Shoulder (CC and Other books)

Expressions researched:
"shoulder" |"shoulder" |"shoulder's" |"shoulders"

CC Adi-lila

CC Adi 3.30, Translation:

Thus the lionlike Lord Caitanya has appeared in Navadvīpa. He has the shoulders of a lion, the powers of a lion, and the loud voice of a lion.

CC Adi 4.25, Translation:

“My friends climb on My shoulders in pure friendship, saying, "What kind of big man are You? You and I are equal.""

CC Adi 5.164, Translation:

In a joyful mood of love of God he sometimes climbed upon the shoulder of someone offering obeisances, and sometimes he struck others with his flute or mildly slapped them.

CC Adi 6.63, Translation:

Although they fight with Him and climb upon His shoulders, they worship His lotus feet in a spirit of servitude.

CC Adi 13.115, Purport:

A peṭāri is a kind of big basket that is carried in pairs on the ends of a rod balanced over the shoulders. The man who carries such a load is called a bhārī. This system of carrying luggage and packages is still current in India and other oriental countries, and we have seen that the same system is still current even in Jakarta, Indonesia.

CC Adi 14 Summary:

Śrīla Bhaktivinoda Ṭhākura has given a summary of this chapter in his Amṛta-pravāha-bhāṣya: “In the Fourteenth Chapter there is a description of how Lord Caitanya Mahāprabhu enjoyed His childhood pastimes—crawling, crying, eating dirt and giving intelligence to His mother, favoring a brāhmaṇa guest, riding on the shoulders of two thieves and misleading them to His own house, and, on the plea of being diseased, taking prasādam in the house of Hiraṇya and Jagadīśa on the Ekādaśī day.

CC Adi 14.15, Purport:

The five large parts are the nose, arms, chin, eyes and knees. The five fine parts are the skin, fingertips, teeth, hair on the body and hair on the head. The seven reddish parts are the eyes, soles, palms, palate, nails and upper and lower lips. The six raised parts are the chest, shoulders, nails, nose, waist and mouth. The three small parts are the neck, thighs and male organ. The three broad parts are the waist, forehead and chest. The three grave parts are the navel, voice and existence. Altogether these are the thirty-two symptoms of a great personality. This is a quotation from the Sāmudrika.

CC Adi 14.38, Translation:

In His childhood the Lord was taken away by two thieves outside His home. The Lord, however, got up on the shoulders of the thieves, and while they were thinking they were safely carrying the child to rob His ornaments, the Lord misled them, and thus instead of going to their own home the thieves came back to the home of Jagannātha Miśra.

CC Adi 14.38, Purport:

In His childhood the Lord was profusely decorated with gold ornaments. Once upon a time, when the Lord was playing outside His house, two thieves passing on the street saw the opportunity to rob Him. Therefore they took Him on their shoulders, pleasing Him by offering Him some sweetmeats. The thieves thought they would carry the child to the forest and then kill Him and take away the ornaments. The Lord, however, expanded His illusory energy upon the thieves, so much so that instead of carrying Him to the forest they came right back in front of His house.

CC Adi 17.16, Purport:

Since Vyāsadeva is the original guru (spiritual master) of all who follow the Vedic principles, worship of the spiritual master is called Vyāsa-pūjā. Nityānanda Prabhu arranged for the Vyāsa-pūjā, and saṅkīrtana was going on, but when He tried to put a garland on the shoulder of Śrī Caitanya Mahāprabhu, He saw Himself in Lord Caitanya. There is no difference between the spiritual positions of Lord Caitanya Mahāprabhu and Nityānanda Prabhu, or Kṛṣṇa and Balarāma. All of Them are but different manifestations of the Supreme Personality of Godhead.

CC Adi 17.19, Translation:

One day Śrī Caitanya Mahāprabhu felt the ecstasy of the boar incarnation and got up on the shoulders of Murāri Gupta. Thus they both danced in Murāri Gupta's courtyard.

CC Adi 17.19, Purport:

One day Caitanya Mahāprabhu began to cry out, "Śūkara! Śūkara!" Thus crying out for the boar incarnation of the Lord, He assumed His form as the boar incarnation and got up on the shoulders of Murāri Gupta. He carried a small gāḍu, a small waterpot with a nozzle, and thus He symbolically picked up the earth from the depths of the ocean, for this is the pastime of Lord Varāha.

