When Lord Kṛṣṇa was within this universe, Brahmā played a trick on Him in order to confirm that the special cowherd boy in Vṛndāvana was actually Kṛṣṇa Himself. By his mystic power Brahmā stole all the cows, calves and cowherd friends of Kṛṣṇa and hid them. But when Brahmāreturned to see what Kṛṣṇa was doing alone, he saw that Kṛṣṇa was still playing with the same cows, calves and cowherd boys. By His Vaikuṇṭha potency Lord Kṛṣṇa had expanded all the stolen cows, calves and friends. Indeed, Brahmā saw millions and billions of them, and he also saw millions and billions of herding sticks and fruits, lotus flowers and horns. All the cowherd boys were wearing different clothes and ornaments, and no one could count their vast numbers. Then Brahmā saw each of the cowherd boys become a four-handed Nārāyaṇa, and he also saw innumerable Brahmās from different universes offering obeisances to the Lord. He saw that all these personalities were emanating from the body of Kṛṣṇa and, after a second, entering into His body. Lord Brahmā became struck with wonder by this extraordinary feat of Kṛṣṇa's, and in a prayer he stated that although anyone and everyone could say they knew all about Kṛṣṇa, as far as he was concerned, he did not know anything about Him. "My dear Lord," he said, "the potencies and opulences You have exhibited just now are beyond the ability of my mind to understand."
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Sri Caitanya-caritamrta
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"All glories to Cintāmaṇi and my initiating spiritual master, Somagiri. All glories to my instructing spiritual master, the Supreme Personality of Godhead, who wears peacock feathers in His crown. Under the shade of His lotus feet, which are like desire trees, Jayaśrī (Rādhārāṇī) enjoys the transcendental mellow of an eternal consort."
He is decorated with sandalwood bangles and armlets and anointed with the pulp of sandalwood. He especially wears these decorations to dance in śrī-kṛṣṇa-saṅkīrtana.
The residents of Vaikuṇṭha have brilliantly black complexions much more fascinating and attractive than the dull white and black complexions found in the material world. Their bodies, being spiritual, have no equals in the material world. The beauty of a bright cloud when lightning flashes on it merely hints at their beauty. Generally the inhabitants of Vaikuṇṭha dress in yellow clothing. Their bodies are delicate and attractively built, and their eyes are like the petals of lotus flowers. Like Lord Viṣṇu, the residents of Vaikuṇṭha have four hands decorated with a conchshell, wheel, club and lotus flower. Their chests are beautifully broad and fully decorated with necklaces of a brilliant diamondlike metal surrounded by costly jewels never to be found in the material world. The residents of Vaikuṇṭha are always powerful and effulgent. Some of them have complexions like red coral cat's eyes and lotus flowers, and each of them has earrings of costly jewels. On their heads they wear flowery crowns resembling garlands.
"Wearing yellow garments and decorated with a flower garland, Lord Kṛṣṇa, appearing among the gopīs with His smiling lotus face, looked directly like the charmer of the heart of Cupid."
The Māyāvādīs' accusation that devotees do not study Vedānta is false. The Māyāvādīs do not know that chanting, dancing and preaching the principles of Śrīmad-Bhāgavatam, called bhāgavata-dharma, are the same as studying Vedānta. Since they think that reading Vedānta philosophy is the only function of a sannyāsī and they did not find Caitanya Mahāprabhu engaged in such direct study, they criticized the Lord. Śrīpāda Śaṅkarācārya has given special stress to the study of Vedānta philosophy: vedānta-vākyeṣu sadā ramantaḥ kaupīnavantaḥ khalu bhāgyavantaḥ. "A sannyāsī, accepting the renounced order very strictly and wearing nothing more than a loincloth, should always enjoy the philosophical statements in the Vedānta-sūtra. Such a person in the renounced order is to be considered very fortunate." The Māyāvādīs in Vārāṇasī blasphemed Lord Caitanya because His behavior did not follow these principles. Lord Caitanya, however, bestowed His mercy upon these Māyāvādī sannyāsīs and delivered them by means of His Vedānta discourses with Prakāśānanda Sarasvatī and Sārvabhauma Bhaṭṭācārya.
Brahmānanda Bhāratī: Brahmānanda Bhāratī went to see Śrī Kṛṣṇa Caitanya Mahāprabhu at Jagannātha-dhāma. At that time he used to wear only a deerskin to cover himself, and Śrī Caitanya Mahāprabhu indirectly indicated that He did not like this deerskin covering. Brahmānanda Bhāratī therefore gave it up and accepted a loincloth of saffron color, as used by Vaiṣṇava sannyāsīs. For some time he lived with Śrī Caitanya Mahāprabhu at Jagannātha Purī.
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Later, Śrī Caitanya Mahāprabhu stopped Brahmānanda Bhāratī’s habit of wearing deerskin. The Lord thus enjoyed His pastimes continuously for six years, experiencing varieties of transcendental bliss.
