Four arms

Expressions researched:
"four arms" |"four-armed"

BG Chapters 7 - 12

BG 8.22, Purport:

To enter Kṛṣṇa's supreme abode or the innumerable Vaikuṇṭha planets is possible only by bhakti, devotional service, as clearly indicated here by the word bhaktyā. No other process can help one attain that supreme abode. The Vedas (Gopāla-tāpanī Upaniṣad 1.21) also describe the supreme abode and the Supreme Personality of Godhead. Eko vaśī sarva-gaḥ kṛṣṇaḥ. In that abode there is only one Supreme Personality of Godhead, whose name is Kṛṣṇa. He is the supreme merciful Deity, and although situated there as one He has expanded Himself into millions and millions of plenary expansions. The Vedas compare the Lord to a tree standing still yet bearing many varieties of fruits, flowers and changing leaves. The plenary expansions of the Lord who preside over the Vaikuṇṭha planets are four-armed, and they are known by a variety of names—Puruṣottama, Trivikrama, Keśava, Mādhava, Aniruddha, Hṛṣīkeśa, Saṅkarṣaṇa, Pradyumna, Śrīdhara, Vāsudeva, Dāmodara, Janārdana, Nārāyaṇa, Vāmana, Padmanābha, etc.

The Brahma-saṁhitā (5.37) also confirms that although the Lord is always in the supreme abode, Goloka Vṛndāvana, He is all-pervading, so that everything is going on nicely (goloka eva nivasaty akhilātma-bhūtaḥ). As stated in the Vedas (Śvetāśvatara Upaniṣad 6.8), parāsya śaktir vividhaiva śrūyate/ svābhāvikī jñāna-bala-kriyā ca: (Cc. Madhya 13.65, purport) His energies are so expansive that they systematically conduct everything in the cosmic manifestation without a flaw, although the Supreme Lord is far, far away.

BG 9.13, Purport:

That is the qualification. One can become free from the control of material nature as soon as he surrenders his soul to the Supreme Personality of Godhead. That is the preliminary formula. Being marginal potency, as soon as the living entity is freed from the control of material nature, he is put under the guidance of the spiritual nature. The guidance of the spiritual nature is called daivī prakṛti, divine nature. So when one is promoted in that way—by surrendering to the Supreme Personality of Godhead—one attains to the stage of great soul, mahātmā.

The mahātmā does not divert his attention to anything outside Kṛṣṇa, because he knows perfectly well that Kṛṣṇa is the original Supreme Person, the cause of all causes. There is no doubt about it. Such a mahātmā, or great soul, develops through association with other mahātmās, pure devotees. Pure devotees are not even attracted by Kṛṣṇa's other features, such as the four-armed Mahā-viṣṇu. They are simply attracted by the two-armed form of Kṛṣṇa. They are not attracted to other features of Kṛṣṇa, nor are they concerned with any form of a demigod or of a human being. They meditate only upon Kṛṣṇa in Kṛṣṇa consciousness. They are always engaged in the unswerving service of the Lord in Kṛṣṇa consciousness.

BG 11.46, Translation:

O universal form, O thousand-armed Lord, I wish to see You in Your four-armed form, with helmeted head and with club, wheel, conch and lotus flower in Your hands. I long to see You in that form.

BG 11.49, Purport:

In the beginning of Bhagavad-gītā Arjuna was worried about killing Bhīṣma and Droṇa, his worshipful grandfather and master. But Kṛṣṇa said that he need not be afraid of killing his grandfather. When the sons of Dhṛtarāṣṭra tried to disrobe Draupadī in the assembly of the Kurus, Bhīṣma and Droṇa were silent, and for such negligence of duty they should be killed. Kṛṣṇa showed His universal form to Arjuna just to show him that these people were already killed for their unlawful action. That scene was shown to Arjuna because devotees are always peaceful and they cannot perform such horrible actions. The purpose of the revelation of the universal form was shown; now Arjuna wanted to see the four-armed form, and Kṛṣṇa showed him. A devotee is not much interested in the universal form, for it does not enable one to reciprocate loving feelings. Either a devotee wants to offer his respectful worshipful feelings, or he wants to see the two-handed Kṛṣṇa form so that he can reciprocate in loving service with the Supreme Personality of Godhead.

BG 11.50, Translation and Purport:

Sañjaya said to Dhṛtarāṣṭra: The Supreme Personality of Godhead, Kṛṣṇa, having spoken thus to Arjuna, displayed His real four-armed form and at last showed His two-armed form, thus encouraging the fearful Arjuna.

When Kṛṣṇa appeared as the son of Vāsudeva and Devakī, He first of all appeared as four-armed Nārāyaṇa, but when He was requested by His parents, He transformed Himself into an ordinary child in appearance. Similarly, Kṛṣṇa knew that Arjuna was not interested in seeing a four-handed form, but since Arjuna asked to see this four-handed form, Kṛṣṇa also showed him this form again and then showed Himself in His two-handed form. The word saumya-vapuḥ is very significant. Saumya-vapuḥ is a very beautiful form; it is known as the most beautiful form. When He was present, everyone was attracted simply by Kṛṣṇa's form, and because Kṛṣṇa is the director of the universe, He just banished the fear of Arjuna, His devotee, and showed him again His beautiful form of Kṛṣṇa. In the Brahma-saṁhitā (5.38) it is stated, premāñjana-cchurita-bhakti-vilocanena: only a person whose eyes are smeared with the ointment of love can see the beautiful form of Śrī Kṛṣṇa.

SB Canto 1

SB 1.1.20, Purport:

The theory that a man becomes God by dint of penance and austerities is very much rampant nowadays, especially in India. Since Lord Rāma, Lord Kṛṣṇa and Lord Caitanya Mahāprabhu were detected by the sages and saints to be the Personality of Godhead as indicated in revealed scriptures, many unscrupulous men have created their own incarnations. This process of concocting an incarnation of God has become an ordinary business, especially in Bengal. Any popular personality with a few traits of mystic powers will display some feat of jugglery and easily become an incarnation of Godhead by popular vote. Lord Śrī Kṛṣṇa was not that type of incarnation. He was actually the Personality of Godhead from the very beginning of His appearance. He appeared before His so-called mother as four-armed Viṣṇu. Then, at the request of the mother, He became like a human child and at once left her for another devotee at Gokula, where He was accepted as the son of Nanda Mahārāja and Yaśodā Mātā. Similarly, Śrī Baladeva, the counterpart of Lord Śrī Kṛṣṇa, was also considered a human child born of another wife of Śrī Vasudeva. In Bhagavad-gītā, the Lord says that His birth and deeds are transcendental and that anyone who is so fortunate as to know the transcendental nature of His birth and deeds will at once become liberated and eligible to return to the kingdom of God. So knowledge of the transcendental nature of the birth and deeds of Lord Śrī Kṛṣṇa is sufficient for liberation. In the Bhāgavatam, the transcendental nature of the Lord is described in nine cantos, and in the Tenth Canto His specific pastimes are taken up. All this becomes known as one's reading of this literature progresses. It is important to note here, however, that the Lord exhibited His divinity even from the lap of His mother, that His deeds are all superhuman (He lifted Govardhana Hill at the age of seven), and that all these acts definitely prove Him to be actually the Supreme Personality of Godhead. Yet, due to His mystic covering, He was always accepted as an ordinary human child by His so-called father and mother and other relatives. Whenever some herculean task was performed by Him, the father and mother took it otherwise. And they remained satisfied with unflinching filial love for their son. As such, the sages of Naimiṣāraṇya describe Him as apparently resembling a human being, but actually He is the supreme almighty Personality of Godhead.