CC Adi 17.100, Translation:

Then Lord Caitanya, adopting the mood of Lord Śiva, got on the man's shoulders, and thus they danced together for a long time.

CC Madhya-lila

CC Madhya 8.166, Purport:

She has a stringed instrument known as a kacchapī-vīṇā, which is the fame and fortune that actually dries up the faces and breasts of the other gopīs. She always keeps Her hands on the shoulder of Her gopī friend, who represents Her youthful beauty, and although She is highly qualified with so many spiritual assets, She is nonetheless affected by the Cupid known as Kṛṣṇa. Thus She is defeated. Śrīla Raghunātha dāsa Gosvāmī offers his respectful obeisances to Śrīmatī Rādhārāṇī, taking a straw in his mouth.

CC Madhya 8.177, Translation:

“Śrīmatī Rādhārāṇī’s gopī friends are Her mental activities, which are concentrated on the pastimes of Śrī Kṛṣṇa. She keeps Her hand on the shoulder of a friend, who represents youth."

CC Madhya 8.233, Translation:

After hearing this, Lord Śrī Caitanya Mahāprabhu embraced Rāmānanda Rāya, and both of them, embracing shoulder to shoulder, began to cry.

CC Madhya 9.129, Translation:

“There someone may accept Him as a son and sometimes bind Him to a grinding mortar. Someone else may accept Him as an intimate friend and, attaining victory over Him, playfully mount His shoulders."

CC Madhya 9.290, Translation:

After saying this, Śrī Raṅga Purī lifted Śrī Caitanya Mahāprabhu up and embraced Him. As they embraced shoulder to shoulder, they both began to cry in ecstasy.

CC Madhya 13.9, Translation:

While carrying the Deity of Lord Jagannātha, some of the dayitās took hold of the shoulders of the Lord, and some caught His lotus feet.

CC Madhya 13.91, Translation:

With his hands on the shoulders of Haricandana, King Pratāparudra could see Lord Caitanya Mahāprabhu dancing, and the King felt great ecstasy.

CC Madhya 15.18, Translation:

Having dressed up like cowherd boys, all the devotees carried pots of milk and yogurt balanced on rods over their shoulders. Thus they all arrived at the festival grounds chanting the holy name of Hari.

CC Madhya 19.206, Translation:

“"When Kṛṣṇa was defeated by Śrīdāmā, He had to carry him on His shoulders. Similarly, Bhadrasena carried Vṛṣabha, and Pralamba carried Balarāma, the son of Rohiṇī.""

CC Madhya 19.206, Purport:

The asura appeared disguised in the form of a cowherd boy, but Kṛṣṇa could understand his trick. Kṛṣṇa therefore divided all the cowherd boys into two parties. One party belonged to Balarāma, and the other party belonged to Kṛṣṇa Himself. Ultimately Kṛṣṇa was defeated in this play, and according to the wager, the defeated party had to carry the victorious party on their shoulders. Kṛṣṇa had to carry Śrīdāmā on His shoulders, and Bhadrasena had to carry Vṛṣabha. The demon Pralambāsura had to carry Balarāma, and when Balarāma mounted his shoulders, the demon ran far away. Finally the demon began to expand his body to a gigantic size, and Balarāma understood that he intended to kill Him. Balarāma immediately struck the demon's head with His strong fist, and the demon fell down dead as if he were a snake whose head had been smashed.

CC Madhya 19.207-209, Translation:

“""My dearmost Kṛṣṇa, You are worshiping Me and giving up the company of all the other gopīs, who wanted to enjoy themselves with You." Thinking like this, Śrīmatī Rādhārāṇī considered Herself Kṛṣṇa's most beloved gopī. She had become proud and had left the rāsa-līlā with Kṛṣṇa. In the deep forest She said, "My dear Kṛṣṇa, I cannot walk any more. You can take Me wherever You like." When Śrīmatī Rādhārāṇī petitioned Kṛṣṇa in this way, Kṛṣṇa said, "Just get up on My shoulders." As soon as Śrīmatī Rādhārāṇī began to do so, He disappeared. Śrīmatī Rādhārāṇī then began to grieve over Her request and Kṛṣṇa's disappearance."""

