Theater

Expressions researched:
"theater" |"theaters" |"theatre" |"theatres"

Nectar of Devotion

Nectar of Devotion 1:

On the other hand, a person who is not in Kṛṣṇa consciousness has no good qualities. He may be highly educated from the academic point of view, but in the actual field of his activities he can be seen to be baser than the animals. Even though a person is highly educated academically, if he cannot go beyond the sphere of mental activities then he is sure to perform only material activities and thus remain impure. There are so many persons in the modern world who have been highly educated in the materialistic universities, but it is seen that they cannot take up the movement of Kṛṣṇa consciousness and develop the high qualities of the demigods.

For example, a Kṛṣṇa conscious boy, even if he is not very well educated by the university standard, can immediately give up all illicit sex life, gambling, meat-eating and intoxication, whereas those who are not in Kṛṣṇa consciousness, although very highly educated, are often drunkards, meat-eaters, sexmongers and gamblers. These are practical proofs of how a Kṛṣṇa conscious person becomes highly developed in good qualities, whereas a person who is not in Kṛṣṇa consciousness cannot do so. We experience that even a young boy in Kṛṣṇa consciousness is unattached to cinemas, nightclubs, naked dance shows, restaurants, liquor shops, etc. He becomes completely freed. He saves his valuable time from being extravagantly spent in the way of smoking, drinking, attending the theater and dancing.

Krsna, The Supreme Personality of Godhead

Krsna Book 89:

"If the brāhmaṇas feel unwanted separation from their wives and children," Arjuna continued, "and the kṣatriya kings do not take care of them, then such kṣatriyas are to be considered no more than stage players. In dramatic performances in the theater, an actor may play the part of a king, but no one expects any benefits from such a make-believe king. Similarly, if the king or the executive head of a state cannot give protection to the head of the social structure, he is considered merely a bluffer. Such executive heads simply live for their own livelihood while occupying exalted posts as chiefs of state. My lord, I promise that I shall give protection to your children, and if I am unable to do so, then I shall enter into blazing fire so that the sinful contamination which has infected me will be counteracted."

Bhagavad-gita As It Is Lectures

Introduction to Bhagavad-gita As It Is -- Los Angeles, November 23, 1968 :

So this is intelligence, that I have to serve. Now in my material condition I am serving so many things, especially my senses. So neither my senses are satisfied nor I am satisfied. So this intelligence is not coming to us. They are going on, carvita-carvaṇānām, chewing the chewed. The senses, same sense gratification in different way. In theatre, in stage, in, at home, at club—everywhere. Simply changing the platform and trying to be happy. How you can be happy? They already distasted. Does it mean that sense satisfaction in an apartment and sense satisfaction in the club is different? It is simply imagination. "Let me go to the club, let me go to the stage, let me go to this Florida beach, and let me go there, let me see the naked dance, let me see that, let me..." That's all. But the platform is there, sense gratification. But he is not intelligent that "I have satisfied my senses in so many different ways. I have served my senses in so many different ways. Neither I am satisfied, neither my senses are satsfied." Therefore the intelligent man says, "I am no more going to satisfy my senses, I will satisfy Kṛṣṇa." That is Kṛṣṇa consciousness. Then he gets full satisfaction. This is voluntary. This is called surrender, that "I have tried to satisfy my, the whims of my senses so many lives. I have become frustrated, confused. Let me try this life to satisfy the senses of Kṛṣṇa." That's all. At least let me give a trial one life, and let me see the result.

Lecture on BG 2.21-22 -- London, August 26, 1973:

If you want, if you desire to become free from this implication of birth, death, old age, and disease, it is ready. And if you want to continue this implication, change of body, vāsāṁsi jīrṇāni... Because you cannot enjoy spiritual life in this material body. You can enjoy this material world with this material body. And if you want to enjoy spiritual life, then you have to enjoy in spiritual body. But as we have no information of the spiritual life, spiritual enjoyment, we are simply desiring to enjoy this world. Punaḥ punaś carvita-carvaṇānām (SB 7.5.30), chewing the chewed. The same sex, the same man and woman, they are enjoying at home. The same again go to the naked dance. The object is the same, sex, here or there. But they are thinking, "If I go to the theater or naked dancing, it will be very enjoyable." So it is called punaḥ punaś carvita-carvaṇānām (SB 7.5.30), chewing the chewed. The same sex life at home, chewing, and go to the naked club, chewing. Chewing the chewed. There is no rasa. There is no humor, mellow; therefore they are disappointed. Because the thing is the same. Just like you chew one sugarcane and take out the juice, and again if you chew, then what you will get? But they are so dull-headed, so rascal, they do not know. They are trying to get the, I mean to say, pleasure which is already enjoyed, which is already tasted. Punaḥ punaś carvita-carvaṇānām (SB 7.5.30). Adānta-gobhir viśatāṁ tamisraṁ punaḥ punaś carvita-carvaṇānām. A human being... You'll find that when the dogs, they have sex life, they have no shame. So, many lusty people stand there and see. Seeing means they are willing, "If I could enjoy in the street like this." And sometimes they do. This is going on. Punaḥ punaś carvita-carvaṇānām (SB 7.5.30).

