Gayatri (Books)

Expressions researched:
"Gayatri"

Notes from the compiler: Vedabase query: Gayatri not "Gayatri mantra"

BG Chapters 7 - 12

BG 10.35, Translation:

Of the hymns in the Sāma Veda I am the Bṛhat-sāma, and of poetry I am the Gāyatrī. Of months I am Mārgaśīrṣa (November-December), and of seasons I am flower-bearing spring.

SB Canto 2

SB 2.6.1, Translation and Purport:

Lord Brahmā said: The mouth of the virāṭ-puruṣa (the universal form of the Lord) is the generating center of the voice, and the controlling deity is fire. His skin and six other layers are the generating centers of the Vedic hymns, and His tongue is the productive center of different foodstuffs and delicacies for offering to the demigods, the forefathers and the general mass of people.

The opulences of the universal form of the Lord are described herein. It is said that His mouth is the generating center of all kinds of voices, and its controlling deity is the fire demigod. And His skin and other six layers of bodily construction are the representative generating centers of the seven kinds of Vedic hymns, like the Gāyatrī. Gāyatrī is the beginning of all Vedic mantras, and it is explained in the first volume of Śrīmad-Bhāgavatam.

SB Canto 3

SB 3.12.45, Translation:

Thereafter the art of literary expression, uṣṇik, was generated from the hairs on the body of the almighty Prajāpati. The principal Vedic hymn, gāyatrī, was generated from the skin, triṣṭup from the flesh, anuṣṭup from the veins, and jagatī from the bones of the lord of the living entities.

SB 3.13.35, Translation:

O Lord, Your form is worshipable by performances of sacrifice, but souls who are simply miscreants are unable to see it. All the Vedic hymns, Gāyatrī and others, are in the touch of Your skin. In Your bodily hairs is the kuśa grass, in Your eyes is the clarified butter, and in Your four legs are the four kinds of fruitive activities.

SB 3.14.32, Translation and Purport:

Thereafter the brāhmaṇa took his bath in the water and controlled his speech by practicing trance, meditating on the eternal effulgence and chanting the holy Gāyatrī hymns within his mouth.

As one has to take bath after using the toilet, so one has to wash himself with water after sexual intercourse, especially when at a forbidden time. Kaśyapa Muni meditated on the impersonal brahmajyoti by chanting the Gāyatrī mantra within his mouth. When a Vedic mantra is chanted within the mouth so that only the chanter can hear, the chanting is called japa. But when such mantras are chanted loudly, it is called kīrtana. The Vedic hymn Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare can be chanted both softly to oneself or loudly; therefore it is called the mahā-mantra, or the great hymn.

SB Canto 4

SB 4.2.11, Translation and Purport:

He has already accepted himself as my subordinate by marrying my daughter in the presence of fire and brāhmaṇas. He has married my daughter, who is equal to Gāyatrī, and has pretended to be just like an honest person.

Dakṣa's statement that Lord Śiva pretended to be an honest person means that Śiva was dishonest because in spite of accepting the position of Dakṣa's son-in-law, he was not respectful to Dakṣa.

SB 4.4.33, Purport:

It is stated here that many thousands of demigods named Ṛbhus became manifested because of the oblations offered in the fire and the chanting of the hymns from the Yajur Veda. Brāhmaṇas like Bhṛgu Muni were so powerful that they could create such powerful demigods simply by chanting the Vedic mantras. Vedic mantras are still available, but the chanters are not. By chanting Vedic mantras or chanting the Gāyatrī or ṛg-mantra one can attain the results one desires. In the present age of Kali it is recommended by Lord Caitanya that simply by chanting Hare Kṛṣṇa one can attain all perfection.

SB Canto 5

SB 5.8.19, Purport:

As the sun arises, one should chant the Vedic mantra beginning with the Gāyatrī. The sun is the symbolic representation of the eyes of the Supreme Lord. Mahārāja Bharata lamented that although the sun was going to set, due to the poor animal's absence, he could not find anything auspicious. Bharata Mahārāja considered himself most unfortunate, for due to the animal's absence, there was nothing auspicious for him in the presence of the sun.

