Jewels (Other Books)

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Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter Prologue:

The brāhmaṇa, astonished at the lad's act, cooked again at the request of Jagannātha Miśra. The lad again ate up the cooked rice while the brāhmaṇa was offering it to Kṛṣṇa with meditation. The brāhmaṇa was persuaded to cook for a third time. This time all the inmates of the house had fallen asleep, and the lad showed himself as Kṛṣṇa to the traveler and blessed Him. The brāhmaṇa was then lost in ecstasy at the appearance of the object of his worship.

It has also been stated that two thieves stole away the lad from His father's door with a view to purloin His jewels and gave Him sweetmeats on the way. The lad exercised His illusory energy and deceived the thieves so that they went back toward His own house. The thieves, for fear of detection, left the boy there and fled.

Teachings of Lord Caitanya, Chapter Intoduction:

Vṛndāvana is actually experienced as it is by persons who have stopped trying to derive pleasure from material enjoyment. "When will my mind become cleansed of all hankering for material enjoyment so I will be able to see Vṛndāvana?" one great devotee asks. The more Kṛṣṇa conscious we become and the more we advance, the more everything is revealed as spiritual. Thus Kṛṣṇadāsa Kavirāja Gosvāmī considered the Vṛndāvana in India to be as good as the Vṛndāvana in the spiritual sky, and in the sixteenth verse of the Caitanya-caritāmṛta he describes Rādhārāṇī and Kṛṣṇa as seated beneath a wish-fulfilling tree in Vṛndāvana, on a throne decorated with valuable jewels. There Kṛṣṇa's dear gopīfriends serve Rādhā and Kṛṣṇa by singing, dancing, offering betel nuts and refreshments, and decorating Their Lordships with flowers. Even today in India people decorate swinging thrones and re-create this scene during the month of July–August. Generally at that time people go to Vṛndāvana to offer their respects to the Deities there.

Teachings of Lord Caitanya, Chapter Intoduction:

"When will my mind become cleansed of all hankering for material enjoyment so I will be able to see Vṛndāvana?" one great devotee asks. The more Kṛṣṇa conscious we become and the more we advance, the more everything is revealed as spiritual. Thus Kṛṣṇadāsa Kavirāja Gosvāmī considered the Vṛndāvana in India to be as good as the Vṛndāvana in the spiritual sky, and in the sixteenth verse of the Caitanya-caritāmṛta he describes Rādhārāṇī and Kṛṣṇa as seated beneath a wish-fulfilling tree in Vṛndāvana, on a throne decorated with valuable jewels. There Kṛṣṇa's dear gopīfriends serve Rādhā and Kṛṣṇa by singing, dancing, offering betel nuts and refreshments, and decorating Their Lordships with flowers. Even today in India people decorate swinging thrones and re-create this scene during the month of July–August. Generally at that time people go to Vṛndāvana to offer their respects to the Deities there.

Teachings of Lord Caitanya, Chapter 8:

As far as the guṇa-avatāras, or qualitative incarnations of Viṣṇu, are concerned, they are three—Brahmā, Viṣṇu and Śiva. Brahmā is one of the living entities, but due to his devotional service he is very powerful. This primal living entity, master of the mode of material passion, is directly empowered by Garbhodakaśāyī Viṣṇu to create innumerable living organisms. In the Brahma-saṁhitā (5.49) Brahmā is likened to a valuable jewel influenced by the rays of the sun, and the Supreme Lord, Garbhodakaśāyī Viṣṇu, is likened to the sun. If in some kalpa there is no suitable living entity who can act in Brahmā’s capacity, Garbhodakaśāyī Viṣṇu Himself becomes Brahmā and acts accordingly.

Teachings of Lord Caitanya, Chapter 26:

The verses praised Lord Caitanya as the Supreme Original Personality of Godhead, declaring that He had descended as Lord Caitanya to preach to the people in general about detachment, transcendental knowledge and devotional service. Comparing Lord Caitanya to an ocean of mercy, the Bhaṭṭācārya wrote, "Let me surrender unto that Lord Caitanya Mahāprabhu. The Lord, seeing that devotional service was absent, descended Himself in the form of Caitanya Mahāprabhu to preach devotional service. Let us all surrender unto His lotus feet and learn from Him what devotional service actually is." These two important verses are considered the most valuable jewels by the devotees of the Lord in disciplic succession, and by virtue of these famous verses Sārvabhauma Bhaṭṭācārya has become known as the highest of devotees.

Teachings of Lord Caitanya, Chapter 30:

The great divine energy known as Jaḍādhiṣṭhātrī, or Mahāmāyā, the superintendent of the material world, and the material departmental directors, the demigods, as well as the products of the external energy of the Supreme Lord, are but perverted reflections of the opulence of the Supreme Lord. The demigods are actually order carriers of the Supreme Lord, and they help manage the material creation. In the Brahma-saṁhitā (5.44, 52, 49) it is stated that the workings of the supremely powerful superintendent, Durgā, are but shadows of the workings of the Supreme Lord, that the sun works just like the eye of the Supreme Lord, and that Brahmā works just like a jewel reflecting the light of the Supreme Lord. Thus in the material world all the demigods, as well as the external energy herself, Durgādevī, and all the different departmental directors are but servants of the Supreme Lord.

Teachings of Lord Caitanya, Chapter 30:

Although Śrī Kṛṣṇa, the Supreme Personality of Godhead, embodies all superexcellence and beauty, when He is among the damsels of Vraja, where He is known as Gopījanavallabha, devotees feel that His superexcellence and beauty have reached the highest perfectional stage. The devotees cannot relish the beauty of the Supreme Lord more than this. In Śrīmad-Bhāgavatam (10.33.6) it is confirmed that although Kṛṣṇa, the son of Devakī, is the last word in superexcellence and beauty, when He is among the gopīs He appears even more beautiful—like a sublime jewel set among divine golden craftsmanship. Although Lord Caitanya accepted this as the highest realization of the Supreme Lord as conjugal lover, He nonetheless requested Rāmānanda Rāya to proceed further.

Teachings of Lord Caitanya, Chapter 32:

In Śrīmad-Bhāgavatam (3.13.4) it is also stated that there are many famous students of the Vedas, but that one who is always thinking of the Supreme Personality of Godhead within his heart is the best student of all. In the Nārāyaṇa-vyūha-stava prayers it is said that if the great Brahmā is not a devotee of the Lord he is most insignificant, whereas if a microbe is a devotee of the Lord he is most famous.

Lord Caitanya next asked Rāmānanda Rāya, "Who possesses the most valuable thing in the world?" Rāmānanda Rāya replied that he who has love for Rādhā-Kṛṣṇa possesses the most valuable jewel and the greatest riches. One who is addicted to material sense gratification or material wealth is not really wealthy. When one comes to the spiritual platform of Kṛṣṇa consciousness, he can understand that there are no riches more valuable than love of Rādhā-Kṛṣṇa. It is recorded in Śrīmad-Bhāgavatam that Mahārāja Dhruva sought out the Supreme Lord because he wanted to get some land, but that when he finally saw Kṛṣṇa he said, “I am so pleased, I don’t want anything.” In the Bhagavad-gītā it is also stated that if one takes shelter of the Supreme Personality of Godhead, or in other words is elevated to the supreme state of love of Godhead, he has nothing more to aspire to. Although such devotees can attain whatever they desire from the Lord, they do not ask anything from Him.

Nectar of Devotion

Nectar of Devotion 21:

The effulgence pervading the universe is considered to be the rays of the Supreme Personality of Godhead. The supreme abode of Kṛṣṇa is always throwing off the effulgence known as brahma-jyotir, and that effulgence is emanating from His body.

The luster of the hosts of jewels fixed on the chest of the Lord can defeat even the luster of the sun, and still, when compared with the bodily luster of the Lord, that crest of jewels appears to be only as bright as one of the stars in the sky. Therefore the transcendental influence of Kṛṣṇa is so great that it can defeat anyone. When Kṛṣṇa was present in the sacrificial arena of His enemy King Kaṁsa, the wrestlers present, although appreciating the softness of the body of Śrī Kṛṣṇa, were afraid and perturbed when they thought of engaging with Him in battle.

Nectar of Devotion 21:

A person who continues to work until his desired goal is achieved is called steadfast.

There was a fight between Kṛṣṇa and King Jāmbavān, and Kṛṣṇa was to take the valuable Syamantaka jewel from the King. The King tried to hide himself in the forest, but Kṛṣṇa would not become discouraged. Kṛṣṇa finally got the jewel by seeking out the King with great steadfastness.

Nectar of Devotion 22:

Any person who is by his natural behavior very mild is called liberal.

A statement by Uddhava after the Syamantaka jewel plundering confirms that Kṛṣṇa is so kind and favorable that if a servitor is accused even of great offenses, Kṛṣṇa does not take this into consideration. He simply considers the service that is rendered by His devotee.

Nectar of Devotion 22:

In Rūpa Gosvāmī's Lalita-mādhava, it is said, "One day Kṛṣṇa happened to see the shadow of His beautiful form reflected on the jeweled foreground. Upon seeing this bodily reflection, He expressed His feelings: 'How wonderful it is that I have never seen such a beautiful form! Although it is My own form, still, like Rādhārāṇī, I am trying to embrace this form and enjoy celestial bliss.'" This statement shows how Kṛṣṇa and His shadow reflection are one and the same. There is no difference between Kṛṣṇa and His shadow reflection, nor between Kṛṣṇa and His picture. That is the transcendental position of Kṛṣṇa.

The above statements describe some of the wonderful reservoirs of pleasure within Kṛṣṇa, as well as the transcendental qualities of His personality. The transcendental qualities of Kṛṣṇa are compared to the ocean: no one can estimate the length and breadth of the ocean. But as one can understand the ocean's contents simply by testing one drop of it, so these statements will give us some understanding of Kṛṣṇa's transcendental position and qualities.

Nectar of Devotion 26:

Kṛṣṇa's kaiśora age may be divided into three parts. In the beginning of His kaiśora age—that is, at the beginning of His eleventh year—the luster of His body becomes so bright that it becomes an impetus for ecstatic love. Similarly, there are reddish borders around His eyes, and a growth of soft hairs on His body. In describing this early stage of His kaiśora age, Kundalatā, one of the residents of Vṛndāvana, said to her friend, "My dear friend, I have just seen an extraordinary beauty appearing in the person of Kṛṣṇa. His blackish bodily hue appears just like the indranīla jewel. There are reddish signs on His eyes, and small soft hairs are coming out on His body. The appearance of these symptoms has made Him extraordinarily beautiful."

Nectar of Devotion 26:

In this connection, in the Tenth Canto, Twenty-first Chapter, verse 5, of Śrīmad-Bhāgavatam, Śukadeva Gosvāmī tells King Parīkṣit, "My dear King, I shall try to describe how the minds of the gopīs became absorbed in thought of Kṛṣṇa. The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls. They also meditated on Kṛṣṇa's blowing His flute and on all the cowherd boys' singing of the glories of the Lord." That is the description of the meditation which the gopīs used to perform.

Nectar of Devotion 26:

When Kṛṣṇa arrived at the age of thirteen to fourteen years, His two arms and chest assumed an unspeakable beauty, and His whole form became simply enchanting. When Kṛṣṇa attained thirteen years of age, His two thighs were challenging the trunks of elephants, His rising chest was trying to come to peace talks with doors of jewels, and His two arms were minimizing the value of the bolts found on doors. Who can describe the wonderful beauty of these features of Kṛṣṇa? The special beauty of Kṛṣṇa's body was His mild smiling, His restless eyes and His world enchanting songs. These are the special features of this age.