Lecture on BG 4.39-42 -- Los Angeles, January 14, 1969:

Just like people are trying. The same thing which they have got at home... Just like a naked woman. They are still going to the theater to see naked dance. You see? What is that? They have no idea. The same thing. Punaḥ punaś carvita-carvaṇānām (SB 7.5.30), chewing the chewed, trying to find out in which naked dance there is pleasure. That's all. So when one comes to the knowledge that "I have seen so many different types of naked dance and naked woman. What I have got? What I have gained? What satisfaction is there? Why I am not satisfied?" That is knowledge. That is knowledge.

Srimad-Bhagavatam Lectures

Lecture on SB 1.5.24 -- Vrndavana, August 5, 1975:

Verse:

te mayy apetākhila-cāpale 'rbhake

dānte 'dhṛta-krīḍanake 'nuvartini

cakruḥ kṛpāṁ yadyapi tulya-darśanāḥ

śuśrūṣamāṇe munayo 'lpa-bhāṣiṇi

(SB 1.5.24)

These are the qualifications how to receive favor of the devotee. He was, Nārada Muni, in his previous birth, a boy servant. But boys are generally restless. But Nārada Muni was not restless. Cāpale. What is given there? Proclivities. Generally, boys are attached to so many different types of playful things. This also becomes possible by association. Just like you are all young men, you have got so many desires, naturally, especially in the Western countries. But you have voluntarily given up not to go to the restaurant, not to go to the club or theater or cinema. These are good qualifications.

Lecture on SB 1.5.33 -- Vrndavana, August 14, 1974:

One milk preparation. Milk is the origin. Rabri, you take too much and there is dysentery. And cikitsitam, the same milk converted into yogurt, add little black pepper, little salt and lime, it will cure. The origin is the milk. So one way you become diseased and the other way you become cured, but the preparation is the same—milk. Similarly, our activities in this material world with these material elements, when we violate the laws, we become entangled. But the same material activities, when it is turned into Kṛṣṇa prasādam, dovetailed with Kṛṣṇa for hearing and chanting Hare Kṛṣṇa mahā-mantra, what we are doing? We are also doing the same thing. Here is the temple. What is this temple? The same ingredients, the same cement, same brick, same stone, same worker, same plan as the skyscraper. But what is the difference? Because it is cikitsitam, it is for Kṛṣṇa. You spoil your energy by the same purchase of cement, bricks, and other things for sense gratification—a theater hall, a dancing hall. The same energy spent for dancing for Kṛṣṇa, the same hall, you become liberated. By one dancing hall you go to hell, and by another dancing hall you become liberated. This is the secret.

Lecture on SB 5.5.1-2 -- London (Tittenhurst), September 13, 1969:

So however busy we may be, however intelligent we may be, however advanced we may be in material civilization, the real point is sense gratification. I have seen in the Times Square in New York, there are so many advertisements for sense gratification. Advertising, "Here you'll have nice girls. Come on," like that. Freely written, and some naked picture. And so many theaters. The whole idea is sense gratification. That's all. Ṛṣabhadeva... It is not new. This is very old fashioned. This sense gratificatory process is current in all other planets, even which we call the demigods' planet, heavenly planet, the moon planet, the sun planet, everywhere. From the highest planet, Brahmaloka, down to the, what is called, Pātālaloka... There are different Sanskrit names of different planets. Everywhere in this material world is, the ultimate point is sense gratification. That's all.

1968 Conversations and Morning Walks

Questions and Answers -- Montreal, August 26, 1968:

Prabhupāda: Suppose if we take film, very long film, what will be the cost?

