After Kṛṣṇa had just learned to walk, He was going in and out of the house very frequently. Yaśodā became surprised and said, "This child is too restless and cannot be controlled! He is incessantly going about the neighborhood of Gokula (Vṛndāvana), and then He is coming back inside the house. I see that the child is very fearless, but in spite of His fearlessness, I am becoming more and more afraid of His falling into some danger." This again is an instance of the conjunction of two opposing elements: the child was very fearless, but at the same time Yaśodā was becoming fearful of some danger. Here danger is the cause, and Yaśodā's feelings are in conjunction of two opposing symptoms. In other words, Yaśodā was feeling both happiness and doubt, or growing fear.
When Devakī, the mother of Kṛṣṇa, saw her son very jubilant in the presence of the wrestlers in Kaṁsa's arena, two kinds of tears were simultaneously gliding down her cheeks: sometimes her tears were warm, and sometimes they were cold. This is an instance of a conjunction of jubilation and lamentation due to different causes of ecstatic love.
Once when Śrīmatī Rādhārāṇī was standing on the bank of the Yamunā River in the forest of Vṛndāvana, She was attacked by Kṛṣṇa, who was stronger than She. Although She externally expressed a disturbed mood from this incident, within Herself She was smiling and feeling great satisfaction. Externally She moved Her eyebrows and made a show of rejecting Kṛṣṇa. In this mood Rādhārāṇī looked very beautiful, and Śrīla Rūpa Gosvāmī glorified Her beauty. This is an instance of exhibiting varying feelings in ecstatic love, although the cause is one only—Kṛṣṇa.
Sometimes there were great festivals in the house of Nanda Mahārāj, and all of the inhabitants of Vṛndāvana would assemble for these festivals. During one such festival, Śrīmatī Rādhārāṇī was seen wearing a golden necklace given Her by Kṛṣṇa. This was immediately detected by Mother Yaśodā as well as by Rādhārāṇī's mother, because the necklace was too long for Rādhārāṇī's neck. At the same time Rādhārāṇī could see Kṛṣṇa nearby, as well as Her own husband, Abhimanyu. So all of these things combined to make Rādhārāṇī feel very much ashamed, and with Her face shrivelled She began to look very beautiful. In this case there was a combination of bashfulness, anger, jubilation and lamentation. This is an instance of an aggregate of symptoms of ecstatic love.