When one becomes actually devoted to Kṛṣṇa consciousness and takes pleasure by chanting his object of love, druta-citta uccaiḥ, his mind becomes perturbed by such chanting. And then hasaty, hasaty, he laughs; atho roditi, sometime cries, roditi; and rauti, and, by seeing him, others also cry; roditi, rauti; gāyati, and chants very loudly; unmādavan nṛtyati, and dances like a madman, nṛtyati; loka-bāhyaḥ, and he doesn't care that "Somebody is looking upon me just like I am madman." He doesn't care for them. This is the perfectional stage of chanting.
- ei tāṅra vākye āmi dṛḍha viśvāsa dhari'
- nirantara kṛṣṇa-nāma saṅkīrtana kari
- (CC Adi 7.95)
Now Caitanya Mahāprabhu concludes . . . because you might always remember that He is speaking to Prakāśānanda Sarasvatī. So He said that "With full faith in the words of My spiritual master, I chant this Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare, and I have no other business." Nirantara kari. Because He was . . . he raised the question of Vedānta, studying Vedānta, so He is answering,
"This is My position. I am just following the instruction of My spiritual master. In the beginning, he taught Me like this. He instructed Me like this. Then I followed. I have developed these symptoms. Then again I approached My spiritual master. He confirmed the same thing. Therefore My business is to follow his instruction, and therefore I am always chanting and dancing."