Dāmodara: Well, in an eight-millimeter, the size film that you saw last night, the other night, it's not very expensive. It costs a little more than a dollar a minute for, you know. So if there was an hour and a half film, it might cost $150. Not much. But to make a film of the quality that's seen in the theater, it's very expensive. An hour and a half film, it's not unusual, a hundred thousand dollars.

Prabhupāda: (laughing) Oh!

Dāmodara: That's quite a bit of difference. You see, when you have sound on a film it makes it very expensive. And the proper lighting. It takes a long time to make a film that has the right quality. It's expensive.

Prabhupāda: So why don't you get a financier? We can give so many ideas of Kṛṣṇa consciousness, and we have got our players.

Interview with LA Times Reporter About Moon Trip -- December 26, 1968, Los Angeles:

Prabhupāda: Well, that hoping... That hoping also, from practical point of view... Just like the other day the information was they were sixty miles off from the moon planet and still they could not enter. I do not know what kind of statement it is. If you go to some place just sixty miles off from that place and you are trying for so many years, you should be inquisitive. "Oh, let me go there sixty miles further. Let me see."

Reporter: Well it's like you walk near a theater and you don't have a ticket. You might be able to walk around the theater...

Prabhupāda: Then you come to my conclusion that your ticket is insufficient. You cannot enter there. Then you support my statement. Then you support me, that you cannot enter there.

Reporter: Then you support me.

Prabhupāda: Why? I don't support you. I say that you cannot enter. You are supporting me. You say that I have no ticket, therefore I could not enter.

1973 Conversations and Morning Walks

Morning Walk -- December 7, 1973, Los Angeles:

Prabhupāda: This is Kṛṣṇa consciousness. Be Kṛṣṇa conscious and everything will be solved. How we are speaking? Because we have taken shelter of Kṛṣṇa. That's all. Mām eva ye prapadyante māyām etāṁ taranti, as soon as you surrender to Kṛṣṇa, all this māyā, misconception, will go. You'll become right person, in knowledge. That is Kṛṣṇa consciousness, to become perfect man. Because there is guidance, the perfect guidance, so he becomes perfect. Harer nāma harer nāma harer nāma... (CC Adi 17.21). (break) This is the statement in Bhāgavata. Adānta-gobhir viśatāṁ tamisram: (SB 7.5.30) "Because they cannot control their senses, therefore they are making progress towards the darkest region of hell." Adānta-gobhir viśatāṁ tamisraṁ punaḥ punaś carvita: "And repeatedly chewing the chewed." They make one plan. It is frustrated. Again make another plan. That is frustrated. Again make another plan. But they will never agree to accept that these plans are all useless. That is rascaldom. That is rascaldom. Repeatedly chewing the chewed, chewing the chewed. The same woman, same vagina, and that is their pleasure. Bas. At home, and in street or nightclub and theater—the same vagina. That's all.

1974 Conversations and Morning Walks

Room Conversation with Roger Maria leading writer of communist literature -- June 12, 1974, Paris:

Prabhupāda: Why? He should stay with us. Let us conclude. Why you are flying away? We have started one discussion. Let it be finished. Why you are going away? (French) That means he is escaping.

Yogeśvara: He says because he works in the evenings. He's a theater critic.

Prabhupāda: That's all right. Some way or other, he's escaping. (French) A man...

Yogeśvara: With pleasure, he would like to come back to finish the discussion.

Prabhupāda: Yes. (French)

Jyotirmayī: And with friendship.

Prabhupāda: Yes. Oh, yes. That's it. Don't escape. (French) When we have begun the discussion, let us finish. Don't escape. Thank you. Haribol.

Room Conversation with Professor Oliver La Combe Director of the Sorbonne University -- June 14, 1974, Paris:

Prabhupāda: Just like in Paris, these nice buildings, nice parks, nice everything—they require brain. There is no doubt about it. But they have been used for woman and wine. That's all. That is their... He have come. People come to see Paris just for that... What is that theater?

Bhagavān: Folies Bergere.

Prabhupāda: Yes. And we have heard from our childhood that Paris is a place where people can go and enjoy prostitution. When we were children. I told you last night. So this city is undoubtedly constructed with good merit, but it is used for sinful act... Nobody goes to... Beautiful church, nobody goes there. But beautiful, that theater, because there is naked dance, everyone goes. And therefore duṣkṛtina. Church is vacant. Only the tourists come to see the churches. Not that such a important city, always glorification of Lord is going on. Just like we are trying to do. Take prasādam, worship the Deity, chant Hare Kṛṣṇa. That would have been the activities of these beautiful churches, but there is no such activity, because people are duṣkṛtina. They have got merit, to construct very nice wonderful buildings, but it is meant for sinful activities: illicit sex, intoxication, gambling and so on. And poor women, they are victimized by these rascals. That's all.