There is a statement in this connection that Kṛṣṇa, on arriving at this age, manifested such beautiful bodily features that His restless eyes became the playthings of Cupid, and His mild smile resembled the newly grown lotus flower. The enchanting vibration of His songs became a great impediment to the young girls, who were supposed to remain chaste and faithful to their husbands.

Nectar of Devotion 26:

In the kaiśora age, beginning from the eleventh year and continuing up to the end of the fifteenth year, Kṛṣṇa's arms, legs and thighs became marked with three divisional lines. At that time Kṛṣṇa's chest challenged a hill of marakata jewels, His arms challenged pillars of the indranīla jewel, the three lines of His waist challenged the waves of the River Yamunā, and His thighs challenged beautiful bananas. One gopī said, "With all these exquisite features of His body, Kṛṣṇa is too extraordinarily beautiful, and therefore I am always thinking of Him to protect me, because He is the killer of all demons."

The idea expressed in this statement is that the gopīs were comparing their attraction for Kṛṣṇa to an attack by demons; and to counteract their attraction for the beauty of Kṛṣṇa, they were also turning to Kṛṣṇa hopefully, because He is the killer of all kinds of demons. In other words, they were perplexed, because on one hand they were attracted by the beauty of Kṛṣṇa, and on the other they needed Kṛṣṇa to drive away the demon of such attraction.

Nectar of Devotion 26:

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.

Nectar of Devotion 29:

When a person blames himself for committing an inappropriate action, his feeling is called guilt.

One day Śrīmatī Rādhārāṇī was churning yogurt for Kṛṣṇa. At that time the jeweled bangles on Her hands were circling around, and She was also chanting the holy name of Kṛṣṇa. All of a sudden She thought, "I am chanting the holy name of Kṛṣṇa, and My superiors—My mother-in-law and My sister-in-law—may hear Me!" By this thought Rādhārāṇī became overanxious. This is an instance of feeling guilty because of devotion to Kṛṣṇa.

Nectar of Devotion 32:

One old man was told by a young man, "Just see how this child—only three years old—is so jubilant! Simply by seeing Kṛṣṇa he is running so swiftly, making a tumultuous sound. Just see!" This is an instance of neutral ecstatic love in the heart of a child, without any specific subdivision.

Due to the different types of attraction for Kṛṣṇa, there are different varieties of devotees. Their symptoms are manifested transparently, just like jewels. It is said that a great devotee brāhmaṇa would sometimes address the Supreme Personality of Godhead as master and sometimes joke with the Lord, using different kinds of familiar words. Sometimes he would protect the Lord with a filial affection, sometimes he would cry out to the Lord, addressing the Lord as his beloved, and sometimes he would meditate on the Lord as the Supersoul. This means that the brāhmaṇa expressed his ecstatic loving symptoms in different ways at different times. But in each instance, because of ecstatic love, the brāhmaṇa merged himself in the ocean of happiness and became situated in pure love. Thus he was a transparent medium, like a jewel that shows reality in varying colors according to its own nature.

Nectar of Devotion 33:

Once Brahmā was watching all the cows and the cowherd boys dressed in yellow garments and decorated with valuable jewels. The boys were expanding their four arms and were being worshiped by many hundreds of other Brahmās. All the cowherd boys began to express their joyfulness for being with Kṛṣṇa, the Supreme Brahman. At that time, Brahmā showed his astonishment by exclaiming, "What am I seeing here?" This is an instance of astonishment in ecstatic love.

Nectar of Devotion 33:

Once Kṛṣṇa challenged all His friends and said, "My dear friends, just see—I am jumping with great chivalrous prowess. Please do not flee away." Upon hearing these challenging words, a friend named Varūthapa counterchallenged the Lord and struggled against Him.

One of the friends once remarked, "Sudāmā is trying his best to see Dāmodara defeated, and I think that if our powerful Subala joins him, they will be a very beautiful combination, like a valuable jewel bedecked with gold."

In these chivalrous activities, only Kṛṣṇa's friends can be the opponents. Kṛṣṇa's enemies can never actually be His opponents. Therefore, this challenging by Kṛṣṇa's friends is called devotional service in chivalrous activities.

Nectar of Devotion 33:

When a person knows the glories of the Lord completely and is prepared to sacrifice everything for the Lord, he is called sampradānaka, or one who gives everything in charity for the sake of Kṛṣṇa.

When Mahārāja Yudhiṣṭhira went with Kṛṣṇa in the arena of the Rājasūya sacrifice, in his imagination he began to anoint the body of Kṛṣṇa with pulp of sandalwood, he decorated Kṛṣṇa with a garland hanging down to His knees, he gave Kṛṣṇa garments all embroidered with gold, he gave Kṛṣṇa ornaments all bedecked with valuable jewels, and he gave Kṛṣṇa many fully decorated elephants, chariots and horses. He further wished to give Kṛṣṇa in charity his kingdom, his family and his personal self also. After so desiring, when there was nothing actually to give in charity, Mahārāja Yudhiṣṭhira became very perturbed and anxious.

Nectar of Devotion 33:

In the Hari-bhakti-sudhodaya there is another example, forwarded by Mahārāja Dhruva. He says there, "My dear Lord, I have practiced austerities and penances because I was desiring to receive something from You, but in exchange You have allowed me to see You, who are never visible even to the great sages and saintly persons. I had been searching out some pieces of broken glass, but instead I have found the most valuable jewel. I am therefore fully satisfied, my Lord. I do not wish to ask anything more from Your Lordship."

A similar statement is to be found in the Third Canto of Śrīmad-Bhāgavatam, Fifteenth Chapter, verse 48. The four sages headed by Sanaka Muni addressed the Lord as follows: "Dear Supreme Personality of Godhead, Your reputation is very attractive and free from all material contamination.

Nectar of Devotion 33:

When Jaṭilā, the mother of Abhimanyu, saw Kṛṣṇa wearing a necklace, she could understand that the jeweled ornament had been given to Him by Rādhārāṇī. She therefore became absorbed in anger and began to move her eyebrows, expressing her anger in ecstatic love.

Nectar of Devotion 33:

When Kṛṣṇa was insulted by Śiśupāla in the assembly of the Rājasūya yajña convened by Mahārāja Yudhiṣṭhira, there was a great turmoil among the Pāṇḍavas and Kurus, involving grandfather Bhīṣma. At that time Nakula said with great anger, "Kṛṣṇa is the Supreme Personality of Godhead, and the nails of His toes are beautified by the light emanating from the jeweled helmets of the authorities of the Vedas. If He is derided by anyone, I declare herewith as a Pāṇḍava that I will kick his helmet with my left foot and I will strike him with my arrows, which are as good as yama-daṇḍa, the scepter of Yamarāja!" This is an instance of ecstatic love for Kṛṣṇa in anger.

Nectar of Devotion 34:

Śrīla Rūpa Gosvāmī mourns in this connection for persons who are in the fire of false renunciation, the dry speculative habit, and who neglect devotional service. Persons who are attached to the ritualistic ceremonies recommended in the Vedas and to the impersonal Brahman cannot relish the transcendental pleasure of devotional service. Śrī Rūpa Gosvāmī advises, therefore, that devotees who have already tasted the nectar of devotion be very careful to protect devotional service from such dry speculators, formal ritualistic elevationists and impersonal salvationists. Devotees should protect their valuable jewel of spiritual love from the clutches of thieves and burglars. In other words, a pure devotee should not describe devotional service and its different analytical aspects to dry speculators and false renouncers.

Nectar of Devotion 36:

In the Lalita-mādhava by Rūpa Gosvāmī there is the following statement by Dāruka, one of the servants of Kṛṣṇa: "Certainly Lord Viṣṇu is very beautiful with His necklace of kaustubha jewels, His four hands holding conchshell, disc, club and lotus flower, and His dazzlingly beautiful jewelry. He is also very beautiful in His eternal position, riding upon the shoulder of Garuḍa. But now the same Lord Viṣṇu is present as the enemy of Kaṁsa, and by His personal feature I am completely forgetting the opulence of Vaikuṇṭha."

Another devotee once said, "This Supreme Personality of Godhead from whose bodily pores come millions of universes, permanently rising, who is the ocean of mercy, who is the owner of inconceivable energies, who is always equipped with all perfections, who is the origin of all incarnations, who is the attraction for all liberated persons—this very Supreme Personality of Godhead is the supreme controller and the supremely worshipable.

Nectar of Devotion 38:

When Lord Kṛṣṇa went to the capital of King Yudhiṣṭhira, Uddhava was so afflicted by the fire of separation from Śrī Kṛṣṇa that the perspiration from his inflamed body and the tears from his eyes poured from him, and in this way he became completely stunned.

When Śrī Kṛṣṇa left the city of Dvārakā to seek out the Syamantaka jewel and He was late returning home, Uddhava became so afflicted that the symptoms of disease became manifest on his body. Actually, due to his excessive ecstatic love for Kṛṣṇa, Uddhava became known in Dvārakā as crazy. To his great fortune, on that day Uddhava's reputation as a crazy fellow was firmly established. Uddhava's craziness was practically proved when he went to Raivataka Hill to minutely observe the congested black clouds. In his disturbed condition, he began to pray to these clouds, and he expressed his jubilation by bowing down before them.

Uddhava informed Kṛṣṇa, "My dear leader of the Yadu dynasty, Your servants in Vṛndāvana cannot sleep at night thinking of You, so now they are all lying down on the bank of the Yamunā almost paralyzed. And it appears that they are almost dead, because their breathing is very slow." This is an instance of becoming unconscious due to separation from Kṛṣṇa.

Nectar of Devotion 39:

When the devotee meets with Kṛṣṇa in great eagerness, that state of meeting is called perfection. In the Kṛṣṇa-karṇāmṛta, Bilvamaṅgala Ṭhākura describes how Kṛṣṇa meets His devotee—with peacock feather on His head, with marakata jewels on His chest and with His ever enchanting smile, His restless eyes and His very delicate body.

In the Tenth Canto of Śrīmad-Bhāgavatam, Thirty-eighth Chapter, verse 34, Śukadeva Gosvāmī tells King Parīkṣit, "My dear King, as soon as Akrūra the chariot driver saw Lord Kṛṣṇa and His elder brother Balarāma in Vṛndāvana, he immediately got down from the chariot and, being greatly afflicted by affection for the transcendental Lord, fell down upon His lotus feet to offer respectful obeisances." These are some of the instances of perfectional meetings with Kṛṣṇa.

Nectar of Devotion 41:

The impetus for such fraternal love of God is God Himself. When one is liberated and discovers his eternal relationship with the Supreme Lord, the Lord Himself becomes the impetus for increasing fraternal love. The eternal associates of the Lord in Vṛndāvana have described this as follows: "The Lord, Hari, whose bodily hue is like the indranīla jewel, whose smiling is as beautiful as the kunda flower, whose silk dress is as yellow as golden autumn foliage, whose chest is beautified with garlands of flowers and who is always playing upon His flute—this enemy of the Agha demon is always attracting our hearts by wandering about Vṛndāvana."

Nectar of Devotion 41:

There is the following prayer by a devotee for the vayasyas in Vṛndāvana: "All glories to Kṛṣṇa's vayasyas, who are just like Kṛṣṇa in their age, qualities, pastimes, dress and beauty. They are accustomed to playing on their flutes made of palm leaves, and they all have buffalo-horn bugles ornamented like Kṛṣṇa's with jewels such as indranīla and with gold and coral. They are always jubilant like Kṛṣṇa. May these glorious companions of Kṛṣṇa always protect us!"

Nectar of Devotion 42:

Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

Nectar of Devotion 42:

When Kṛṣṇa came out from the Yamunā after chastising the Kāliya-nāga, Śrīdāmā wanted to embrace Him first, but he could not raise his arms because of his great feeling of respect.