Śrī Caitanya Mahāprabhu said, "It is not proper for a sannyāsī to eat such a variety of foods. If he does, how can he control his senses?"
The word upakaraṇa indicates a variety of foods, such as dhal, vegetables and other varieties of possible dishes that one can eat very nicely with rice. It is not proper, however, for a sannyāsī to eat such palatable dishes. If he did so, he would not be able to control his senses. Śrī Caitanya Mahāprabhu did not encourage sannyāsīs to eat very palatable dishes, for the whole Vaiṣṇava cult is vairāgya-vidyā, as renounced as possible. Caitanya Mahāprabhu also advised Raghunātha dāsa Gosvāmī not to eat very palatable dishes, wear very nice garments or talk on mundane subjects. These things are all prohibited for those in the renounced order. A devotee does not accept anything to eat that is not first offered to Kṛṣṇa. All the rich foods offered to Kṛṣṇa are given to the gṛhasthas, the householders. There are many nice things offered to Kṛṣṇa—garlands, bedsteads, nice ornaments, nice food and even nicely prepared pan, betel nuts-but a humble Vaiṣṇava, thinking his body material and nasty, does not accept such preparations for himself. He thinks that by accepting such things he will offend the lotus feet of the Lord. Those who are sahajiyās cannot understand what Śrī Caitanya Mahāprabhu meant when He asked Advaita Ācārya to bring two separate leaves and give a small quantity of the prasādam to Him.
"I shall continually recite Vedānta philosophy before Caitanya Mahāprabhu so that He may remain fixed in His renunciation and thus enter upon the path of monism."
According to Sārvabhauma Bhaṭṭācārya, among sannyāsīs the cultivation of Vedānta philosophy helps in becoming detached from sense gratification. Thus a sannyāsī can protect the prestige of wearing a loincloth (kaupīna). One has to practice sense control as well as mind control and subdue the six forces of speech, mind, anger, tongue, belly and genitals. Then one can become expert in understanding the devotional service of the Lord and thus become a perfect sannyāsī. For that purpose one must cultivate knowledge and renunciation regularly. When one is attached to material sense gratification, he cannot protect his sannyāsa order. Sārvabhauma Bhaṭṭācārya suggested that by the study of vairāgya (renunciation) Śrī Caitanya Mahāprabhu might be saved from the clutches of full-fledged youthful desires.
“"Suddenly, due to their feelings of separation, Lord Kṛṣṇa appeared among the gopīs dressed in yellow garments and wearing a flower garland. His lotus face was smiling, and He was directly attracting the mind of Cupid."
“"When Kṛṣṇa left the rāsa-līlā dance, the gopīs became very morose, and when they were grieving, Kṛṣṇa reappeared dressed in yellow garments. Wearing a flower garland and smiling, He was attractive even to Cupid. In this way Kṛṣṇa appeared among the gopīs."
When Śrī Caitanya Mahāprabhu and His devotees approached him, they saw that he was covered with a deerskin. Seeing this, Śrī Caitanya Mahāprabhu became very unhappy.
Brahmānanda Bhāratī belonged to the Śaṅkara-sampradāya. (The title Bhāratī indicates a member of one of that sampradāya's ten classes of sannyāsīs.) It is customary for a person who has renounced the world to cover his body with a deerskin or the bark of a tree. This is enjoined by the Manu-saṁhitā. But if a sannyāsī who has renounced the world simply wears a deerskin and does not spiritually advance, he is bewildered by false prestige. Śrī Caitanya Mahāprabhu did not like to see Brahmānanda Bhāratī wearing a deerskin.
Seeing Brahmānanda Bhāratī wearing the deerskin, Caitanya Mahāprabhu pretended not to see him. Instead, He asked Mukunda Datta, "Where is Brahmānanda Bhāratī, My spiritual master?"
"You must be talking of someone else, for this is surely not Brahmānanda Bhāratī. You simply have no knowledge. Why should Brahmānanda Bhāratī wear a deerskin?"
Thus admitting his mistake, Brahmānanda Bhāratī thought, “He spoke well. I put on this deerskin only for prestige. I cannot cross over the ocean of nescience simply by wearing a deerskin.
"From today on I shall not wear this deerskin." As soon as Brahmānanda Bhāratī decided this, Śrī Caitanya Mahāprabhu, understanding his mind, immediately sent for the robes of a sannyāsī.
Nityānanda Prabhu continued, "The King has decided to become a mendicant and accept the sign of a mendicant by wearing an ivory earring. He does not want to enjoy his kingdom without seeing the lotus feet of Śrī Caitanya Mahāprabhu."
