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Garland (Other Books)

Other Books by Srila Prabhupada

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 26:

Lord Caitanya then returned to His place, and the Bhaṭṭācārya sent Gopīnātha Ācārya to Him with various kinds of prasādam from the Jagannātha temple. The next day the Lord went to the temple of Jagannātha early in the morning to attend maṅgala-ārati. The priests in the temple brought Him a garland from the Deity and also offered Him various kinds of prasādam. The Lord was very much pleased to receive them, and He at once went to the house of the Bhaṭṭācārya, taking the prasādam and flower garland to present to him. Although it was early in the morning, the Bhaṭṭācārya understood that the Lord had come and was knocking on his door. He at once rose from his bed and began to say, "Kṛṣṇa! Kṛṣṇa!" This was heard by Lord Caitanya. When the Bhaṭṭācārya opened the door, he saw the Lord standing there, and he was very much pleased to see Him early in the morning. Receiving Him with all care, the Bhaṭṭācārya offered Him a nice seat, and both of them sat there. Lord Caitanya then offered him the prasādam He had received in the temple of Jagannātha, and the Bhaṭṭācārya was very glad to receive this prasādam from the hands of Lord Caitanya Himself. Indeed, without taking his bath and without performing his daily duties or even cleansing his teeth, he immediately began to eat the prasādam. In this way he was freed from all material contamination and attachment.

Teachings of Lord Caitanya, Chapter 31:

The decorative transcendental pleasure potency manifests nine symptoms. Five of these are manifested by the expansion of Rādhārāṇī’s personal beauty, which is adorned with garlands of flowers. Her patient calmness is compared to a covering of cloths which have been cleansed by camphor. Her confidential agony for Kṛṣṇa is the knot in Her hair, and the mark of tilaka on Her forehead is Her good fortune. Rādhārāṇī’s sense of hearing is eternally fixed on Kṛṣṇa's name and fame. Chewing betel nuts makes one's lips reddish. Similarly, Rādhārāṇī’s complete attachment to Kṛṣṇa has blackened the borders of Her eyes. This darkness might be compared to ointment produced by Rādhā’s joking with Kṛṣṇa. Rādhārāṇī’s smile is just like the taste of camphor. The garland of separation moves on Her body when She lies down on the bed of pride within the room of aroma.

Nectar of Devotion

Nectar of Devotion 6:

Lord Caitanya said that a Vaiṣṇava is he who, when seen, reminds one of Kṛṣṇa. Therefore, it is essential that a Vaiṣṇava mark his body with tilaka to remind others of Kṛṣṇa.) (2) In marking such tilaka, sometimes one may write Hare Kṛṣṇa on the body. (3) One should accept flowers and garlands that have been offered to the Deity and the spiritual master and put them on one's body. (4) One should learn to dance before the Deity. (5) One should learn to bow down immediately upon seeing the Deity or the spiritual master. (6) As soon as one visits a temple of Lord Kṛṣṇa, one must stand up. (7) When the Deity is being borne for a stroll in the street, a devotee should immediately follow the procession. (In this connection it may be noted that in India, especially in Viṣṇu temples, the system is that apart from the big Deity who is permanently situated in the main area of the temple, there is a set of smaller Deities which are taken in procession in the evening. In some temples it is the custom to hold a big procession in the evening with a band playing and a nice big umbrella over the Deities, who sit on decorated thrones on the cart or palanquin, which is carried by devotees.

Nectar of Devotion 9:

The next instruction is that one should put on flower garlands which are offered to the Deity. In this connection, in the Eleventh Canto, Sixth Chapter, verse 46, of Śrīmad-Bhāgavatam, Uddhava says to Kṛṣṇa, "My dear Kṛṣṇa, I have taken things which You have used and enjoyed, such as garlands of flowers, scented oils, garments and ornaments, and I eat only the remnants of Your foodstuff, because I am Your menial servant. So, therefore, I am sure that I shall not be attacked by the spell of material energy." The purport of this verse is that for any person who simply follows these rules and regulations of decorating the body with the marks of tilaka of gopī-candana or sandalwood pulp, and who puts on the garlands which were offered to Kṛṣṇa, there is no question of being conquered by the spell of material energy. At the time of death, there is no question of such a person's being called by the constables of Yamarāja.

Nectar of Devotion 9:

At the time of death, there is no question of such a person's being called by the constables of Yamarāja. Even if one does not accept all the Vaiṣṇava principles, but still takes the remnants of foodstuff offered to Kṛṣṇa, or kṛṣṇa-prasāda, he will gradually become qualified to rise to the platform of a Vaiṣṇava.

Similarly, in the Skanda Purāṇa Lord Brahmā tells Nārada, "My dear Nārada, anyone who puts on his neck the flower garland which was formerly used by Kṛṣṇa becomes relieved from all disease and reactions to sinful activities, and gradually he is liberated from the contamination of matter."

Nectar of Devotion 9:

It is stated in the Tantra-śāstra, "If the smell of the garland which was offered to the Deity in the temple enters into a person's nostrils, immediately his bondage to sinful activities becomes cleared. And even if one has no sinful activities, still, by smelling such remnants of flowers, one can advance from Māyāvādī (impersonalist) to devotee." There are several instances of this, a prime one being the advancement of the four Kumāras. They were impersonalist Māyāvādīs, but after smelling the remnants of flowers and incense in the temple, they turned to become devotees. From the above verse it appears that the Māyāvādīs, or impersonalists, are more or less contaminated. They are not pure.

Nectar of Devotion 21:

One who can talk and dress himself very artistically is called vidagdha. This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: "My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."

