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One who cannot understand Krsna, what is Krsna, which Vyasadeva has described what is Krsna in nine cantos, to understand Krsna, and then in the Tenth Canto he begins the birth advent of Krsna

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"One who cannot understand Krsna, what is Krsna, which Vyasadeva has described what is Krsna in nine cantos, to understand Krsna, and then in the Tenth Canto he begins the birth advent of Krsna"

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Lectures

Bhagavad-gita As It Is Lectures

The rascals, they paint picture, and that pictures are very much appreciated, that Kṛṣṇa is embracing gopīs. Somebody was telling me that... Last... Who came? That Kṛṣṇa's picture. So when Kṛṣṇa is killing Putanā, that picture they will not paint, or killing Kaṁsa, or... Kṛṣṇa has got so many pictures. These pictures they will not, artists. They will simply paint the picture, His confidential dealings with the gopīs. One who cannot understand Kṛṣṇa, what is Kṛṣṇa, which Vyāsadeva has described what is Kṛṣṇa in nine cantos, to understand Kṛṣṇa, and then in the Tenth Canto he begins the birth advent of Kṛṣṇa... But these rascals, they jump over immediately to the rāsa-līlā.


Lecture on BG 2.10 -- London, August 16, 1973:

So Kṛṣṇa-bhakti is like that. Full control over the senses. As Kṛṣṇa has got full control over the senses, similarly, those who are actually Kṛṣṇa devotees, they have got full control over the senses. Hṛṣīkeśa. Just like Yamunacārya. He is praying, he is speaking, yad-avadhi mama cittaḥ kṛṣṇa-padāravinde nava-nava-dhāmany udyataṁ rantum āsīt: "Since I have begun to feel transcendental bliss being taken shelter of the lotus feet of Kṛṣṇa," yad-avadhi mama cittaḥ kṛṣṇa-padāravinde, kṛṣṇa-padāravinde, the lotus feet of Kṛṣṇa. "Since my citta, my heart, has been attracted by the lotus feet of Kṛṣṇa," tad-avadhi bata nārī-saṅgame, "since then, as soon as I think of sex life," bhavati mukha-vikāraḥ, "I hate, I spit on it." This is Kṛṣṇa-bhakti. Kṛṣṇa-bhakti is like that. Bhakti-pareśānubhava-viraktir anyatra syāt (SB 11.2.42). This most attractive feature in this material world is sex. That is the foundation of material life. All these people are working so hard day and night only for that sex enjoyment. Yan maithunādi-gṛha... They are taking so much risk. They are working, karmis, they are working so hard. What is their pleasure of life? The pleasure of life is sex. Yan maitunādi-gṛhamedhi-sukhaṁ hi tuccham (SB 7.9.45). Very abominable activities, but that is their pleasure. This is material life. So Kṛṣṇa is not like that. But the rascals, they paint picture, and that pictures are very much appreciated, that Kṛṣṇa is embracing gopīs. Somebody was telling me that... Last... Who came? That Kṛṣṇa's picture. So when Kṛṣṇa is killing Putanā, that picture they will not paint, or killing Kaṁsa, or... Kṛṣṇa has got so many pictures. These pictures they will not, artists. They will simply paint the picture, His confidential dealings with the gopīs. One who cannot understand Kṛṣṇa, what is Kṛṣṇa, which Vyāsadeva has described what is Kṛṣṇa in nine cantos, to understand Kṛṣṇa, and then in the Tenth Canto he begins the birth advent of Kṛṣṇa... But these rascals, they jump over immediately to the rāsa-līlā. First of all understand Kṛṣṇa. Just like if you become a friend of some very big man, so first of all try to understand him. Then you'll try to understand his family affairs or confidential things. But these people jump over to the rāsa-līlā. And misunderstand. And therefore they sometimes say, "Kṛṣṇa is immoral." How Kṛṣṇa can be immoral? By accepting, by chanting Kṛṣṇa's name, the immoral persons are becoming moral, and Kṛṣṇa is immoral. Just see the foolishness. Simply by chanting Kṛṣṇa's name, all immoral persons are becoming moral. And Kṛṣṇa is immoral. And it is spoken by a rascal professor.