SB 5.21 Summary:

The entire kāla-cakra, or wheel of time, is established on the wheel of the sun-god's chariot. This wheel is known as Saṁvatsara. The seven horses pulling the chariot of the sun are known as Gāyatrī, Bṛhatī, Uṣṇik, Jagatī, Triṣṭup, Anuṣṭup and Paṅkti.

SB 5.21.15, Translation and Purport:

My dear King, the carriage of the sun-god's chariot is estimated to be 3,600,000 yojanas (28,800,000 miles) long and one-fourth as wide (900,000 yojanas, or 7,200,000 miles). The chariot's horses, which are named after Gāyatrī and other Vedic meters, are harnessed by Aruṇadeva to a yoke that is also 900,000 yojanas wide. This chariot continuously carries the sun-god.

In the Viṣṇu Purāṇa it is stated:

gāyatrī ca bṛhaty uṣṇig

jagatī triṣṭup eva ca

anuṣṭup paṅktir ity uktāś

chandāṁsi harayo raveḥ

The seven horses yoked to the sun-god's chariot are named Gāyatrī, Bṛhati, Uṣṇik, Jagatī, Triṣṭup, Anuṣṭup and Paṅkti. These names of various Vedic meters designate the seven horses that carry the sun-god's chariot.

SB Canto 8

SB 8.7.28, Translation:

O lord, you are the three Vedas personified. The seven seas are your abdomen, and the mountains are your bones. All drugs, creepers and vegetables are the hairs on your body, the Vedic mantras like Gāyatrī are the seven layers of your body, and the Vedic religious system is the core of your heart.

SB 8.16.31, Translation:

I offer my respectful obeisances unto You, the Supreme Personality of Godhead, who have two heads (prāyaṇīya and udāyanīya), three legs (savana-traya), four horns (the four Vedas) and seven hands (the seven chandas, such as Gāyatrī). I offer my obeisances unto You, whose heart and soul are the three Vedic rituals (karma-kāṇḍa, jñāna-kāṇḍa and upāsanā-kāṇḍa) and who expand these rituals in the form of sacrifice.

SB Cantos 10.14 to 12 (Translations Only)

SB 11.17.22, Translation:

The twice-born member of society achieves second birth through the sequence of purificatory ceremonies culminating in Gāyatrī initiation. Being summoned by the spiritual master, he should reside within the guru's āśrama and with a self-controlled mind carefully study the Vedic literature.

SB 11.21.41, Translation:

The Vedic meters are Gāyatrī, Uṣṇik, Anuṣṭup, Bṛhatī, Paṅkti, Triṣṭup, Jagatī, Aticchanda, Atyaṣṭi, Atijagatī and Ativirāṭ.

CC Madhya-lila

CC Madhya 21.125, Translation:

"Kṛṣṇa, the Supreme Personality of Godhead, is identical with the Vedic hymn known as the Kāma-gāyatrī, which is composed of twenty-four and a half syllables. Those syllables are compared to moons that arise in Kṛṣṇa. Thus all three worlds are filled with desire"

CC Madhya 25.143-144, Translation:

"'The meaning of the Vedānta-sūtra is present in Śrīmad-Bhāgavatam. The full purport of the Mahābhārata is also there. The commentary of the Brahma-gāyatrī is also there and fully expanded with all Vedic knowledge. Śrīmad-Bhāgavatam is the supreme Purāṇa, and it was compiled by the Supreme Personality of Godhead in His incarnation as Vyāsadeva. There are twelve cantos, 335 chapters and eighteen thousand verses.'"

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 10:

The Vedic hymn known as kāma-gāyatrī describes the face of Kṛṣṇa as the king of all moons. In metaphorical language, there are many different moons, but they are all one in Kṛṣṇa. There is the moon of His mouth, the moon of His cheeks, the moonspots of sandalwood pulp on His body, the moons of the fingertips of His hands and the moons of the tips of His toes. In this way there are twenty-four and a half moons, and Kṛṣṇa is the central figure of all of them.