SB 1.7.52, Translation:

Caturbhuja (the four-armed one), or the Personality of Godhead, after hearing the words of Bhīma, Draupadī and others, saw the face of His dear friend Arjuna, and He began to speak as if smiling.

SB 1.7.52, Purport:

Lord Śrī Kṛṣṇa had two arms, and why He is designated as four-armed is explained by Śrīdhara Svāmī. Both Bhīma and Draupadī held opposite views about killing Aśvatthāmā. Bhīma wanted him to be immediately killed, whereas Draupadī wanted to save him. We can imagine Bhīma ready to kill while Draupadī is obstructing him. And in order to prevent both of them, the Lord discovered another two arms. Originally, the primeval Lord Śrī Kṛṣṇa displays only two arms, but in His Nārāyaṇa feature He exhibits four. In His Nārāyaṇa feature He resides with His devotees in the Vaikuṇṭha planets, while in His original Śrī Kṛṣṇa feature He resides in the Kṛṣṇaloka planet far, far above the Vaikuṇṭha planets in the spiritual sky. Therefore, if Śrī Kṛṣṇa is called caturbhujaḥ, there is no contradiction. If need be He can display hundreds of arms, as He exhibited in His viśva-rūpa shown to Arjuna. Therefore, one who can display hundreds and thousands of arms can also manifest four whenever needed.

When Arjuna was perplexed about what to do with Aśvatthāmā, Lord Śrī Kṛṣṇa, as the very dear friend of Arjuna, voluntarily took up the matter just to make a solution. And He was smiling also.

SB Canto 3

SB 3.28.27, Translation:

The yogī should further meditate upon the Lord's four arms, which are the source of all the powers of the demigods who control the various functions of material nature. Then the yogi should concentrate on the polished ornaments, which were burnished by Mount Mandara as it revolved. He should also duly contemplate the Lord's discus, the Sudarśana cakra, which contains one thousand spokes and a dazzling luster, as well as the conch, which looks like a swan in His lotuslike palm.

SB Canto 4

SB 4.24.45-46, Translation:

The Lord's beauty resembles a dark cloud during the rainy season. As the rainfall glistens, His bodily features also glisten. Indeed, He is the sum total of all beauty. The Lord has four arms and an exquisitely beautiful face with eyes like lotus petals, a beautiful highly raised nose, a mind-attracting smile, a beautiful forehead and equally beautiful and fully decorated ears.

SB 4.24.45-46, Purport:

In The Nectar of Devotion full instructions are given about the vidhi-mārga worship of Rādhā-Kṛṣṇa, or Lakṣmī-Nārāyaṇa. Although there are sixty-four kinds of offenses one can commit in vidhi-mārga worship, in rāga-mārga worship there is no consideration of such offenses because the devotees on that platform are very much elevated, and there is no question of offense. But if we do not follow the regulative principles on the vidhi-mārga platform and keep our eyes trained to spot offenses, we will not make progress.

In his description of Kṛṣṇa's beauty, Lord Śiva uses the words cārvāyata-catur-bāhu sujāta-rucirānanam, indicating the beautiful four-armed form of Nārāyaṇa, or Viṣṇu. Those who worship Lord Kṛṣṇa describe Him as sujāta-rucirānanam. In the viṣṇu-tattva there are hundreds and thousands and millions of forms of the Supreme Lord, but of all these forms, the form of Kṛṣṇa is the most beautiful. Thus for those who worship Kṛṣṇa, the word sujāta-rucirānanam is used.

The four arms of Lord Viṣṇu have different purposes. The hands holding a lotus flower and conchshell are meant for the devotees, whereas the other two hands, holding a disc and mace, or club, are meant for the demons. Actually all of the Lord's arms are auspicious, whether they are holding conchshells and flowers or clubs and discs. The demons killed by Lord Viṣṇu's cakra disc and club are elevated to the spiritual world, just like the devotees who are protected by the hands holding the lotus flower and conchshell. However, the demons who are elevated to the spiritual world are situated in the impersonal Brahman effulgence, whereas the devotees are allowed to enter into the Vaikuṇṭha planets. Those who are devotees of Lord Kṛṣṇa are immediately elevated to the Goloka Vṛndāvana planet.

SB Canto 5

SB 5.3.3, Translation:

Lord Viṣṇu appeared before King Nābhi with four arms. He was very bright, and He appeared to be the best of all personalities. Around the lower portion of His body, He wore a yellow silken garment. On His chest was the mark of Śrīvatsa, which always displays beauty. He carried a conchshell, lotus flower, disc and club, and He wore a garland of forest flowers and the Kaustubha gem. He was beautifully decorated with a helmet, earrings, bangles, belt, pearl necklace, armlets, ankle bells and other bodily ornaments bedecked with radiant jewels. Seeing the Lord present before them, King Nābhi and his priests and associates felt just like poor people who have suddenly attained great riches. They received the Lord and respectfully bent their heads and offered Him things in worship.

SB Canto 6

SB 6.1.34-36, Purport:

They did not know that although he was sinful throughout his entire life, he was purified by constantly chanting the holy name of Nārāyaṇa. In other words, unless one is a Vaiṣṇava, one cannot understand the activities of a Vaiṣṇava.

The dress and bodily features of the residents of Vaikuṇṭhaloka are properly described in these verses. The residents of Vaikuṇṭha, who are decorated with garlands and yellow silken garments, have four arms holding various weapons. Thus they conspicuously resemble Lord Viṣṇu. They have the same bodily features as Nārāyaṇa because they have attained the liberation of sārūpya, but they nevertheless act as servants. All the residents of Vaikuṇṭhaloka know perfectly well that their master is Nārāyaṇa, or Kṛṣṇa, and that they are all His servants. They are all self-realized souls who are nitya-mukta, everlastingly liberated. Although they could conceivably declare themselves Nārāyaṇa or Viṣṇu, they never do so; they always remain Kṛṣṇa conscious and serve the Lord faithfully. Such is the atmosphere of Vaikuṇṭhaloka. Similarly, one who learns the faithful service of Lord Kṛṣṇa through the Kṛṣṇa consciousness movement will always remain in Vaikuṇṭhaloka and have nothing to do with the material world.

SB Canto 10.1 to 10.13

SB 10.3 Summary:

When He enters this world as Paramātmā, He is all-pervading (aṇḍāntara-stha-paramāṇu-cayāntara-stham (Bs. 5.35)), yet He is transcendentally situated. For the creation, maintenance and annihilation of this material world, the Lord appears as the guṇa-avatāras-Brahmā, Viṣṇu and Maheśvara. Thus Vasudeva offered prayers full of meaning to the Supreme Personality of Godhead. Devakī followed her husband by offering prayers describing the transcendental nature of the Lord. Fearing Kaṁsa and desiring that the Lord not be understood by atheistic and materialistic nondevotees, she prayed that the Lord withdraw His transcendental four-armed form and appear like an ordinary child with two hands.

