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Singer (Letters)

Correspondence

1967 Correspondence

Letter to Jadurani -- Calcutta 12 December, 1967:

You have described in your letter that my presence again before you will be wonderful. I quite agree with you. Your sincere prayer to Lord Nrsimhadeva is helping me to recuperate my health., and you will be glad to know that I am arriving at San Francisco on 14 Dec. at 12:45 pm by PAA 846. I can understand that you are all thinking of me 24 hrs and therefore Satsvarupa had a dream that I had gone to Boston and was enjoying your company. Similarly, I also think of you all, especially of you because you are so nice and good. I understand also, there was a Kirtana performance given by Sri Purna das. You have rightly remarked whether they are devotees. You are right. These people are professional singers. Krishna Kirtana is not for earning livelihood. Krishna Kirtana is not meant for entertaining the public for demonstration of arts. It is dynamic service to the Lord. We do not therefore mind so much about the artistic presentation of Krishna Kirtana but we want to see how much a devotee is satisfying the Supreme Will. The pictures of Lord Krishna and His expansions are particularly meant for giving chance to the neophytes for offering devotional service. It was very nice that Purna das offered respects to the Sankirtana painting. That will enlarge Krishna Consciousness.

1968 Correspondence

Letter to Hamsaduta -- Los Angeles 4 February, 1968:

Regarding Kirtana Party: My idea is that at least one dozen persons should form a Kirtana Party. Two persons play mrdangas, eight persons play karatalas, one person playing tamboura, and one person playing melodious harmonium. The person who will play on tamboura will be leader singer. You have just calculated what I want, when you suggest that the leader should sing as I do, and the others will respond. That will be very nice. But all the members of the party will be pure devotees. None of them should be outsiders. We do not want any outsiders as far as possible. Mrdanga playing as you are doing at present will make you more and more expert as you go on playing. Here also I see Gaurasundara simply by playing is improving. If all the members keep their faith in Krishna and tries to please Him, certainly everyone will be pleased by hearing our Kirtana. It is sure and certain. When such Kirtana will be demonstrated, only the harmonium player may sit, and all the others may stand up and join the Kirtana and dancing properly dressed. This is actual idea and I hope if such Kirtanas are performed even on public stage, we can sell tickets. That will be a source of earning to maintain our activities.

Letter to Sri Krishnaji -- Los Angeles 1 March, 1968:

I received your letter dated February 2, 1968 duly but I am delayed to reply because I was consulting my colleagues about you and the kirtana parties coming here at our expense. To call a man from India and to arrange for his stay here at best for six months in different branches of our city means rupees 20,000/—or $2,000 per head, If we call for you and a party of nice kirtana singers, five men altogether, it means rupees 100,000/—the Society is not in a position to spend such an amount at present period. I am therefore training local boys and girls for kirtana and very soon we shall be out on world tour with this kirtana party. In India, however, many rich business men maybe ready to spend this amount to spread the kirtana movement. But the Govt. will not allow us to spend Indian money in such fashion without special sanction. I have written to authorities at the Govt. of India for sanction, but I have received no reply til now. You assured me that you would be able to get such sanction from Dr. Zakir Hussein but you are now silent on this format. Why not take sanction from him for this purpose and I will arrange money from India.

Letter to Hamsaduta, Himavati -- Los Angeles 3 March, 1968:

I thank you very much for your nice letters, one dated the 23rd of Feb. and the other undated. I have noted the contents, and your attitude of service is so nice. I am pleased to hear that you have begun practicing for the Kirtana party; please keep me informed how you are progressing. Yes, if you like, you can also arrange for costumes and wig; one boy may be dressed as Lord Caitanya, another as Nityananda, as well as Gadadhara, Advaita with white beard and Srivasa with shaven head. Responsive chanting is very nice; one good singer may lead, and the others may join in. That is the system in India. It is very good for two reasons especially: One, the chanter gets to rest, so he does not become tired, and two, you get to chant and hear, that is the process. You may also have melodious accompaniment instruments, and amplifiers. Blowing of the conch shell and horns is very nice.

Letter to Harikrishnadas Aggarwal -- Los Angeles 3 March, 1968:

Some years before, when I was staying in your Prem Kutir you expressed your desire to organize a SANKIRTAN party, and I wish that it may be done now to help me in my mission. If you have got opportunity to purchase one copy of Life Magazine, published Feb. 9, 1968, you will find there on page 56, how nicely the American boys and girls are dancing and chanting the Holy Name of the Lord. A Sankirtana party as they can be organized in India is not possible here. Here the boys and girls, they are very serious about chanting, but they are not trained singers, or singers in the tune we chant in India. Therefore, I wish that if you organize a Sankirtana party there, completely trained in spiritual ways, and the American students combine with them, I think a very nice Sankirtana party can be organized to travel all over the world. I have tested it definitely that melodious vibration of Sankirtana, if they are performed by serious devotees, can attract people from the very spiritual platform, and it at once makes the spiritual background very smooth, when a spiritual instruction from the Bhagavad-gita can be implemented very nicely.

Letter to Hamsaduta -- Los Angeles 4 March, 1968:

We have to teach the Brahmacaris and the Brahmacarinis to speak in Sanskrit some of the verses in this connection, and we explain the verses by singing, chanting, and speaking also. Sometimes in the middle of chanting and singing, we shall speak also. So, all these varieties show will be so attractive with melodious musical sounds, and above all our good behavior and advanced Krishna Consciousness, will make this show very successful. In the meantime, you train the Kirtana party as you are doing, and the responsive method is all perfect. I have already written you in my last letter in this connection, and again I say that the responsive method should be practiced. There may be more than one singer, just like you may take the leader's seat, sometimes Jaya Govinda may take the leader's seat, sometimes others may take the leader's seat, but the method of chanting and responding, then chanting, should always be followed. When I come to New York certainly we shall devise plans on this touring program, not only traveling within the States, but also traveling all over the world. And when we go to India in course of our travel, we shall collect some Indian devotees also to join us. Not only Indian, we shall gradually collect devotees from all over the world without any discrimination. Our Krishna Consciousness movement must be all-pervading, as Krishna is all-pervading.

