Category:Singing
singing | sing | sings | sang
Subcategories Pages in category
This category has the following 19 subcategories, out of 19 total.
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Pages in category "Singing"
The following 279 pages are in this category, out of 279 total.
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- Srila Narottama dasa Thakura sings, chadiya vaisnava-seva nistara payeche keba, which means that unless one serves the Vaisnavas and brahmanas, one cannot get liberation from the material clutches
- That songs writing we cannot regard very seriously. That will spoil the whole thing. But you can utilize your propensity to write poems and articles for BTG, for singing in the kirtana, like that
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- A woman, therefore, should consider her husband, her house and her children to be the arrangement of the external energy of the Lord for her death, just as the sweet singing of the hunter is death for the deer
- A wooden doll chants and dances according to the direction of a magician but does not know how he is dancing and singing
- According to the principles of the Mayavadi sannyasis, singing, dancing and playing musical instruments are strictly prohibited, for they are considered to be sinful activities. The Mayavadi sannyasi is simply supposed to engage in the study of Vedanta
- After abandoning the dancing, the Lord ordered Svarupa Damodara to sing. Understanding His mind, Svarupa Damodara began to sing as follows
- After much singing, all four sankirtana parties grew fatigued, but Sri Caitanya Mahaprabhu's ecstatic love increased twofold
- After saying this, he danced and sang to his heart's content, but the brahmana did not become angry, for he was then serving Lord Krsna
- After this, they (the hunter and his wife) began to feel ecstasy and began to dance and sing Hare Krsna, Hare Krsna, Krsna Krsna, Hare Hare/Hare Rama, Hare Rama, Rama Rama, Hare Hare. They raised their hands and danced with their clothes flying
- All (beautiful men and women) were singing auspicious songs. The wife of the brahmana (Sudama) was very glad on hearing the tidings of her husband’s arrival, and with great haste she came out of the palace
- All over Vrndavana there were nice gardens filled with flowers and the sounds of humming bees and singing birds. The lakes were filled with lotus flowers and with ducks and swans
- All the birds within the forests began to sing with sweet voices, & the peacocks began to dance with their consorts. The wind blew very pleasantly, carrying the aroma of different flowers, and the sensation of bodily touch was very pleasing
- All the birds within the forests began to sing with sweet voices, and the peacocks began to dance along with their consorts. The wind blew very pleasantly, carrying the aroma of different flowers, and the sensation of bodily touch was very pleasing
- All the devotees sang this popular song along with the Hare Krsna maha-mantra. "Haraye namah, krsna yadavaya namah-gopala govinda rama sri-madhusudana"
- All these symptoms (of subordinate ecstatic expressions of love) are divided into two divisions - sita and ksepana. Singing, yawning and so on are called sita. Dancing and bodily contortions are called ksepana
- Although rendering devotional service to the Supreme Personality of Godhead and worshiping Him are very difficult, if one vibrates or simply reads this stotra (prayer) composed and sung by me, he will very easily be able to invoke the mercy of the SPG
- Another party was formed by the people of Khanda. These people were singing in a different place. In that group, Narahari Prabhu and Raghunandana were dancing
- Anubhava can be divided into thirteen categories: dancing, rolling on the ground, singing, yelling, jumping, making loud noises, yawning, heavy breathing, not caring for public opinion, discharging saliva, roaring laughter, unsteadiness and hiccuping
- Ar na koriho mane asa. You rascal, you do not desire anything else. Are you not singing daily? But do you understand the meaning? Or you are singing only? What is the meaning? Who will explain? Nobody knows? Yes, what is the meaning?
- Artificial movement of the body . . . must always be rejected. One should wait for the natural sequence within devotional service, and at that time, when one cries or dances or sings, it is approved
- As far as the seven transcendental meters for singing the names of the Lord, that is not so important for now. Better to try to increase the purity of the chanting first, that is our most important thing
- As soon as he (Prakasananda Sarasvati) saw the beautiful body of Lord Caitanya and the Lord dancing with His associates, Prakasananda Sarasvati also joined and began to sing: Hari! Hari
- As soon as this (sankirtana) movement is taken up through spiritual singing, dancing, and feasting, the people will automatically become obedient and honest
- As taught by Sri Caitanya Mahaprabhu, a woman's singing is dangerous because it can make a sannyasi fall a victim to the woman
- As the circumambulation was performed, the four kirtana parties sang in front and in the rear. When Sri Caitanya Mahaprabhu fell down to the ground, Sri Nityananda Raya Prabhu lifted Him up
- As Vasudeva Datta sang a different song beneath each and every tree, Sri Caitanya Mahaprabhu danced there alone in great ecstasy
- At that time drums and kettledrums resounded from the sky, the chief Gandharvas began to sing and other demigods showered flowers like torrents of rain upon Dhruva Maharaja
- At the present moment, cinema artists, especially female singers, are especially welcome. Some of them earn fabulous amounts of money simply by singing
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- Bahunam janmanam ante (BG 7.19). We have received this body through the evolutionary processes, and this human form is a great opportunity. Narottama dasa Thakura sings: hari hari viphale janama gonainu - My dear Lord Krsna, I have simply wasted my time
- Beautifying these waters are the lotus flowers of singing, dancing and loud chanting of Krsna's holy name, which are the pleasure abodes of unalloyed devotees
- Because of the pastimes in the water, there was great jubilation on the shore, with music, singing, chanting and dancing creating a tumultuous sound
- Becoming intoxicated with this blood, they all began to sing very loudly and dance as though prepared to annihilate the entire universe. At the same time, they began to play with the heads of the rogues & thieves, tossing them about as if they were balls