When Kṛṣṇa used to play on His flute, the vibration appeared just like the roaring of clouds in the sky during the constellation of Svātī. According to Vedic astronomical calculation, if there is rain during the constellation of the Svātī star, any rain falling on the sea will produce pearls, and rain falling on a serpent will produce jewels. Similarly, when Kṛṣṇa's flute roared like a thundercloud under the Svātī constellation, the resulting perspiration on Śrīdāmā's body appeared to be just like pearls.

Nectar of Devotion 42:

In the Tenth Canto of Śrīmad-Bhāgavatam, Seventy-first Chapter, verse 27, it is stated that when Kṛṣṇa arrived in the city of Indraprastha, Bhīma was so overwhelmed with joy that with tears in his eyes and a smiling face he immediately embraced his maternal cousin. Following him were his young brothers Nakula and Sahadeva, along with Arjuna, and they all became so overwhelmed at seeing Kṛṣṇa that with full satisfaction they embraced the Lord, who is known as Acyuta (the infallible). There is a similar statement about the cowherd boys of Vṛndāvana. When Kṛṣṇa was on the Battlefield of Kurukṣetra, all the cowherd boys came to see Him, wearing jeweled earrings in their ears. Becoming so greatly overjoyed, they extended their arms and embraced Kṛṣṇa as their old friend. These are instances of full satisfaction in friendship with Kṛṣṇa.

Krsna, The Supreme Personality of Godhead

Krsna Book 3:

In an astronomical treatise by the name Khamaṇikya, the constellations at the time of the appearance of Lord Kṛṣṇa are very nicely described. It is confirmed that the child born at that auspicious moment was the Supreme Brahman, or the Absolute Truth.

Vasudeva saw that wonderful child born as a baby with four hands, holding conchshell, club, disc and lotus flower, decorated with the mark of Śrīvatsa, wearing the jeweled necklace of kaustubha stone, dressed in yellow silk, appearing dazzling like a bright blackish cloud, wearing a helmet bedecked with the vaidūrya stone, valuable bracelets, earrings and similar other ornaments all over His body, and beautified by an abundance of hair on His head. Due to the extraordinary features of the child, Vasudeva was struck with wonder. How could a newly born child be so decorated? Vasudeva could therefore understand that Lord Kṛṣṇa had now appeared, and he became overpowered by the occasion.

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As the dust on the lotus flower exhibits the exquisite beauty of the flower, all the gopīs (cowherd women) applied the dust of kuṅkuma on their lotuslike faces. These beautiful gopīs took their different presentations and very soon reached the house of Mahārāja Nanda. Overburdened with their heavy hips and swollen breasts, the gopīs could not proceed very quickly toward the house of Nanda Mahārāja, but out of ecstatic love for Kṛṣṇa they proceeded as quickly as possible. Their ears were decorated with pearl rings, their necks with jeweled lockets, their lips and eyes with different kinds of lipstick and ointment, and their hands with nice golden bangles. As they were very hastily passing over the stone road, the flower garlands which were decorating their bodies fell to the ground, and it appeared that a shower of flowers was falling from the sky. From the movement of the different kinds of ornaments on their bodies, they were looking still more beautiful. In this way, they all reached the house of Nanda-Yaśodā and blessed the child: "Dear child, You live long just to protect us." While they were blessing child Kṛṣṇa in this way, they offered a mixture of turmeric powder, oil, yogurt, milk and water. They sprinkled this mixture not only on the body of child Kṛṣṇa but on all other persons who were present there. Also on that auspicious occasion, there were different bands of expert musicians playing.

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It is very important to note in this connection how wealthy the inhabitants of Vṛndāvana were simply by raising cows. All the cowherd men belonged to the vaiśya community, and their business was to protect the cows and cultivate crops. By their dress and ornaments, and by their behavior, it appears that although they were in a small village, they still were rich in material possessions. They possessed such an abundance of various kinds of milk products that they were throwing butter lavishly on each other's bodies without restriction. Their wealth was in milk, yogurt, clarified butter and many other milk products, and by trading their agricultural products, they were rich in various kinds of jewelry, ornaments and costly garments. Not only did they possess all these things, but they could give them away in charity lavishly, as did Nanda Mahārāja.

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Do you think that butter and yogurt are in scarcity in Our house?’ Sometimes They steal butter, yogurt and milk and distribute them to the monkeys. When the monkeys are well fed and do not take any more, then your boys chide, "This milk and butter and yogurt are useless—even the monkeys won"t take it.’ And They break the pots and throw them hither and thither. If we keep our stock of yogurt, butter and milk in a solitary dark place, your Kṛṣṇa and Balarāma find it in the darkness by the glaring effulgence of the ornaments and jewels on Their bodies. If by chance They cannot find the hidden butter and yogurt, They go to our little babies and pinch their bodies so that they cry, and then They go away. If out of fear of these naughty boys we keep our stock of butter and yogurt high on the ceiling, hanging on a swing, although it is beyond Their reach They arrange to reach it by piling all kinds of wooden planks over the grinding machine. And if They cannot reach, They make a hole in the pot. We think therefore that you’d better take all the jeweled ornaments from the bodies of your children.”

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On hearing this, Yaśodā would say, "All right, I will take all the jewels from Kṛṣṇa so that He cannot see the butter hidden in the darkness." Then the gopīs would say, “No, no, don’t do this. What good will you do by taking away the jewels? We do not know what kind of boys these are, but even without ornaments They spread some kind of effulgence so that even in darkness They can see everything.” Then Mother Yaśodā would inform them, "All right, keep your butter and yogurt carefully so that They may not reach it." In reply to this, the gopīs said, "Yes, actually we do so, but because we are sometimes engaged in our household duties, these naughty boys enter our house somehow or other and spoil everything. Sometimes, being unable to steal our butter and yogurt, out of anger They pass urine on the clean floor and sometimes spit on it. Now just see how your boy is hearing these complaints. All day He simply makes arrangements to steal our butter and yogurt, and now He is sitting just like a very silent good boy. Just see His face." When Mother Yaśodā thought to chastise her boy after hearing all the complaints, she saw His pitiable face, and smiling, she did not chastise Him.

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The vendor who came to sell fruits saw this and was very much captivated by the beauty of the Lord, so she immediately accepted whatever few grains were left in His palms and filled His hands with fruits. In the meantime, the vendor saw that her whole basket of fruit had become filled with jewels. The Lord is the bestower of all benedictions. If someone gives something to the Lord, he is not the loser; he is the gainer by a million times.

One day Lord Kṛṣṇa, the liberator of the twin arjuna trees, was playing with Balarāma and the other children on the bank of the Yamunā, and because it was already late in the morning, Rohiṇī, the mother of Balarāma, went to call them back home. But Balarāma and Kṛṣṇa were so engrossed in playing with Their friends that They did not wish to go back; They just engaged Themselves in playing more and more. When Rohiṇī was unable to take Them back home, she went home and sent Mother Yaśodā to call Them again.

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In order to convince Brahmā that all those calves and boys were not the original ones, the calves and boys who were playing with Kṛṣṇa transformed into Viṣṇu forms. Actually, the original ones were sleeping under the spell of Brahmā’s mystic power, but the present ones, seen by Brahmā, were all immediate expansions of Kṛṣṇa, or Viṣṇu. Viṣṇu is the expansion of Kṛṣṇa, so the Viṣṇu forms appeared before Brahmā. All the Viṣṇu forms were of bluish color and dressed in yellow garments; all of Them had four hands decorated with club, disc, lotus flower and conchshell. On Their heads were glittering golden helmets inlaid with jewels; They were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells. Their legs were decorated with bells, Their waists with golden belts, and Their fingers with jeweled rings. Brahmā also saw that upon the whole body of each Lord Viṣṇu, from the lotus feet up to the top of the head, fresh tulasī leaves and buds had been thrown.

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When Kṛṣṇa was swimming about just like a great strong elephant, He made a tumultuous sound, which the great black serpent Kāliya could hear. The tumult was intolerable for him, and he could understand that this was an attempt to attack his home. Therefore he immediately came before Kṛṣṇa. Kāliya saw that Kṛṣṇa was indeed worth seeing because His body was so beautiful and delicate; its color resembled that of a cloud, and His feet resembled lotus flowers. He was decorated with Śrīvatsa, jewels and yellow garments. He was smiling with a beautiful face and playing in the river Yamunā with great strength. But in spite of Kṛṣṇa's beautiful features, Kāliya felt great anger within his heart, and thus he grabbed Kṛṣṇa with his mighty coils.

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Licking his lips with bifurcated tongues, the serpent looked at Kṛṣṇa with double hoods, and his eyesight was full of poison. Kṛṣṇa immediately pounced upon him, just as Garuḍa swoops upon a snake. Thus attacked, Kāliya looked for an opportunity to bite Him, but Kṛṣṇa moved around him. As Kṛṣṇa and Kāliya moved in a circle, the serpent gradually became fatigued, and his strength seemed to diminish considerably. Kṛṣṇa immediately pressed down the serpent's hoods and jumped up on them. The Lord's lotus feet became tinged with red from the rays of the jewels on the snake's hoods. Then He who is the original artist of all fine arts, such as dancing, began to dance upon the hoods of the serpent, although they were moving to and fro. Upon seeing this, the denizens of the upper planets showered flowers, beat drums, played different types of flutes and sang various prayers and songs. In this way, all the denizens of heaven, such as the Gandharvas, Siddhas and demigods, became very much pleased.

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The Lord also declared, "If one takes a bath in the Kāliya lake, where My cowherd boyfriends and I have bathed, or if one fasts for a day and offers oblations to the forefathers from the water of this lake, he will be relieved from all kinds of sinful reactions." The Lord also assured Kāliya: "You came here out of fear of Garuḍa, who wanted to eat you in the beautiful land by the ocean. Now, after seeing the marks where I have touched your head with My lotus feet, Garuḍa will not disturb you."

The Lord was pleased with Kāliya and his wives. Immediately after hearing His order, the snake and his wives began to worship Him with great offerings of nice garments, flowers, garlands, jewels, ornaments, sandal pulp, lotus flowers and nice eatable fruits. In this way they pleased the master of Garuḍa, of whom they were very much afraid. Then, obeying the orders of Lord Kṛṣṇa, all of them left the lake within the Yamunā.

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Due to this offense, Saubhari fell down from his yogic position and afterwards became a householder, a sense enjoyer in the material world. The falldown of Saubhari Muni, who was supposed to be absorbed in spiritual bliss by meditation, is an instruction to the offender of Vaiṣṇavas.

When Kṛṣṇa finally came out of Kāliya's lake, He was seen by all His friends and relatives on the bank of the Yamunā. He appeared before them nicely decorated, smeared all over with candana pulp, bedecked with valuable jewels and stones, and almost completely covered with gold. The inhabitants of Vṛndāvana, including the cowherd boys and men, the gopīs, Mother Yaśodā, Mahārāja Nanda and all the cows and calves, saw Kṛṣṇa coming from the Yamunā, and it was as though they had recovered their very life. When a person regains his life, naturally he becomes absorbed in pleasure and joyfulness. They each in turn pressed Kṛṣṇa to their chests, and thus they felt a great relief. Mother Yaśodā, Rohiṇī, Mahārāja Nanda and the cowherd men became so happy that as they embraced Kṛṣṇa they thought they had achieved their ultimate goal of life.