In India there is still a class of professional mendicants who are very much like the gypsies of Western countries. They know some magical art and mystical processes, and their business is to beg from door to door, sometimes pleading and sometimes threatening. Such mendicants are sometimes called yogīs and sometimes kāṇaphāṭā yogīs. The word kāṇaphāṭā refers to one who has put a hole in his ear to wear an earring made of ivory. Mahārāja Pratāparudra was so depressed by not getting to see Śrī Caitanya Mahāprabhu that he decided to become such a yogī. Ordinary men think that a yogī must have an ivory earring in his ear, but this is not the sign of a real yogī. Mahārāja Pratāparudra also thought that to become a mendicant yogī, one must wear such an earring.
Following Sārvabhauma Bhaṭṭācārya's instructions, the King had given up his royal dress. He now entered the garden in the dress of a Vaiṣṇava.
Sometimes members of the International Society for Krishna Consciousness—especially in the Western countries—find it difficult to approach people to distribute books because people are unfamiliar with the traditional saffron robes of the devotees. The devotees have therefore inquired whether they can wear European and American dress before the general public. From the instructions given to King Pratāparudra by Sārvabhauma Bhaṭṭācārya, we can understand that we may change our dress in any way to facilitate our service. When our members change their dress to meet the public or to introduce our books, they are not breaking the devotional principles. The real principle is to spread the Kṛṣṇa consciousness movement, and if one has to change into regular Western dress for this purpose, there should be no objection.
The maidservants were carrying water pitchers, cāmara whisks and boxes for betel nuts. There were hundreds of maidservants, all attractively dressed and wearing valuable necklaces.
Among the Muslims was a grave person who was wearing a black dress. People called him a saintly person.
“They carry only waterpots, and they wear torn quilts. They always chant the holy names of Kṛṣṇa and discuss His pastimes. In great jubilation, they also dance.
Śrī Caitanya Mahāprabhu felt unlimited happiness to observe Sanātana Gosvāmī’s strict following of the principles of sannyāsa. However, He repeatedly glanced at the woolen blanket Sanātana Gosvāmī was wearing.
"It is contradictory to practice mādhukarī and at the same time wear a valuable blanket. One loses his spiritual strength by doing this, and one will also become an object of jokes."
“Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa's body is said to be the ornament of ornaments. Enhancing the wonderful beauty of Kṛṣṇa is His three-curved style of standing. Above all these beautiful features, Kṛṣṇa's eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.
“Kṛṣṇa wears a pearl necklace that appears like a chain of white ducks around His neck. The peacock feather in His hair appears like a rainbow, and His yellow garments appear like lightning in the sky. Kṛṣṇa appears like a newly risen cloud, and the gopīs appear like newly grown grains in the field. Constant rains of nectarean pastimes fall upon these newly grown grains, and it seems that the gopīs are receiving beams of life from Kṛṣṇa, exactly as grains receive life from the rains.
“Nārada Muni then advised the hunter, "Return home and distribute whatever riches you have to the pure brāhmaṇas who know the Absolute Truth. After you have distributed all your riches to the brāhmaṇas, you and your wife should leave home, each of you taking only one cloth to wear."
“After this, you should describe how one should decorate his body with gopīcandana, wear neck beads, collect tulasī leaves from the tulasī tree, cleanse his cloth and the altar, cleanse his own house or apartment and go to the temple and ring the bell just to draw the attention of Lord Kṛṣṇa.
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The prostitute shaved her head clean in accordance with Vaiṣṇava principles and stayed in that room wearing only one cloth. Following in the footsteps of her spiritual master, she began chanting the holy name of Kṛṣṇa 300,000 times a day. She chanted throughout the entire day and night.
He never touched anything to wear except a small torn cloth and a patchwork wrapper. Thus he very rigidly executed the order of Śrī Caitanya Mahāprabhu.
When Śrīkānta offered obeisances to the Lord, he was still wearing his shirt and coat. Therefore Govinda told him, "My dear Śrīkānta, first take off these garments."
One is forbidden to enter the Deity room or offer anything to the Deity while wearing a shirt or coat. In the tantras it is said:
- vastreṇāvṛta-dehas tu yo naraḥ praṇamed dharim
- śvitrī bhavati mūḍhātmā sapta janmāni bhāvini
"Anyone who offers respects and obeisances to the Deity while wearing garments on the upper portion of his body is condemned to be a leper for seven births."
Sanātana Gosvāmī was wearing this cloth bound about his head when he came to Jagadānanda Paṇḍita's door and sat down.
"This saffron cloth is unfit for a Vaiṣṇava to wear; therefore I have no use for it. I shall give it to a stranger."
Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura comments on this incident as follows: Vaiṣṇavas are all liberated persons, unattached to anything material. Therefore a Vaiṣṇava need not accept the dress of a sannyāsī to prove his exalted position. Śrī Caitanya Mahāprabhu accepted the renounced order from a sannyāsī of the Māyāvāda school. Present-day Vaiṣṇava sannyāsīs, however, never think that by accepting the dress of the sannyāsa order they have become equal to Caitanya Mahāprabhu. In fact, a Vaiṣṇava accepts the sannyāsa order to remain an eternal servant of his spiritual master. He accepts the sannyāsa order knowing that he is unequal to his spiritual master, who is a paramahaṁsa, and he thinks that he is unfit to dress like a paramahaṁsa. Therefore a Vaiṣṇava accepts sannyāsa out of humility, not out of pride.