- Being very pleased, the celestial dancing girls (Apsaras) danced in jubilation, the best of the Gandharvas sang songs, and the great sages, demigods, Manus, Pitas and fire - gods offered prayers to satisfy the Lord
- Bhagavan Shri Krishna Chaitanya foretold, "The singing of My name is sure to be spread in every village and in every town throughout the world"
- Bhaktivinoda Thakura sings, "On account of my fruitive result before the beginning of the creation, I am now in this material ocean." "I do not find any means how to get out of it." This is knowledge
- Bhaktivinoda Thakura sings, marabi rakhabi-yo iccha tohara: "O Lord (Krsna), I fully surrender unto Your lotus feet. Now, as You desire, You may protect me or annihilate me. You have the full right to do either"
- Brahma meditated for one hundred years before he could understand the supreme cause of all causes, and then he wrote the Brahma-samhita, which is approved and recognized by Lord Caitanya and in which he sings, govindam adi-purusam tam aham bhajami
- Bumblebees and birds like the parrot and cuckoo all began to sing loudly on the fifth note, and the peacocks began to dance in front of the Lord
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- Don't go anywhere else. Take this faithfully, the orders of guru. You are singing daily. Ar na koriho mane asa. This is faith, strong faith
- During bedtime also the singers sing songs in relationship with the pastimes of the Lord, with sahnai accompaniment, and the householders gradually fall asleep remembering the glories of the Lord
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- Every day from pratipat to trayodasi, one should continue the ceremony, to the accompaniment of dancing, singing, the beating of a drum, the chanting of prayers and all-auspicious mantras, and recitation of Srimad-Bhagavatam
- Every morning and evening I heard them while they were singing and chanting the Hare Krsna mantra, and thus my heart gradually became purified
- Everyone in the fourteen worlds meditates upon Him, and all the denizens of Vaikuntha sing of His qualities and pastimes
- Everyone wants to dance, to sing, to eat and to hear the truth. This process is truly susukham - very happy
- Everyone wants to eat, sing and dance, Through this formula - dancing, singing and eating Krsna prasada and hearing philosophical discussion, transcendental topics from Bhagavad-gita - so don't you think it is very happy?
- Examples of anubhava as follows: dancing, rolling on the ground, singing very loudly, stretching the body, crying loudly, yawning, breathing very heavily, neglecting the presence of others, drooling, laughing like a madman, wheeling the head and belching
- Expert dramatists, artists, dancers, singers, historians, genealogists and learned speakers all gave their respective contributions, being inspired by the superhuman pastimes of the Lord. Thus they proceeded on and on
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- Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body
- Generally, those who are exalted personalities lie down when they feel intoxicated, whereas those who are mediocre laugh and sing during intoxication, and those who are lowly use vulgar language and sometimes cry
- Gradually try to convince them that this movement is the perfection of Communism. Go on singing Krsna kirtana. That is our program
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- Hearing and chanting are essential processes for sankirtana. So if someone is hearing us singing on the street, or if he is purchasing one book and if he reads sincerely, these two activities are the same
- Hearing the song from a distance, Sri Caitanya Mahaprabhu immediately became ecstatic. He did not know whether it was a man or a woman singing
- Here in Los Angeles I have so many tapes of my singing prayers, chanting new tunes of Hare Krishna, playing mrdanga, and purports to prayers
- His (Krsna) lotus feet are the refuge of pure devotees who never talk or sing of any subject except His Lordship
- However, you can sing the first two lines, (Raghu Pati Raghava Raja Ram, Patita Pavana Sita Ram)
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- I passed through hills & mountains full of reservoirs of various minerals like gold, silver & copper, & through tracts of land with reservoirs of water filled with lotus flowers, fit for the denizens of heaven, decorated with bees & singing birds
- I want to organize a women kirtana party singing the Gita Gan. Can you help me?
- If we do not come to the stage of sattva-guna in this human life, then, as Narottama dasa Thakura sings, hari hari viphale janama gonainu - there is no profit in gaining this human form of life
- In a song we sing every day, Narottama dasa Thakura says, caksu-dana dila yei, janme janme prabhu sei: the guru gives spiritual insight to the disciple, and therefore the guru should be considered his master, life after life
- In every house, in addition to the singing program, there is an arrangement for Bhagavatam lectures in evening; family members sit down, hold Hare Krsna kirtana, hear narrations from Srimad-Bhagavatam and Bhagavad-gita and enjoy music before going to bed
- In India we have got experience how in the morning the cowboy takes some food from the mother and with the cows he goes to the field. The cows are let loose on the grazing ground. They are enjoying, and this cowboy is sometimes singing
- In Sanskrit a woman's voice is called nari-svara because women generally sing and their singing is very attractive
- In the attitude of anubhava, one dances and sometimes falls down, sometimes sings loudly, shows convulsions, yawns, and sometimes breathes very heavily - all without concern for circumstances
- In the Brahma-samhita Lord Brahma has sung in every verse govindam adi-purusam tam aham bhajami
- In the Vaikuntha planets the inhabitants fly in their airplanes, accompanied by their wives and consorts, and eternally sing of the character and activities of the Lord, which are always devoid of all inauspicious qualities
- In this age (of Kali-yuga) the Lord is yellow (Caitanya Mahaprabhu), and He teaches people love of God by chanting the names of Krsna. This teaching is carried out personally by Krsna, and He exhibits love of Godhead by chanting, singing and dancing