CC Madhya 19.223, Translation:

“On the sakhya-rasa platform, the devotee sometimes offers the Lord service and sometimes makes Kṛṣṇa serve him in exchange. In their mock fighting, the cowherd boys would sometimes climb on Kṛṣṇa's shoulders, and sometimes they would make Kṛṣṇa climb on their shoulders."

CC Madhya 20.53, Translation:

Shoulder to shoulder, Śrī Caitanya Mahāprabhu and Sanātana Gosvāmī began to cry unlimitedly. Candraśekhara was very much astonished to see this.

CC Madhya 20.88, Translation:

Saying this, Sanātana Gosvāmī exchanged the blanket for the quilt. He then returned to Śrī Caitanya Mahāprabhu with the quilt on his shoulder.

CC Madhya 20.202, Purport:

"When one marks the forehead with tilaka, he must remember Keśava. When one marks the lower abdomen, he must remember Nārāyaṇa. For the chest, one should remember Mādhava, and when marking the hollow of the neck one should remember Govinda. Lord Viṣṇu should be remembered while marking the right side of the belly, and Madhusūdana should be remembered when marking the right arm. Trivikrama should be remembered when marking the right shoulder, and Vāmana should be remembered when marking the left side of the belly. Śrīdhara should be remembered while marking the left arm, and Hṛṣīkeśa should be remembered when marking the left shoulder. Padmanābha and Dāmodara should be remembered when marking the back."

CC Antya-lila

CC Antya 7.30, Translation:

“In pure Kṛṣṇa consciousness, a friend mounts the shoulder of Kṛṣṇa, and mother Yaśodā binds the Lord."

CC Antya 10.21, Translation:

"A dear lover strung a garland and placed it on the shoulder of his beloved in the presence of her co-wives. She had raised breasts and was very beautiful, yet although the garland was tainted with mud, she did not reject it, for its value lay not in material things but in love."

CC Antya 14 Summary:

Śrī Caitanya Mahāprabhu's feelings of separation from Kṛṣṇa resulted in highly elevated transcendental madness. When He was standing near the Garuḍa-stambha and praying to Lord Jagannātha, a woman from Orissa put her foot on the Lord's shoulder in her great eagerness to see Lord Jagannātha. Govinda chastised her for this, but Caitanya Mahāprabhu praised her eagerness. When Caitanya Mahāprabhu went to the temple of Lord Jagannātha, He was absorbed in ecstatic love and saw only Kṛṣṇa.

CC Antya 14.24, Translation:

Suddenly, a woman from Orissa, unable to see Lord Jagannātha because of the crowd, climbed the column of Garuḍa, placing her foot on Śrī Caitanya Mahāprabhu's shoulder.

CC Antya 14.25, Purport:

Because Garuḍa is the carrier of Lord Viṣṇu, he is the supreme Vaiṣṇava. Therefore to touch his body with one's feet or to climb the column of Garuḍa is certainly a vaiṣṇava-aparādha, an offense to a Vaiṣṇava. The woman was also offensive to Kṛṣṇa by putting her foot on the shoulder of Śrī Caitanya Mahāprabhu. Seeing all these offenses, Govinda very hastily made her get down.

CC Antya 14.28, Purport:

The woman was so eager to see Lord Jagannātha that she forgot she was offending the feet of a Vaiṣṇava by climbing the column of Garuḍa. She also neglected to consider that by putting her foot on the shoulder of Śrī Caitanya Mahāprabhu, she offended the Supreme Personality of Godhead. These are both grievous offenses that displease the Supreme Lord and Vaiṣṇavas. She was so eager to see Lord Jagannātha, however, that she committed all these offenses obliviously. Śrī Caitanya Mahāprabhu praised her eagerness; He regretted that Lord Jagannātha had not bestowed such great eagerness upon Him.

CC Antya 14.29, Translation:

“She has fully absorbed her body, mind and life in Lord Jagannātha. Therefore she was unaware that she was putting her foot on My shoulder."