The Lord reminded Vasudeva and Devakī of two other incarnations in which He had appeared as their son. He had appeared as Pṛśnigarbha and Vāmanadeva, and now this was the third time He was appearing as the son of Devakī to fulfill their desire. The Lord then decided to leave the residence of Vasudeva and Devakī, in the prison house of Kaṁsa, and at this very time, Yogamāyā took birth as the daughter of Yaśodā. By the arrangement of Yogamāyā, Vasudeva was able to leave the prison house and save the child from the hands of Kaṁsa. When Vasudeva brought Kṛṣṇa to the house of Nanda Mahārāja, he saw that by Yogamāyā's arrangement, Yaśodā, as well as everyone else, was deeply asleep. Thus he exchanged the babies, taking Yogamāyā from Yaśodā's lap and placing Kṛṣṇa there instead. Then Vasudeva returned to his own place, having taken Yogamāyā as his daughter. He placed Yogamāyā on Devakī's bed and prepared to be a prisoner as before. In Gokula, Yaśodā could not understand whether she had given birth to a male or a female child.

SB 10.3.28, Purport:

While thus praying to the Lord for rescue, mother Devakī expressed her motherly affection: "I understand that this transcendental form is generally perceived in meditation by the great sages, but I am still afraid because as soon as Kaṁsa understands that You have appeared, he might harm You. So I request that for the time being You become invisible to our material eyes." In other words, she requested the Lord to assume the form of an ordinary child. "My only cause of fear from my brother Kaṁsa is due to Your appearance. My Lord Madhusūdana, Kaṁsa may know that You are already born. Therefore I request You to conceal this four-armed form of Your Lordship, which holds the four symbols of Viṣṇu-namely the conchshell, the disc, the club and the lotus flower. My dear Lord, at the end of the annihilation of the cosmic manifestation, You put the whole universe within Your abdomen; still, by Your unalloyed mercy, You have appeared in my womb. I am surprised that You imitate the activities of ordinary human beings just to please Your devotee."

Devakī was so afraid of Kaṁsa that she could not believe that Kaṁsa would be unable to kill Lord Viṣṇu, who was personally present. Out of motherly affection, therefore, she requested the Supreme Personality of Godhead to disappear. Although because of the Lord's disappearance Kaṁsa would harass her more and more, thinking that the child born of her was hidden somewhere, she did not want the transcendental child to be harassed and killed. Therefore she requested Lord Viṣṇu to disappear. Later, when harassed, she would think of Him within her mind.

SB 10.3.30, Translation and Purport:

O my Lord, You are the all-pervading Supreme Personality of Godhead, and Your transcendental four-armed form, holding conchshell, disc, club and lotus, is unnatural for this world. Please withdraw this form (and become just like a natural human child so that I may try to hide You somewhere).

Devakī was thinking of hiding the Supreme Personality of Godhead and not handing Him over to Kaṁsa as she had all her previous children. Although Vasudeva had promised to hand over every child to Kaṁsa, this time he wanted to break his promise and hide the child somewhere. But because of the Lord's appearance in this surprising four-armed form, He would be impossible to hide.

SB 10.12.33, Purport:

Apparently the serpent named Aghāsura, because of having received association with Kṛṣṇa, attained mukti by entering Kṛṣṇa's body. Entering the body of Kṛṣṇa is called sāyujya-mukti, but later verses prove that Aghāsura, like Dantavakra and others, received sārūpya-mukti. This has been broadly described by Śrīla Viśvanātha Cakravartī Ṭhākura with references from the Vaiṣṇava-toṣaṇī of Śrīla Jīva Gosvāmī. Aghāsura attained sārūpya-mukti, being promoted to the Vaikuṇṭha planets to live with the same four-armed bodily features as Viṣṇu. The explanation of how this is so may be summarized as follows.

The effulgence came out from the python's body and became purified, attaining spiritual śuddha-sattva, freedom from material contamination, because Kṛṣṇa had stayed within the serpent's body, even after the serpent's death. One may doubt that such a demon, full of mischievous activities, could attain the liberation of sārūpya or sāyujya, and one may be astonished about this. But Kṛṣṇa is so kind that in order to drive away such doubts, He had the effulgence, the individual life of the python, wait for some time in its individuality, in the presence of all the demigods.

Kṛṣṇa is the full effulgence, and every living being is part and parcel of that effulgence. As proved here, the effulgence in every living being is individual. For some time, the effulgence remained outside the demon's body, individually, and did not mix with the whole effulgence, the brahma-jyotir. The Brahman effulgence is not visible to material eyes, but to prove that every living being is individual, Kṛṣṇa had this individual effulgence stay outside the demon's body for some time, for everyone to see. Then Kṛṣṇa proved that anyone killed by Him attains liberation, whether sāyujya, sārūpya, sāmīpya or whatever.

SB 10.13 Summary:

When Kṛṣṇa was unable to find the calves and boys, He could understand that this was a trick performed by Brahmā. Then the Supreme Personality of Godhead, the cause of all causes, in order to please Lord Brahmā, as well as His own associates and their mothers, expanded Himself to become the calves and boys, exactly as they were before. In this way, He discovered another pastime. A special feature of this pastime was that the mothers of the cowherd boys thus became more attached to their respective sons, and the cows became more attached to their calves. After nearly a year, Baladeva observed that all the cowherd boys and calves were expansions of Kṛṣṇa. Thus He inquired from Kṛṣṇa and was informed of what had happened.

When one full year had passed, Brahmā returned and saw that Kṛṣṇa was still engaged as usual with His friends and the calves and cows. Then Kṛṣṇa exhibited all the calves and cowherd boys as four-armed forms of Nārāyaṇa. Brahmā could then understand Kṛṣṇa's potency, and he was astonished by the pastimes of Kṛṣṇa, his worshipable Lord. Kṛṣṇa, however, bestowed His causeless mercy upon Brahmā and released him from illusion. Thus Brahmā began to offer prayers to glorify the Supreme Personality of Godhead.

SB 10.13.47-48, Translation:

All those personalities had four arms, holding conchshell, disc, mace and lotus flower in Their hands. They wore helmets on Their heads, earrings on Their ears and garlands of forest flowers around Their necks. On the upper portion of the right side of Their chests was the emblem of the goddess of fortune. Furthermore, They wore armlets on Their arms, the Kaustubha gem around Their necks, which were marked with three lines like a conchshell, and bracelets on Their wrists. With bangles on Their ankles, ornaments on Their feet, and sacred belts around Their waists, They all appeared very beautiful.

SB 10.13.47-48, Purport:

All the Viṣṇu forms had four arms, with conchshell and other articles, but these characteristics are also possessed by those who have attained sārūpya-mukti in Vaikuṇṭha and who consequently have forms exactly like the form of the Lord. However, these Viṣṇu forms appearing before Lord Brahmā also possessed the mark of Śrīvatsa and the Kaustubha gem, which are special characteristics possessed only by the Supreme Lord Himself. This proves that all these boys and calves were in fact directly expansions of Viṣṇu, the Personality of Godhead, not merely His associates of Vaikuṇṭha. Viṣṇu Himself is included within Kṛṣṇa. All the opulences of Viṣṇu are already present in Kṛṣṇa, and consequently for Kṛṣṇa to demonstrate so many Viṣṇu forms was actually not very astonishing.

