Rāmeśvara: Then this is the painting showing Śukrācārya and his daughter, and they're cursing Mahārāja Yayāti. What's happening here is that...
Prabhupāda: No, Śukrācārya's cloth is why long? So?
Rāmeśvara: Too long.
Prabhupāda: Yes.
Rāmeśvara: Did you catch that?
Muralīdhara: It should be below the knees or...?
Prabhupāda: Hm? Yes. This is sannyāsī cloth. Should be shorter.
Rāmeśvara: Now, what's happening here is that his face is still very youthful, but his body is becoming very old like an old man's body. Gradually, his hands are old. The only thing left is his face and his neck.
Prabhupāda: No, no.
Rāmeśvara: It is like he's being transformed.
Prabhupāda: After cursing, the body was that, but not before.
Rāmeśvara: This is like artist's license. He has just cursed him, and now his body is changing. But we wanted to show it all at the same time so that they could get the idea.
Prabhupāda: That's all right(?).
Rāmeśvara: And they have shown this taking place in the courtyard, in a courtyard of Śukrācārya's residence.
Prabhupāda: This...
Rāmeśvara: But the question is... This cloth.
Prabhupāda: Cloth should be...
Rāmeśvara: Because he was the spiritual master, would he be living in a very opulent house?
Prabhupāda: Not necessarily.
Rāmeśvara: So is this too opulent?
Prabhupāda: No.
Rāmeśvara: They have arches and...
Prabhupāda: That's all right.