CC Antya 14.44, Translation:

“The ring of Kṛṣṇa's rāsa-līlā, manufactured by Śukadeva Gosvāmī, the most auspicious craftsman, is as pure as an earring made from a conchshell. The yogī of My mind is wearing that earring upon his ear. From a gourd he has carved out the bowl of My aspirations, and he has taken the bag of My expectations on his shoulder."

CC Antya 15.51, Translation:

Lord Caitanya continued, “"O trees, kindly tell us whether Balarāma"s younger brother, Kṛṣṇa, welcomed your obeisances with loving glances as He passed this way, resting one hand on the shoulder of Śrīmatī Rādhārāṇī, holding a lotus flower in the other, and being followed by a swarm of bumblebees maddened by the fragrance of tulasī flowers.

CC Antya 18.44, Translation:

Passing along the beach, they saw a fisherman approaching with his net over his shoulder. Laughing, crying, dancing and singing, he kept repeating the holy name "Hari, Hari."

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 1:

The Personality of Godhead, who is worshiped by all the Vedas and Upaniṣads, as well as by the sāṅkhya system of philosophy and all authorized scriptures, was considered to be born in her womb. It is also stated (SB 10.9.12) that Mother Yaśodā bound the child Kṛṣṇa with a rope, as if He were an ordinary son born of her body. Similarly, there are other descriptions of Kṛṣṇa's being treated as an ordinary person (SB 10.18.24). Indeed, when He was defeated in games with His friends, the cowherd boys, Kṛṣṇa would carry them—notably Śrīdāmā—on His shoulders.

Teachings of Lord Caitanya, Chapter 1:

Regarding the dealings of the gopīs with Sri Kṛṣṇa in Vṛndāvana, it is described (SB 10.30.36-40) that when Sri Kṛṣṇa took Śrīmatī Rādhikā alone from the rāsa dance, She thought that Kṛṣṇa had left all the other gopīs. Although they were all equally beautiful, He satisfied Her in this way, and She began to think proudly, "My dear Lord Kṛṣṇa has left the beautiful gopīs, and He is satisfied with Me alone." In the forest, She told Kṛṣṇa, "My dear Kṛṣṇa, I am unable to move anymore. Now if You like You can take Me wherever You desire." Kṛṣṇa replied, "Come lean against My shoulder," and as soon as He said this, He disappeared, whereupon Śrīmatī Rādhikā repined greatly.

Teachings of Lord Caitanya, Chapter 31:

This darkness might be compared to ointment used by nature when nature jokes with Rādhā and Kṛṣṇa. Rādhārāṇī's smile is just like the taste of camphor. The garland of separation moves on Her body when She lies down on the bed of pride within the room of aroma. Out of ecstatic affection for Kṛṣṇa, Her breast is covered by the blouse of anger. Reputed as the best of all Kṛṣṇa's girl friends, She plays a stringed instrument. When Kṛṣṇa stands in His youthful posture, She puts Her hand on His shoulder. Although She possesses so many transcendental qualities, She is always engaged in the service of Kṛṣṇa.

Teachings of Lord Caitanya, Chapter 31:

Śrīmatī Rādhārāṇī is fifteen days younger than Kṛṣṇa. She always keeps Her hand on the shoulders of Her friends, and She always talks and thinks of pastimes with Kṛṣṇa. She always offers Kṛṣṇa a kind of intoxication by Her sweet talks, and She is always prepared to fulfill His desires. In other words, She supplies all the demands of Śrī Kṛṣṇa, and She possesses unique and uncommon qualities for Kṛṣṇa's satisfaction.

Nectar of Devotion

Nectar of Devotion 26:

There is a statement by a gopī who addressed Subala, a friend of Kṛṣṇa: "My dear Subala, I know that Kṛṣṇa is your friend and that you always enjoy smiling and joking with Him. The other day I saw you both standing together. You were keeping your hand upon Kṛṣṇa's shoulder, and both of you were joyfully smiling. When I saw the two of you standing like that in the distance, my eyes at once became overflooded with tears."