The Śrīvatsa mark is described by the Vaiṣṇava-toṣaṇī as being a curl of fine yellow hair on the upper portion of the right side of Lord Viṣṇu's chest. This mark is not for ordinary devotees. It is a special mark of Viṣṇu or Kṛṣṇa.

SB 10.13.57, Translation:

The Supreme Brahman is beyond mental speculation, He is self-manifest, existing in His own bliss, and He is beyond the material energy. He is known by the crest jewels of the Vedas by refutation of irrelevant knowledge. Thus in relation to that Supreme Brahman, the Personality of Godhead, whose glory had been shown by the manifestation of all the four-armed forms of Viṣṇu, Lord Brahmā, the lord of Sarasvatī, was mystified. "What is this?" he thought, and then he was not even able to see. Lord Kṛṣṇa, understanding Brahmā's position, then at once removed the curtain of His yogamāyā.

SB 10.13.57, Purport:

Brahmā was completely mystified. He could not understand what he was seeing, and then he was not even able to see. Lord Kṛṣṇa, understanding Brahmā's position, then removed that yogamāyā covering. In this verse, Brahmā is referred to as ireśa. Irā means Sarasvatī, the goddess of learning, and Ireśa is her husband, Lord Brahmā. Brahmā, therefore, is most intelligent. But even Brahmā, the lord of Sarasvatī, was bewildered about Kṛṣṇa. Although he tried, he could not understand Lord Kṛṣṇa. In the beginning the boys, the calves and Kṛṣṇa Himself had been covered by yogamāyā, which later displayed the second set of calves and boys, who were Kṛṣṇa's expansions, and which then displayed so many four-armed forms. Now, seeing Brahmā's bewilderment, Lord Kṛṣṇa caused the disappearance of that yogamāyā. One may think that the māyā taken away by Lord Kṛṣṇa was mahāmāyā, but Śrīla Viśvanātha Cakravartī Ṭhākura comments that it was yogamāyā, the potency by which Kṛṣṇa is sometimes manifest and sometimes not manifest. The potency which covers the actual reality and displays something unreal is mahāmāyā, but the potency by which the Absolute Truth is sometimes manifest and sometimes not is yogamāyā. Therefore, in this verse the word ajā refers to yogamāyā.

SB 10.13.62, Purport:

When one falls down before a superior just like a stick, one's offering of obeisances is called daṇḍavat. Daṇḍa means "stick," and vat means "like." It is not that one should simply say, "daṇḍavat." Rather, one must fall down. Thus Brahmā fell down, touching his foreheads to the lotus feet of Kṛṣṇa, and his crying in ecstasy is to be regarded as an abhiṣeka bathing ceremony of Kṛṣṇa's lotus feet.

He who appeared before Brahmā as a human child was in fact the Absolute Truth, Para-brahman (brahmeti paramātmeti bhagavān iti śabdyate (SB 1.2.11)). The Supreme Lord is narākṛti; that is, He resembles a human being. It is not that He is four-armed (catur-bāhu). Nārāyaṇa is catur-bāhu, but the Supreme Person resembles a human being. This is also confirmed in the Bible, where it is said that man was made in the image of God.

Lord Brahmā saw that Kṛṣṇa, in His form as a cowherd boy, was Para-brahman, the root cause of everything, but was now appearing as a human child, loitering in Vṛndāvana with a morsel of food in His hand. Astonished, Lord Brahmā hastily got down from his swan carrier and let his body fall to the earth. Usually, the demigods never touch the ground, but Lord Brahmā, voluntarily giving up his prestige as a demigod, bowed down on the ground before Kṛṣṇa. Although Brahmā has one head in each direction, he voluntarily brought all his heads to the ground and touched Kṛṣṇa's feet with the tips of his four helmets. Although his intelligence works in every direction, he surrendered everything before the boy Kṛṣṇa.

It is mentioned that Brahmā washed the feet of Kṛṣṇa with his tears, and here the word sujalaiḥ indicates that his tears were purified. As soon as bhakti is present, everything is purified (sarvopādhi-vinirmuktam (CC Madhya 19.170)). Therefore Brahmā's crying was a form of bhakty-anubhāva, a transformation of transcendental ecstatic love.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.39.46-48, Translation:

Akrūra then saw the Supreme Personality of Godhead lying peacefully on the lap of Lord Ananta Śeṣa. The complexion of that Supreme Person was like a dark-blue cloud. He wore yellow garments and had four arms and reddish lotus-petal eyes. His face looked attractive and cheerful with its smiling, endearing glance and lovely eyebrows, its raised nose and finely formed ears, and its beautiful cheeks and reddish lips. The Lord's broad shoulders and expansive chest were beautiful, and His arms long and stout. His neck resembled a conchshell, His navel was deep, and His abdomen bore lines like those on a banyan leaf.

SB 10.51.1-6, Translation:

Śukadeva Gosvāmī said: Kālayavana saw the Lord come out from Mathurā like the rising moon. The Lord was most beautiful to behold, with His dark-blue complexion and yellow silk garment. Upon His chest He bore the mark of Śrīvatsa, and the Kaustubha gem adorned His neck. His four arms were sturdy and long. He displayed His ever-joyful lotuslike face, with eyes pink like lotuses, beautifully effulgent cheeks, a pristine smile and glittering shark-shaped earrings. The barbarian thought, "This person must indeed be Vāsudeva, since He possesses the characteristics Nārada mentioned: He is marked with Śrīvatsa, He has four arms, His eyes are like lotuses, He wears a garland of forest flowers, and He is extremely handsome. He cannot be anyone else. Since He goes on foot and unarmed, I will fight Him without weapons." Resolving thus, he ran after the Lord, who turned His back and ran away. Kālayavana hoped to catch Lord Kṛṣṇa, though great mystic yogīs cannot attain Him.

SB 10.51.23-26, Translation:

As he gazed at the Lord, King Mucukunda saw that He was dark blue like a cloud, had four arms, and wore a yellow silk garment. On His chest He bore the Śrīvatsa mark and on His neck the brilliantly glowing Kaustubha gem. Adorned with a Vaijayantī garland, the Lord displayed His handsome, peaceful face, which attracts the eyes of all mankind with its shark-shaped earrings and affectionately smiling glance. The beauty of His youthful form was unexcelled, and He moved with the nobility of an angry lion. The highly intelligent King was overwhelmed by the Lord's effulgence, which showed Him to be invincible. Expressing his uncertainty, Mucukunda hesitantly questioned Lord Kṛṣṇa as follows.

SB 10.60.26, Translation:

The Lord quickly got down from the bed. Manifesting four arms, He picked her up, gathered her hair and caressed her face with His lotus hand.

SB 10.63.49, Translation:

This demon, who still has four arms, will be immune to old age and death, and he will serve as one of your principal attendants. Thus he will have nothing to fear on any account.

SB 10.83.32, Translation:

The Lord then placed me on His chariot, drawn by four most excellent horses. Donning His armor and readying His bow Śārṅga, He stood on the chariot, and there on the battleground He manifested His four arms.

