, 1976, Toronto:

Prabhupāda: Vibhrama, the Sanskrit is vibhrama-milita-kriyā. The ārambha, ārambha means endeavor. Very gorgeous. The result is sand and rocks. Going to the moon planet, the ārambha was so much expensive. And the result is to bring some sand and rocks. This is hoax. And another: parvatān muṣakodbhavaḥ. Hoax. There was a great advertisement that the Himalayan mountain is going to deliver a child. So people gathered on, to see, "Oh, such a big mountain. The child must be a very big child." So they went to see there, and they saw one rat is coming from the hole of.... A rat is coming. They expected another Himalayan mountain, and they saw from the holes, one rat is coming. This is going on. And they are satisfied. "Now the Himalaya has delivered the child." One rat. (laughs) This attempt is like Himalayas begetting a child. If some elephant would have come, it would have saved the..., not even elephant, one rat. And in English, another is, "Much ado about nothing."

Hari-śauri: Shakespeare.

Prabhupāda: Yes. The result is nothing. What is the meaning of "ado"?

Puṣṭa Kṛṣṇa: Endeavor.

Prabhupāda: Endeavor. Yes. So these things are like that. Not sober. Dhīras tatra na muhyati (BG 2.13). They are not sober. Adhīra. Therefore they meet with so many accidents. You also. As soon as we're in the car, he wants to drive at a hundred miles speed.

Conversation with George Harrison -- July 26, 1976, London:

Hari-śauri: The varṇāśrama system. It's very good.

Prabhupāda: This instruction of Śrīmad-Bhāgavatam was never given before in the Western countries. This is the first time.

George Harrison: Yes.

Prabhupāda: Therefore they're appreciating. We are selling our books daily sixty thousand dollars. All over the world.

Mukunda: Śrīla Prabhupāda, you're going to outdo Shakespeare soon. You'll have written more English words than William Shakespeare. (Prabhupāda laughs) Maybe you already have.

Hari-śauri: I don't think Shakespeare's brought out fifty-six books.

Mukunda: The Encyclopedia Brittanica wrote to us asking for...

Prabhupāda: They have said...

George Harrison: These books are such a lot of work. I don't know how he did it all.

Gurudāsa: While everyone else sleeps, Prabhupāda...

George Harrison: Yes.

Prabhupāda: At night I don't sleep. Not that because I am nowadays sick. But generally I don't sleep. At most two hours. At most.

Room Conversation -- August 22, 1976, Hyderabad:

Gargamuni: Yes. A school teacher.

Prabhupāda: Yes. So he was paying everything almost, keeping little money. And then he brought him.

Hari-śauri: I have a picture of you with your hair. I'll show you. I have a picture of Gargamuni Swami when he still had hair and karmī clothes.

Gargamuni: "Shakespearean locks." Prabhupāda used to call me that.

Hari-śauri: Hair in this picture's a bit cropped up, but you had a bead bag then.

Gargamuni: Oh, yeah, then that was later.

Prabhupāda: You were selling Back to Godhead on the street?

Gargamuni: Yes, in the pushcart.

Prabhupāda: That time how many copies we were printing?

1977 Conversations and Morning Walks

Conversation During Massage -- January 23, 1977, Bhuvanesvara:

Prabhupāda: And they were supplying. They want interest money—"Never mind against our country." Therefore Hitler decided, "Kill all the Jews."

Rāmeśvara: These banks in the West, they supported Lenin. They made it possible to finance his revolution.

Prabhupāda: Yes. They have got money. The Jews have got money. They want to invest and get some profit. Their only interest is how to get money, no nationalism, no religion, nothing of the sort. Therefore it is not now; long, long ago... Therefore Shakespeare wrote "Shylock, the Jew."

Hari-śauri: Yes. "Shylock."

Prabhupāda: "One pound of flesh." The Jews were criticized long, long ago.

Hari-śauri: They were hated in the Middle Ages.

Rāmeśvara: America now has this policy that they will sell their guns to both sides.

Prabhupāda: That is all right, because they are doing business. So I am shopkeeper. Anyone pays, I shall... That is good.

Rāmeśvara: But no discrimination.

Prabhupāda: Why discrimination? I am selling. You come. Pay me. I shall give you.

Room Conversation with Svarupa Damodara -- January 30, 1977, Bhuvanesvara:

Pradyumna: It's the opposite of the devotee.

Prabhupāda: (chuckles) Rascal. Artificially how long you'll stand?

Svarūpa Dāmodara: Actually he has... He has remarked many important things for us also, especially in his autobiography. We are quoting some of his words saying that when he was young, in his childhood, he was very fascinated by works of art like reading literature, like works of Shakespeare and poets like Byron, Keats, and Shelley. He said he was very fascinated in his childhood.

Prabhupāda: No, he was a thoughtful man, undoubtedly.