Nectar of Devotion 30:

It is stated in the Tenth Canto, Thirty-third Chapter, verse 11, of Śrīmad-Bhāgavatam, "Upon seeing that Kṛṣṇa's arm was placed on her shoulder, one of the gopīs engaged in the rāsa dance became so ecstatically happy that she kissed Kṛṣṇa on His cheek." This is an instance of feeling happiness because of achieving a desired goal.

Nectar of Devotion 36:

In the Lalita-mādhava by Rūpa Gosvāmī there is the following statement by Dāruka, one of the servants of Kṛṣṇa: "Certainly Lord Viṣṇu is very beautiful with His necklace of kaustubha jewels, His four hands holding conchshell, disc, club and lotus flower, and His dazzlingly beautiful jewelry. He is also very beautiful in His eternal position, riding upon the shoulder of Garuḍa. But now the same Lord Viṣṇu is present as the enemy of Kaṁsa, and by His personal feature I am completely forgetting the opulence of Vaikuṇṭha."

Nectar of Devotion 42:

At the end of Kṛṣṇa's paugaṇḍa age, Kṛṣṇa's hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends.

Nectar of Devotion 42:

Kṛṣṇa played with His intimate friends sometimes by fighting or wrestling with their arms, sometimes by playing ball and sometimes by playing chess. Sometimes they carried one another on their shoulders, and sometimes they exhibited their expertness at whirling logs. And the cowherd friends used to please Kṛṣṇa by sitting together with Him on couches or on swings, by lying together on their beds, by joking together and by swimming in the pool.

Nectar of Devotion 42:

When Kṛṣṇa and Subala were embracing one another, Śrīmatī Rādhārāṇī became a little envious, and hiding Her hot temperament She said, "My dear Subala, you are very fortunate because even in the presence of superiors you and Kṛṣṇa have no hesitation in putting your arms on each other's shoulders. I think it must be admitted that in your previous lives you have succeeded in many kinds of austerities." The idea is that although Rādhārāṇī was accustomed to putting Her arms on Kṛṣṇa's shoulders, it was not possible for Her to do such a thing in the presence of Her superiors, whereas Subala could do so freely. Rādhārāṇī therefore praised his good fortune.

Nectar of Devotion 42:

When there is full knowledge of Kṛṣṇa's superiority and yet in dealings with Him on friendly terms respectfulness is completely absent, that stage is called affection. There is one brilliant example of this affection. When the demigods, headed by Lord Śiva, were offering respectful prayers to Kṛṣṇa, describing the glorious opulences of the Lord, Arjuna stood before Him with his hand on His shoulders and brushed the dust from His peacock feather.

Nectar of Devotion 45:

When tears from the eyes are added to the smiling and the shoulders are shaking, the smile is called apahasita. When child Kṛṣṇa was dancing in response to the singing of the old maidservant Jaratī, Nārada was astonished. The Supreme Personality of Godhead, who controls all the movements of great demigods like Brahmā, was now dancing to the indications of an old maidservant. Seeing this fun, Nārada also began to dance, and his shoulders trembled, and his eyes moved.

Nectar of Devotion 49:

When Kṛṣṇa was holding up Govardhana Hill with His left hand, His hair became scattered all over His shoulders, and He appeared to be perspiring. When mother Yaśodā saw this scene, she began to tremble. Then, as she stared at the scene with broadened eyes, she saw Kṛṣṇa begin to exhibit varieties of facial caricatures.

Nectar of Devotion 49:

There is an example of a mixture of conjugal love and fraternal affection when Śrīmatī Rādhārāṇī said, "My dear friends, just see how Kṛṣṇa is resting His hand on the shoulder of Subala, who is dressed up just like a young girl! I think He must be sending some message to Me through Subala."

Nectar of Devotion 49:

Kṛṣṇa, in the dress of a young girl, told Rādhārāṇī, "Oh, You hardhearted girl! Don't You know that I am Your sister? Why are You unable to recognize Me? Be merciful upon Me and please capture My shoulders and embrace Me with love!" While Kṛṣṇa was dressed up exactly like Rādhārāṇī, He was speaking these nice words, and Śrīmatī Rādhārāṇī could understand His purpose. But because She was in front of many of Her superiors, She simply smiled and did not say anything.