SB 10.86.54, Translation:

Even My own four-armed form is no dearer to Me than a brāhmaṇa. Within himself a learned brāhmaṇa comprises all the Vedas, just as within Myself I comprise all the demigods.

SB 11.5.21, Translation:

In Satya-yuga the Lord is white and four-armed, has matted locks and wears a garment of tree bark. He carries a black deerskin, a sacred thread, prayer beads and the rod and waterpot of a brahmacārī.

SB 11.5.24, Translation:

In Tretā-yuga the Lord appears with a red complexion. He has four arms, golden hair, and wears a triple belt representing initiation into each of the three Vedas. Embodying the knowledge of worship by sacrificial performance, which is contained in the Ṛg, Sāma and Yajur Vedas, His symbols are the ladle, spoon and other implements of sacrifice.

SB 11.11.46, Translation:

Thus, in the previously mentioned places of worship and according to the processes I have described, one should meditate on My peaceful, transcendental form with four arms holding a conchshell, Sudarśana disc, club and lotus flower. In this way, one should worship Me with fixed attention.

SB 11.27.38-41, Translation:

The intelligent devotee should meditate upon that form of the Lord whose color is like molten gold, whose four arms are resplendent with the conchshell, disc, club and lotus flower, and who is always peaceful and dressed in a garment colored like the filaments within a lotus flower. His helmet, bracelets, belt and fine arm ornaments shine brilliantly. The symbol of Śrīvatsa is on His chest, along with the glowing Kaustubha gem and a garland of forest flowers. The devotee should then worship that Lord by taking pieces of firewood soaked in the sacrificial ghee and throwing them into the fire. He should perform the ritual of āghāra, presenting into the fire the various items of oblation drenched in ghee. He should then offer to sixteen demigods, beginning with Yamarāja, the oblation called sviṣṭi-kṛt, reciting the basic mantras of each deity and the sixteen-line Puruṣa-sūkta hymn. Pouring one oblation after each line of the Puruṣa-sūkta, he should utter the particular mantra naming each deity.

SB 11.30.28-32, Translation:

The Lord was exhibiting His brilliantly effulgent four-armed form, the radiance of which, just like a smokeless fire, dissipated the darkness in all directions. His complexion was the color of a dark blue cloud and His effulgence the color of molten gold, and His all-auspicious form bore the mark of Śrīvatsa. A beautiful smile graced His lotus face, locks of dark blue hair adorned His head, His lotus eyes were very attractive, and His shark-shaped earrings glittered. He wore a pair of silken garments, an ornamental belt, the sacred thread, bracelets and arm ornaments, along with a helmet, the Kaustubha jewel, necklaces, anklets and other royal emblems. Encircling His body were flower garlands and His personal weapons in their embodied forms. As He sat He held His left foot, with its lotus-red sole, upon His right thigh.

SB 11.30.34, Translation:

Then, seeing that four-armed personality, the hunter became terrified of the offense he had committed, and he fell down, placing his head upon the feet of the enemy of the demons.

SB 12.8.33-34, Translation:

One of Them was of a whitish complexion, the other blackish, and They both had four arms. Their eyes resembled the petals of blooming lotuses, and They wore garments of black deerskin and bark, along with the three-stranded sacred thread. In Their hands, which were most purifying, They carried the mendicant's waterpot, straight bamboo staff and lotus-seed prayer beads, as well as the all-purifying Vedas in the symbolic form of bundles of darbha grass. Their bearing was tall and Their yellow effulgence the color of radiant lightning. Appearing as austerity personified, They were being worshiped by the foremost demigods.

CC Adi-lila

CC Adi 6.32, Translation:

His associates have the same bodily features as the Lord. They all have four arms and are dressed in yellow garments like Nārāyaṇa.

CC Adi 17 Summary:

In this chapter we shall find descriptions of the mango distribution festival and Lord Caitanya's discourses with Chand Kazi. Finally, the chapter shows that the same son of mother Yaśodā, Lord Kṛṣṇa, tasted four transcendental mellows of devotional service in His form of Śacīnandana, the son of mother Śacī. To understand Śrīmatī Rādhārāṇī’s ecstatic love for Him, Lord Śrī Kṛṣṇa assumed the form of Lord Caitanya Mahāprabhu. The attitude of Śrīmatī Rādhārāṇī is considered the superexcellent devotional mentality. As Caitanya Mahāprabhu, Kṛṣṇa Himself assumed the position of Śrīmatī Rādhārāṇī to taste Her ecstatic situation. No one else could do this.

When Śrī Kṛṣṇa assumed the form of the four-armed Nārāyaṇa, the gopīs showed their respect, but they were not very interested in Him. In the ecstatic love of the gopīs, all worshipable forms but Kṛṣṇa are rejected. Among all the gopīs, Śrīmatī Rādhārāṇī has the highest ecstatic love. When Kṛṣṇa in His form of Nārāyaṇa saw Rādhārāṇī, He could not keep His position as Nārāyaṇa, and again He assumed the form of Kṛṣṇa.

CC Adi 17.14, Translation:

Thereafter the Lord showed Him His four-armed form, standing in a three-curved posture. With two hands He played upon a flute, and in the other two He carried a conchshell and disc.

CC Adi 17.286, Translation:

Kṛṣṇa assumed His four-armed Nārāyaṇa form and sat there. When all the gopīs came, they looked at Him and spoke as follows.

CC Adi 17.288, Purport:

The gopīs were not made happy even by seeing the four-armed form of Nārāyaṇa. Yet they offered their respects to the Supreme Personality of Godhead and begged from Him the benediction of achieving the association of Kṛṣṇa. Such is the ecstatic feeling of the gopīs.

CC Adi 17.290, Translation:

When Lord Kṛṣṇa saw Rādhārāṇī, He wanted to maintain the four-armed form to joke with Her.

CC Adi 17.291, Translation:

In front of Śrīmatī Rādhārāṇī, Śrī Kṛṣṇa had to hide the two extra arms. He tried His best to keep four arms before Her, but He was completely unable to do so.

CC Adi 17.293, Translation:

"Prior to the rāsa dance, Lord Kṛṣṇa hid Himself in a grove just to have fun. When the gopīs came, their eyes resembling those of deer, by His sharp intelligence He exhibited His beautiful four-armed form to hide Himself. But when Śrīmatī Rādhārāṇī came there, Kṛṣṇa could not maintain His four arms in Her presence. This is the wonderful glory of Her love."

CC Madhya-lila

CC Madhya 9.116, Purport:

This is the answer to Lord Śrī Caitanya Mahāprabhu's question, and from this we can understand that Veṅkaṭa Bhaṭṭa knew the truth. He told Śrī Caitanya Mahāprabhu that Nārāyaṇa is a form of Kṛṣṇa associated with transcendental opulence. Although Kṛṣṇa is two-armed and Nārāyaṇa four-armed, there is no difference in the person. They are one and the same. Nārāyaṇa is as beautiful as Kṛṣṇa, but Kṛṣṇa's pastimes are more sportive. It is not that the sportive pastimes of Kṛṣṇa make Him different from Nārāyaṇa. Lakṣmī’s desiring to associate with Kṛṣṇa was perfectly natural. In other words, it is understandable that a chaste woman wants to associate with her husband in all his different dresses. Therefore one should not criticize Lakṣmī for wanting to associate with Kṛṣṇa.