1975 Conversations and Morning Walks

Room Conversation with Yoga Student -- March 14, 1975, Iran:

Prabhupāda: Ether is perceived by sound, air is perceived by touch. Then... Ether, air... Then fire you can see by vision. And then next, water, you can taste, and the earth you can smell. These five senses are there to appreciate these five kinds of elements. All right. Hare Kṛṣṇa. (break)

Devotee: These are some of my friends here, Prabhupāda. This is Kani Faizal(?). He is a director, theater director, and artist. He wants to do a play now from the Śrīmad-Bhāgavatam, the story of Prahlāda Mahārāja.

Prabhupāda: Oh. Very good.

Devotee: This is Carlos. This is Ali. I don't know your name.

Maslud: Maslud.

Prabhupāda: So all cultural people. All cultural people.

Devotee: Yes.

Morning Walk -- April 7, 1975, Mayapur:

Prabhupāda: Hmm. Because the happiness which you are enjoying these are not actually satisfying. You are not actually satisfied, therefore you want transfer of happiness from this field to that field. That means you are not actually happy. Otherwise, why these rascals they are enjoining the same vagina at home and why they go to see vagina in the theater? The vagina is there, but they think that to see vagina at home is not so good, but to see vagina on the stage is better. That is all. Disappointment. You'll see the same vagina, here and there. You'll go there by purchasing ticket. That is your misfortune.

Trivikrama: But the devotee is ātmārāma.

Prabhupāda: Yes. All these Paris big men, they go to see the vagina at night, purchasing ticket fifty dollars. All big, big men. In Paris there are so many clubs.

1976 Conversations and Morning Walks

Morning Walk -- March 25, 1976, Delhi:

Guru dāsa: Just like they say that you have the freedom to yell "There's a fire" in a theater, but you don't do it.

Prabhupāda: So many examples are there. Freedom is there, but you are not absolutely free to do whatever you like.

Guru dāsa: Because of the stringent laws of nature.

Prabhupāda: Because you are small. Just like children. He has got freedom, playing. But when he is doing something wrong, father, "You don't do this. Don't do this. Don't do this." But if he does it, even he is children, even he's child, he'll suffer. He cannot say, "I am child. I did not know, father." Then that does not matter. You must suffer. You must suffer, even though you are child.

Arrival Comments in Car to Temple -- July 9, 1976, New York:

Prabhupāda: Broadway is important place.

Tamāla Kṛṣṇa: Very important. Our building is right in the midst of the theater, restaurant and entertainment section of the city.

Prabhupāda: In New York I feel little homely because first I came here, I was loitering on the street here and there. From 1965 September, to '67 July, continually I stayed in New York.

Rāmeśvara: Tamāla Kṛṣṇa Mahārāja gave one class this morning. So he was explaining that we cannot understand the good fortune of this city that you have come here. We cannot begin to estimate how fortunate this city is.

Prabhupāda: Yes, I, when I decided I shall go to foreign countries, I never thought of going to London, I thought of coming here. Generally they go to London, but I thought, "No, I shall go to New York."

Tamāla Kṛṣṇa: Very progressive.

Comments on Bhagavad-gita Play -- July 12, 1976, New York:

Prabhupāda: You have already worked?

Sudāmā: Yes, on the first two scenes.

Tamāla Kṛṣṇa: They have made a very accurate portrayal of the material world. Actually, the guests who come on Sundays, they very much appreciate these performances. I've seen myself sometimes at the end of the performance, they will give a very big ovation of applause. For even one, two minutes in a row, they continue to applaud. They very much appreciate it. People are fond of seeing things enacted, theater and dance.

Prabhupāda: Generally attended by Indians?

Tamāla Kṛṣṇa: No, all the guests come. No, actually this kind of performance will be more appreciated even, I mean the ordinary American people will very much appreciate it.

Prabhupāda: Do they come?

Tamāla Kṛṣṇa: Oh, yes. Usually at least half or more of our attendance on Sunday is from the Americans.

Sudāmā: And here in New York is very much a theatrical city, entertainment, Broadway and... This theater we have here in our temple is situated in off-Broadway. Our theater downstairs is as high a standard in its interior as any other off-Broadway theater house.