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They first ate haviṣyānna, a kind of food prepared by boiling together mung dāl and rice without any spices or turmeric. According to Vedic injunction, this kind of food is recommended to purify the body before one enacts a ritualistic ceremony. All the unmarried gopīs in Vṛndāvana used to daily worship Goddess Kātyāyanī early in the morning after taking a bath in the river Yamunā. Kātyāyanī is another name for Goddess Durgā. The goddess is worshiped by preparing a doll made of sand from the bank of the Yamunā. It is recommended in the Vedic scriptures that a deity may be made from different kinds of material elements: it can be painted, made of metal, made of jewels, made of wood, earth or stone or can be conceived within the heart of the worshiper. The Māyāvādī philosopher takes all these forms of the deity to be imaginary, but actually they are accepted in the Vedic scriptures to be identical with either the Supreme Lord or a respective demigod.

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At that time, while Kṛṣṇa, Balarāma and the damsels were so much absorbed, almost in madness, a demoniac associate of Kuvera (the treasurer of the heavenly planets) appeared on the scene. The demon's name was Śaṅkhacūḍa because on his head there was a valuable jewel resembling a conchshell. Just as the two sons of Kuvera had been puffed up over their wealth and opulence and did not care for Nārada Muni's presence, this Śaṅkhacūḍa was also puffed up over material opulence. He thought that Kṛṣṇa and Balarāma were two ordinary cowherd boys enjoying the company of many beautiful girls. Generally, in the material world, a person with riches thinks that all beautiful women should be enjoyed by him. Śaṅkhacūḍa also thought that since he belonged to the rich community of Kuvera, he, not Kṛṣṇa and Balarāma, should enjoy the company of so many beautiful girls. He therefore decided to take charge of them. He appeared before Kṛṣṇa, Balarāma and the damsels of Vraja and began to lead the girls away to the north.

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Being forcibly taken away by Śaṅkhacūḍa, the damsels of Vraja called out the names of Kṛṣṇa and Balarāma for protection. The two brothers immediately began to follow them, taking up big logs of śāla wood in Their hands. “Don’t be afraid, don’t be afraid,” They called to the gopīs. "We are coming at once to chastise this demon." Very quickly They reached Śaṅkhacūḍa. Thinking the brothers too powerful, Śaṅkhacūḍa left the company of the gopīs and ran in fear for his life. But Kṛṣṇa would not let him go. He entrusted the gopīs to the care of Balarāma and followed Śaṅkhacūḍa wherever he fled. Kṛṣṇa wanted to take the valuable jewel resembling a conchshell from the head of the demon. After following him a very short distance, Kṛṣṇa caught him, struck his head with His fist and killed him. He then took the valuable jewel and returned. In the presence of all the damsels of Vraja, He presented the valuable jewel to His elder brother, Balarāma.

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"I shall also see how You save King Nṛga from a hellish condition," said Nārada Muni. “This You shall enact in Dvārakā. I shall also be able to see how You get Your wife and the Syamantaka jewel and how You save the son of a brāhmaṇa from death after he has already been transferred to another planet. After this, I will be able to see You kill the Pauṇḍraka demon and burn to ashes the kingdom of Kāśī. I will see how You kill the King of Cedi and Dantavakra during the great sacrifice of Mahārāja Yudhiṣṭhira. Besides all this, it will be possible for me to see many other chivalrous activities while You remain in Dvārakā. And all these activities performed by Your Grace will be sung by great poets throughout the world. And at the Battle of Kurukṣetra You will take part as the chariot driver of Your friend Arjuna, and as the invincible death incarnation, eternal time, You will vanquish all belligerents assembled there. I shall see a large number of military forces killed on that battlefield. My Lord, let me offer my respectful obeisances unto Your lotus feet.

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Both were the shelter of the goddess of fortune. They had well-constructed bodies, beautiful hands and pleasing faces, and They were as strong as elephants. Now, after seeing Their footprints, marked with flag, trident, thunderbolt and lotus, Akrūra actually saw Kṛṣṇa and Balarāma face to face. Although They were the most influential personalities, They were glancing at him with smiling faces. Akrūra could understand that both Kṛṣṇa and Balarāma had returned from tending cows in the forest; They had taken Their baths and were dressed with fresh clothing and garlanded with flowers and with necklaces made of valuable jewels. Their bodies were smeared with the pulp of sandalwood. Akrūra greatly appreciated the aroma of the flowers and sandalwood and Their bodily presence. He considered himself very fortunate to see Kṛṣṇa, the Supreme Personality of Godhead, and His plenary expansion, Balarāma, face to face, for he knew that They were the original personalities of the creation.

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His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants. The other parts of His legs, the joints and lower extremities, were all very beautiful, the nails of His feet were dazzling, and His toes were as beautiful as the petals of the lotus flower. His helmet was decorated with very valuable jewels. There was a nice belt around His waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands. His chest was marked with the particular signs of Viṣṇu, and He wore fresh flower garlands.

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After Akrūra's departure, Lord Kṛṣṇa, Balarāma and the cowherd boys entered Mathurā to see the city. They observed that the gate of Mathurā was made of first-class marble, very well constructed, and that the doors were made of pure gold. There were gorgeous orchards and gardens all around, and the whole city was encircled by canals so that no enemy could enter very easily. They saw that all the crossroads were decorated with gold and that there were copper and brass storehouses for stocking grain. And there were many rich men's houses, all appearing symmetrical, as if constructed by one engineer. The houses were decorated with costly jewels, and each and every house had nice compounds of trees bearing fruits and flowers. The corridors and verandas of the houses were decorated with silk cloth and embroidery work in jewels and pearls. In front of the balcony windows were pigeons and peacocks walking and cooing. All the grain dealers' shops within the city were decorated with different kinds of flowers and garlands, newly grown grass and pleasing flowers like narcissus and roses.

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They also learned how to set valuable jewels in ornaments. They learned the art of ringing waterpots. Waterpots are filled with water to a certain measurement so that as one beats on the pots, different tones are produced, and when the pots are beaten together they produce a melodious sound. They also learned how to splash water in the rivers or lakes while taking a bath among friends. They learned how to decorate with flowers. This art of decorating can still be seen in various temples of Vṛndāvana during the summer season. It is called phulla-bāḍi. The dais, the throne, the walls and the ceiling are all fully decorated, and a small, aromatic fountain of flowers is fixed in the center. Because of these floral decorations, the people, fatigued from the heat of the summer, become refreshed.

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They also learned how to draw and read pictographic literature. In some countries in the world, pictographic literature is still current. A story is represented by pictures; for instance, a man and house are pictured to represent a man going home. Kṛṣṇa and Balarāma also learned the art of architecture—how to construct residential buildings. They learned to recognize valuable jewels by studying their luster and colors. Then They learned the art of placing jewels in a gold and silver setting so that they look very beautiful. They also learned how to study soil to find minerals. This study of soil is now a greatly specialized science, but formerly it was common knowledge even for the ordinary man. They learned to study herbs and plants to discover how they would act as medicine for different ailments. By studying the different species of plants, They learned how to crossbreed plants and trees and get different types of fruits. They learned how to train and engage rams and cocks in fighting for sport. They then learned how to teach parrots to speak and to answer the questions of human beings.

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These talks of Rādhārāṇī with the bumblebee messenger, including Her accusing Kṛṣṇa in so many ways and at the same time expressing Her inability to give up talking about Him, are signs of the topmost transcendental ecstasy, called mahā-bhāva. The ecstatic mahā-bhāva manifestation is possible only in the persons of Rādhārāṇī and Her associates. Great ācāryas like Śrīla Rūpa Gosvāmī and Viśvanātha Cakravartī Ṭhākura have analyzed these mahā-bhāva speeches of Śrīmatī Rādhārāṇī and described their different varieties, such as udghūrṇā, or bewilderment, and jalpa-pratijalpa, or talking in different ways. These are the signs of ujjvala-rasa, or the brightest jewel of love of God.

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Accompanied by her many girlfriends, she began to talk with Him with great respect and honor. After offering Him a nice place to sit, she worshiped Lord Kṛṣṇa in a manner just suitable to her position. Uddhava was similarly received by Kubjā and her girlfriends, but he did not want to sit on an equal level with Kṛṣṇa, and thus he simply sat down on the floor.

As one usually does in such situations, Kṛṣṇa entered the bedroom of Kubjā without wasting time. In the meantime, Kubjā took her bath and smeared her body with sandalwood pulp. She dressed herself with nice garments, valuable jewelry, ornaments and flower garlands. After chewing betel nut and other intoxicating eatables and spraying herself with scents, she appeared before Kṛṣṇa. Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune.

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In this way, many thousands of elephants, horses and men were killed, and their blood flowed just like the waves of a river. In that river, the severed arms of men appeared like snakes and their heads like tortoises. The dead bodies of the elephants appeared like small islands, and the dead horses appeared like sharks. By the arrangement of the supreme will, there was a great river of blood filled with paraphernalia. The hands and legs of the infantry soldiers floated just like different kinds of fish, the hair of the soldiers floated like seaweed and moss, and the floating bows of the soldiers resembled waves of the river. And all the jewelry from the bodies of the soldiers and commanders seemed like many pebbles flowing down the river of blood.

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The brāhmaṇas chanted Vedic mantras at numerous places. The people constructed road crossings and gates at entrances to lanes and streets. When Lord Kṛṣṇa was entering the nicely decorated city of Mathurā in a festive attitude, the ladies and girls of Mathurā prepared different kinds of flower garlands to make the ceremony most auspicious. In accordance with the Vedic custom, they took yogurt mixed with fresh green grass and strewed it here and there to make the victory jubilation even more auspicious. As Kṛṣṇa passed through the street, all the ladies and women regarded Him with eyes bright with great affection. Kṛṣṇa and Balarāma carried various kinds of ornaments, jewels and other booty carefully collected from the battlefield and presented it all to King Ugrasena. Kṛṣṇa thus offered His respect to His grandfather because Ugrasena was at that time the crowned king of the Yadu dynasty.

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The city was also filled with many palaces and gopuras, or big gates. These gopuras are still found in some of the larger temples. They are very high and constructed with fine artistic skill. Such palaces and gates held golden waterpots (kalaśas). These waterpots on the gates or on the palaces are considered auspicious signs.

Almost all the palaces were skyscrapers. In each and every house there were underground rooms containing big golden and silver pots for stocking grain. And there were many golden waterpots within the rooms. The bedrooms were all bedecked with jewels, and the floors were mosaic pavements of marakata jewels. The Viṣṇu Deity, worshiped by the descendants of Yadu, was installed in each house in the city. The residential quarters were so arranged that the different castes—brāhmaṇas, kṣatriyas, vaiśyas and śūdras—had their respective quarters. It appears from this that the caste system mentioned in the Bhagavad-gītā existed even at that time. In the center of the city was a residence made specifically for King Ugrasena. This was the most dazzling of all the houses.

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When Kṛṣṇa came out of the city, Kālayavana, who had never seen Kṛṣṇa before, saw Him to be extraordinarily beautiful, dressed in yellow garments. Passing through Kālayavana's assembly of soldiers, Kṛṣṇa appeared like the moon in the sky passing through the assembled clouds. Kālayavana was fortunate enough to see the lines of Śrīvatsa, a particular impression on the chest of Śrī Kṛṣṇa, and the Kaustubha jewel He was wearing. Kālayavana saw Him, however, in His Viṣṇu form, with a well-built body, four hands, and eyes like the petals of a newly blooming lotus. Kṛṣṇa appeared blissful, with a handsome forehead and beautiful smiling face, restless eyebrows and moving earrings. Before seeing Kṛṣṇa, Kālayavana had heard about Him from Nārada, and now the descriptions of Nārada were confirmed. Kālayavana noticed Kṛṣṇa's specific marks and the jewels on His chest, His beautiful garland of lotus flowers, His lotuslike eyes and similar beautiful bodily features.