Nectar of Devotion 49:

When one of the consort friends of Candrāvalī saw that Kṛṣṇa was preparing to fight with the Vṛṣāsura demon, she began to think, "How wonderful Kṛṣṇa is! His mind is captivated by the eyebrows of Candrāvalī in a smiling spirit, His snakelike arms are on the shoulder of His friend, and at the same time He is roaring like a lion to encourage Vṛṣāsura to fight with Him!" This is an example of conjugal love, fraternity and chivalry.

Krsna, The Supreme Personality of Godhead

Krsna Book 7:

One day, shortly after the ceremony, when mother Yaśodā was patting her baby on her lap, the baby felt too heavy, and being unable to carry Him, she unwillingly placed Him on the ground. After a while, she became engaged in household affairs. At that time, a servant of Kaṁsa's known as Tṛṇāvarta, as instructed by Kaṁsa, appeared there in the shape of a whirlwind. He picked the child up on his shoulders and raised a great dust storm all over Vṛndāvana, covering everyone's eyes.

Krsna Book 7:

The Tṛṇāvarta demon went high into the sky with baby Kṛṣṇa on his shoulder, but the baby assumed such a weight that suddenly he could not go any further, and he had to stop his whirlwind activities. Baby Kṛṣṇa made Himself heavy and began to weigh down the demon, catching hold of his neck. Tṛṇāvarta felt the baby to be as heavy as a big mountain, and he tried to get out of His clutches, but he was unable to do so, and his eyes popped out from their sockets.

Krsna Book 21:

Kṛṣṇa and Balarāma carried binding ropes on Their shoulders and in Their hands, just like ordinary cowherd boys. While milking the cows, the boys bound their hind legs with a small rope. This rope almost always hung from the shoulders of the boys, and it was not absent from the shoulders of Kṛṣṇa and Balarāma. In spite of Their being the Supreme Personality of Godhead, They played exactly like cowherd boys, and therefore everything became wonderful and attractive.

Krsna Book 22:

The unmarried gopīs desired Kṛṣṇa as their husband, and He fulfilled their desire in this way. Being pleased with them, He took their garments on His shoulder and began to speak as follows: "My dear girls, you have committed a great offense by going naked in the river Yamunā. Because of this, the predominating deity of the Yamunā, Varuṇadeva, has become displeased with you. Please, therefore, just touch your foreheads with folded palms and bow down before the demigod Varuṇa in order to be excused from this offensive act."

Krsna Book 23:

He was also painted with the minerals found in Vṛndāvana, and He looked exactly like a dancing actor on a theatrical stage. They saw Him resting one hand on the shoulder of His friend, and in His other hand He was holding a lotus flower. His ears were decorated with lilies, He wore marks of tilaka, and He was smiling charmingly.

Krsna Book 30:

Kṛṣṇa is the well-wisher of Vṛndāvana. He is as kind to you as to us; therefore after leaving us, He must have been present in your company. O fortunate trees, we are thinking of Kṛṣṇa, the younger brother of Balarāma. While passing through here, with one hand resting on the shoulder of the goddess of fortune and the other hand twirling a lotus flower, He must have been very much pleased to accept your obeisances, and He must have glanced at you with great pleasure.

Krsna Book 30:

One of the gopīs took another gopī on her shoulders, just as Kṛṣṇa used to take His boyfriends. Absorbed in thoughts of Kṛṣṇa, the gopī who was carrying her friend began to boast that she was Kṛṣṇa herself: "All of you just see my movement!" One of the gopīs raised her hand with her covering garments and said, “Now don’t be afraid of the torrents of rain and severe hurricanes. I’ll save you!” In this way she imitated the lifting of Govardhana Hill.

Krsna Book 30:

It appears that because there were some pinpricks from the dried grass, Kṛṣṇa took Rādhārāṇī on His shoulder. Oh, She is so dear to Him! Kṛṣṇa must have picked some flowers in this spot to satisfy Rādhārāṇī, because here, where He stood erect to get the flowers from the high branches of the tree, we find only half the impression of His feet.

Krsna Book 30:

Please carry Me wherever You like.’ When Kṛṣṇa was spoken to in this way, He might have told Rādhārāṇī, "All right, better get on My shoulder." But immediately Kṛṣṇa must have disappeared, and now Rādhārāṇī must be lamenting for Him, ‘My dear lover, My dearest, You are so fine and so powerful. Where have You gone? I am nothing but Your most obedient maidservant.