- In this atmosphere, the Lord had His associates sing the verse from the Gita-govinda beginning with the words "lalita-lavanga-lata" as He danced and wandered about with them
- In your city there is always congregational chanting of the holy name. A tumultuous uproar of music, singing and dancing is always going on
- Indeed, the devotional process is very pleasant; we melodiously sing with instruments, and someone will listen and also join (sravanam kirtanam (SB 7.5.23)). Of course the music should be in relation with the Supreme Lord, in glorification of Him
- It (Krsna consciousness) is science. It is not sentiment. Whatever we are doing here, the dancing, singing and everything, that is all scientific
- It is a great pleasure for me that Dr. S.R. Chakravarti has sung some important verses from Srimad-Bhagavatam, now made into a record album
- It is described herein (SB 4.6.29) that the lakes were decorated with lotus flowers and with swans who played and sang with the birds and the humming bees
- It is my desire that you open a center in each and every one of these places, and that will help to fulfill the prophecy of Lord Caitanya that His Holy Name will be sung in every city and town all over the globe
- It is not ordinary singing, it is concert, many people are singing, so it is not bad. Just like Sankirtana, many voices are there, men and women, so it is the same thing, sankirtana. I approve of it
- It is our desire that we shall always be engaged fully 24 hours in the service of Lord Krishna; in this way our lives will become perfectly joyful simply by singing and dancing and taking Prasadam
- It is stated here (in SB 3.22.23) that early in the morning there were musicians who used to sing with musical instruments about the glories of the Lord, and the Emperor (Manu), with his family, used to hear about the pastimes of the Supreme Person
- It is stated in another verse of Srimad-Bhagavatam (SB 10.35.11): O just see how the cranes and swans on the water are singing the glories of the Lord! Indeed, they are standing in the water meditating and worshiping Him
- It will be great advantage if you can chant so much as one lac of Names daily, and also read scriptures. This is good opportunity for you to learn to sing all the verses in the Srimad Bhagwatam
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- Junior Haridasa went to the confluence of the Ganges and Yamuna and committed suicide. In his spiritual body, however, he continued to sing devotional songs, and Sri Caitanya Mahaprabhu heard them
- Just as in this world the man-eaters drank their victims' blood, dancing and singing in jubilation, their victims now enjoy drinking the blood of the sacrificers and celebrating in the same way
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- Kirtana does not mean always that we have to chant or sing with musical instrument. I am speaking to you Srimad-Bhagavatam, this is also kirtanam
- Kirtana means kirtayati, glorifying. That is kirtana. So either you sing musically or you speak devotionally, both of them are kirtana. Just like Sukadeva Gosvami, he continually spoke to Maharaja Pariksit
- Krsna and the gopis sang and danced these combined to appear like clouds, thunder, snow and lightning
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- Laksmana said, "While the music played, expert male and female dancers began to dance, and singers began to sing sweetly"
- Let the snake-bird-or whatever magical thing the brahmana created-bite me at once. I (Pariksit) only desire that you all continue singing the deeds of Lord Visnu
- Let the snakebird - or whatever magical thing the brahmana created - bite me at once. I only desire that you all continue singing the deeds of Lord Visnu
- Lord Caitanya's movement of Krsna consciousness is full of dancing and singing about the pastimes of Lord Krsna
- Lord Siva prays to Lord Aniruddha to give him strength so that he will not taste anything but the prasada of the Lord. Srila Bhaktivinoda Thakura has sung a verse indicating that the tongue is the most formidable enemy among all the senses
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- Mahat-seva means if you, by chance, you get in contact of a great personality, great soul who knows Krsna science, you just try to please him. Therefore we, every day in the morning, we sing yasya prasadad bhagavat-prasadah
- Many professional singers used to sing about the glories of King Puranjana and his glorious activities. When it was too hot in the summer, he used to enter a reservoir of water. He would surround himself with many women and enjoy their company
- Maybe such Sankirtana solo singing; I can give so many. I can give so many verses, just like Cintamani Prakara Sadmasu, and explain them in English, so we can produce not only pictures, but also records
- My dear friend, this forest of Vrndavana is giving great pleasure to our senses in various ways. Somewhere bumblebees are singing in groups, and in some places mild breezes are cooling the entire atmosphere
- My dear King, please search out that deer who is engaged in eating grass in a very nice flower garden along with his wife. That deer is very much attached to his business, and he is enjoying the sweet singing of the bumblebees in his garden
- My dear servants, please do not approach such devotees, for they have fully surrendered to the lotus feet of the Supreme Personality of Godhead. They are equal to everyone, and their narrations are sung by the demigods and the inhabitants of Siddhaloka
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- Nama-gane sada rucih: such a devotee is never tired of chanting, singing, or dancing. The word sada means "always," and ruci means - taste
- Nama-gane sada rucih: we have to increase our taste for singing and chanting Hare Krsna
- Narottama dasa Thakura sings, hari hari viphale janama gonainu, indicating that unless one worships Radha-Krsna, one's human form of life is wasted
- Narottama dasa Thakura's songs are very appropriate just to the conclusion of Vedic injunctions. So he sings this song (Gauranga Bolite Habe), how one can rise up to transcendental plane for associating directly with Radha & Krsna, what is that process
- No one could see him, but they could hear him singing in a sweet voice. Therefore all the devotees, headed by Govinda, made this guess
- No one could understand who was coming and who was going, who was dancing and who was singing. Nor could they understand one another's language
