In order to understand the transcendental loving affairs of Rādhā and Kṛṣṇa, one has to go through the teachings of the Gosvāmīs, rūpa raghunātha-pade hoibe ākuti. This is the way. So Rūpa Gosvāmī and Sanātana Gosvāmī and all the six Gosvāmīs, they developed this Kṛṣṇa consciousness movement by sitting together in Vṛndāvana. And not only in Vṛndāvana, in that very particular place, Rādhā-Dāmodara temple, where we have got a little space. That you have seen, Rūpa Gosvāmī's tomb, that space. All the six Gosvāmīs, they used to sit down and discuss Śrīmad-Bhāgavatam. Gopāla Bhaṭṭa Gosvāmī was reading, and all the other Gosvāmīs, Rūpa, Sanātana, they were hearing, and Jīva Gosvāmī was writing comment. That is the comment of Kṛṣṇa-sandarbha. So that place in Vṛndāvana, Rādhā Dāmodara Temple, is very sacred place. So they were practicing this Kṛṣṇa consciousness,
- kṛṣṇot-kīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī
- dhīrādhīra-jana-priyau priya-karau nirmatsarau pūjitau
- śrī-caitanya-kṛpā-bharau bhuvi bhuvo bhārāvahantārakau
- vande rūpa-sanātanau raghu-yugau śrī-jīva-gopālakau
They were practicing to teach us, āpani ācari' prabhu jīvere śikhāya. Simply teaching will not do unless we practice. That is very important thing, practice, practical life. Simply quoting verses, like parrot, will not be very much beneficial. One must apply, jñānam vijñāna-sahitam. Jñāna means to know the thing, and vijñāna means to apply the things in practical life. Jñānaṁ vijñāna-sahitam. So we must know the vijñāna, how practically. That is taught by the Gosvāmīs, kṛṣṇot-kīrtana-gāna-nartana, always chanting the glories of Kṛṣṇa. Kīrtana, gāna, nartana, nartana means dancing. Dancing is very good. The more you dance, the more you become light; means the burden of material contamination becomes reduced. Dancing is so nice. Even if you don't feel ecstasy, if you dance by force, that will also help us. Kṛṣṇot-kīrtana-gāna-nartanau-parau premāmṛtāmbho-nidhī. By dancing dancing, we shall develop our dormant Kṛṣṇa consciousness, love for Kṛṣṇa. This is a nice process. Kṛṣṇot-kīrtana-gāna-nartana-parau premāmṛtāmbho-nidhī. Then you will merge into the ocean of love for Kṛṣṇa. So this is the highest stage of ecstasy for Kṛṣṇa consciousness, always chanting Kṛṣṇa's name, dancing in ecstasy, and to be merged in the ocean of love for Kṛṣṇa. These are the perfection.
Dhīrādhīra jana-priyau, in this way we shall become friendly to every people, dhīrādhīra. There are two classes of men. Dhīra, sober, and other class, rogue. So both of them will be pleased by kṛṣṇot-kīrtana. You have practical experience. When there is kṛṣṇa-kīrtana, people, all classes of people, become very much pleased, and they join. As soon as your kīrtana will be pure saṅkīrtana, not artificial, not professional... There are many professional dancer. That will not attract. But, even if you do not know the art of dancing, if you simply dance in ecstasy for Kṛṣṇa's love, that will be appreciated by everyone. That will be appreciated by everyone. Kṛṣṇot-kīrtana-gāna-nartana-parau. These are the art. One does not require to become a Vedāntist. Simply if one chants Kṛṣṇa's name, holy name, and in ecstasy dances, he's more than a Vedāntist. Actually vedānti means one who knows the ultimate knowledge, veda. Veda means knowledge. And anta means ultimate, vedānta. Then what is that ultimate knowledge? Kṛṣṇa. Vedaiś ca sarvair aham eva vedyam (BG 15.15). That is ultimate knowledge. So one who has understood Kṛṣṇa and Kṛṣṇa's love, he's dancing, then what more vedānta can do? That is the first class realization of vedānta. Kṛṣṇot-kīrtana-gāna-nartana-parau. So we should always offer our respect to the Gosvāmīs, ei chay gosāi yāra tāra mui dāsa, Narottama dāsa Ṭhākura says. Tāṅ-sabāra pada-reṇu mora pañca-grās. We should be so humble, respectful to the Gosvāmīs. Not only these Gosvāmīs, anyone who is serving the Gosvāmīs. The Gosvāmīs has also the mission.