When Lord Kṛṣṇa finally reappeared among the assembled gopīs, He looked very beautiful, just befitting a person with all kinds of opulences. In the Brahma-saṁhitā it is stated, ānanda-cin-maya-rasa-pratibhāvitābhiḥ: Kṛṣṇa alone is not particularly beautiful, but when His energy—especially His pleasure energy, represented by Rādhārāṇī—expands, He looks very magnificent. The Māyāvāda conception of perfection—an Absolute Truth without potency—is due to insufficient knowledge. Actually, outside the exhibition of His different potencies, the Absolute Truth is not complete. Ānanda-cin-maya-rasa means that His body is a transcendental form of eternal bliss and knowledge. Kṛṣṇa is always surrounded by different potencies, and therefore He is perfect and beautiful. We understand from the Brahma-saṁhitā and Skanda Purāṇa that Kṛṣṇa is always surrounded by many thousands of goddesses of fortune. The gopīs are all goddesses of fortune, and Kṛṣṇa took them hand in hand on the bank of the Yamunā.
It is said in the Skanda Purāṇa that out of many thousands of gopīs, 16,000 are prominent, out of those 16,000, 108 are especially prominent, out of these 108 gopīs, eight gopīs are still more prominent, out of those eight gopīs, Rādhārāṇī and Candrāvalī are even more prominent, and out of these two gopīs, Rādhārāṇī is the most prominent.
When Kṛṣṇa entered the forest on the bank of the river Yamunā, the moonlight dissipated the surrounding darkness. Due to the season, flowers like the kunda and kadamba were blooming, and a gentle breeze was carrying their aroma. Due to the aroma, the bees were also flying in the breeze, thinking that the aroma was honey. The gopīs made a seat for Kṛṣṇa by leveling the soft sand and placing cloths over it.