- No one should write songs of Krishna unless he is self-realized soul, that will spoil the value of the whole thing. But try to use your writing and singing talent for Krishna's preaching work, by writing articles, singing the kirtana, like that
- No one will disagree to partake in a function where good singing, dancing and refreshment are administered. Everyone will attend such a function, and everyone is sure to feel individually the transcendental presence of the Lord
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- O Candramukha! Please give me ten thousand Gandharvas. Let them sing as I dance, and then I will be greatly happy
- Of course if one thinks that Bhagavad-gita and the Hare Krsna mantra are part of the Hindu system and doesn't want to accept them because of this, he can nonetheless attend the Christian church and sing there
- On Kailasa Hill there is always the rhythmical sound of the peacocks' sweet vibrations and the bees' humming. Cuckoos are always singing, and other birds whisper amongst themselves
- On the way home, he came upon a sudra, a very lusty, fourth-class man, who was shamelessly embracing and kissing a prostitute. The sudra was smiling, singing and enjoying as if this were proper behavior
- One day Jagadananda, Svarupa, Govinda, Kasisvara, Sankara, Damodara and Mukunda all went to bathe in the sea. They could hear Haridasa singing from a distant place as if calling them in his original voice
- One day when the Lord was going to the temple of Yamesvara, a female singer began to sing in the Jagannatha temple
- One gopi said, "Wives of the demigods who are seated in the planes then become very much ashamed of their singing and musical qualifications. Not only that, but they become afflicted with conjugal love, & their hair & tight clothes immediately loosen"
- One must taste the nectar of devotion by reason, argument and knowledge, and then he must pass it on to others. One should not think that Krsna consciousness is mere sentimentality. The dancing and singing are all scientific
- Our playing of mrdanga, whatever I play, I sing, I never studied under some expert teacher
- Out of three kinds of men - the karmis, jnanis and bhaktas - the bhakta is described herein (SB 4.24.57) as the most exalted. Srila Prabodhananda Sarasvati has sung: kaivalyam narakayate tridasa-pur akasa-puspayate (Caitanya-candramrta)
- Overwhelmed by the transcendental bliss of dancing and surrounded by Vaisnavas who sang the holy names, He manifested waves of ecstatic love of Godhead. When will Sri Caitanya Mahaprabhu again be visible to my vision
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- Passing along the beach, they saw a fisherman approaching with his net over his shoulder. Laughing, crying, dancing and singing, he kept repeating the holy name "Hari, Hari"
- Prahlada sometimes cried, sometimes laughed, sometimes expressed jubilation and sometimes sang loudly because of advancement in Krsna consciousness
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- Raising their necks, dogs cried here and there, now in the manner of singing and now of wailing
- Ramananda Raya recited verses from Srimad-Bhagavatam, and Svarupa Damodara Gosvami sang of Krsna's pastimes. In this way, they brought Sri Caitanya Mahaprabhu to external consciousness
- Regarding Syama's kirtana; it is also nice. But it does not behoove that I shall sing with her. Let us see how much she is advanced in Krishna Consciousness. And then we shall think of full cooperation
- Regarding your request to sing prayers in English, this is nice suggestion, and you may do it. So far as the songs that you have written, you may send me a copy of them and I shall see them
- Rendering personal service to the Deities. 13) Singing. 14) Sankirtana. 15) Chanting. 16) Offering prayers. 17) Reciting notable prayers. 18) Tasting maha-prasadam (food from the very plate offered before the Deities
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- Sanandana said, "The personified Vedas sing, 'All glories unto You! All glories unto You (Visnu)! By Your own transcendental nature You fully possess all six opulences. As such, You are able to deliver all conditioned souls from the clutches of maya'"
- Sanandana said, "The personified Vedas sing, 'Due to their (the living entities) own faults they imitate You (Visnu) by trying to become the supreme enjoyer. Thus they disobey Your supremacy and become offenders'"
- Sanandana said, "The personified Vedas sing, 'Since all engagements are based on knowledge supplied by You (Visnu), the conditioned souls can execute pious activities only when You mercifully inspire them to do so'"
- Sanandana said, "The personified Vedas sing, 'The conditioned souls are struggling very hard to escape from material bondage, and according to their different conditions of life they have been given different types of engagement'"
- Sanandana said, "The personified Vedas sing, 'This cosmic manifestation, made of the three material qualities, is just like a prison house for the conditioned souls'"
- Sanandana said, "When the king is asleep in the morning, the appointed reciters come around his bedroom and begin to sing of his chivalrous activities, and while hearing of his glorious activities, the king gradually awakens"
- Sanandana say, "The personified Vedas sing, 'Because of their offenses, Your material energy has taken charge of them. Thus their transcendental qualities of joyfulness, bliss and wisdom have been covered by the clouds of the three material qualities'"
- Saying this, Advaita Prabhu dances and loudly sings. Then at the next moment He quietly sits down
- Saying this, Ramananda Raya began to sing a song he had composed, but Sri Caitanya Mahaprabhu, out of the ecstasy of love of Godhead, immediately covered Ramananda's mouth with His own hand
- She (a female singer in the Jagannatha temple) sang a gujjari tune in a very sweet voice, and because the subject was Jayadeva Gosvami's Gita-govinda, the song attracted the attention of the entire world
- Similarly, after seeing Lord Jagannatha, Sri Caitanya Mahaprabhu awoke with the ecstasy of the gopis. Being absorbed in this ecstasy, He asked Svarupa Damodara to sing the refrain
- Singers sang and many kinds of musical instruments, like bheris and dundubhis, played in accompaniment - SB 10.5.5
- So far as singing of the Christian hymns, if others sing this we have no objection, it is very nice, but in these hymns they have no definite idea of what is God