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When Lord Kṛṣṇa appeared before Mucukunda, the King saw Him dressed in a yellow garment, His chest marked with the symbol of Śrīvatsa, and the Kaustubha jewel hanging around His neck. Kṛṣṇa appeared before him with four hands, as viṣṇu-mūrti, with a garland called Vaijayantī hanging from His neck down to His knees. He looked lustrous, His face was beautifully smiling, and He wore nice jeweled earrings on His ears. Kṛṣṇa appeared more beautiful than a human can conceive. Not only did He appear in this feature, but He glanced over Mucukunda with great affection, attracting the King's mind. Although He was the Supreme Personality of Godhead, the oldest of all, He looked like a fresh young boy, and His movements were just like those of a free deer. Still, He appeared extremely powerful; His influence and vast power are so great that every human being should be afraid of Him.

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The whole city was decorated very nicely. The beauty of the city was enhanced by the inhabitants, both men and women, who were dressed in fresh, washed clothes and decorated with sandalwood pulp, pearl necklaces and flower garlands. Incense burned everywhere, and fragrances like aguru scented the air. Priests and brāhmaṇas were sumptuously fed and, according to ritualistic ceremony, were given sufficient wealth and cows in charity. In this way, they were engaged in chanting Vedic hymns. The King's daughter, Rukmiṇī, was exquisitely beautiful. She was very clean and had beautiful teeth. The auspicious sacred thread was tied on her wrist. She was given various types of jewelry to wear and long silken cloth to cover the upper and lower parts of her body. Learned priests gave her protection by chanting mantras from the Sāma Veda, Ṛg Veda and Yajur Veda. Then they chanted mantras from the Atharva Veda and offered oblations in the fire to pacify the influence of different stars.

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With great devotion, Rukmiṇī offered them to the deity according to the regulative principles, directed by the old brāhmaṇa ladies. After this ritualistic ceremony, the ladies offered the remnants of the food to Rukmiṇī as prasādam, which she accepted with great respect. Then Rukmiṇī offered her obeisances to the ladies and to Goddess Durgā. After the business of deity worship was finished, Rukmiṇī caught hold of the hand of one of her girlfriends in her own hand, which was decorated with a jeweled ring, and left the temple in the company of the others.

All the princes and visitors who came to Kuṇḍina for the marriage had assembled outside the temple to see Rukmiṇī. The princes were especially eager to see her because they all actually thought that they would have Rukmiṇī as their wife. Struck with wonder upon seeing Rukmiṇī, they thought she was especially manufactured by the Creator to bewilder all the great chivalrous princes. Her body was well constructed, the middle portion being thin. Her high hips were adorned with a jeweled locket, she had pink lips, and the beauty of her face was enhanced by her slightly scattered hair and by different kinds of earrings.

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When Śambarāsura was defeated in every respect, Pradyumna took his sharp sword and immediately cut off the demon's head, which was decorated with a helmet and valuable jewels. When Pradyumna thus killed the demon, all the demigods in the higher planetary systems showered flowers on him.

Pradyumna's wife, Māyāvatī, could travel in outer space, and therefore they directly reached his father's capital, Dvārakā, by the airways. They passed above the palace of Lord Kṛṣṇa and came down as a cloud comes down with lightning. The inner section of a palace is known as the antaḥ-pura (private apartments). Pradyumna and Māyāvatī could see many women there, and they set down among them. When the women saw Pradyumna, dressed in yellowish garments, with very long arms, curling hair, beautiful reddish eyes, a smiling face, jewelry and ornaments, they at first could not recognize him as a personality different from Kṛṣṇa. They all felt very bashful at the sudden presence of Kṛṣṇa and wanted to hide in a different corner of the palace.

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There was a king of the name Satrājit within the jurisdiction of Dvārakā-dhāma. He was a great devotee of the sun-god, who awarded him the benediction of a jewel known as Syamantaka. Because of this Syamantaka jewel, there was a misunderstanding between King Satrājit and the Yadu dynasty Later the matter was settled when Satrājit voluntarily offered Kṛṣṇa his daughter, Satyabhāmā, along with the Syamantaka jewel. Not only Satyabhāmā but also Jāmbavatī, the daughter of Jāmbavān, was married to Kṛṣṇa on account of the Syamantaka jewel. These two marriages took place before the appearance of Pradyumna, which was described in the last chapter. How King Satrājit offended the Yadu dynasty and how he later came to his senses and offered his daughter and the Syamantaka jewel to Kṛṣṇa are described as follows.

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Since he was a great devotee of the sun-god, King Satrājit gradually entered into a very friendly relationship with him. The sun-god was pleased with him and delivered to him an exceptional jewel known as Syamantaka. When Satrājit wore this jewel in a locket around his neck, he appeared exactly like an imitation sun-god. Putting on this jewel, he entered the city of Dvārakā, and people thought that the sun-god had come into the city to see Kṛṣṇa. They knew that Kṛṣṇa, being the Supreme Personality of Godhead, was sometimes visited by the demigods, so while Satrājit was visiting the city of Dvārakā all the inhabitants except Kṛṣṇa took him to be the sun-god himself. Although King Satrājit was known to everyone, he could not be recognized because of the dazzling effulgence of the Syamantaka jewel.

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Satrājit, however, did not come to see Kṛṣṇa; he was instead overwhelmed by the Syamantaka jewel. He installed the jewel in a temple to be worshiped by brāhmaṇas he engaged for this purpose. This is an example of a less intelligent person worshiping a material thing. In the Bhagavad-gītā it is stated that less intelligent persons, in order to get immediate results from their fruitive activities, worship the demigods created within this universe. The word "materialist" means one concerned with gratification of the senses within this material world. Although Kṛṣṇa later asked for this Syamantaka jewel, King Satrājit did not deliver it; on the contrary, he installed the jewel for his own purposes of worship. And who would not worship that jewel? The Syamantaka jewel was so powerful that daily it produced a large quantity of gold. A quantity of gold is counted by a measurement called a bhāra. According to Vedic formulas, one bhāra is equal to about twenty-one pounds, and one mound equals about eighty-two pounds. The jewel was producing about 170 pounds of gold every day. Besides that, it is learned from Vedic literature that in whatever part of the world this jewel was worshiped there was no possibility of famine, and wherever the jewel was present, there was no possibility of anything inauspicious, such as pestilence.

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Lord Kṛṣṇa wanted to teach the world that the best of everything should be offered to the ruling chief of the country. King Ugrasena was the overlord of many dynasties and happened to be the grandfather of Kṛṣṇa, so Kṛṣṇa asked Satrājit to present the Syamantaka jewel to King Ugrasena. Kṛṣṇa pleaded that the best should be offered to the King. But Satrājit, being a worshiper of the demigods, had become too materialistic and, instead of accepting the request of Kṛṣṇa, thought it wiser to worship the jewel to get the 170 pounds of gold every day. Materialistic persons who can achieve such huge quantities of gold are not interested in Kṛṣṇa consciousness. Sometimes, therefore, to show special favor, Kṛṣṇa takes away one's great accumulations of materialistic wealth and thus makes one a great devotee. But Satrājit refused to abide by the order of Kṛṣṇa and did not deliver the jewel.

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After this incident, Satrājit's younger brother, in order to display the opulence of the family, took the jewel, put it on his neck and rode on horseback into the forest, making a show of his material opulence. While Satrājit's brother, who was known as Prasena, was moving here and there in the forest, a big lion attacked him, killed both him and the horse on which he was riding, and took away the jewel to his cave. News of this was received by the gorilla king, Jāmbavān, who then killed that lion in the cave and took away the jewel. Jāmbavān had been a great devotee of the Lord since the time of Lord Rāmacandra, so he did not take the valuable jewel as something he very much needed. He gave it to his young son to play with as a toy.

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In the city, when Satrājit's younger brother Prasena did not return from the forest with the jewel, Satrājit became very upset. He did not know that his brother had been killed by a lion and that the lion had been killed by Jāmbavān. He thought instead that because Kṛṣṇa wanted that jewel, which had not been delivered to Him, Kṛṣṇa might have therefore taken the jewel from Prasena by force and killed him. This idea grew into a rumor, which Satrājit spread in every part of Dvārakā.

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The false rumor that Kṛṣṇa had killed Prasena and taken away the jewel spread everywhere like wildfire. Kṛṣṇa did not like to be defamed in that way, and therefore He decided that He would go to the forest and find the Syamantaka jewel. Taking with Him some of the important inhabitants of Dvārakā, Kṛṣṇa went to search out Prasena, the brother of Satrājit, and found him dead, killed by the lion. At the same time, Kṛṣṇa also found the lion killed by Jāmbavān, who is generally called Ṛkṣa. It was found that the lion had been killed by the hand of Ṛkṣa without the assistance of any weapon. Kṛṣṇa and the citizens of Dvārakā then found in the forest a great tunnel, said to be the path to Ṛkṣa's house. Kṛṣṇa knew that the inhabitants of Dvārakā would be afraid to enter the tunnel; therefore He asked them to remain outside, and He Himself entered the dark tunnel alone to find Ṛkṣa, Jāmbavān. After entering the tunnel, Kṛṣṇa saw that the valuable jewel known as Syamantaka had been given to the son of Ṛkṣa as a toy. To take the jewel from the child, Kṛṣṇa approached and stood before him. When the nurse taking care of Ṛkṣa's child saw Kṛṣṇa standing before her, she was afraid, thinking He might take away the valuable Syamantaka jewel, and she cried out loudly in fear.

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Feeling very tired, with perspiration all over his body, Jāmbavān was astonished. Who was this opponent who was fighting so hard with him? Jāmbavān was quite aware of his own superhuman bodily strength, but when he felt tired from being struck by Kṛṣṇa, he could understand that Kṛṣṇa was no one else but his worshipable Lord, the Supreme Personality of Godhead. This incident has special significance for devotees. In the beginning, Jāmbavān could not understand Kṛṣṇa because his vision was obscured by material attachment. He was attached to his boy and to the greatly valuable Syamantaka jewel, which he did not want to spare for Kṛṣṇa. In fact, when Kṛṣṇa came there he was angry, thinking that Kṛṣṇa had come to take away the jewel. This is the material position: although one is very strong in body, that cannot help him understand Kṛṣṇa.

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Lord Kṛṣṇa was satisfied by the prayers and statements of Jāmbavān, and to mitigate Jāmbavān's pain, He began to lightly rub the lotus palm of His hand all over Jāmbavān's body. Thus Jāmbavān at once felt relieved from the fatigue of the great fight. Lord Kṛṣṇa then addressed him as King Jāmbavān because he, and not the lion, was actually the king of the forest, having killed a lion with his bare hands, without a weapon. Kṛṣṇa informed Jāmbavān that He had come to ask for the Syamantaka jewel because ever since it had been stolen His name had been defamed by the less intelligent. Kṛṣṇa plainly informed him that He had come there to ask for the jewel in order to be free from this defamation. Jāmbavān understood the whole situation, and to satisfy the Lord he immediately delivered not only the Syamantaka jewel but also his daughter Jāmbavatī, who was of marriageable age, and presented her to Lord Kṛṣṇa.

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The episode of Jāmbavatī’s marriage with Lord Kṛṣṇa and the delivery of the jewel known as Syamantaka was finished within the mountain cave. Although the fighting between Kṛṣṇa and Jāmbavān went on for twenty-eight days, the inhabitants of Dvārakā waited outside the tunnel for twelve days, and after that they decided that something undesirable must have happened. They could not understand for certain what had actually happened, and being very sorry and tired they returned to the city of Dvārakā.

All the members of the family, namely Kṛṣṇa's mother Devakī, His father Vasudeva, and His chief wife Rukmiṇī, along with all other friends, relatives and residents of the palace, were very sorry when the citizens returned home without Kṛṣṇa. Because of their natural affection for Kṛṣṇa, they began to call Satrājit ill names, for he was the cause of Kṛṣṇa's disappearance.