Sanātana Gosvāmī had adopted the dress of a paramahaṁsa; therefore it was inappropriate for him to wear the saffron cloth on his head. However, a Vaiṣṇava sannyāsī does not think himself fit to imitate the dress of a paramahaṁsa Vaiṣṇava. According to the principles set down by Śrī Caitanya Mahāprabhu (tṛṇād api su-nīcena), one should always think himself in the lowest stage, not on the level of a paramahaṁsa Vaiṣṇava. Thus a Vaiṣṇava will sometimes accept the sannyāsa order just to keep himself below the level of a paramahaṁsa Vaiṣṇava. This is the instruction of Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura.
When Raghunātha Bhaṭṭa Gosvāmī was absorbed in remembrance of Lord Kṛṣṇa, he would take the tulasī garland and the prasādam of Lord Jagannātha given to him by Śrī Caitanya Mahāprabhu, bind them together and wear them on his neck.
Śrī Caitanya Mahāprabhu saw Lord Kṛṣṇa standing with His beautiful body curved in three places, holding His flute to His lips. Wearing yellow garments and garlands of forest flowers, He was enchanting even to Cupid.
“The ring of Kṛṣṇa's rāsa-līlā, manufactured by Śukadeva Gosvāmī, the most auspicious craftsman, is as pure as an earring made from a conchshell. The yogī of My mind is wearing that earring upon his ear. From a gourd he has carved out the bowl of My aspirations, and he has taken the bag of My expectations on his shoulder.
“The yogī of My mind wears the torn quilt of anxiety on his dirty body, which is covered with dust and ashes. His only words are "Alas! Kṛṣṇa!" He wears twelve bangles of distress on his wrist and a turban of greed on his head. Because he has not eaten anything, he is very thin.
Pralāpa, mad talking, is explained in the Lalita-mādhava as follows:
- kva nanda-kula-candramāḥ kva śikhi-candra-kālaṅkṛtiḥ
- kva mandra-muralī-ravaḥ kva nu surendra-nīla-dyutiḥ
- kva rāsa-rasa-tāṇḍavī kva sakhi jīva-rakṣauṣadhir
- nidhir mama suhṛttamaḥ kva tava hanta hā dhig vidhiḥ
This is Śrīmatī Rādhārāṇī’s lamentation for Her beloved Kṛṣṇa, who was away from home. A woman whose husband has left home and gone to a foreign land is called proṣita-bhartṛkā. Lamenting for Kṛṣṇa in the same way that such a woman laments for her husband, Śrīmatī Rādhārāṇī said, "My dear friend, where is the glory of the family of Mahārāja Nanda, who wears a half-moon ornament on His head? Where is Kṛṣṇa, whose hue is like that of the indranīla jewel and who plays so nicely on His flute? Where is your friend, the best of all men, so expert in dancing in the circle of the rāsa dance? Where is He who is the real medicine to save Me from dying of heart disease? I must condemn Providence, for he has caused Me so many tribulations by separating Me from Kṛṣṇa."
“"O all-auspicious tulasī plant, you are very dear to Govinda"s lotus feet, and He is very dear to you. Have you seen Kṛṣṇa walking here wearing a garland of your leaves, surrounded by a swarm of bumblebees?
All the queens incessantly thought of Kṛṣṇa. After their pastimes in the water, the queens said, “Our dear friend the osprey, Kṛṣṇa is now asleep, but we stay awake at night because of Him. You laugh at us when you see us awake at night, but why are you not sleeping? You seem absorbed in thoughts of Kṛṣṇa. Have you also been pierced by Kṛṣṇa's smile? His smile is very sweet. One who is pierced by such an arrow is very fortunate.”
- netre nimīlayasi naktam adṛṣṭa-bandhus
- tvaṁ roravīṣi karuṇaṁ bata cakravāki
- dāsyaṁ gatā vayam ivācyuta-pāda-juṣṭāṁ
- kiṁ vā srajaṁ spṛhayase kavareṇa voḍhum
“O cakravāki, you keep your eyes wide open at night because you cannot see your friend. Indeed, you are suffering very much. Is it because of compassion that you are crying, or are you trying to capture Kṛṣṇa by remembering Him? Having been touched by the lotus feet of Kṛṣṇa, all the queens are very happy. Are you crying to wear Kṛṣṇa's garland on your head? Please answer these questions clearly, O cakravāki, so that we can understand.”