CC Madhya 9.149, Translation:

“Although Kṛṣṇa assumed the four-armed form of Nārāyaṇa, He could not attract the serious attention of the gopīs in ecstatic love.

CC Madhya 10.33, Translation:

Śrī Caitanya Mahāprabhu then showed Kāśī Miśra His four-armed form. Then, accepting him for His service, the Lord embraced him.

CC Madhya 20.332, Translation:

“"In Satya-yuga the Lord appeared in a body colored white, with four arms and matted hair. He wore tree bark and bore a black antelope skin. He wore a sacred thread and a garland of rudrākṣa beads. He carried a rod and a waterpot, and He was a brahmacārī."

CC Madhya 20.333, Translation:

“"In Tretā-yuga, the Lord appeared in a body that had a reddish hue and four arms. There were three distinctive lines on His abdomen, and His hair was golden. His form manifested the Vedic knowledge, and He bore the symbols of a sacrificial spoon, ladle and so on."

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 6:

These may be further divided into the vilāsa and svāṁśa forms, which in turn have many different features and can be divided into prābhava and vaibhava forms. As far as the vilāsa forms are concerned, there are innumerable prābhava-vilāsas, headed by Kṛṣṇa's expansions as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. Sometimes the Lord thinks of Himself as a cowherd boy, and sometimes He thinks of Himself as Vasudeva's son, a kṣatriya prince, and this "thinking" of Kṛṣṇa is called His "pastimes." Actually, He is in the same form in His vaibhava-prakāśa and prābhava-vilāsa, but He appears differently as Kṛṣṇa and Balarāma. His expansions as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are the original catur-vyūha, or four-armed forms.

There are innumerable four-armed manifestations in different planets and different places. For instance, They are manifested in Dvārakā and Mathurā eternally. From the four original four-handed forms are manifested the twenty-four principal four-armed forms, which are called vaibhava-vilāsa. They are named differently according to the placement of the conch, club, lotus and disc in Their hands. The same four principal manifestations of Kṛṣṇa are found on each planet in the spiritual sky, known as Nārāyaṇaloka or Vaikuṇṭhaloka. In Vaikuṇṭhaloka Kṛṣṇa is manifested in the four-handed form of Nārāyaṇa. From each Nārāyaṇa are manifested the forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. Thus Nārāyaṇa is the center, and the four forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha surround the Nārāyaṇa form. Each of these four forms again expands into three, and these all have different names, beginning with Keśava. These forms are twelve in all, and, again, They are known by different names according to the placement of the symbols in Their hands.

Nectar of Devotion

Nectar of Devotion 33:

Once Brahmā was watching all the cows and the cowherd boys dressed in yellow garments and decorated with valuable jewels. The boys were expanding their four arms and were being worshiped by many hundreds of other Brahmās. All the cowherd boys began to express their joyfulness for being with Kṛṣṇa, the Supreme Brahman. At that time, Brahmā showed his astonishment by exclaiming, "What am I seeing here?" This is an instance of astonishment in ecstatic love.

Nectar of Devotion 33:

There is another example of indirect astonishment. Trying to test Kṛṣṇa to see if He were truly the Supreme Personality of Godhead, Lord Brahmā stole all the cowherd boys and cows from Him. But after a few seconds, he saw that Kṛṣṇa was still present with all the cows, calves and cowherd boys, exactly in the same way as before. When Lord Brahmā described this incident to his associates on the Satyaloka planet, they all became astonished. Brahmā told them that after taking away all the boys, he saw Kṛṣṇa again playing with the same boys in the same fashion. Their bodily complexion was blackish, almost like Kṛṣṇa's, and they all had four arms. The same calves and cows were still present there, in the same original fashion. Even while describing this incident, Brahmā became almost overwhelmed. "And the most astonishing thing," he added, "was that many other Brahmās from many different universes had also come there to worship Kṛṣṇa and His associates."

Similarly, when there was a forest fire in the Bhāṇḍīravana, Kṛṣṇa instructed His friends to close their eyes tightly, and they all did this. Then when Kṛṣṇa had extinguished the fire, the cowherd boys opened their eyes and saw that they had been relieved from the danger and that their cows and calves were all safe. They began to perceive the wonder of the situation simply by guessing how Kṛṣṇa had saved them. This is another instance of indirect perception causing astonishment in devotional service.

The activities of a person, even if they are not very extraordinary, create an impression of wonder in the heart and mind of the person's friends. But even very wonderful activities performed by a person who is not one's friend will not create any impression. It is because of love that one's wonderful activities create an impression in the mind.

Krsna, The Supreme Personality of Godhead

Krsna Book 3:

While thus praying to the Lord for rescue, Mother Devakī nonetheless expressed her motherly affection: "I understand that this transcendental form is generally perceived in meditation by the great sages, but I am still afraid because as soon as Kaṁsa understands that You have appeared, he might harm You. So I request that for the time being You become invisible to our material eyes." In other words, she requested the Lord to assume the form of an ordinary child. "My only cause of fear from my brother Kaṁsa is due to Your appearance. My Lord Madhusūdana, Kaṁsa may not know that You are already born. Therefore I request You to conceal this four-armed form of Your Lordship, which holds the four symbols of Viṣṇu—namely the conchshell, the disc, the club and the lotus flower. My dear Lord, at the end of the annihilation of the cosmic manifestation, You put the whole universe within Your abdomen; still, by Your unalloyed mercy You have appeared in my womb. I am surprised that You imitate the activities of ordinary human beings just to please Your devotee."

Bhagavad-gita As It Is Lectures

Lecture on BG 6.1 -- Los Angeles, February 13, 1969:

Devotee: Is Kṣīrodakaśāyī Viṣṇu present in non-living entities, like rocks, matter?

Prabhupāda: Yes, even in the atom.

Devotee: In His four-armed form like...

Prabhupāda: Oh yes. Wherever He lives, He lives in His own paraphernalia. Aṇor aṇīyān mahato mahīyān. He's the biggest than the biggest, and He's smallest than the smallest. That is Viṣṇu. Aṇḍāntara-stha-paramāṇu-cayāntara-stham (Bs. 5.35). Paramāṇu means atom. You cannot see even atom, how small. He is within that atom. He's everywhere.

Devotee: Prabhupāda, you told us that wherever Kṛṣṇa is, that is Vṛndāvana. What I was wondering is, if Kṛṣṇa's present within our hearts, does that mean that within our heart is...

Prabhupāda: Yes. One who has realized, he is living in Vṛndāvana anywhere. A realized soul is always living in Vṛndāvana. Caitanya Mahāprabhu also said. One who has realized Kṛṣṇa, then he's always living in Vṛndāvana. Just like Kṛṣṇa or Viṣṇu is living in everyone's heart, but He is living in the dog's heart also. Does it mean that He's doggish? He's living in Vaikuṇṭha. Although He's living in the dog's heart, but He's living in Vaikuṇṭha. Similarly a devotee may seem to be living in some place which is far from Vṛndāvana, but he's living in Vṛndāvana. That's a fact. Yes. (end)

Srimad-Bhagavatam Lectures

Lecture on SB 1.7.51-52 -- Vrndavana, October 8, 1976:

Pradyumna: "Bhīma, however, disagreed with them and recommended killing this culprit who, in an angry mood, had murdered sleeping children for no purpose and for neither his nor his master's interest.