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King Ugrasena then called for a meeting of all important kings and chiefs. He also invited Satrājit, and before the whole assembly Kṛṣṇa explained the incident of the recovery of the jewel from Jāmbavān. Kṛṣṇa wanted to return the valuable jewel to King Satrājit. Satrājit, however, was ashamed because he had unnecessarily defamed Kṛṣṇa. He accepted the jewel in his hand, but he remained silent, bending his head downwards, and without saying anything in the assembly of the kings and chiefs, he returned home with the jewel. Then he thought about how he could clear himself of the abominable act he had performed by defaming Kṛṣṇa. He was conscious that he had offended Kṛṣṇa very grievously and that he had to find a remedial measure so that Kṛṣṇa would again be pleased with him.

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King Satrājit was eager to get relief from the anxiety he had foolishly created due to being attracted by a material thing, specifically the Syamantaka jewel. Truly afflicted by the offense he had committed against Kṛṣṇa, he sincerely wanted to rectify it. From within, Kṛṣṇa gave him good intelligence, and Satrājit decided to hand over to Kṛṣṇa both the jewel and his beautiful daughter, Satyabhāmā. There was no alternative for mitigating the situation, and therefore he arranged the marriage ceremony of Kṛṣṇa and his daughter. He gave in charity both the jewel and his daughter to the Supreme Personality of Godhead. Satyabhāmā was so beautiful and qualified that Satrājit, in spite of being asked for her hand by many princes, was waiting to find a suitable son-in-law. By the grace of Kṛṣṇa he decided to hand his daughter over to Him.

Lord Kṛṣṇa, being pleased with Satrājit, informed him that He did not have any need of the Syamantaka jewel. "It is better to let it remain in the temple as you have kept it," He said, "and every one of us will derive benefit from the jewel. Because of the jewel's presence in the city of Dvārakā, there will be no more famines or disturbances created by pestilence or excessive heat and cold."

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When Kṛṣṇa and Balarāma were away from the city of Dvārakā, there was a conspiracy to take the Syamantaka jewel away from Satrājit. The chief conspirator was Śatadhanvā, who was among those who had wanted to marry Satyabhāmā, Satrājit's beautiful daughter. Satrājit had promised that he would give his beautiful daughter in charity to various candidates, but later the decision was changed, and Satyabhāmā was given to Kṛṣṇa along with the Syamantaka jewel. Satrājit had no desire to give the jewel away with his daughter, and Kṛṣṇa, knowing his mentality, accepted his daughter but returned the jewel. After getting back the jewel from Kṛṣṇa, he was satisfied and kept it with him always. But in the absence of Kṛṣṇa and Balarāma there was a conspiracy by many men, including even Akrūra and Kṛtavarmā, who were devotees of Lord Kṛṣṇa, to take the jewel from Satrājit. Akrūra and Kṛtavarmā joined the conspiracy because they wanted the jewel for Kṛṣṇa. They knew that Kṛṣṇa wanted the jewel and that Satrājit had not delivered it properly. Others joined the conspiracy because they were disappointed in not having the hand of Satyabhāmā. Some of them incited Śatadhanvā to kill Satrājit and take away the jewel.

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When Kṛṣṇa was informed by Satyabhāmā of the murder of His father-in-law, He began to lament like an ordinary man. His great sorrow is, again, a strange thing. Lord Kṛṣṇa has nothing to do with action and reaction, but because He was playing the part of a human being, He expressed His full sympathy for the bereavement of Satyabhāmā, and His eyes filled with tears when He heard about the death of His father-in-law. He thus began to lament, "Oh, what unhappy incidents have taken place!" Then Kṛṣṇa and Balarāma, along with Satyabhāmā, immediately returned to Dvārakā and began to make plans to kill Śatadhanvā and take away the jewel. Although he was a great outlaw in the city, Śatadhanvā was still very much afraid of Kṛṣṇa's power, and thus when Kṛṣṇa arrived he became most afraid.

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Unfortunately, persons bewildered by the illusory energy cannot understand the strength of Kṛṣṇa, although the whole cosmic manifestation is fully under His control.” He cited, as an example, that Kṛṣṇa, even at the age of seven years, had lifted Govardhana Hill and had continued to hold up the mountain for seven days, exactly as a child carries a small umbrella. Akrūra plainly informed Śatadhanvā that he would always offer his most respectful obeisances to Kṛṣṇa, the Supersoul of everything created and the original cause of all causes. When Akrūra also refused to give him shelter, Śatadhanvā decided to deliver the Syamantaka jewel into the hands of Akrūra. Then, riding on a horse which could run at great speed and up to four hundred miles at a stretch, he fled the city.

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Śatadhanvā’s horse became exhausted and died near a garden house in Mithilā. Unable to take help of the horse, Śatadhanvā began to run with great speed. In order to be fair to Śatadhanvā, Kṛṣṇa and Balarāma also left Their chariot and began to follow Śatadhanvā on foot. While Śatadhanvā and Kṛṣṇa were running, Kṛṣṇa took His disc and cut off Śatadhanvā’s head. After Śatadhanvā was killed, Kṛṣṇa searched through his clothing for the Syamantaka jewel, but He could not find it. He then returned to Balarāma and said, "We have killed this person uselessly, for the jewel is not to be found on his body." Śrī Balarāma suggested, “The jewel might have been kept in the custody of another man in Dvārakā, so You’d better return and search it out.” Śrī Balarāma expressed His desire to remain in Mithilā City for some days because He enjoyed an intimate friendship with the King. Therefore, Kṛṣṇa returned to Dvārakā, and Balarāma entered the city of Mithilā.

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When the King of Mithilā saw the arrival of Śrī Balarāma in his city, he was most pleased and received the Lord with great honor and hospitality. He gave many valuable presents to Balarāmajī in order to seek His pleasure. At this time Śrī Balarāma lived in the city for several years as the honored guest of the King of Mithilā, Janaka Mahārāja. During this time, Duryodhana, the eldest son of Dhṛtarāṣṭra, took the opportunity to come to Balarāma and learn from Him the art of fighting with a club.

After killing Śatadhanvā, Kṛṣṇa returned to Dvārakā, and in order to please His wife Satyabhāmā, He informed her of the death of Śatadhanvā, the killer of her father. But He also informed her that the jewel had not been found in his possession. Then, according to religious principles, Kṛṣṇa, along with Satyabhāmā, performed ceremonies in honor of His departed father-in-law. In those ceremonies all the friends and relatives of the family joined together.

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That kingdom is considered happy where there is no famine, pestilence or excessive heat and cold and where people are happy mentally, spiritually and physically. As soon as there was some disturbance in Dvārakā, people considered the cause to be the absence of an auspicious personality in the city. Thus there was a rumor that because of the absence of Akrūra inauspicious things were happening. After the departure of Akrūra, some of the elderly residents of the city also began to perceive inauspicious signs due to the absence of the Syamantaka jewel. When Lord Śrī Kṛṣṇa heard these rumors spread by the people, He decided to summon Akrūra from the kingdom of Kāśī.

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Akrūra was Kṛṣṇa's uncle; therefore, when he came back to Dvārakā, Lord Kṛṣṇa first of all gave him a welcome befitting a superior person. Kṛṣṇa is the Supersoul in everyone and knows everything going on in everyone's heart. He knew everything that had happened in connection with Akrūra's conspiracy with Śatadhanvā. Therefore, He smilingly began to speak to Akrūra. Addressing him as the chief among munificent men, Kṛṣṇa said, "My dear uncle, it is already known to Me that the Syamantaka jewel was left by Śatadhanvā with you. Presently there is no direct claimant of the Syamantaka jewel, for King Satrājit has no male issue. His daughter Satyabhāmā is not very eager for this jewel, yet her expected son, as the grandson of Satrājit, would, after performing the regulative principles of inheritance, be the legal claimant of the jewel." Lord Kṛṣṇa indicated by this statement that Satyabhāmā was already pregnant and that her son would be the real claimant of the jewel and would certainly take it from Akrūra.

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Kṛṣṇa continued: "This jewel is so powerful that no ordinary man is able to keep it. I know that you are very pious in activities, so there is no objection to the jewel's being kept with you. There is one difficulty, and that is that My elder brother, Śrī Balarāma, does not believe My version that the jewel is with you. I therefore request you, O large-hearted one, to show Me the jewel just once before My other relatives so that they may be pacified and reject various kinds of rumors. You cannot deny that the jewel is with you because we can understand that you have enhanced your opulence and are performing sacrifices on an altar made of solid gold." The properties of the jewel were known: wherever the jewel remained, it would produce for the keeper more than two mounds of pure gold daily. Akrūra was getting gold in that proportion and distributing it profusely at sacrificial performances. Lord Kṛṣṇa cited Akrūra's lavishly spending gold as positive evidence of his possessing the Syamantaka jewel.

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When Lord Kṛṣṇa, in friendly terms and sweet language, impressed Akrūra about the real fact and Akrūra understood that nothing could be concealed from the knowledge of Śrī Kṛṣṇa, he brought out the valuable jewel, covered by cloth but shining like the sun, and presented it before Kṛṣṇa. Lord Kṛṣṇa took the Syamantaka jewel in His hand and showed it to all His relatives and friends present and then returned the jewel to Akrūra in their presence, so that they would know that the jewel was actually being kept by Akrūra in Dvārakā City.

This story of the Syamantaka jewel is very significant. In Śrīmad-Bhāgavatam it is said that anyone who hears the story of the Syamantaka jewel or describes it or simply remembers it will be free from all kinds of defamation and the reactions of all impious activities and thus will attain the highest perfectional condition of peace.

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At this time, the earth personified appeared before Lord Kṛṣṇa and greeted Him with a Vaijayantī flower garland. She then returned the dazzling earrings of Aditi, bedecked with jewels and gold. She also returned the umbrella of Varuṇa, along with a valuable jewel, which she presented to Kṛṣṇa. After this, the earth personified offered her prayers to Kṛṣṇa, the Supreme Personality and master of the world, who is always worshiped by exalted demigods. She fell down in obeisances and, in great devotional ecstasy, began to speak.

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Within their minds, they decided to accept Lord Kṛṣṇa as their husband without hesitation. Each one of them prayed to Providence that Kṛṣṇa might become her husband. Sincerely and seriously, they offered their hearts to the lotus feet of Kṛṣṇa with an unalloyed devotional attitude. As the Supersoul in everyone's heart, Kṛṣṇa could understand their uncontaminated desire, and He agreed to accept them as His wives. Thus He arranged for suitable garments and ornaments for them, and each of them, seated on a palanquin, was dispatched to Dvārakā City. Kṛṣṇa also collected unlimited wealth from the palace, a treasure of chariots, horses, jewels and so on. He took from the palace fifty white elephants, each with four tusks, and all of them were dispatched to Dvārakā.

After this incident, Lord Kṛṣṇa and Satyabhāmā entered Amarāvatī, the capital city of the heavenly planets, and they immediately entered the palace of King Indra and his wife, Śacīdevī, who welcomed them. Kṛṣṇa then presented Indra with the earrings of Aditi.

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The palace of Rukmiṇī was wonderfully furnished. Hanging from the ceiling were many canopies with laces bedecked with pearl garlands, and the whole palace was illuminated by the effulgence of valuable jewels. There were many flower groves of mallikā and cāmeli, which are considered the most fragrant flowers in India. There were many clusters of these plants, with blooming flowers enhancing the beauty of the palace. And because of the exquisite fragrance of the flowers, little groups of humming bees gathered around the trees, and at night the pleasing moonshine glittered through the network of holes in the windows. There were many heavily flowered trees of pārijāta, and the mild wind stirred the fragrance of the flowers all around. Incense burned within the walls of the palace, and the fragrant smoke leaked out of the window shutters. Within the room were mattresses covered with white bedsheets; the bedding was as soft and white as milk foam. In this situation, Lord Śrī Kṛṣṇa sat very comfortably and enjoyed the service of Rukmiṇījī, who was assisted by her maidservants.