- So far the singing of the prayers to the Spiritual Master is concerned, there is no limitation on how many times it is sung. But it should be done three times daily, and morning it is required
- So this guru-puja which we are doing, it is not self-aggrandizement; it is real teaching. You sing daily . . . What is that? Guru-mukha-padma-vakya . . . ara na kariya aikya. Bas, this is perfection
- So we should not imitate, but at least we must be very careful to complete the sixteen rounds, the minimum. Nama-gane sada rucih. We have to increase our taste for singing and chanting
- Some actress, some cinema artist, singing, and people are so fond of hearing that singing that the artist is paid fifteen thousand rupees for one song. There are many in Bombay. So just see how much attraction we have got for the material sound vibration
- Some of them played horns and flutes, and others danced and sang. Some of them offered betel nuts, and others waved camara fans about Him
- Some of these symptoms (of subordinate ecstatic expressions of love) are dancing, falling down and rolling on the ground, singing and crying very loudly, bodily contortions, loud vibrations and yawning
- Some of these symptoms are dancing, falling down and rolling on the ground, singing and crying very loudly, bodily contortions, loud vibrations, yawning, deep breathing, disregard for others, the frothing of saliva, mad laughter, spitting and hiccups
- Some singers were reciting great verses from the Upanisads and Puranas, some were glorifying the family ancestors, and some were singing very sweet songs
- Sometimes he (whose heart becomes slackened while chanting the holy name, he becomes almost like a madman) laughs, sometimes he weeps, sometimes he cries out very loudly, sometimes he sings, and sometimes he dances and forgets himself
- Sometimes they dance, sometimes they sing, sometimes they are actually engaged in the service of the Lord, and sometimes they sit down silently as if absorbed in trance
- Sri Caitanya Mahaprabhu always liked the loud chanting of Svarupa Damodara. Therefore when Svarupa Damodara sang, Sri Caitanya Mahaprabhu danced and jumped high in jubilation
- Sri Caitanya Mahaprabhu instructed everyone that sannyasis and Vaisnavas should not hear women singing
- Sri Caitanya Mahaprabhu is ananda-cinmaya vigraha, combination of hladini sakti, Srimati Radharani, and Krsna together. Therefore the Vaisnava sings, sri-krsna-caitanya radha-krsna nahe anya. Radha-krsna nahe anya
- Sri Caitanya Mahaprabhu remembered a line in the Orissan language and ordered Svarupa Damodara to sing it
- Sri Caitanya Mahaprabhu used to lament by saying, "Where is the rasa dance? Where is that dancing, singing, and laughing? Where is My Lord, Madana-mohana, the enchanter of Cupid?"
- Sri Caitanya Mahaprabhu was running very rapidly, and the girl was only a short distance away. Just then Govinda caught the Lord in his arms and cried, "It is a woman singing"
- Sri Caitanya Mahaprabu said, "Go, friends, go through the streets of the town, meet every man at his door and ask him to sing the name of Hari with a holy life, and then come and report to Me every evening the result of your preaching"
- Sri Madhava Ghosa was a principal performer of kirtana. While he sang, Nityananda Prabhu danced
- Sri Narottama dasa Thakura sings: "I am the servant of the six Gosvamis, and the dust of their lotus feet provides my five kinds of food." A Vaisnava always desires the dust of the lotus feet of previous acaryas and Vaisnavas"
- Srila Bhaktivinoda Thakura has sung in his Kalyana-kalpataru: samsare asiya prakrti bhajiya ‘purusa’ abhimane mari
- Srila Bhaktivinoda Thakura sings, tumi ta' thakura, tomara kukura, baliya janaha more: "O my Lord, O Vaisnava, please consider me your dog." One must become the dog of a Vaisnava, a pure devotee, for a pure devotee can deliver Krsna without difficulty
- Srila Locana dasa Thakura has sung, The two brothers Nitai and Gaura are so kind that no one can compare to Them
- Srila Narottama dasa Thakura has sung in his prema-bhakti-candrika, 'krodha' bhakta-dvesi jane: anger should be used to punish a demon who is envious of devotees
- Srila Narottama dasa Thakura has sung, chadiya vaisnava-seva nistara payeche keba: "Without serving the lotus feet of a pure Vaisnava or spiritual master, no one has ever attained perfect liberation from material bondage
- Srila Narottama dasa Thakura has sung, grhe va vanete thake, 'ha gauranga' bale dake: whether one is situated in the forest or at home, if he is engaged in the devotional service of Lord Caitanya, he is a liberated person. Here this is also repeated
- Srila Narottama dasa Thakura has sung, nitai pada-kamala, koti-candra susitala, ye chayaya jagat judaya. He describes the shade of the lotus feet of Lord Nityananda as being so nice and cooling
- Srila Narottama dasa Thakura sings, When shall I become very eager to study the books left by the six Gosvamis? Then I shall be able to understand the conjugal pastimes of Radha and Krsna
- Srila Rupa Gosvami, the great devotee acarya of the Gaudiya-Vaisnava-sampradaya, has sung a song about this lotus honey, comparing himself to the bee
- Srila Rupa Goswami, assisted by all other Goswamis have left immense literature for singing about the glories of Govinda. Whatever literature we are presenting, following the footsteps of Rupa Goswami and the others, they are also Govinda Ganamrta
- Such transcendental birds stop their own singing simply to hear the glories of the Lord
- Suddenly Sri Caitanya Mahaprabhu returned to external consciousness and said to Svarupa Damodara Gosvami, "My dear Svarupa, please sing some sweet songs"
- Surrounding him were the Vidyadharas, Apsaras, Kinnaras, Patagas (birds) and Uragas (snakes). All of them were offering Indra their respects and services, and the Apsaras and Gandharvas were dancing and singing with very sweet musical instruments
- Svarupa Damodara and Ramananda Raya then devised various means to pacify the Lord. They sang songs of meeting that transformed His heart and made His mind peaceful
- Svarupa Damodara used to sing exactly according to the ecstatic emotion of the Lord. Whenever a particular mellow was being tasted by Sri Caitanya Mahaprabhu, Svarupa Damodara would personify it by singing
- Symptoms of unmada are laughing like a madman, dancing, singing, performing ineffectual activities, talking nonsense, running, shouting and sometimes working in contradictory ways