Room Conversation -- July 19, 1976, New York:

Tamāla Kṛṣṇa: You want to hear what they wrote? Should I read to you what they said?

Prabhupāda: Yes, yes.

Tamāla Kṛṣṇa: Very nicely written. "With everybody pulling together and everybody puffing together, a huge float is tugged down Fifth Avenue yesterday during the first Ratha-yātrā Parade of International Society for Krishna Consciousness. The parade moved south from Central Park to Washington Square Park, where a free feast, music, art, dance and theater festival was held. According to a spokesperson, Ratha-yātrā is a time when people come to dance, sing and feast amidst a sublime atmosphere of bright flags, festoons, banners, garlands, flowers and incense, simply to feel the poetry and blissful nature of life.' "

Prabhupāda: Very good, this is blissful nature.

Room Conversation -- November 25, 1976, Vrndavana:

Prabhupāda: No, indirect for gross outsiders, not for us. Therefore they should not be played in the temple. Gross outsider only.

Gopāla Kṛṣṇa: So, Prabhupāda, the New York temple has just produced a ballet on Rāmāyaṇa, and one boy, Vijayadeva, just came back and he brought a slideshow on that ballet.

Prabhupāda: Ballet?

Gopāla Kṛṣṇa: They did a ballet, the New York theater, Sudāmā Swami and his group. But that ballet is accompanied by a classical Western record in background. It's a twenty med... They have just played the whole record as background music. And I know, we showed it in Bombay and none of the devotees liked it. They told me to stop that show because they said it's all māyā. Everyone saw it, Girirāja and...

Prabhupāda: So they should be restricted.

1977 Conversations and Morning Walks

Room Conversation -- January 21, 1977, Bhuvanesvara:

Rāmeśvara: Even this movie that we have just been involved with called "Audrey Rose," about reincarnation, in order to make it popular, they have made it very, very frightening. In order to get people to come, they have to have that element of terror.

Prabhupāda: Oh.

Rāmeśvara: So they concoct different arrangements. Because people are willing to spend money to torture their own minds. No one is happy. They are very disturbed when they leave the movie theater. They are frightened. And at night they cannot sleep peacefully after seeing such movies. And they are paying money to go to these things.

Prabhupāda: And again they will take tranquilizer. Just see (laughing) how thankless task. Create something disturbing and again try to... Yesterday some men came, the Communistic temple.

Gargamuni: Oh, yes, especially in this state.

Prabhupāda: I gave him good thrashing.

Room Conversation with Svarupa Damodara -- February 28, 1977, Mayapura:

Prabhupāda: Big, big animals. Big animals. They are animals, but big animals, because they have got money. "Money is sweeter than honey."

Tamāla Kṛṣṇa: That Bombay auditorium, theater, Prabhupāda was saying, could be used for so many meetings.

Bali-mardana: Conferences. Scientific conferences.

Prabhupāda: Yes. Simply.

Svarūpa Dāmodara: We can give very nice slide show there.

Prabhupāda: So you make Bombay your headquarter. India means Bombay. And from Bombay you go and come.

Room Conversation with Svarupa Damodara -- February 28, 1977, Mayapura:

Prabhupāda: Blacksmith or black snake?

Rūpānuga: Both. (laughs) But at least in India...

Prabhupāda: So organize in India. Make your headquarters in India.

Svarūpa Dāmodara: Yes. Gopāla Kṛṣṇa already told me that he will give us two rooms.

Prabhupāda: Oh, yes. Two, three, as many rooms, you take.

Tamāla Kṛṣṇa: That theater is very prominent.

Prabhupāda: Yes

Svarūpa Dāmodara: Bombay's very nice.

Prabhupāda: Very nice? Yes. Now see. (laughter) He is one of the person who helped you. When I went to Africa I asked Brahmānanda, "Are you going to support me?" He said, "Yes, I'll do." Then I signed. Otherwise I hesitated, that "These people are denying property..."

Room Conversation First Day in Juhu Quarters -- March 30, 1977, Bombay:

Prabhupāda: They were asking me whether they are professional men. "No, no, these all my disciples."

Gopāla Kṛṣṇa: They're actually much better than any of the professional men.