Svarūpa Dāmodara: But when he finished his book, The Theory of Evolution, in his old age, he said he lost all the taste. He said whenever he starts to remember his youthful days, he said, he's almost at the point of nauseation, almost vomiting. Whenever he remembers Shakespeare, Byron, and all these things, he says he begins to vomit.

Prabhupāda: He became too much prosaic. He became prosaic. He could not appreciate poetic.

Svarūpa Dāmodara: He said he lost all taste in life. He said it's..., no meaning. He said life becomes no meaning, has no meaning and no purpose. He said he lost all his taste.

Prabhupāda: He regrets.

Room Conversation with Ratan Singh Rajda M.P. 'Nationalism and Cheating' -- April 15, 1977, Bombay:

Prabhupāda: Call Gopīnātha.

Tamāla Kṛṣṇa: But he points out that the final method, which is to hear from one who actually knows, that is the best way.

Prabhupāda: That is our... And who knows better than Kṛṣṇa? That's all. That is Kṛṣṇa consciousness.

Tamāla Kṛṣṇa: Satsvarūpa gives the example: Shakespeare is the expert on Shakespeare. Kṛṣṇa is the expert on Kṛṣṇa.

Prabhupāda: That is good. Very nice.

Devotee (4): He's coming, Prabhupāda. He was just in the shower.

Prabhupāda: So we have to discuss very thoroughly all these subject matter.

Tamāla Kṛṣṇa: Another form of cheating is done by man and women for sex life. Just like a woman cheats by putting on all this makeup with the idea that "I will attract someone for my sense pleasure." And the man promises so many things: "I will take care of you. I will do this. I will do that."

Prabhupāda: Well, first of all, if you accept that you have got the cheating propensity, then all other things come.

Correspondence

1972 Correspondence

Letter to Mandali Bhadra -- Jaipur 20 January, 1972:

So far your telling me that some devotees consider that because there may be some grammatical discrepancies in my Srimad-Bhagavatam, first canto, then they may also be allowed to translate with errors accepted, that is just like imitating Raslila. When you do all other things like Krishna, they you can do Raslila. So if these other writers can do like me and spread Krishna Consciousness all over the world by becoming big Vedic scholars, then they can do. If one is too big, there is no mistake. Arsapreyaya means there may be discrepancies but it is all right. Just like Shakespeare, sometimes there are odd usages of language, but he is accepted as authority. I have explained all these things in my Preface to First Canto.

Letter to Madhudvisa -- London 8 July, 1972:

Regarding your question of dancing-show, whatever it may be, it may not deviate from the real Krishna Consciousness program. We are Hari Kirtana men, that's all. We can attract people by some gorgeous show, but inside there must be strict purity and seriousness, otherwise, we shall be attracted by the gorgeous show only. There are two energies always working simultaneously, and Maya means when we diminish the spiritual energy, then automatically we become attracted to the external dress of Maya. So I do not care very much for these plays and dramas unless they are coming directly from the Vedas. If we can recite from Bhagavad gita the first chapter without any need for elaborate scenery or stage-props and gorgeous dresses, that is best. Just like your Shakespeare. Macbeth may be recited by two men, without anything else, and simply by their acting ability and the meaningful words alone, they can very easily capture the entire audience and give them real substance. We have so many stories, like Jagai-Madhai, Krishna departing for Mathura, like that. Satire will not help us. Our message is very grave, and because it is the Absolute Truth, it will work without any artificial presentation.

Letter to Jayadharma -- Ahmedabad 13 December, 1972:

I beg to acknowledge receipt of your letter dated November 10, 1972, and I have noted the contents, along with the drama-script from Srimad-Bhagavatam. It is very nice. This kind of play-acting is wanted. Now introduce it to your country-men very nicely presented. Emphasis should be given to the words of Bhagavat, they are spiritual and will have powerful effect if someone only hears them with attention, do not be very much enamoured by fancy costumes and stage-decorations, they will only distract. Real acting art is to know how to speak. The greatest dramas, even in your western culture, they can be played without any extra equipment. Just like your Shakespeare—sometime I saw they were playing one drama, I think Hamlet or something like that, and only two men were there on the bare stage and everyone was praising. So the art is catching their ears. Now in that spirit go on with your work and try to do something wonderful.

1976 Correspondence

Letter to Radhavallabha -- Nellore 5 January, 1976:

This type of decoration on the books, the gold guilding and gold stamping, is generally found on Bibles and Shakespearean texts. Whether people will now confuse our books with these others? Our get-up is already approved, you should not unnecessarily increase the price. You say that these additions will be especially useful for libraries, but if the price is increased they may not accept them. Of course, it depends on the local sellers—they can say whatever is best. You should only make these changes if the sales will actually be increased. I don't want the BBT or the temples to lose.

Page Title:Shakespeare
Compiler:Visnu Murti
Created:18 of Nov, 2012
Totals by Section:BG=0, SB=0, CC=0, OB=0, Lec=4, Con=10, Let=4
No. of Quotes:18