Go to Vanipedia | Go to Vanisource | Go to Vanimedia


Vaniquotes - the compiled essence of Vedic knowledge


Our playing of mrdanga, whatever I play, I sing, I never studied under some expert teacher

Expressions researched:
"I never studied under some expert teacher"

Lectures

Srimad-Bhagavatam Lectures

Without any musical knowledge, without any poetic understanding, even a child can take part in it, and he becomes immediately absorbed in ecstasy. Why? This is because we are chanting the glories of the Lord. So it does not require any artificial musical knowledge or dancing knowledge. Out of your own ecstasy, you will dance, you'll chant. You don't require to study. Just like our playing of mṛdaṅga. Nobody has gone to an expert mṛdaṅga player to learn it. Whatever I play, I sing, I never studied under some expert teacher. But by practice, chanting, it may be melodious, it may be very nice or not. That doesn't matter. We are not concerned about that, whether it is appealing to the people or not. It will appeal; there is no doubt about it. But we don't require to divert our attention on these things. Simply because there is glorification of the Lord, it will be palatable.
Lecture on SB 1.5.11 -- New Vrindaban, June 10, 1969:

The other day we discussed about literature which is very nicely composed from literary point of view, or poetic, or rhetoric. Maybe very nicely... But if there is no description of the Absolute Truth or the Supreme Personality of Godhead, that sort of literature is enjoyed by a class of men who are compared with the crows. That we have discussed. It is simply wasting time, valuable time in the human life, to divert our attention to such ordinary literature. They are called grāmya-kathā. In Sanskrit language it is called grāmya-kathā. Grāmya-kathā means any book, any poetry, or any novel, or any drama... There is some hero and heroine, a man or woman, about their loving affairs, tragedy, comic, like that. Actually, it is grāmya-kathā. The same thing as we are experiencing daily, āhāra-nidrā-bhaya-maithunam, this eating, sleeping, mating, that's all. What is the value of such literature? What do you gain by that? No. Simply mental agitation. And if it is sex literature, then it is very appealing. So that means it is something like haviṣya kṛta(?)... Just like if you offer fuel on the fire, the fire will go on and it will, I mean to say, consume as much as you go on giving fuel. But there is no śānti. The fire will never be extinguished. Actually, what we want? What is the mission of our life? What is the aim of our life? We are hankering after śānti, or peace. So that sort of literature will not give us any peace. It will simply agitate the mind.

Therefore those who are paramahaṁsas, those who have understood the essence of this cosmic manifestation, they are not interested in such literature. On the other hand it is said that tad-vāg-visargo janatāgha-viplavaḥ. (commentary) Vināpi pada-cāturyaṁ bhagavad-yaśaḥ-pradhānaṁ vacaḥ.(?) Śrīdhara Svāmī gives note that there may not be any poetic, metaphorical, or analogical, ornamental language, but vināpi pada-cāturyam. Pada-cāturyam. Pada means composition. In every language there are rules and regulations for composing poetry or prose, grammatical, rhetorical. So even such knowledge, even without such knowledge, pada-cāturyaṁ bhagavad-yaśaḥ-pradhānam. Just like we chant Hare Kṛṣṇa. So we are not training our students any way about musical science, that "We have to chant in this way or that way, we have to dance in this way or that way." Without any musical knowledge, without any poetic understanding, even a child can take part in it, and he becomes immediately absorbed in ecstasy. Why? This is because we are chanting the glories of the Lord.

So it does not require any artificial musical knowledge or dancing knowledge. Out of your own ecstasy, you will dance, you'll chant. You don't require to study. Just like our playing of mṛdaṅga. Nobody has gone to an expert mṛdaṅga player to learn it. Whatever I play, I sing, I never studied under some expert teacher. But by practice, chanting, it may be melodious, it may be very nice or not. That doesn't matter. We are not concerned about that, whether it is appealing to the people or not. It will appeal; there is no doubt about it. But we don't require to divert our attention on these things. Simply because there is glorification of the Lord, it will be palatable.

Page Title:Our playing of mrdanga, whatever I play, I sing, I never studied under some expert teacher
Compiler:Visnu Murti
Created:20 of Aug, 2009
Totals by Section:BG=0, SB=0, CC=0, OB=0, Lec=1, Con=0, Let=0
No. of Quotes:1