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Rukmiṇī was very eager to get the opportunity to serve her husband, the Supreme Personality of Godhead. She therefore wanted to serve the Lord personally and took the handle of the cāmara from the hand of a maidservant and began to move the fan. The handle of the cāmara was made of gold and bedecked with valuable jewels, and it became more beautiful when taken by Rukmiṇī because all of her fingers were beautifully set with jeweled rings. Her legs were decorated with jeweled ankle bells, which rang very softly between the pleats of her sari. Rukmiṇī’s raised breasts were smeared with kuṅkuma and saffron; thus her beauty was enhanced by the reflection of the reddish color emanating from her covered breasts. Her high hips were decorated with a jeweled lace girdle, and a locket of great effulgence hung on her neck. Above all, because she was engaged in the service of Lord Kṛṣṇa—although at that time she was old enough to have grown-up sons—her beautiful body was beyond compare in the three worlds. When we take account of her beautiful face, it appears that the curling hair on her head, the beautiful earrings on her ears, her smiling mouth and her necklace of gold all combined to shower rains of nectar, and thus it was definitely proved that Rukmiṇī was none other than the original goddess of fortune, who is always engaged in the service of the lotus feet of Nārāyaṇa.

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They were well learned in Vedic knowledge. They executed the required austerities and penances in their lives and were liberal, meeting the standard of qualified brāhmaṇas. They were equally friendly to everyone; above all, they were young and quite fit to act as qualified brāhmaṇas. Besides the cows, they were also given land, gold, houses, horses and elephants. Those who were not married were given wives, maidservants, grain, silver, utensils, garments, jewels, household furniture, chariots, etc. This charity was nicely performed as a sacrifice according to the Vedic rituals. The King also stated that not only had he bestowed gifts upon the brāhmaṇas, but he had performed other pious activities, such as digging wells, planting trees on the roadside and installing ponds along the highways.

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King Pauṇḍraka was a great warrior, and as soon as he heard of Kṛṣṇa's attack, he came out of the city with two akṣauhiṇī divisions of soldiers. The King of Kāśī also came out, with three akṣauhiṇī divisions. When the two kings came before Lord Kṛṣṇa to oppose Him, Kṛṣṇa saw Pauṇḍraka face to face for the first time. Kṛṣṇa saw that Pauṇḍraka had decorated himself with the symbols of the conchshell, disc, lotus and club. He carried an imitation Śārṅga bow, and on his chest was a mock insignia of Śrīvatsa. His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vāsudeva's. He was dressed in yellow silken garments, and the flag on his chariot carried the symbol of Garuḍa, exactly imitating Kṛṣṇa's. He had a very valuable helmet on his head, and his earrings, like swordfish, glittered brilliantly. On the whole, however, his dress and makeup were clearly imitation. Anyone could understand that he was just like someone onstage playing the part of Vāsudeva in false dress. When Lord Śrī Kṛṣṇa saw Pauṇḍraka imitating His posture and dress, He could not check His laughter, and thus He laughed with great satisfaction.

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When Nārada arrived in Dvārakā, he saw gardens and parks full of various flowers of different colors, and also orchards overloaded with a variety of fruits. Beautiful birds were chirping, and peacocks crowed delightfully. There were ponds full of blue and red lotus flowers, and some of these ponds were filled with varieties of lilies. The lakes were full of nice swans and cranes, and the voices of these birds resounded everywhere. In the city there were as many as 900,000 great palaces built of first-class marble, with gates and doors made of silver. The pillars of the houses and palaces were bedecked with jewels such as touchstone, sapphire and emerald, and the floors gave off a beautiful luster. The highways, lanes, streets, crossings and marketplaces were all beautifully decorated. The whole city was full of residential homes, assembly houses and temples, all of different architectural beauty. All of this made Dvārakā a glowing city. The big avenues, crossings, lanes and streets, and also the thresholds of every residential house, were very clean. On both sides of every path there were bushes, and at regular intervals there were large trees that shaded the avenues so that the sunshine would not bother the passersby.

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In this greatly beautiful city of Dvārakā, Lord Kṛṣṇa, the Supreme Personality of Godhead, had many residential quarters. The great kings and princes of the world used to visit these palaces just to worship Him. The architectural plans were made personally by Viśvakarmā, the engineer of the demigods, and in the construction of the palaces he exhibited all of his talents and ingenuity. These residential quarters numbered more than sixteen thousand, and a different queen of Lord Kṛṣṇa's resided in each of them. The great sage Nārada entered one of these houses and saw that the pillars were made of coral and the ceilings were bedecked with jewels. The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.

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The Lord is generally known as go-brāhmaṇa-hitāya ca, which means that His first duty is to see to the welfare of the cows and the brāhmaṇas. Thus He used to give cows in charity to the brāhmaṇas, with opulent decorations and paraphernalia. Then, wishing for the welfare of all living entities, He would touch auspicious articles such as milk, honey, ghee (clarified butter), gold, jewels and fire. Although the Lord is by nature very beautiful due to the perfect figure of His transcendental body, He would dress Himself in yellow garments and put on His necklace of Kaustubha jewels. He would wear flower garlands, smear His body with the pulp of sandalwood and decorate Himself with similar cosmetics and ornaments. It is said that the ornaments themselves became beautiful upon being placed on the transcendental body of the Lord. After decorating Himself in this way, the Lord would then look at marble statues of the cow and calf and visit temples of God or demigods like Lord Śiva. There were many brāhmaṇas who would come daily to see the Supreme Lord before taking their breakfast; they were anxious to see Him, and He welcomed them.

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They saw that the color of the transcendental body of Lord Kṛṣṇa resembled the hue of a newly arrived cloud in the sky. He appeared before them nicely covered by yellow silken garments, with four hands like Viṣṇu, and carrying the different symbols of the club, the conchshell, the disc and the lotus flower. His chest was marked with a golden line, and the nipples on His chest appeared like the whorls of lotus flowers. His eyes appeared to spread like the petals of a lotus, and His smiling face exhibited the symbol of eternal peace and prosperity. He wore glittering shark-shaped earrings, and His helmet was bedecked with valuable jewels. The Lord's necklace of pearls and the bangles and bracelets nicely situated on His body all shone with a transcendental beauty. The Kaustubha jewel hanging on His chest glittered with great luster, and the Lord wore a beautiful flower garland. After so much distress, when the kings and princes saw Lord Kṛṣṇa, with His beautiful transcendental features, they looked upon Him to their hearts' content, as if drinking nectar through their eyes, licking His body with their tongues, smelling the aroma of His body with their noses and embracing Him with their arms.

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After taking their baths and dressing very nicely, the kings appeared happy and gentle. Then they were supplied nice food. Lord Kṛṣṇa supplied everything for their comfort, as befitting their royal positions. Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses. After seeing that each was taken care of, Lord Kṛṣṇa, in a sweet voice, asked them to return to their respective kingdoms. By His liberal behavior, unparalleled in the history of the world, Lord Kṛṣṇa released all the kings who had been in the clutches of Jarāsandha, and the kings, being fully satisfied, began to chant His holy name, think of His holy form, and glorify His transcendental pastimes as the Supreme Personality of Godhead.

Krsna Book 74:

After this speech, all the members present in that great sacrificial assembly applauded, confirming his words continuously by saying, "Everything you have said is completely perfect. Everything you have said is completely perfect." King Yudhiṣṭhira, after hearing the confirmation by all present, especially by the brāhmaṇas and learned sages, worshiped Lord Kṛṣṇa according to the regulative principles of the Vedic injunctions. First of all, King Yudhiṣṭhira, along with his brothers, wives, children, other relatives and ministers, washed the lotus feet of Lord Kṛṣṇa and sprinkled the water on their heads. After this, he offered Lord Kṛṣṇa various kinds of yellow silken garments and presented heaps of jewelry and ornaments before Him for His use.

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The princely guests from many kingdoms, like Sṛñjaya, Kāmboja, Kuru, Kekaya and Kośala, were present with their different flags and gorgeously decorated elephants, chariots, horses and soldiers. All of them passed in a procession, with King Yudhiṣṭhira in the forefront. The executive members who had performed the sacrifice—the priests, religious ministers and brāhmaṇas—all loudly chanted the Vedic hymns. The demigods and the inhabitants of Pitṛloka and Gandharvaloka, as well as many sages, showered flowers from the sky. The men and women of Hastināpura, or Indraprastha, their bodies smeared with scents and floral oils, were nicely dressed in colorful garments and decorated with garlands, jewels and ornaments. Enjoying the ceremony, they threw on one another liquid substances like water, oil, milk, butter and yogurt. Some even smeared these on each other's bodies. In this way, they enjoyed the occasion. The professional prostitutes jubilantly smeared these liquid substances on the bodies of the men, and the men reciprocated in the same way. All the liquid substances had been mixed with turmeric and saffron, and their color was a lustrous yellow.

Krsna Book 75:

When the King and the Queen finished their bath in the Ganges, all the other citizens, consisting of all the varṇas, or castes—the brāhmaṇas, kṣatriyas, vaiśyas and śūdras—took their baths in the Ganges. Bathing in the Ganges is recommended in the Vedic literature because by such bathing one is freed from all sinful reactions. This is still current in India, especially at particularly auspicious moments. At such times, millions of people bathe in the Ganges.

After taking his bath, King Yudhiṣṭhira dressed in a new silken cloth and wrapper and decorated himself with valuable jewelry. The King not only dressed himself and decorated himself but also gave clothing and ornaments to all the priests and the others who had participated in the yajñas.

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When everyone was refreshed after bathing and was dressed in silken clothing with jeweled earrings, flower garlands, turbans, long wrappers and pearl necklaces, they looked, all together, like the demigods from heaven. This was especially true of the women, who were very nicely dressed. Each wore a golden belt around the waist. They were all smiling, with spots of tilaka and curling hair scattered here and there. This combination was very attractive.

Those persons who had participated in the Rājasūya sacrifice—including the most cultured priests, the brāhmaṇas who had assisted, the citizens of all the varṇas, and the kings, demigods, sages, saints and citizens of Pitṛloka—were all very much satisfied by the dealings of King Yudhiṣṭhira, and at the end they happily departed for their residences.

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When Śālva thought that Kṛṣṇa had been bewildered by his mystic representations, he became encouraged and began to attack the Lord with greater strength and energy by showering volleys of arrows upon Him. But the enthusiasm of Śālva can be compared to the speedy march of moths into a fire. Lord Kṛṣṇa, by hurling His arrows with unfathomable strength, injured Śālva, whose armor, bow and jeweled helmet all scattered in pieces. With a crashing blow from Kṛṣṇa's club, Śālva's wonderful airplane burst into pieces and fell into the sea. Śālva was very careful, and instead of crashing with the airplane, he managed to jump onto the land. He again rushed toward Lord Kṛṣṇa. When Śālva ran swiftly to attack Kṛṣṇa with his club, Lord Kṛṣṇa cut off his hand, which fell to the ground with the club. Finally deciding to kill him, the Lord took up His wonderful disc, which shone like the brilliant sun at the time of the dissolution of the material creation. When Lord Śrī Kṛṣṇa stood up with His disc to kill Śālva, He appeared just like a mountain with the red sun rising over it. Lord Kṛṣṇa then cut off Śālva's head, and the head, with its earrings and helmet, fell to the ground. Śālva was thus killed in the same way that Vṛtrāsura was killed by Indra, the King of heaven.

