View source for Great sages prayed, "Lord Krsna was going to the battlefield of Kuruksetra not to fight, but to grace all of the devotees with His presence"

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{{terms|"Lord Kṛṣṇa was going to the battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence"}}
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[[Category:Krsna and the Sages]]
[[Category:Praying to Krsna]]
[[Category:Krsna Was]]
[[Category:Krsna's Going]]
[[Category:Krsna on Different Battlefields]]
[[Category:Krsna and the Battle of Kuruksetra]]
[[Category:Krsna's Fighting]]
[[Category:Krsna's Grace]]
[[Category:Krsna's Devotees]]
[[Category:With]]
[[Category:Krsna's Presence]]
[[Category:The Nectar of Devotion Chapter 26 - Stimulation for Ecstatic Love]]
[[Category:The Nectar of Devotion Chapters 01 to 51]]
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<h2>Other Books by Srila Prabhupada</h2>
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<h3>Nectar of Devotion</h3>
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Kṛṣṇa is sometimes called vanamālī. Vana means forest and mālī means gardener, so vanamālī refers to one who extensively uses flowers and garlands on different parts of His body. Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, "Lord Kṛṣṇa was going to the battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence.
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[[Vanisource:NOD 26 (1970)|Nectar of Devotion, 26]]
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His helmet, His earrings, His necklace, His four garments, the bangles on His head, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa's ornaments. Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, embroidered garments and the beautiful rings on His fingers.

Kṛṣṇa is sometimes called vanamālī. Vana means forest and mālī means gardener, so vanamālī refers to one who extensively uses flowers and garlands on different parts of His body. Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, "Lord Kṛṣṇa was going to the battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence."

Kṛṣṇa's Flute

As far as His flute is concerned, it is said that the vibration of this wonderful instrument was able to break the meditation of the greatest sages, and Kṛṣṇa was thus challenging Cupid by advertising His transcendental glories all over the world.

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānanda, or sanmohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁsulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sanmohinī. When made of gold, it is called ākarṣiṇī.
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