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Teachings of Lord Caitanya
The hunter then broke his bow and fell down at the feet of Nārada. Nārada got him to stand up, and he instructed him: "Just go to your home and distribute whatever money and valuables you have to the devotees and the brāhmaṇas. Then come out and follow me wearing only one cloth. Construct a small thatched house on the riverbank and sow a tulasī plant by that house. Just circumambulate the tulasī tree, and every day taste one fallen leaf. Above all, always chant Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. As far as your livelihood is concerned, I shall send you the grains you need, but you must accept only as much grain as you require for yourself and your wife."
Nectar of Devotion
In the supplementary Vedic literature, there is the following list of thirty-two offenses in the matter of serving the Lord: (1) One should not enter the temple of the Deity in a car or palanquin or with shoes on the feet. (2) One should not fail to observe the various festivals for the pleasure of the Supreme Personality of Godhead, such as Janmāṣṭamī and Ratha-yātrā. (3) One should not avoid bowing down before the Deity. (4) One should not enter the temple to worship the Lord without having washed one's hands and feet after eating. (5) One should not enter the temple in a contaminated state. (According to Vedic scripture, if someone dies in the family the whole family becomes contaminated for some time, according to its status. For example, if the family is brāhmaṇa their contamination period is twelve days, for the kṣatriyas and vaiśyas it is fifteen days, and for śūdras thirty days.) (6) One should not bow down on one hand. (7) One should not circumambulate in front of Śrī Kṛṣṇa. (The process of circumambulating the temple is that one should begin circumambulating from the Deity's right-hand side of the temple and come round. Such circumambulation should be performed outside the temple structure at least three times daily.) (8) One should not spread his legs before the Deity. (9) One should not sit before the Deity holding the ankles, elbows or knees with one's hands. (10) One should not lie down before the Deity of Kṛṣṇa. (11) One should not accept prasāda before the Deity. (12) One should never speak a lie before the Deity. (13) One should not talk very loudly before the Deity. (14) One should not talk with others before the Deity. (15) One should not cry or howl before the Deity. (16) One should not quarrel or fight before the Deity. (17) One should not chastise anyone before the Deity. (18) One should not be charitable to beggars before the Deity. (19) One should not speak very harshly to others before the Deity. (20) One should not wear a fur blanket before the Deity. (21) One should not eulogize or praise anyone else before the Deity. (22) One should not speak any ill names before the Deity. (23) One should not pass air before the Deity. (24) One should not fail to worship the Deity according to one's means. (In Bhagavad-gītā it is stated that the Lord is satisfied if some devotee offers Him even a leaf or a little water. This formula prescribed by the Lord is universally applicable, even for the poorest man. But that does not mean that one who has sufficient means to worship the Lord very nicely should also adopt this method and try to satisfy the Lord simply by offering water and a leaf. If he has sufficient means, he should offer nice decorations, nice flowers and nice foodstuffs and observe all ceremonies. It is not that one should try to satisfy the Supreme Lord with a little water and a leaf, and for himself spend all his money in sense gratification.) (25) One should not eat anything which is not offered first to Kṛṣṇa. (26) One should not fail to offer fresh fruit and grains to Kṛṣṇa, according to the season. (27) After food has been cooked, no one should be offered any foodstuff unless it is first offered to the Deity. (28) One should not sit with his back toward the Deity. (29) One should not offer obeisances silently to the spiritual master, or in other words, one should recite aloud the prayers to the spiritual master while offering obeisances. (30) One should not fail to offer some praise in the presence of the spiritual master. (31) One should not praise himself before the spiritual master. (32) One should not deride the demigods before the Deity.
One who can talk and dress himself very artistically is called vidagdha. This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: "My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."
In the Third Canto, Second Chapter, verse 12, of Śrīmad-Bhāgavatam, Uddhava tells Vidura, "My dear sir, Kṛṣṇa's form was most wonderful when He appeared on this planet and exhibited the potency of His internal energy. His wonderfully attractive form was present during His pastimes on this planet, and by His internal potency He exhibited His opulences, which are striking to everyone. His personal beauty was so great that there was no necessity for His wearing ornaments on His body. In fact, instead of the ornaments' beautifying Kṛṣṇa, Kṛṣṇa's beauty enhanced the ornaments."
In this connection, in the Tenth Canto, Twenty-first Chapter, verse 5, of Śrīmad-Bhāgavatam, Śukadeva Gosvāmī tells King Parīkṣit, "My dear King, I shall try to describe how the minds of the gopīs became absorbed in thought of Kṛṣṇa. The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls. They also meditated on Kṛṣṇa's blowing His flute and on all the cowherd boys' singing of the glories of the Lord." That is the description of the meditation which the gopīs used to perform.
Generally, there are four kinds of garments on the body of Kṛṣṇa: His shirt, turban, belt and wearing garments. In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange-colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates. This dress of Kṛṣṇa is described as gorgeous. As a baby elephant is sometimes dressed in colorful clothing, so Kṛṣṇa's gorgeousness was manifested by decoration with such colorful clothing on the different parts of His body.