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- That singing, Hare Krsna singing, nuisance, they say. You see. How degraded human being has become: "Hare Krsna singing is nuisance. And cinema singing is very good." Just see. They have become simply rascals, dogs and hogs
- The ass sings poetry & philosophy sometimes, but this braying only disturbs others. This is the position of the foolish fruitive worker who does not know for whom he should work. He does not know that karma is meant for yajna (sacrifice). BG 1972 pur
- The ass sings poetry and philosophy sometimes, but this braying sound only disturbs others. This is the position of the foolish fruitive worker who does not know for whom he should work
- The attraction of such gardens was that singing birds would sit on the trees, and their chanting voices, as well as the humming sound of the bees, made the whole atmosphere as pleasing as possible
- The celestial species of human beings, like the Gandharvas and Vidyadharas, can sing wonderfully and can entice even the minds of the heavenly demigods. Their musical rhythm represents the musical sense of the Lord
- The city (Indrapuri) was filled with the sounds of mrdangas, conchshells, kettledrums, flutes and well-tuned stringed instruments all playing in concert. There was constant dancing and the Gandharvas sang
- The conditioned soul is sometimes illusioned and afraid. Sometimes he cries loudly out of fear. Sometimes he is happy maintaining his family, and sometimes he is overjoyed and sings melodiously
- The cowherd boys walked into the midst of newly grown leaves of trees whose flowers resembled peacock feathers. They were garlanded by those flowers and decorated with saffron chalk. They were dancing and singing and sometimes wrestling with one another
- The creation of the demigods is of eight varieties: (7) the Bhutas, Pretas and Pisacas, and (8) the superhuman beings, celestial singers, etc. All are created by Brahma, the creator of the universe
- The demigods began beating drums and kettledrums, and upon hearing them the angelic women began to dance, while the chiefs of the Gandharvas sang sweetly
- The demigods who always travel in outer space gave King Prthu the arts to perform dramas, sing songs, play musical instruments and disappear at his will. The great sages also offered him infallible blessings. The ocean offered him a conchshell
- The demigods, the forefathers, the asuras, or demons, the Gandharvas and Apsaras, or angels, the Yaksas and Raksasas, the Siddhas, Caranas and Vidyadharas, the Bhutas, Pretas and Pisacas, and the superhuman beings, celestial singers, etc
- The denizens of the upper planets showered flowers, beat drums, played different types of flutes and sang various prayers and songs. In this way, all the denizens of heaven, such as the Gandharvas, Siddhas and demigods, became very much pleased
- The five who responded to the singing of Svarupa Damodara were Damodara Pandita, Narayana, Govinda Datta, Raghava Pandita and Sri Govindananda
- The frogs ... You have got experience during rainy season. They use their tongue very nicely. They sing ka-ka-kan, ka-ka-kan, ka-ka-kan.. (laughter) Yes. But what is the result of singing
- The Gandharva planet is filled with entities who sing beautifully, and among them the best singer is Citraratha. BG 1972 purports
- The Gandharvas and Kinnaras began to sing, and, accompanied by their respective wives, all the Gandharvas began to shower flowers on the dancers
- The Gandharvas can sing continuously for days, and therefore Vakresvara Pandita wanted to dance as they sang
- The Gandharvas, the Kimpurusas and the Kinnaras sounded thousands and thousands of kettledrums and trumpets again and again, and they sang in great jubilation, declaring, "How exalted a person is Bali Maharaja, and what a difficult task he has performed!"
- The Gandharvas, who are residents of Gandharvaloka, are celebrated as celestial singers. Whenever singing is needed in the celestial planets, the Gandharvas are invited to sing
- The garden was full of lotuses and trees of flowers and fruits and was inhabited by sweetly singing birds and bumblebees
- The gardens (of King Indra's city) were visited by pairs of chirping birds and singing bees. The entire atmosphere was celestial
- The glory of the Lord is always worth singing, for His glories enhance the glories of His devotees. One should therefore meditate upon the SPG and upon His devotees. One should meditate on the eternal form of the Lord until the mind becomes fixed
- The higher stage of ecstasy can be characterized by the following thirteen transcendental activities: (1) dancing, (2) rolling on the floor, (3) singing, (4) clapping, (5) bristling of the hairs of the body, (6) thundering, (7) yawning
- The inhabitants of Gandharvaloka and Caranaloka then took the opportunity to play their musical instruments, such as conchshells, bugles and drums. They began dancing and singing along with their wives
- The Kimpurusas and Kinnaras took possession of that shadowy form left by Brahma. That is why they and their spouses sing his praises by recounting his exploits at every daybreak
- The King's residence was surrounded by gardens wherein there were varieties of trees brought from the heavenly planets. In those trees there were pairs of sweetly singing birds and almost-mad bumblebees, which made a very relishable buzzing sound
- The Kinnaras and Gandharvas began to sing auspicious songs, the Siddhas and Caranas offered auspicious prayers, and the Vidyadharis, along with the Apsaras, began to dance in jubilation - SB 10.3.6
- The lions there, being very proud of their strength, roar with unbearable envy, thinking that another lion is roaring in that way because of the resounding vibrations of the denizens of heaven singing in the caves
- The pacified sages chanted Vedic prayers, the denizens of heaven sang, the beautiful damsels of the heavenly planets danced, and in this way, at the time of the appearance of Nara-Narayana, all signs of good fortune were visible
- The pure devotees hear from the authorities and chant, sing and write of the glories of the Lord
- The senses of Lord Sri Caitanya Mahaprabhu were identical with the senses of Svarupa. Therefore Caitanya Mahaprabhu used to become fully absorbed in tasting the singing of Svarupa Damodara