Prabhupāda: Oh, yes. We played caitanya-līlā in our younger days. So we brought one very famous man, Amritlal Bose. He is one of the three chief men who started theatrical performances in Bengal. Amritlal Bose, Girish Candra Ghosh, and one some Pathan. This Amritlal Bose was a big author also, for writing comic books. And very expert lecturer. So somehow or other, we contacted him, and we used to call him, (Bengali:) dādā-mahāśaya. Dādā-mahāśaya means grandfather. He was of our grandfather's age. In the evening he was drinking. Very luxurious. So when he came, he said, "Yes, I will give you direction. You are all aristocratic family. But you must know that what is the difference between this professional and this aristocratic family." So he explained that "Caitanya-līlā, in the public theater, anyone can pay eight annas." That eight annas was third-class ticket. Eight annas, one rupee, two rupees and five rupees. "So they can see Caitanya-līlā. Then where is the difference between your playing and their playing?" So he explained that "There must be some difference, that the public, after seeing your playing, they should appreciate so much that they will agree they will never see. So I want to train you like that. Are you prepared?" His first condition. So we were boys at the time... "Yes, sir. Yes. Whatever you say." Then he said, "Then I take charge of training you." So his next condition was that "You cannot play unless I say it is all right." So we practiced for more than one year. Still, he did not say that "You are all right." He did not say. By force, practically, that "Now we shall play, sir." "All right, you can play, but it is not to my perfectional ideas." So I had the part of Advaita Ācārya. So on the stage, when we saw, all the public, they are crying, the audience. Regularly crying. We could not understand how they are crying, because we are dry; we have learned how to play, that's all.

Room Conversation First Day in Juhu Quarters -- March 30, 1977, Bombay:

Prabhupāda: That is third class. Our caitanya-līlā was played by all the young men of aristocratic Mulliks, Sils,(?) all millionaires.

Gargamuni: Nowadays it is not done.

Prabhupāda: That was the point he stressed, that "You are from the selected aristocratic family of Calcutta. You shall play, and the public theater is also playing. What should be the difference?" That was his point. So that he gave us. They were so gorgeously played. And we received so many invitations: "Please come and play in our house." Polish is all right?

Tamāla Kṛṣṇa: Not bad. Now by washing, it will become better. Washing everyday, by cleaning everyday. They have a nice system for your buzzer. It's going to be ready about nine o'clock. This will just be temporary. They have an automatic buzzer system in all the servants' quarters. So there will be a button here and...

Prabhupāda: Then so many servants will come? (laughter)

Tamāla Kṛṣṇa: No, according to the number of rings you give us.

Prabhupāda: That is a botheration. (pause) Just close the doors. I want to see how the doors are fixed up.

Conversation with Tamala Krsna about Yadubara -- April 22, 1977, Bombay:

Prabhupāda: That I am speaking of, that this, that this knowledge should not be kept locked up. That is my mission.

Tamāla Kṛṣṇa: I think this is an important movie to make, Śrīla Prabhupāda, the way he described it. He says in regard... He says, many people are approaching him with ideas for other films and he doesn't want to get misdirected, so he's mentioning to you. He says...

Prabhupāda: Whose idea is this?

Tamāla Kṛṣṇa: He says they've been requested by the various temples around our society to film Sudāmā Mahārāja's theater group playing "The Age of Kali" and, perhaps, other plays so that these films could be shown at Sunday feasts, because they can't have the theater group in every temple.

Prabhupāda: Oh, it is good idea. Good idea.

Tamāla Kṛṣṇa: You like that idea.

Prabhupāda: Hm, hm.

Conversation with Svarupa Damodara -- June 21, 1977, Vrndavana:

Prabhupāda: Mandāḥ sumanda-matayo manda-bhāgyā hy upadrutāḥ (SB 1.1.10).

Tamāla Kṛṣṇa: That personality of Kali... When Sudāmā Mahārāja was dramatizing, very appropriate. Kali is Sin. Wine, women, intoxication, illicit sex, gambling, LSD. Then Sin said, "Now we will eat our own children."

Prabhupāda: When he said, what the audience thinks?

Tamāla Kṛṣṇa: Well, the audience, they laugh, and yet the laughing is a little... They swallow their laughing. In one sense it's funny; in the other sense they know it is very true, and they feel it. Actually it would be difficult to say such strong thing, but because it is an in a formal theater, the audience sits there respectfully, taking it all.

Prabhupāda: So we are criticizing, but...

Tamāla Kṛṣṇa: But no one else is.

Prabhupāda: Nobody understands that these are bad things.

Room Conversation -- November 2, 1977, Vrndavana:

Tamāla Kṛṣṇa: Is that why we made that hall, for making money?

Prabhupāda: Otherwise what you will do?