Sometimes there were great festivals in the house of Nanda Mahārāja, and all of the inhabitants of Vṛndāvana would assemble for these festivals. During one such festival, Śrīmatī Rādhārāṇī was seen wearing a golden necklace given Her by Kṛṣṇa. This was immediately detected by mother Yaśodā as well as by Rādhārāṇī's mother, because the necklace was too long for Rādhārāṇī's neck. At the same time Rādhārāṇī could see Kṛṣṇa nearby, as well as Her own husband, Abhimanyu. So all of these things combined to make Rādhārāṇī feel very much ashamed, and with Her face shriveled She began to look very beautiful. In this case there was a combination of bashfulness, anger, jubilation and lamentation. This is an instance of an aggregate of symptoms of ecstatic love.
When Jaṭilā, the mother of Abhimanyu, saw Kṛṣṇa wearing a necklace, she could understand that the jeweled ornament had been given to Him by Rādhārāṇī. She therefore became absorbed in anger and began to move her eyebrows, expressing her anger in ecstatic love.
Among all the anugas, Raktaka is considered to be the chief. The description of his bodily features is as follows: "He wears yellow clothing, and his bodily color is just like newly grown grass. He is very expert in singing and is always engaged in the service of the son of Mahārāja Nanda. Let us all become the followers of Raktaka in offering transcendental loving service to Kṛṣṇa!" An example of the attachment felt by Raktaka toward Lord Kṛṣṇa can be understood from his statement to Rasada: "Just hear me! Please place me so that I may always be engaged in the service of Lord Kṛṣṇa, who has now become famous as the lifter of the Govardhana Hill."
Among the well-wisher friends, Maṇḍalībhadra and Balabhadra are the chiefs. Maṇḍalībhadra is described as follows. His complexion is yellowish, and his dress is very attractive. He always carries a stick of various colors. He wears a peacock feather on his head and always looks very beautiful. Maṇḍalībhadra's attitude is revealed in this statement: "My dear friends, our beloved Kṛṣṇa is now very tired from working with the cows in the pasturing grounds and from traveling all over the forests. I can see that He is very fatigued. Let me massage His head silently while He is taking rest in His house. And you, Subala—you just massage His thighs."
One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."
One of the sakhās, known as Devaprastha, is described as follows. He is very strong, a ready scholar, and is very expert in playing ball. He wears a white dress, and he ties his hair into a bunch with a rope. Whenever there is a fight between Kṛṣṇa and the demons, Devaprastha is the first to help, and he fights just like an elephant.
Subala's body is described as follows. His complexion is just like molten gold. He is very, very dear to Kṛṣṇa. He always has a garland around his neck, and he wears yellow clothing. His eyes are just like lotus flower petals, and he is so intelligent that by his talking and his moral instructions all the other friends take the highest pleasure. Let us all offer our respectful obeisances unto Kṛṣṇa's friend Subala!
The degree of intimacy shared by Kṛṣṇa and Subala can be understood by the fact that the talks between them were so confidential that no one else could understand what they were saying.
The description of Ujjvala, another intimate friend, is given as follows. Ujjvala always wears some garment of orange color, and the movements of his eyes are always very restless. He likes to decorate himself with all kinds of flowers, his bodily hue is almost like Kṛṣṇa's, and on his neck there is always a necklace of pearls. He is always very dear to Kṛṣṇa. Let us all worship Ujjvala, the most intimate friend of Kṛṣṇa!
At this age Kṛṣṇa was garlanded with various kinds of flowers. He used to put on a silk dress, colored with various kinds of dye. Such beautiful decorations are considered cosmetics for Kṛṣṇa. Kṛṣṇa would wear this dress when He used to go into the forest to tend the cows. Sometimes He would wrestle there with His different friends, and sometimes they would dance all together in the forest. These are some of the specific activities of the paugaṇḍa age.
In the Tenth Canto of Śrīmad-Bhāgavatam, Seventy-first Chapter, verse 27, it is stated that when Kṛṣṇa arrived in the city of Indraprastha, Bhīma was so overwhelmed with joy that with tears in his eyes and a smiling face he immediately embraced his maternal cousin. Following him were his young brothers Nakula and Sahadeva, along with Arjuna, and they all became so overwhelmed at seeing Kṛṣṇa that with full satisfaction they embraced the Lord, who is known as Acyuta (the infallible). There is a similar statement about the cowherd boys of Vṛndāvana. When Kṛṣṇa was on the Battlefield of Kurukṣetra, all the cowherd boys came to see Him, wearing jeweled earrings in their ears. Becoming so greatly overjoyed, they extended their arms and embraced Kṛṣṇa as their old friend. These are instances of full satisfaction in friendship with Kṛṣṇa.