- The seven singing meters, namely sa (sadja), r (rsabha), ga (gandhara), ma (madhyama), pa (pancama), dha (dhaivata) and ni (nisada), are also transcendental and specifically meant for transcendental songs
- The SPG is the dearmost objective of all auspicious benedictions. A human being who sings this song sung by me can please the SPG. Such a devotee, being fixed in the Lord's devotional service, can acquire whatever he wants from the Supreme Lord
- The subordinate ecstasies are smiling, dancing and singing, as well as different manifestations in the body. The natural ecstasies, such as being stunned, are considered among the subordinate ecstasies (anubhava)
- The tinkling of Krsna's ankle bells surpasses the songs of even the swan and crane, and the sound of His bangles puts the singing of the cataka bird to shame
- The tune in which I sing with my disciples, that may be made copyrighted. I have no objection to sign this agreement, but don't be misled that the chanting of Hare Krishna or Lord Caitanya's Movement can be made copyrighted
- The Vedic literature, which is sung by Lord Brahma or Siva or a devotee, even that is broken language presented, tad grnanti srnvanti sadhavah: "They'll be accepted by saintly person. They'll sing it and they'll accept it." That is the secret of success
- Then devotees like Svarupa Damodara and other kirtana performers began to sing along with Sri Caitanya Mahaprabhu. Being inundated with ecstatic love, they lost all consideration of time and circumstance
- There (at Raivataka Mountain) he (Dvivida) saw Lord Balarama in the midst of many beautiful young girls, enjoying their company while singing and dancing
- There are two dancing girls who are extremely beautiful. They are very youthful, and they are expert in dancing and singing
- There are various means of worship (of visnu-murtis), such as dancing and singing - SB 10.13.51
- There is no need for any other devotional songs or chants for Lord Caitanya's Advent Day; simply chant Hare Krishna, with Kirtana or beads, & sing the prayer "Sri Krishna Caitanya, Prabhu Nityananda, Sri Advaita, Gadadhara, SriVasadi, Gaura Bhaktavrinda"
- There is tendency for dancing, for chanting, for singing. They are holding ball dances, and musical instrument. The same thing we are propagating: chant and dance Hare Krsna mantra. This is satisfaction
- There was a beating of kettledrums in the heavenly planets, the inhabitants of Gandharvaloka began to dance and sing, while great sages and the inhabitants of Caranaloka and Siddhaloka offered prayers to the Supreme Personality of Godhead, Purusottama
- There was another party (for the Ratha-yatra) that came from Santipura and was formed by Advaita Acarya. Acyutananda was the dancer, and the rest of the men were singers
- There was constant dancing (in the city of Indra) and the Gandharvas sang. The combined beauty of Indrapuri defeated beauty personified
- There were pairs of varied birds & in a lake there were ducks & swans, all vibrating very sweet sounds. Thus the park was magnificently beautiful because of the foliage, the clear water, the lotus flowers & the sweet singing of various kinds of birds
- Thereafter (after Krsna killed Aghasura), everyone being pleased, the demigods began to shower flowers from Nandana-kanana, the celestial dancing girls began to dance, and the Gandharvas, who are famous for singing, offered songs of prayer - SB 10.12.34
- These (sometimes laughing, sometimes weeping, sometimes crying out very loudly, sometimes singing, and sometimes dancing and forgetting himself) are the signs of becoming intoxicated in devotional service. This stage, called the atmarama stage
- These devotees (Svarupa Damodara and the devotees in his charge) sang along with the Lord, and they also ran beside Him. All the other groups of men also sang
- They (Nalakuvara and Manigriva) drank much and engaged in hearing the sweet singing of the beautiful women who accompanied them in that garden of fragrant flowers
- They (Nalakuvara and Manigriva) used to drink a kind of liquor called Varuni. Accompanied by women singing after them, they would wander in that garden of flowers, their eyes always rolling in intoxication - SB 10.10.2-3
- They have got very good opportunity in Tokyo for spreading the Sankirtana Movement, so they are moving from Kyoto to Tokyo city proper, and it is understood that some of the Japanese boys are already singing the Hare Krishna Mantra
- They said, "We cannot see his material form but still we hear his sweet singing. Therefore he must have become a ghost." Svarupa Damodara, however, protested, This is a false guess
- This custom is still prevalent in India in some of the royal families and temples. Professional musicians sing with sahnais, and the sleeping members of the house gradually get up from their beds in a pleasing atmosphere
- This is Hare Krsna movement, teaching people how to transfer the attachment from material sound to the spiritual sound. Narottama dasa Thakura therefore sings, golokera prema-dhana, hari-nama-sankirtana, rati na janmilo mora tay
- This Narada Muni song is in your country tune & I think it will attract many more men to join the Kirtana so you should practice this standard Kirtana more conveniently so that during your Rathayatra festival you can have this singing with the procession
- Those who have dedicated their lives to the transcendental topics of the Personality of Godhead, of whom the Vedic hymns sing, and who are constantly engaged in remembering the lotus feet of the Lord, do not run the risk of having misconceptions
- Thus I have briefly described Sri Caitanya Mahaprabhu's dancing in the hall of the Jagannatha temple. The servants of Sri Caitanya Mahaprabhu sing about this dancing even now
- Thus they dance, sing and laugh like madmen, and they instruct everyone, "Just be loving servants of Lord Caitanya"
- Thus, I, Krsnadasa, the servant of Srila Rupa Gosvami, have sung of four divisions of the Lord's pastimes in this chapter: the Lord's devotion to His mother, His words of madness, His rubbing His face against the walls at night
- To chant the holy name of Krsna one does not need to speculate on the philosophical aspects of the science of God, for one automatically becomes ecstatic and without consideration immediately chants, dances, laughs, cries and sings just like a madman
- To see a woman's face and appreciate its beauty or to hear a woman's voice and appreciate her singing as very nice is a subtle falldown for a brahmacari or sannyasi
