One of the gopīs told mother Yaśodā, “My dear mother, your son is very expert among the cowherd boys. He knows all the different arts of how to tend the cows and how to play the flute. He composes His own songs, and to play them He puts His flute to His mouth. When He plays, either in the morning or in the evening, all the demigods, including Lord Śiva, Brahmā, Indra and Candra, bow their heads and listen with great attention. Although they are very learned and expert, they cannot understand the musical arrangements of Kṛṣṇa’s flute. They simply listen attentively and try to understand, but they become bewildered and nothing more.”
Another gopī said, “My dear friends, when Kṛṣṇa returns home with His cows, the footprints of the soles of His feet—with flag, thunderbolt, trident and lotus flower—relieve the pain the earth feels when the cows traverse it. He walks in a stride which is so attractive, and He carries His flute. Just by looking at Him we become lusty to enjoy His company. At that time, our movements cease. We become just like trees and stand perfectly still, unaware that our hair and clothes are loosening.”
Kṛṣṇa had many thousands of cows, and they were divided into groups according to their colors. They were also differently named according to color. When He would prepare to return from the pasturing ground, He would gather all the cows. As Vaiṣṇavas count 108 beads, which represent the 108 individual gopīs, so Kṛṣṇa would also count on 108 beads to count the different groups of cows.
“When Kṛṣṇa returns, He is garlanded with tulasī leaves,” a gopī described Him to a friend. “He puts His hand on the shoulder of a cowherd boyfriend and begins to blow His transcendental flute. The wives of the black deer become enchanted upon hearing the vibration of His flute, which resembles the vibration of the vīṇā. The deer come to Kṛṣṇa and become so charmed that they stand still, forgetting their homes and husbands. Like us, who are enchanted by the ocean of the transcendental qualities of Kṛṣṇa, the she-deer become enchanted by the vibration of His flute.”
Another gopī told mother Yaśodā, “My dear mother, when your son returns home, He decorates Himself with the buds of the kunda flower, and just to enlighten and gladden His friends, He blows His flute. The breeze blowing from the south creates a pleasing atmosphere because it is fragrant and very cool. Minor demigods like the Gandharvas and Siddhas take advantage of this atmosphere and offer prayers to your son by sounding their bugles and drums. Kṛṣṇa is very kind to the inhabitants of Vrajabhūmi, Vṛndāvana, and when He returns with His cows and friends, He is remembered as the lifter of Govardhana Hill. Taking advantage of this opportunity, the most exalted demigods like Lord Brahmā and Lord Śiva come down to offer their evening prayers, and they accompany the cowherd boys in glorifying the qualities of Kṛṣṇa.
“Kṛṣṇa is compared to the moon, born in the ocean of the womb of Devakī. When He returns in the evening, it appears that He is fatigued, but He still tries to gladden the inhabitants of Vṛndāvana by His auspicious presence. When Kṛṣṇa returns, garlanded with flowers, His face looks beautiful, adorned with golden earrings. He walks into Vṛndāvana with a stride just like the elephant’s and slowly enters His home. Upon His return, the men, women and cows of Vṛndāvana immediately forget the scorching heat of the day.”
Such descriptions of Kṛṣṇa’s transcendental pastimes and activities were remembered by the gopīs during His absence from Vṛndāvana. They give us some idea of how attractive Kṛṣṇa is, not only to human beings but to all animate and inanimate objects. In Vṛndāvana, everyone and everything is attracted to Kṛṣṇa, including the trees, the plants, the water, and animals like the deer and cows. That is the perfect description of Kṛṣṇa’s all-attractiveness. The example of the gopīs is very instructive to persons who are trying to be absorbed in Kṛṣṇa consciousness. One can very easily associate with Kṛṣṇa simply by remembering His transcendental pastimes. Everyone has a tendency to love someone. That Kṛṣṇa should be the object of love is the central point of Kṛṣṇa consciousness. By constantly chanting the Hare Kṛṣṇa mantra and remembering the transcendental pastimes of Kṛṣṇa, one can be fully in Kṛṣṇa consciousness and thus make his life sublime and fruitful.