Krsna, The Supreme Personality of Godhead
Vasudeva saw that wonderful child born as a baby with four hands, holding conchshell, club, disc and lotus flower, decorated with the mark of Śrīvatsa, wearing the jeweled necklace of kaustubha stone, dressed in yellow silk, appearing dazzling like a bright blackish cloud, wearing a helmet bedecked with the vaidūrya stone, valuable bracelets, earrings and similar other ornaments all over His body, and beautified by an abundance of hair on His head. Due to the extraordinary features of the child, Vasudeva was struck with wonder. How could a newly born child be so decorated? Vasudeva could therefore understand that Lord Kṛṣṇa had now appeared, and he became overpowered by the occasion. Vasudeva very humbly wondered that although he was an ordinary living entity conditioned by material nature and was externally imprisoned by Kaṁsa, the all-pervading Personality of Godhead, Viṣṇu, or Kṛṣṇa, was appearing as a child in his home, exactly in His original position. No earthly child is born with four hands, decorated with ornaments and nice clothing, fully equipped with all the signs of the Supreme Personality of Godhead. Over and over again Vasudeva glanced at his child, and he considered how to celebrate this auspicious moment: "Generally, when a male child is born," he thought, "people observe the occasion with jubilant celebrations, and in my home, although I am imprisoned, the Supreme Personality of Godhead has taken birth. How many millions and millions of times should I be prepared to observe this auspicious ceremony!"
Rohiṇīdevī, the mother of Balarāma, was the most fortunate wife of Vasudeva. She was away from her husband, yet just to congratulate Mahārāja Nanda on the occasion of the birth ceremony of his son, Kṛṣṇa, she dressed herself very nicely. Wearing a garland, a necklace and other bodily ornaments, she appeared on the scene and moved hither and thither. According to the Vedic system, a woman whose husband is not at home does not dress herself very nicely. But although Rohiṇī’s husband was away, she still dressed herself very nicely on this occasion.
“Let me offer my respectful repeated obeisances unto the son of Mahārāja Nanda, who is standing before me with conchshell earrings and a peacock feather on His head. His face is beautiful; He is wearing a helmet and is garlanded by forest flowers, and He stands with a morsel of food in His hand. He is decorated with a cane, a buffalo-horn bugle and a flute. He stands before me with small lotus feet.
After finishing their lunch, Kṛṣṇa and His friends and calves began to return to their Vrajabhūmi homes. While passing, they enjoyed seeing the dead carcass of Aghāsura in the shape of a gigantic serpent. When Kṛṣṇa returned home to Vrajabhūmi, He was seen by all the inhabitants of Vṛndāvana. He was wearing a peacock feather in His helmet, which was also decorated with forest flowers. Kṛṣṇa was also garlanded with flowers and painted with different colored minerals collected from the caves of Govardhana Hill. Govardhana Hill is always famous for supplying natural red oxides, and Kṛṣṇa and His friends painted their bodies with them. Each of them had a bugle made of buffalo horn and a stick and a flute, and each called his respective calves by their particular names. The cowherd boys were so proud of Kṛṣṇa's wonderful activities that, while entering the village, they all sang His glories. All the gopīs in Vṛndāvana saw beautiful Kṛṣṇa entering the village. The boys composed nice songs describing how they were saved from being swallowed by the great serpent and how the serpent was killed. Some described Kṛṣṇa as the son of Yaśodā, and others as the son of Nanda Mahārāja. "He is so wonderful that He saved us from the clutches of the great serpent and killed him," they said. But little did they know that one year had passed since the killing of Aghāsura.
The brāhmaṇas' wives saw Kṛṣṇa with a blackish complexion, wearing a garment that glittered like gold. He wore a nice garland of forest flowers and a peacock feather on His head. He was also painted with the minerals found in Vṛndāvana, and He looked exactly like a dancing actor on a theatrical stage. They saw Him resting one hand on the shoulder of His friend, and in His other hand He was holding a lotus flower. His ears were decorated with lilies, He wore marks of tilaka, and He was smiling charmingly. With their very eyes the wives of the brāhmaṇas saw the Supreme Personality of Godhead, of whom they had heard so much, who was so dear to them, and in whom their minds were always absorbed. Now they saw Him eye to eye and face to face, and Kṛṣṇa entered within their hearts through their eyes.
When Kṛṣṇa came out of the city, Kālayavana, who had never seen Kṛṣṇa before, saw Him to be extraordinarily beautiful, dressed in yellow garments. Passing through Kālayavana's assembly of soldiers, Kṛṣṇa appeared like the moon in the sky passing through the assembled clouds. Kālayavana was fortunate enough to see the lines of Śrīvatsa, a particular impression on the chest of Śrī Kṛṣṇa, and the Kaustubha jewel He was wearing. Kālayavana saw Him, however, in His Viṣṇu form, with a well-built body, four hands, and eyes like the petals of a newly blooming lotus. Kṛṣṇa appeared blissful, with a handsome forehead and beautiful smiling face, restless eyebrows and moving earrings. Before seeing Kṛṣṇa, Kālayavana had heard about Him from Nārada, and now the descriptions of Nārada were confirmed. Kālayavana noticed Kṛṣṇa's specific marks and the jewels on His chest, His beautiful garland of lotus flowers, His lotuslike eyes and similar beautiful bodily features. He concluded that this beautiful personality must be Vāsudeva, for every description he had previously heard from Nārada was substantiated by the presence of Kṛṣṇa. Kālayavana was astonished to see Kṛṣṇa passing through his army without any weapon in His hands and without any chariot. He was simply walking on foot. Kālayavana had come to fight with Kṛṣṇa, and yet he had sufficient principles not to take up any kind of weapon. He decided to fight with Him hand to hand. Thus he prepared to capture Kṛṣṇa and fight.