- Tulsi leaves are very important for satisfying Lord Krishna. But tulsi devi is not pleased by the nice tune of singing but by the nice devotion
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- Unaware of who was singing, He (Lord Caitanya) ran toward her through thorny bushes, but when Govinda informed the Lord that it was a woman singing, He immediately stopped
- Unfortunately, as will be explained, he (Narada Muni) fell from his exalted position in Gandharvaloka, where the inhabitants are extremely beautiful and expert in singing, to become a sudra
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- Vaisnavas sing, sri-krsna-caitanya radha-krsna nahe anya: Radha and Krsna combined together are Sri Krsna Caitanya Mahaprabhu
- Visvanatha Cakravarti Thakura has sung: "I offer my respectful obeisances unto the lotus feet of my spiritual master. Only by his satisfaction can one please the SPG, and when he is dissatisfied there is only havoc on the path of spiritual realization"
- Visvavasu and Paravasu, the two chiefs of the Gandharvas, sang in great happiness. The kettledrums of the demigods sounded, and the Apsaras danced in jubilation
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- We (gopis) know Him very well, and therefore we are not interested in hearing any more songs about Him. It would be better for you (bumblebee) to go sing to those who are now very dear to Krsna
- We are busy with the demonic characteristic, dambhah, vimana, darpah, like that. So you can change it. There is no hopelessness. Simply you have to be praticed, that today you are not a singer. But you can become an expert singer if you practice singing
- We cannot follow an upstart, manufacturing some song, manufacturing some ideas. We cannot follow that. What is authorized song, we shall sing. What is authorized method, we shall follow
- We don't require anyone who is very musically talented. Here in New Vrindaban Hayagriva has organized very nice kirtana party, and they are singing and chanting thrice daily very, very nicely
- We have got so many branches, they want to hear me, my singing, my speech, therefore they record it and send it to different branches
- We invite everyone to come here to listen to our philosophy, take prasadam and sing and dance with us. This program is very nice. We do not make distinctions in human society
- We prosecute these Krsna consciousness activities through singing, dancing, eating and talking philosophy received through authorized disciplic succession, and therefore it gives us everything we want, without any artificial change
- We prosecute these Krsna consciousness activities through singing, dancing, eating, & talking philosophy received through authorized disciplic succession, & therefore it gives us everything we want, without any artificial change of our natural instincts
- We sing in our daily prayers, yasya prasadad bhagavat-prasado yasyaprasadan na gatih kuto 'pi. By the pleasure of the spiritual master, one can get extraordinary power, especially in spiritual advancement
- We sing in the Visvanatha Cakravarti Thakura's prayer, saksad-dharitvena samasta-sastraih: "In every sastra, guru is accepted as directly Krsna." Saksat means directly
- When a person chants constantly, he exhibits transcendental ecstasies and sometimes laughs, sometimes cries, sings and dances - not exactly in an artistic way, but just like a madman
- When Devahuti would enter that lovely garden to take her bath in the pond filled with lotus flowers, the associates of the denizens of heaven, the Gandharvas, would sing about Kardama's glorious household life
- When Madhavendra Puri was overwhelmed in the ecstasy of love of Godhead, he sometimes stood up and sometimes fell to the ground. Sometimes he laughed, danced and sang. In this way he enjoyed transcendental bliss by seeing the Jagannatha Deity
- When Mukunda saw the ecstasy of Sri Caitanya Mahaprabhu, he understood the feelings of the Lord and began to sing many stanzas augmenting the force of the Lord's ecstasy
- When the Deity was being installed, nine hundred pots of water were brought from Govinda-kunda. There were musical sounds of bugles and drums and the singing of women
- When the Mayavadis pretend to perform kirtana or hold discourses on the Bhagavatam for personal name and fame, they may sing and talk about Brahman, Caitanya, and Paramatma, but they cannot utter Lord Krsna's name
- When the Queen drank liquor, King Puranjana also engaged in drinking. When the Queen dined, he used to dine with her, and when she chewed, King Puranjana used to chew along with her. When the Queen sang, he also sang
- When there is no possibility of talking philosophy, we should simply chant, nothing more. Don't talk anything. That will help both the singer and the audience
- When this refrain was loudly sung by Svarupa Damodara, Sri Caitanya Mahaprabhu again began rhythmically dancing in transcendental bliss
- Whenever a particular sentiment arose in His heart, Svarupa Damodara satisfied Him by singing songs or reciting verses of the same nature
- While performing chanting of the holy name of the Lord, he sometimes cries, sometimes talks wildly, sometimes sings, and sometimes - without caring for any outsider - dances like a madman
- While so doing, they offered prayers indicating the glorious activities of the Lord and shouted "Jaya! Jaya!" They also danced, played instruments, sang, sounded conchshells and beat kettledrums, in this way worshiping the Lord
- While the King (Yudhisthira) was taking the avabhrtha bath, many groups of professional singers sang as vinas, flutes, gongs and cymbals were played, and thus a tumultuous sound vibrated in the sky
- Women of Mathura have now achieved the opportunity of being embraced by Him (Krsna). They are His beloveds & therefore He has relieved the burning in their breasts. If you (bumblebee) go there & sing your songs to those women, they will be very pleased
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- You are singing every day, guru-mukha-padma-vakya, cittete koriya aikya, ar na koriho mane asa. This is life. This is life. Guru-mukha-pad... You accept the bona fide guru, and what he orders you, carry out. Then your life is successful
- You will give up your body because of the powerful time factor, but the glories of your activities will be sung in the upper planetary systems, and being fully freed from all bondage, you will return home, back to Godhead