Tamāla Kṛṣṇa: Well, originally you had intended that that hall would be used for Svarūpa Dāmodara's scientists and for our theater group and things like that.

Prabhupāda: That's all right, but are you going to have every day?

Tamāla Kṛṣṇa: No, I know that they won't. They cannot do that. I mean practically they won't.

Bhavānanda: It's possible, but...

Tamāla Kṛṣṇa: Well, it would have to take a tremendous endeavor on the part of our movement, and our movement is not... We're not geared to do that.

Prabhupāda: It is like tenant house. So whoever pays to your satisfaction, you give him for one day.

Room Conversation -- November 2, 1977, Vrndavana:

Prabhupāda: If you are going to do some business, earn some money, you'll have to allow.

Bhavānanda: But how that will affect the atmosphere and Kṛṣṇa consciousness of the temple? It's not that the theater...

Prabhupāda: Well, atmosphere... Suppose there is temple, and there is the park and other houses, and they are already polluting the atmosphere. You cannot stop it. Is it not?

Jayādvaita: All over our movement we have temples, and then next door there's some nonsense place.

Prabhupāda: Yes. You cannot check the atmosphere all around. That is not possible. (pause) So when you described the number of books, what did they say? Hm?

1968 Correspondence

Letter to Rayarama -- Seattle 17 October, 1968:

The defect of the modern civilization that everyone is earning money undoubtedly in large volumes, but he does not know how to spend. He is spending simply for sense gratification and the last word of sense gratification is sex, therefore all money is being spent up for intoxication and sexual life, nudey dance, nudey theater, in so many ways. That means they are spoiling their human source of energy. Next point, one should be so trained up that within the heart he will be freed from all material attraction, but so long the body is there, to keep the body and soul together, he has to work like ordinary man. Next point, the society, friendship and love of material existence may be accepted without any attraction, and whatever the so-called society, friendship and love wants to take service from us, one should simply say, yes, it is very nice, but actually he should give more importance for spiritual advancement of life.

1969 Correspondence

Letter to Mr. Kair -- Los Angeles 8 July, 1969:

The formalities are as follows: You should take a vow not to have any illicit sex life. That means sex life should be accepted only by married couples. You should not take anything beyond the group of grains, fruits, vegetables, flowers, milk and milk products, and that also only after offering to Lord Krishna. You should not accept any kind of intoxication, including drinking coffee, tea, or smoking cigarettes, chewing pan, etc. Finally, you should not take part in any gambling, including so-called sports, cinema, theater, or any such entertainment. Then you will have to be first initiated for chanting the Hare Krishna Mantra under regulative principles, avoiding 10 kinds of offenses and following the above regulative principles. Then, on or before the completion of one year, you will be finally initiated. In the meantime you will read our books like Bhagavad-gita As It Is, Teachings of Lord Caitanya, Srimad-Bhagavatam, Nectar of Devotion, etc. These books are all in English, and in addition you should read our monthly journal, Back To Godhead. You should go on inquiring about your pros and cons ideas in the matter of the Krishna Consciousness.

1971 Correspondence

Letter to Vrindaban Candra -- Bombay 13 April, 1971:

So you have got some talent for writing and producing dramas and now Krishna has given you the opportunity for dovetailing your talents in His service. Very good. When I go there I shall be very glad to see these dramas enacted. Yes, I acted the part of Advaita Prabhu in one such drama. I organized that theater performance in my youthhood. My friends were trained up and we performed and it was very much appreciated by the highest class of men in Calcutta. We were invited to many places to perform the drama. Lord Caitanya inaugurated these Vaisnava dramas, it is true, but where to obtain such copies of these plays I do not know.* While performing such dramas, always the actors must be Vaisnavas. Outsiders may help but devotees should have all the major roles. So you may perform such plays conveniently. It is a very nice program, but do not sacrifice other programs on account of it.

1972 Correspondence

Letter to Citsukhananda -- Los Angeles 13 September, 1972:

Regarding the new altar, Sri Guru and Gauranga altar would be appropriate. If you are able to make that show in the theater for the public of our kirtana and aratrika, etc., that will be very very nice. And I am very much pleased to hear that you have purchased some land for asrama and that you will be having cows there on six acres. I shall be anxious to see that place when I come back from India.