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As stated in the Bhagavad-gītā, a person who is actually a brāhmaṇa and is very learned must automatically become very gentle also. But although Romaharṣaṇa Sūta was very learned and had been given the chance to become a brāhmaṇa, he had not become gentle. From this we can understand that one who is puffed up by material acquisitions cannot acquire the gentle behavior befitting a brāhmaṇa. The learning of such a person is as good as a valuable jewel decorating the hood of a serpent. Despite the valuable jewel on the hood, a serpent is still a serpent and is as fearful as an ordinary serpent. If a person does not become meek and humble, all his studies of the Vedas and Purāṇas and his vast knowledge of the śāstras are simply outward dress, like the costume of a theatrical artist dancing on the stage. Lord Balarāma considered, "I have appeared in order to chastise false persons who are internally impure but externally pose themselves as very learned and religious. My killing of such persons is proper, to check them from further sinful activity."

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This supreme goal is the understanding that the whole cosmic manifestation rests on the Supreme Personality of Godhead and that the Supreme Personality of Godhead is also all-pervading, even within the minutest atom, by the function of His Paramātmā feature.

Lord Balarāma then took the avabhṛtha bath, which is taken after finishing sacrificial performances. After taking His bath, He dressed Himself in new silken garments and decorated Himself with beautiful jewelry. Amidst His relatives and friends, He appeared to be a shining full moon amidst the luminaries in the sky. Lord Balarāma is the Personality of Godhead Ananta Himself; therefore He is beyond the scope of understanding by mind, intelligence or body.

Krsna Book 81:

Thinking in this way, the learned brāhmaṇa gradually reached his own home. But there he saw that everything was wonderfully changed. He saw that in place of his cottage there were big palaces made of valuable stones and jewels, glittering like the sun, moon and rays of fire. Not only were there big palaces, but at intervals there were beautifully decorated parks, in which many beautiful men and women were strolling. In those parks there were nice lakes full of lotus flowers and beautiful lilies, and there were flocks of multicolored birds. Seeing the wonderful conversion of his native place, the brāhmaṇa began to think to himself, "How am I seeing all these changes? Does this place belong to me or to someone else? If it is the same place where I used to live, then how has it so wonderfully changed?"

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When the brāhmaṇa entered his personal apartment in the palace, he saw that it was not an apartment but the residence of the King of heaven. The palace was surrounded by many columns of jewels. The couches and the bedsteads were made of ivory and bedecked with gold and jewels, and the bedding was as white as the foam of milk and as soft as a lotus. There were many whisks hanging from golden rods, and many golden thrones with sitting cushions as soft as lotus flowers. In various places there were velvet and silken canopies with laces of pearls hanging all around. The structure of the building stood on excellent transparent marble, with engravings made of emerald stones. All the women in the palace carried lamps made of valuable jewels. The flames and the jewels combined to produce a wonderfully brilliant light. When the brāhmaṇa saw his position suddenly changed to one of opulence, and when he could not determine the cause for such a sudden change, he began to consider very gravely how it had happened.

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After this, Satyabhāmā began to speak. She said, "My dear Draupadī, my father was very much afflicted by the death of his brother, Prasena, and he falsely accused Lord Kṛṣṇa of killing his brother and stealing the Syamantaka jewel, which had actually been taken by Jāmbavān. Lord Kṛṣṇa, in order to establish His pure character, fought with Jāmbavān and rescued the Syamantaka jewel, which He later delivered to my father. My father was very much ashamed and sorry for accusing Lord Kṛṣṇa of his brother's death. After getting back the Syamantaka jewel, he thought it wise to rectify his mistake, so although he had promised others my hand in marriage, he submitted the jewel and me at the lotus feet of Kṛṣṇa, and thus I was accepted as His maidservant and wife."

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After this, Jāmbavatī replied to Draupadī’s question. She said, "My dear Draupadī, when Lord Kṛṣṇa attacked my father, Jāmbavān, the King of the ṛkṣas, my father did not know that Lord Kṛṣṇa was his former master, Lord Rāmacandra, the husband of Sītā. Not knowing the identity of Lord Kṛṣṇa, my father fought with Him continuously for twenty-seven days. After this period, when he became fatigued, he could understand that since no one but Lord Rāmacandra could defeat him, his opponent, Lord Kṛṣṇa, must be the same Lord Rāmacandra. He thus came to his senses and immediately returned the Syamantaka jewel. Furthermore, to satisfy the Lord, he presented me to Him to become His wife. In this way I was married to the Lord, and thus my desire to be a servitor of Kṛṣṇa life after life was fulfilled."

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“At that time, I entered the arena of competition, and the ankle bells on my legs sounded very melodious as I walked. I was nicely dressed with new silken garments, flowers decorated my hair, and because of Lord Kṛṣṇa's victory I was in ecstatic joy and smiling very pleasingly. I carried in my hands a golden necklace bedecked with jewels, which glittered at intervals. My curling hair encircled my face, which shone with a bright luster due to the reflection of my various earrings. My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.

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"Dear Lord," the personified Vedas continued, "if saintly persons do not take care to eradicate completely the roots of sinful desires, they cannot experience the Supersoul, although He is sitting side by side with the individual soul. Samādhi, or meditation, means that one has to find the Supersoul within himself. One who is not free from sinful reactions cannot see the Supersoul. If a person has a jeweled locket in his necklace but forgets the jewel, it is almost as though he does not possess it. Similarly, if an individual soul meditates but does not actually perceive the presence of the Supersoul within himself, his meditation is useless." Persons who have taken to the path of self-realization must therefore be very careful to avoid contamination by the influence of māyā. Śrīla Rūpa Gosvāmī says that a devotee should be completely free from all sorts of material desires. A devotee should not be affected by the results of karma and jñāna. One has to simply understand Kṛṣṇa and carry out His desires. That is the pure devotional stage.

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Accompanied by Kṛṣṇa, Arjuna saw a large palace within the water. There were many thousands of pillars and columns made of valuable jewels, and the glaring effulgence of those columns was so beautiful that Arjuna was charmed by it. Within that palace, Arjuna and Kṛṣṇa saw the gigantic form of Anantadeva, who is also known as Śeṣa. Lord Anantadeva, or Śeṣa Nāga, was in the form of a great serpent with thousands of hoods, each one decorated with valuable, effulgent jewels, beautifully dazzling. Each of Anantadeva's hoods had two eyes, which appeared very fearful. His body was as white as the mountaintop of Kailāsa, which is always covered with snow. His necks were bluish, as were His tongues. Thus Arjuna saw the Śeṣa Nāga form, and he also saw that on the very soft, white body of Śeṣa Nāga, Lord Mahā-Viṣṇu was lying very comfortably. He appeared all-pervading and very powerful, and Arjuna could understand that the Supreme Personality of Godhead in that form is known as Puruṣottama.

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The Mahā-Viṣṇu form of the Lord is also called Puruṣottama (Puruṣa-uttama) because He is beyond the material world. Tama means "darkness," and ut means "above, transcendental"; therefore, uttama means "above the darkest region of the material world." Arjuna saw that the bodily color of Puruṣottama, Mahā-Viṣṇu, was as dark as a new cloud in the rainy season. He was dressed in very nice yellow clothing, His face was beautifully smiling, and His eyes, which were like lotus petals, were very attractive. Lord Mahā-Viṣṇu's helmet was bedecked with valuable jewels, and His beautiful earrings enhanced the beauty of the curling hair on His head. Lord Mahā-Viṣṇu had eight arms, all very long, reaching to His knees. His neck was decorated with the Kaustubha jewel, and His chest was marked with the symbol of Śrīvatsa, which means "the resting place of the goddess of fortune." The Lord wore a garland of lotus flowers down to His knees. This long garland is known as a Vaijayantī garland.

Renunciation Through Wisdom

Renunciation Through Wisdom 1.9:

A few among these strangers seem rich and prosperous, but the directions they give do not lead to the father's house, and so the living entities' poverty knows no end. The wealthy strangers suggest many paths, such as karma, jñāna, or dhyāna, but the problem of poverty remains unsolved. The living entities can escape their poverty only by learning and practicing the science of devotional service to the Supreme Lord. Caitanya Mahāprabhu, the Supreme Personality of Godhead and the source of all incarnations, explained the science of devotional service to Śrīla Rūpa Gosvāmī at Prayāga (Allahabad). These instructions are the crest jewel of teachings for all humanity. In Śrī Caitanya-caritāmṛta (CC Madhya 19.151), the Lord says,

According to their karma, all living entities are wandering throughout the entire universe. Some of them are being elevated to the upper planetary systems, and some are going down to the lower planetary systems. Out of many millions of wandering living entities, one who is very fortunate gets an opportunity to associate with a bona fide spiritual master by the grace of Lord Kṛṣṇa. By the mercy of both Lord Kṛṣṇa and the spiritual master, such a person receives the seed of the creeper of devotional service.

Renunciation Through Wisdom 2.1:

Yet because it has been so easy for them to come by this precious and rare commodity, they have abused the mercy shown them. This is another manifestation of their misfortune. By teaching them the science of self-realization, Lord Kṛṣṇa has twice personally tried to save the people of this age from groveling in carnal pleasures, and both times they have converted those divine instructions into a means and an excuse for pursuing sense gratification.

When presented with a colorful glass doll and a diamond, a child will naturally be attracted to the doll and not the priceless jewel. Similarly, the people of Kali-yuga, endowed as they are with limited intelligence, have rejected the priceless diamond of devotional service to Kṛṣṇa and instead chosen the cheap doll of fruitive activity and dry speculation. Just as the child cannot comprehend that the invaluable diamond can purchase many thousands of cheap glass dolls, so the less intelligent people of Kali-yuga cannot understand that kṛṣṇe bhakti kaile sarva-karma-kṛta haya: "By rendering transcendental devotional service to Lord Kṛṣṇa, one automatically performs all subsidiary activities."

Renunciation Through Wisdom 2.3:

When Jesus Christ was being crucified, he did not blame anyone for it. Haridāsa Ṭhākura was severely lashed in twenty-two marketplaces by the Muslim Kazi's sentries. Still he prayed to the Lord not to punish his tormentors. Lord Nityānanda was wounded by the two rascals Jagāi and Mādhāi, yet the Lord stood His ground, bleeding profusely. He delivered the two notorious brothers and thus brilliantly exemplified the title patita-pāvana. Such is the profound compassion of the pure devotees.

Therefore the reprobates' only means of attaining any piety is through the association of devotees. We are looking forward to that time when the stalwart disciples of that illustrious crest jewel of all Vaiṣṇavas, His Divine Grace Bhaktisiddhānta Sarasvatī Ṭhākura Prabhupāda, having received the blessings of their spiritual master, will come together again for the benediction of the whole world and, without wasting any more time, preach the message of Śrīla Rūpa Gosvāmī and Śrīla Raghunātha dāsa Gosvāmī.

Sri Isopanisad

Sri Isopanisad 9, Purport:

In the language of the Bhagavad-gītā (7.15), people who are engaged in gross sense gratification are mūḍhas—asses. The ass is a symbol of stupidity. Those who simply engage in the profitless pursuit of sense gratification are worshiping avidyā, according to Śrī Īśopaniṣad. And those who play the role of helping this sort of civilization in the name of educational advancement are actually doing more harm than those who are on the platform of gross sense gratification. The advancement of learning by a godless people is as dangerous as a valuable jewel on the hood of a cobra. A cobra decorated with a valuable jewel is more dangerous than one not decorated. In the Hari-bhakti-sudhodaya (3.11.12), the advancement of education by a godless people is compared to decorations on a dead body. In India, as in many other countries, some people follow the custom of leading a procession with a decorated dead body for the pleasure of the lamenting relatives.