Caturbhuja (the four-armed one), or the Personality of Godhead, after hearing the words of Bhīma, Draupadī and others, saw the face of His dear friend Arjuna, and He began to speak as if smiling."

Prabhupāda:

tatrāhāmarṣito bhīmas

tasya śreyān vadhaḥ smṛtaḥ

na bhartur nātmanaś cārthe

yo 'han suptān śiśūn vṛthā

(SB 1.7.51)

niśamya bhīma-gaditaṁ

draupadyāś ca catur-bhujaḥ

ālokya vadanaṁ sakhyur

idam āha hasann iva

(SB 1.7.52)

So in the previous verse it is described, bhagavān devakī-suta. Bhagavān Kṛṣṇa, Devakī-suta. Still, people may doubt that Kṛṣṇa, being Devakī-suta, how He can become the Supreme Personality of Godhead. Because sometimes very powerful person is also called bhagavān. So such persons have very confidence in Viṣṇu. Viṣṇu is Caturbhuja. Therefore here, in this verse, Kṛṣṇa is confirmed to be the Supreme Personality of Godhead by adding this word, Caturbhuja. Don't doubt. Because Kṛṣṇa has appeared with two hands, that does not mean He is not Bhagavān. He is Caturbhuja. To confirm it.

Lecture on SB 6.1.14 -- Bombay, November 10, 1970:

Prabhupāda: Yes. Yogis, they see Bhagavān as Paramātmā. Brahman, Paramātmā and Bhagavān. So all of them are on the platform but realization different. Gradually develop. Brahman realization is also spiritual realization. Paramātmā realization also spiritual realization and Bhagavān realization is also spiritual, but the perfect spiritual realization is Bhagavān realization. It includes Paramātmā and Brahman, everything.

Devotee: In the Bhāgavatam it tells about Bhīṣmadeva,. Bhīṣma? He was worshiping Lakṣmī-Nārāyaṇa and when Kṛṣṇa came to (indistinct) ...Kṛṣṇa appeared in His four-armed form and then...

Prabhupāda: He knew there is no difference between Kṛṣṇa and Nārāyaṇa because he was in perfect knowledge. Why Bhīṣma? Everyone of us. You do not know?

Revatīnandana: Bhīṣma was more attracted to four-armed form.

Prabhupāda: That is, that is... Some devotee is worshiper of Viṣṇu, some devotee is worshiper of Kṛṣṇa.

Revatīnandana: Their constitutional nature is that way.

Prabhupāda: That is rasa. He likes this form. Just like Hanumān said that "Although I know Rāma and Kṛṣṇa are the same, still, I want to see Rāma." We also. Although we know Rāma and Kṛṣṇa the same but we want to see Kṛṣṇa.

Devotee: Tulasi dāsa said that he wanted to see Rāma.

Lecture on SB 6.3.16-17 -- Gorakhpur, February 10, 1971:

Devotee (1): The Viṣṇudūtas, they had spiritual bodies, spiritual forms. Are they traveling through all the planets or only where there are devotees?

Prabhupāda: All the planets. Everywhere there are devotees. You are thinking that only in America there are devotees? (laughter)

Devotee (1): No, I'm speaking particularly of the four-armed form described as... Particularly of those.

Prabhupāda: Yes. Viṣṇudūtas are looking exactly like Viṣṇu.

Tamāla Kṛṣṇa: Prabhupāda, don't the living entities on Brahmaloka have bodies like Lord Brahmā?

Prabhupāda: Not exactly. Brahmā is four-handed.

Tamāla Kṛṣṇa: Oh, they don't have...

Haṁsadūta: Prabhupāda, you said that when a person changes original spiritual form, just like the Viṣṇudūtas, they have their four-handed form. Does that mean that they will never rise up to the state of associating with Kṛṣṇa in two-handed form? What does it mean, "original form"?

Prabhupāda: Original form, two-handed.

Haṁsadūta: Two-handed.

Prabhupāda: Yes.

1972 Conversations and Morning Walks

Room Conversation -- July 4, 1972, New York:

Prabhupāda: How Kṛṣṇa was born?

Devotee child (1): He had a birth ceremony when Kṛṣṇa was born.

Prabhupāda: Huh?

Devotee child (1): Kṛṣṇa had His birth ceremony when He was born.

Prabhupāda: That's all right. How He took birth?

Devotee child (1): Did He take birth? A four-armed form. He took birth as four-armed form. He came out from Devaki's womb.

Prabhupāda: You have seen any child with four arms? Have you seen?

Devotee child: (1) Hmmh.

Prabhupāda: Where?

Devotee child (1): In pictures.

Prabhupāda: Huh?

Devotee child (1): In the picture. Here.

Prabhupāda: Picture. In life have you seen four arms? No?

Devotee child (1): What?

Prabhupāda: One child with four arms, have you seen?

1973 Conversations and Morning Walks

Room Conversation -- July 19, 1973, London:

Revatīnandana: Yes. And sometimes devotees become devoted to those forms. Are there corresponding planets in Vaikuṇṭha for those forms of incarnation? Is there a planet of Nṛsiṁha or Nṛsiṁha-loka in the Vaikuṇṭha sphere?

Prabhupāda: So far (I) know, those planets are here within this material world.

Revatīnandana: Wherever He is appearing.

Prabhupāda: Hm. Even Rāmacandra's. So far I have...

Revatīnandana: On all the Vaikuṇṭhas, Kṛṣṇa is in His catur-bhuja, four-armed form?

Prabhupāda: Hm.

Revatīnandana: But those devotees will eventually go there. Those kind of devotees like devotees of Sītā-Rāma, they will also attain the spiritual sky in their various positions.

Prabhupāda: Yes, yes.

Revatīnandana: All right. Thank you very much. (offers obeisances)

Prabhupāda: What is this?

Jānakī: One is rice and the other baḍā.

Prabhupāda: What are there?

Jānakī: Milk, hot.

Prabhupāda: That's all right.

Jānakī: I think that other thing was not a good idea.

1976 Conversations and Morning Walks

Room Conversation -- July 10, 1976, New York:

Tamāla Kṛṣṇa: The article goes on—I don't know if you want to hear it all. You want to hear it? Okay. Here's this thing called "Who is Kṛṣṇa?" "Kṛṣṇa, viewed by ISKCON as the Supreme Personification of Godhead, is said to have many pastimes in which He assumes different appearances. One such is that of Gopālajī, the cowherd boy—see picture, cowherd boy—He can appear in other forms such as four-armed Nārāyaṇa. Most often Kṛṣṇa is portrayed as having light blue skin and, by Western standards, a soft and effeminate physique. He is said to be full in the six opulences: beauty, strength, fame, wealth, knowledge and renunciation. He is said to be all-attractive. Kṛṣṇa incarnates on one planet after another in infinite universes. The last time He appeared on earth as Kṛṣṇa was five thousand years ago. He will not return in that form for another four hundred thousand years, but five hundred years ago He appeared in His incarnation of Lord Caitanya, who taught people of the mahāmantra and started the Kṛṣṇa consciousness in its present state. According to the Bhagavad-gītā, Kṛṣṇa hungers for the devotion of His followers." Very nicely put. "This devotion in its pure sense takes the form of bhakti-yoga, the dedication of one's every action to Kṛṣṇa. Thus to use one's sense for one's own pleasure is to deny Kṛṣṇa devotion and accumulate negative karma. Kṛṣṇa has a consort, Rādhā, but She is considered only as an extension of His own pleasure principle, since He is all things. It is through Her intercession that devotees seek favors from Kṛṣṇa. According to ISKCON, Kṛṣṇa is the same God worshiped as Jehovah, Allah and so on." That is the explanation of who Kṛṣṇa is.

