View source for Kaliya's wives were flattering Krsna so that He would spare their husband. Therefore this is an example of uparasa, or imitation

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[[Category:Krsna and Kaliya]]
[[Category:Krsna's Wives]]
[[Category:Were]]
[[Category:Flattering Krsna]]
[[Category:So That]]
[[Category:Krsna Would]]
[[Category:Krsna's Sparing]]
[[Category:Their]]
[[Category:Husband]]
[[Category:Therefore]]
[[Category:This Is]]
[[Category:An Example]]
[[Category:Example Of]]
[[Category:Imitation]]
[[Category:The Nectar of Devotion Chapter 51 - Perverted Expression of Mellows]]
[[Category:The Nectar of Devotion Chapters 01 to 51]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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After Kṛṣṇa chastised the Kāliyanāga in the Yamunā River by dancing on his heads, the Kāliyanāga's wives addressed Kṛṣṇa, "My dear cowherd boy, we are all only young wives of the Kāliyanāga, so why do you agitate our minds by sounding Your flute?" Kāliya's wives were flattering Kṛṣṇa so that He would spare their husband. Therefore this is an example of uparasa, or imitation.
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[[Vanisource:NOD 51 (1970)|Nectar of Devotion, 51]]
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One of the friends of Śrīmatī Rādhārāṇī told Her, "My dear friend Gāndharvikā (Rādhārāṇī), You were the most chaste girl in our village, but now You have divided Yourself and are partially chaste and partially unchaste. It is all due to Cupid's influence upon You after You saw Kṛṣṇa and heard the sound of His flute." This is another example of uparasa caused by divided interests in conjugal love.

According to some expert learned scholars, the feelings between lover and beloved create perverted reflections of mellows in many ways.

"The gopīs have become purified by Kṛṣṇa's glance, and as such, Cupid's influence is distinctly visible on their bodies." Although in the material sense the glancing of a boy at a girl is a kind of pollution, when Kṛṣṇa threw His transcendental glance at the gopīs, they became purified. In other words, because Kṛṣṇa is the absolute truth, any action by Him is transcendentally pure.

After Kṛṣṇa chastised the Kāliyanāga in the Yamunā River by dancing on his heads, the Kāliyanāga's wives addressed Kṛṣṇa, "My dear cowherd boy, we are all only young wives of the Kāliyanāga, so why do you agitate our minds by sounding Your flute?" Kāliya's wives were flattering Kṛṣṇa so that He would spare their husband. Therefore this is an example of uparasa, or imitation.

One devotee said, "My dear Govinda, here is a nice flowery bush in Kailāsa. I am a young girl, and You are a young poetic boy. After this, what more can I say? You just consider." This is an example of uparasa, caused by impudency in conjugal love.

When Nārada Muni was passing through Vṛndāvana, he came to the Bhāṇḍīravana Forest and saw in one of the trees the famous parrot couple that always accompanies Lord Kṛṣṇa. The couple was imitating some discussion they heard upon the Vedānta philosophy, and thus were seemingly arguing upon various philosophical points. Upon seeing this, Nārada Muni was struck with wonder, and he began to stare without moving his eyelids. This is an example of anurasa, or imitation.

When Kṛṣṇa was fleeing away from the battlefield, from a distant place Jarāsandha was watching Him with restless eyes and was feeling very proud. Being thus puffed up with his conquest, he was repeatedly laughing. This is an example of aparasa.

Everything in connection with Kṛṣṇa is called ecstatic devotional love, although it may be exhibited in different ways: sometimes in right order and sometimes as a perverted reflection. According to the opinion of all expert devotees, anything that will arouse ecstatic love for Kṛṣṇa is to be taken as an impetus for transcendental mellow.
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