Krsna Book 33:

In order to establish this fact, Kṛṣṇa, the supreme mystic, expanded Himself into many forms and stood beside each gopī. Placing His hands on the shoulders of the gopīs on both sides of Him, He began to dance in their midst. The mystic expansions of Kṛṣṇa were not perceived by the gopīs because Kṛṣṇa appeared alone to each of them.

Krsna Book 33:

When some of the gopīs became very tired from dancing and moving their bodies, they placed their hands on the shoulders of Śrī Kṛṣṇa. Then their hair loosened and flowers fell to the ground. When they placed their hands on Kṛṣṇa's shoulder they became overwhelmed by the fragrance of His body, which emanated from the lotus, other aromatic flowers and the pulp of sandalwood. They became filled with attraction for Him, and they began to kiss Him.

Krsna Book 35:

"When Kṛṣṇa returns, He is garlanded with tulasī leaves," a gopī described Him to a friend. "He puts His hand on the shoulder of a cowherd boyfriend and begins to blow His transcendental flute. The wives of the black deer become enchanted upon hearing the vibration of His flute, which resembles the vibration of the vīṇā. The deer come to Kṛṣṇa and become so charmed that they stand still, forgetting their homes and husbands. Like us, who are enchanted by the ocean of the transcendental qualities of Kṛṣṇa, the she-deer become enchanted by the vibration of His flute."

Krsna Book 36:

Kṛṣṇa stood before the bull, resting His hand on the shoulder of a friend. The bull proceeded toward Kṛṣṇa in anger. Digging the earth with his hooves, Ariṣṭāsura lifted his tail, and it appeared that clouds were hovering about the tail. His eyes were reddish and moving in anger. Pointing his horns at Kṛṣṇa, he charged Him just like the thunderbolt of Indra. But Kṛṣṇa immediately caught his horns and tossed him away, just as a gigantic elephant repels a small inimical elephant.

Krsna Book 39:

He appeared beautiful with His raised nose, broad forehead, attractive ears and reddish lips. His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants.

Krsna Book 43:

As soon as it came within reach, Kṛṣṇa caught hold of the trunk and pulled the elephant down. When the elephant and caretaker fell, Kṛṣṇa jumped up on the elephant, broke off one of its tusks, and with it killed the elephant and the caretaker also. After killing the elephant, Kṛṣṇa took the ivory tusk on His shoulder. Decorated with drops of perspiration and sprinkled with the blood of the elephant, He looked very beautiful, and thus He proceeded toward the wrestling arena. Lord Balarāma took the other tusk of the elephant on His shoulder. Accompanied by Their cowherd boyfriends, They entered the arena.

Krsna Book 72:

While Lord Kṛṣṇa was speaking in the garb of a brāhmaṇa along with Arjuna and Bhīma, Jarāsandha marked that the three of them did not appear to be actual brāhmaṇas. There were signs on their bodies by which Jarāsandha could understand that they were kṣatriyas. Their shoulders were marked with impressions due to carrying bows, they had beautiful bodily structure, and their voices were grave and commanding.

Krsna Book 72:

When two elephants fight together in a sugarcane field, each of them snatches a stick of sugarcane, holds it tightly in its trunk and strikes the other. At that time the sugarcane becomes smashed by such heavy striking. Similarly, when Bhīmasena and Jarāsandha were heavily striking each other with their clubs on different parts of their bodies—namely the shoulders, arms, collarbone, chest, thighs, waist and legs—their clubs became torn to pieces.

Krsna Book 81:

Lord Kṛṣṇa therefore decided that He would give more material opulence to Sudāmā Vipra than could be imagined even by the King of heaven. He then snatched the bundle of chipped rice which was hanging on the shoulder of the poor brāhmaṇa, packed in one corner of his wrapper, and said, "What is this? My dear friend, you have brought Me nice, palatable chipped rice!" He encouraged Sudāmā Vipra, saying, "I consider that this quantity of chipped rice will satisfy not only Me but the whole creation."