Rādhāvallabha: He could write for Back to Godhead.

Prabhupāda: Huh?

1977 Conversations and Morning Walks

Room Conversation -- January 31, 1977, Bhuvanesvara:

Prabhupāda: Mām eva ye prapadyante māyām etāṁ taranti.

Satsvarūpa: "One can become free from the control of material nature as soon as he surrenders his soul to the Supreme Personality of Godhead. That is the preliminary formula. Being marginal potency, as soon as the living entity is freed from the control of material nature, he is put under the guidance of the spiritual nature. The guidance of the spiritual nature is called daivīṁ prakṛtim, divine nature. So when one is promoted in that way by surrendering to the Supreme Personality of Godhead, one attains to the stage of a great soul, mahātmā. The mahātmā does not divert his attention to anything outside Kṛṣṇa because he knows perfectly well that Kṛṣṇa is the original Supreme Person, the cause of all causes. There is no doubt about it. Such a mahātmā or great soul develops through association with other mahātmās, pure devotees. Pure devotees are not even attracted by Kṛṣṇa's other features, such as the four-armed Mahā-Viṣṇu. They are simply attracted by the two-armed form of Kṛṣṇa. Since they are not attracted to other features of Kṛṣṇa, what to speak of the demigods, they are not concerned with any form of a demigod or of a human being. They only meditate upon Kṛṣṇa in Kṛṣṇa consciousness. They are always engaged in the unswerving service of the Lord in Kṛṣṇa consciousness."

Prabhupāda: Sa mahātmā sudurlabhaḥ. That is the... What do you think? What is your definition of mahātmā?

Guest (1): Gītā said, vāsudevaḥ sarvam iti sa mahātmā sudurlabhaḥ (BG 7.19).

1968 Correspondence

Letter to Purusottama -- Montreal 14 June, 1968:

varieties of engagements but they are all united with the central Figure, Lord Krishna. So this is in answer to your question; "On Krishna loka are all of Krishna's pastimes with the living entities controlled by Krishna, or do the living entities have choice in this matter? In other words, is one's rasa governed by strict laws determined by Krishna or is there free choice aside from the free choice of choosing Krishna or maya?"

Your second question, "Why did Arjuna ask Krishna to go to His four armed form rather than His two armed form after Krishna had showed Arjuna His Visvarupa?" Because he understood that Krishna is the original Narayana. After seeing His Visvarupa, Arjuna was accustomed to see Krishna with two hands, but when he saw the Visvarupa, he understood Him the Supreme Personality of Godhead, and as such, he requested Him to revert to the original Form of Narayana. Then, Krishna after showing him the Narayana form, again to revert to His original Krishna form. Krishna explained that Narayana form is not original, but Krishna form in two hands is the original and even the demigods desire to see this form.

1971 Correspondence

Letter to Jadurani -- Los Angeles 9 July, 1971:

There is no need to show the demigods bewildered; I have already explained in my previous letter that inside the body the soul is suffering and that suffering is expressed by the bodily features. Everyone in this material world is suffering. So simply the idea is there, that's all. All the details it is not possible to show. Suta Goswami is not a very old man, but that is all right. Krishna in a boat with the gopis, that picture is all right. He is enjoying. This is spiritual rest and enjoyment. That is the real feature of the Supreme Personality of Godhead. Why should he work? So finish the picture nicely. The idea is all right. The monkeys with Lord Rama are greyish with black face. Why Ramacandra has only one ankle bracelet? They should be on both legs. Painting of Sukadeva is all right. Nara Narayana has four arms and they are bluish; Datyatreya, Prthu and Dhanvantari are yellowish; Lord Buddha is flesh colored; Yajna is bluish; Mohini is extraordinarily beautiful woman. There is no comparison to her beauty, so much so that Lord Siva is captivated by her beauty, what to speak of others. Vyasadeva did not speak all the Vedas to Ganesa. He simply dictated. But the picture is all right. Ravana has twenty arms, 10 heads, and he is blackish in color. The tortoise incarnation, his head portion should be Visnu, as I have told you in my last letter. Kalki should be on the horse's back with sword in hand. It is not clear in the picture.

1973 Correspondence

Letter to Jadurani -- Bombay 4 January, 1973:

The depiction of Brahma and the destruction of the material worlds is very nice. When Brahma enters into the body of Visnu, that is ultimately, at the ultimate destruction, not in the partial destruction which you are illustrating. So it is all right as you have done it.

So far the picture of three-headed Brahma in the assembly of other Brahmas, I have not seen, so what can I say? Whatever is palatable to everyone, you can do it that way. There is no mention otherwise, so the all Brahmas can be shown four arms. So far the question of all Brahmas riding on swans, at least when they came to offer respects they did not come with swan, they are all standing, they have walked into Krsna's palace. Yes, you may show all Brahmas very big in comparison with three-headed Brahma, otherwise how you can compare the elephant and the mosquito? The picture of my Guru Maharaja is nice.

So far your questions about Lord Jagannatha and Ratha-yatra Festival, the first Ratha-yatra Festival was 5,000 years before, when Krsna and Balarama and Subhadra came from Dvaraka to Kuruksetra. So far the festival at Puri, there is no such history, but it must be more than 3,000 years. At least there is recorded history 2,000 years old, because we see in the Aquarian Gospel that Lord Jesus Christ was attending the Ratha-yatra Festival at Puri. Yes, there was attempt by Radharani to take back Krsna from Kuruksetra to Vrndavana.

1977 Correspondence

Letter to Artists -- Unknown Place Unknown Date:

Regarding the picture for B.G. 2/62, now that I am seeing it, the snake is all right. Another name for the snake is kal. So the snake is kala, or time. Time is also death. As soon as the snake bites, everything is finished.

Vasudeva means both two and four armed. At Kuruksetra both forms were shown to Arjuna. At Kuruksetra, Krsna is Vasudeva Krsna.

Gaurasundara's drawing is done under my dictation, so it is authoritative and is perfect also. You can make improvements on that basis, but don't add or subtract anything.

B.G. 7/15&16. The picture is all right. You can leave it if you wish, but Laksmi-Narayana would be better.

B.G. 16/5&21. Radha and Krsna may remain. Similarly with B.G. 15/1-2. Introduction, pp.34 is also all right.

So all your questions are good sign. You are always welcome to question me. It is my duty to guide you also, and I am always prepared. How else you will do your work? And this is also utilization of my valuable time, to give you suggestions. So far as Mahabharata is concerned, there is a Hindi translation, but I do not know of any English translation. But never mind. You can go on asking me as you have done in the past.