Letter to Gargamuni -- Montreal 7 June, 1968:

I am planning to go to London from here although for the present, the program is for two to three months in Montreal. Please make the Rathayatra festival as successful as possible. I understand from the letters of other devotees that San Francisco is arranging to get at least 1000 to 5000 people to participate in the procession. If they all chant Hare Krishna with the procession, it will be a great success of our movement. Try to fit some loudspeakers for the principle singer which will be vibrated or answered by the whole audience.

Letter to Unknown -- Montreal August 23, 1968:

Those who are agitated in the mind, they will hear neither Krishna Conscious philosophy nor Christian philosophy. So to make the mind smoother, you should chant Hare Krishna nicely, not to do it by changing the philosophical topics. The chanting will work. When there is no possibility of talking philosophy, we should simply chant, nothing more. Don't talk anything. That will help both the singer and the audience. Your little speech is very nice. Caitanya Mahaprabhu also said there is millions of Names of God, and one can chant any one of them he prefers. We chant Hare Krishna because Lord Caitanya also chanted Hare Krishna. We recommend to chant any Name of God, but we prefer to chant the Holy Name of God, Krishna, following the Footprints of Lord Caitanya.

1969 Correspondence

Letter to Sivananda -- Allston, Mass 4 May, 1969:

Regarding your desire to improve your singing voice, by singing you will become an expert singer. Anything you practice regularly you become expert in. There is every chance of my going to London in June, and certainly if I go there I must also go to your place also. Very soon two German souls who were recently initiated, Mandali Bhadra and Vrindabaneshvari, will be starting for Hamburg to give you all sorts of translations of Back To Godhead and other literatures.

1970 Correspondence

Letter to Himavati, Hamsaduta -- Los Angeles 13 June, 1970:

The arrangement is for seven kirtana parties, or if you do not have enough men, four parties. Each party must consist of seven men as follows: two mrdanga, four karatala, and one dancer. One of the karatala players is lead singer, and the dancer dances freely up and down between the two lines of players three on each side as in the drawing. If there are only four parties, the arrangement should be that one party is on each side, and in back and front of the Ratha:

1971 Correspondence

Letter to Madhudvisa -- Nairobi 26 September, 1971:

Subha Laksmi is a very popular singer and dancer. I know in Delhi the Ramakrishna mission with the help of Subha Laksmi singing and Prime Minister Nehru presiding, in one day they raised fund 10 lakhs. So it requires good organization and selling of tickets, etc. I think alone Subha Laksmi can contribute 5 lakhs by her performance. So this is a good opportunity to take her help. I think you should not dictate the dates for her performance. Let her fix it up and do the needful according to her convenience.

1972 Correspondence

Letter to Revatinandana -- Ahmedabad 10 December, 1972:

So far I am concerned, we have just completed our pandal programme in Hyderabad and it was very, very successful. In that portion there was no rain for two years, but due to our Sankirtana yagna the rain came and everyone was happy that we came to make it rain, and besides that they gave us some nice land in the most central marketplace of the city and we are raising up a gorgeous temple with the help of the local devotees. In the pandal programme sometimes I am thinking of you, how you are always playing the drum and singing. You are a very nice singer, that much I recall. Now give all the new brahmacaris your best instruction for making spiritual advancement, you are one of my senior disciples, so that much, if you do, that will be the best service.

Letter to Sankarasana -- Bombay 31 December, 1972:

You have got some desire to become a famous preacher and famous Vaisnava singer and also jagad-guru. This is a spiritual desire, so it is not like any material desire and it is all right to desire for Krsna in this way. but great Vaisnava or famous Vaisnava means that you have no sex desire. Whether you can be like that? First of all you be like that, without any sex desire, then you think famous Vaisnava. Vaisnava means he has no material desire, what to speak of sex desire. All material desires become zero, even he has no desire for jnana, karma, like that.

1973 Correspondence

Letter to Jagadisa -- Bombay 5 January, 1973:

So far the concert of Indian musicians and dancers for raising funds for the new temple, yes you may do that, I have no objection. But the concert should be their own concert, not that we are holding our program and they are appearing on the same program, either as our guests or as our co-performers. No, we shall not appear to the public like performers, we are not performers or musicians or dancers. But if the concert is held as a benefit concert, just like in Bombay we have held one benefit concert, of the Zaveri Sisters, Manipuri Dancing Group and nearly Rs. 100,000 was raised for our Juhu scheme. That will be the proper arrangement. So if you hold the concert in the auditorium and advertise these singers and dancers, that it will be their program, and also that it will be a "Hare Krsna Benefit Show" or something like that, that will be best. Of course, we may also appear and perform kirtana at the opening of the concert, and we will sell our books there, and if there is some opportunity to give also short lecture, that will be nice. But if you do all these other performances of aratrika, a drama, like that, perhaps it will appear like it is our program and not the program of the musicians. If there is confusion, if the public is thinking that we are something show or commercial performers, that will not be proper idea. But if the musicians and dancers want to give one concert and donate the proceeds to us, we shall gladly thank them.

Page Title:Singer (Letters)
Compiler:Visnu Murti
Created:03 of Dec, 2012
Totals by Section:BG=0, SB=0, CC=0, OB=0, Lec=0, Con=0, Let=14
No. of Quotes:14