Letter to Bhavananda -- Bombay 29 December, 1972:

So you may arrange the programs immediately in the various places, such as the Bar Association, the Chamber of Commerce, the Stock Exchange, the Royal Asiatic Society, University Institute, Ramakrishna Cultural Institute, YMCA, Govinda Bhavan, Madan Mohan's Temple, Gaudiya Math, Jalan's Ramchandra Temple, like that. Or if there is any Mohammedan or Christian association, we are universal spiritual culture, we can speak to these people also. Or in the Bora Bazar, there is the Marwari Association, or in Bagh Bazar there is Navavrindaban. Also, there is some cultural institution of Birla in Ballyganj and other places. Or there are many halls like the Royal Theater, and other theatres, many temples also, there is the Royal Exchange, like that. So I am prepared to speak every night for nine nights while I am at Calcutta. Make big propaganda and let me inform the respectable men of my birthplace city what we are doing all over the world on behalf of Lord Caitanya Mahaprabhu, and let us see if they will respond for helping us push on this Krsna Consciousness movement more and more.

1973 Correspondence

Letter to Madhudvisa -- Los Angeles 15 December, 1973:

I am in receipt of your letter dated December 11, 1973. Thank you for the comprehensive report of our Australian theater of ISKCON. I am glad that things are going nicely and that you have settled up the New Zealand affair. Depend on Krsna and He will give you good intelligence. I am pleased that you are managing things so nicely.

1975 Correspondence

Letter to Sridhara Maharaja -- Mexico City 14 February, 1975:

I shall be reaching India by the 15th of March and by the 20th of March, I shall be in Calcutta. If possible, Sriman Govinda may see me in Calcutta in our temple at 3 Albert Road, near Camac St. off of Theater road. At that time, I may be informed about your health and then I shall do the needful. As you have mentioned in your letter under reply that you cannot take any active part in executing the performances, I have asked my assistants in Vrndavana to take help from the local panditas in Vrndavana to do the needful. I have asked them to invite all different categories of saintly persons and devotees to take part in the ceremony. I am very much thankful to your Holiness for your good wishes in the matter of my preaching work. Factually, it is all being done by the grace of Prabhupada and Sri Caitanya Mahaprabhu, otherwise it was not possible. Srila Prabhupada was very much fond of publishing books and he especially advised me to preach in English language. So, by his blessings, we have now about 30 big books of 400 pages and more than 20 small booklets in English and all of these books and booklets are being translated into French, German, Dutch, Spanish, Portuguese, Chinese, Japanese, Swahili, Hindi, Bengali, Gujarati, Italian, etc.

Letter to Tamala Krsna -- Bombay 13 November, 1975:

The Bombay temple progress construction is now begun. It was started by you. It is a very nice project. The temple is very large and magnificent and there are so many facilities for guests, restaurant, theater. So I am remaining here to see that the temple construction is completed. We hope that it may be completed within three months.

1976 Correspondence

Letter to Sri S. R. Acarya -- Delhi 24 March, 1976:

I shall be in Vrindaban up until the 10th April after which time I shall be going out of India. You can come to our Vrindaban Temple. You have got enough scope for engaging yourself in journalism and peaceful living. If you are in difficulty then by showing this letter you can take a railroad ticket from our Abhirama das Adhikari, the president of our Calcutta temple located at 3 Albert Road, Calcutta-17, near Camac Street and, Theater Road. It will be a great pleasure to talk with you when we meet.

Letter to Saurabha -- Los Angeles 7 June, 1976:

Your plan for holding marriages in the theater, and on the theater roof will be acceptable. What will be the expected income?

For worshiping the Deities in Bombay, including Sita-Rama, there is absolutely no change in worship. Adopt the same method as in our Vrindaban centre, simply with 3 pujaris just like in Vrindaban. They are all Visnu-tattva, Ramacandra, Radha-Krsna, Gaura-Nitai. No additional kirtanas, simply do exactly as in Vrindaban. I want to know what it would cost to have Kaliya-Krsna Deity (with four mermaids offering prayers, Nagapatnis), and also Radha-Krishna with Lalita and Visakha, and also Guru and Gauranga; what would be the approximate cost for production and transportation of these Deities to Fiji Island?

1977 Correspondence

Letter to Danavir -- Bhuvanesvara 26 January, 1977:

It is good to hold more classes with the bhaktas, but they should all be on the basis of our books. You should not go beyond the jurisdiction of our teaching. The idea of theater, based on Bhagavatam topics is also a very good way to introduce the philosophy to the people in general. Go on preaching with vigorous enthusiasm and increase your program for bringing new men to live in Krsna Consciousness.