King Bhīṣmaka was not enthusiastic about handing his daughter over to Śiśupāla, but he was obliged to accept the marriage settlement due to his affectionate attachment for his eldest son, who had negotiated it. As a matter of duty, the King was decorating the city for the marriage ceremony and acting in great earnestness to make it very successful. Water was sprinkled all over the streets, and the city was cleansed very nicely. Since India is situated in the tropical zone, the atmosphere is always dry. Dust always accumulates on the streets and roads, so they must be sprinkled with water at least once a day, and in big cities like Calcutta twice a day. The roads of Kuṇḍina were arrayed with colored flags and festoons, and gates were constructed at particular crossings. The whole city was decorated very nicely. The beauty of the city was enhanced by the inhabitants, both men and women, who were dressed in fresh, washed clothes and decorated with sandalwood pulp, pearl necklaces and flower garlands. Incense burned everywhere, and fragrances like aguru scented the air. Priests and brāhmaṇas were sumptuously fed and, according to ritualistic ceremony, were given sufficient wealth and cows in charity. In this way, they were engaged in chanting Vedic hymns. The King's daughter, Rukmiṇī, was exquisitely beautiful. She was very clean and had beautiful teeth. The auspicious sacred thread was tied on her wrist. She was given various types of jewelry to wear and long silken cloth to cover the upper and lower parts of her body. Learned priests gave her protection by chanting mantras from the Sāma Veda, Ṛg Veda and Yajur Veda. Then they chanted mantras from the Atharva Veda and offered oblations in the fire to pacify the influence of different stars.
His next duty was to give cows in charity to the brāhmaṇas. Every day Lord Kṛṣṇa used to give many groups of 13,084 cows. Each of the cows was decorated with a silken cover and pearl necklace, their horns were covered with gold plating, and their hooves were silver-plated. All of them were full of milk, due to having their first-born calves with them, and they were very tame and peaceful. When the cows were given in charity to the brāhmaṇas, the brāhmaṇas also were given nice silken garments, and each was given a deerskin and sufficient quantity of sesame seeds. The Lord is generally known as go-brāhmaṇa-hitāya ca, which means that His first duty is to see to the welfare of the cows and the brāhmaṇas. Thus He used to give cows in charity to the brāhmaṇas, with opulent decorations and paraphernalia. Then, wishing for the welfare of all living entities, He would touch auspicious articles such as milk, honey, ghee (clarified butter), gold, jewels and fire. Although the Lord is by nature very beautiful due to the perfect figure of His transcendental body, He would dress Himself in yellow garments and put on His necklace of Kaustubha jewels. He would wear flower garlands, smear His body with the pulp of sandalwood and decorate Himself with similar cosmetics and ornaments. It is said that the ornaments themselves became beautiful upon being placed on the transcendental body of the Lord. After decorating Himself in this way, the Lord would then look at marble statues of the cow and calf and visit temples of God or demigods like Lord Śiva. There were many brāhmaṇas who would come daily to see the Supreme Lord before taking their breakfast; they were anxious to see Him, and He welcomed them.
Renunciation Through Wisdom
Varṇāśrama religion cannot be practised in an atmosphere of such chaos and violence. The system now being called varṇāśrama is actually ungodly, demoniac religion in disguise. To wear the holy thread and go through the purificatory process within this demoniac system does not result in piety. Discarding all purificatory processes and religious rites, the men of Kali-yuga vie with each other to become the biggest and the strongest. A person becomes a "brāhmaṇa" just by slipping a holy thread over his head-indeed, such has been predicted in the scriptures—but this does not earn him any piety. Lord Caitanya rejected this kind of cheating varṇāśrama system. Foreseeing the degraded condition of Kali-yuga, Lord Kṛṣṇa hardly discusses varṇāśrama religion in the Bhagavad-gītā and instead stresses the performance of work as sacrifice. Hence it is clearly understood that by the performance of sacrifice for Lord Viṣṇu, the Supreme Person, He becomes satisfied and all ill effects are eradicated.
| Page Title: | Wearing (CC and Other Books) |
| Compiler: | Visnu Murti, MadhuGopaldas |
| Created: | 17 of Mar, 2012 |
| Totals by Section: | BG=0, SB=0, CC=39, OB=24, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 63 |