Nectar of Devotion 24:

When one's characteristics are very sweet and desirable, his personality is called pleasing. An example of Kṛṣṇa's pleasing nature is thus described in Śrīmad-Bhāgavatam: "One day while Kṛṣṇa was awaiting the arrival of Śrīmatī Rādhārāṇī by the bank of the Yamunā, He began to make a garland of kadamba flowers. In the meantime, Śrīmatī Rādhārāṇī appeared there, and at that time Murāri (Kṛṣṇa), the enemy of Mura, glanced over Rādhārāṇī very sweetly."

Nectar of Devotion 26:

Some things which give impetus or stimulation to ecstatic love of Kṛṣṇa are His transcendental qualities, His uncommon activities, His smiling features, His apparel and garlands, His flute, His buffalo horn, His leg bells, His conchshell, His footprints, His places of pastimes (such as Vṛndāvana), His favorite plant (tulasī), His devotee and the periodical occasions for remembering Him. One such occasion for remembrance is Ekādaśī, which comes twice a month on the eleventh day of the moon, both waning and waxing. On that day all the devotees remain fasting throughout the night and continuously chant the glories of the Lord.

Nectar of Devotion 26:

Ākalpa refers to the texture of Kṛṣṇa's hair, His nicely dressed body anointed with sandalwood pulp and decorated with flower garlands, His tilaka and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else it was reaching down to His back. In this way Kṛṣṇa dressed His hair differently at different times. As for the ointment on His body, the pulp of sandalwood generally appeared to be white, and when it was mixed with saffron dye it appeared to be yellow.

Nectar of Devotion 26:

Kṛṣṇa used to put a vaijayantī garland around His neck. This vaijayantī garland is made of flowers of at least five different colors. Such a garland was always long enough to touch Kṛṣṇa's knees or feet. Besides this garland of flowers, there were other kinds of flower garlands too—sometimes decorating His head, sometimes hanging around His neck and chest. Artistic paintings with sandalwood pulp and colored sandalwood were also to be found on the body of Kṛṣṇa.

Nectar of Devotion 26:

Kṛṣṇa is sometimes called vana-mālī. Vana means "forest," and mālī means "gardener," so vana-mālī refers to one who extensively uses flowers and garlands on different parts of His body. Kṛṣṇa was dressed like this not only in Vṛndāvana but also on the Battlefield of Kurukṣetra. Seeing such colorful dress and the garlands of different flowers, some great sages prayed, "Lord Kṛṣṇa was going to the Battlefield of Kurukṣetra not to fight, but to grace all of the devotees with His presence."

Nectar of Devotion 27:

In the Third Canto, First Chapter, verse 32, of Śrīmad-Bhāgavatam, Vidura inquires from Uddhava, "My dear friend, is Akrūra in an auspicious condition? Not only is he a learned scholar and sinless, but he is also a devotee of Lord Kṛṣṇa. He has such ecstatic love for Kṛṣṇa that I have seen him rolling upon Kṛṣṇa's footprints in the dust as if bereft of all sense." Similarly, one gopī gave a message to Kṛṣṇa that Rādhārāṇī, because of Her separation from Him and because of Her enchantment with the aroma of His flower garlands, was rolling on the ground, thereby bruising Her soft body.

Nectar of Devotion 28:

Moist existential ecstatic love aroused in connection with Kṛṣṇa is divided into two: direct and indirect. Rādhārāṇī was weaving a garland of kunda flowers, and upon hearing the vibration of Kṛṣṇa's flute, She immediately stopped Her work. This is an example of direct moistened existential ecstatic love. Indirect moistened existential ecstatic love is described in the following statement: Kṛṣṇa, who is also called Puruṣottama, is to the eyes of mother Yaśodā just like the cloud is to the eyes of the cātakī bird. When Kṛṣṇa had been brought to Mathurā, mother Yaśodā, being very anxious and angry, began to rebuke the King of Mathurā.

Nectar of Devotion 29:

One devotee said, "This night I was dreaming of collecting various flowers from the garden, and I was thinking of making a garland to offer to Kṛṣṇa. But I am so unfortunate that all of a sudden my dream was over, and I could not achieve my desired goal!" This statement is an instance of lamentation resulting from nonfulfillment of one's duties.

When Nanda Mahārāja saw his foster son Kṛṣṇa embarrassed in the sacrificial arena of Kaṁsa, he said, "How unfortunate I am that I did not keep my son bolted within a room. Unfortunately, I have brought Him to Mathurā, and now I see that He's embarrassed by this giant elephant named Kuvalaya. It is as though the moon of Kṛṣṇa were eclipsed by the shadow of the earth."

Nectar of Devotion 29:

One day the beautiful-eyed Śrīmatī Rādhārāṇī entered into the forest to collect some flowers to prepare a garland for Kṛṣṇa. While collecting the flowers, She became afraid that someone might see Her, and She felt some fatigue and weakness. This is an instance of guilty feelings caused by labor for Kṛṣṇa.

There is a statement in Rasa-sudhākara that after passing the night with Kṛṣṇa, Rādhārāṇī became so weak that She was unable to get up from bed. When Kṛṣṇa took Her hand to help Her, Rādhārāṇī felt guilty about having passed the night with Him.

Nectar of Devotion 29:

Sometimes all of the cowherd friends of Kṛṣṇa, along with Balarāma, danced together in some ceremony. At these times the garlands on their necks would move, and the boys would begin to perspire. Their whole bodies became wet from their ecstatic dancing. This is an instance of fatigue caused by dancing.

In Śrīmad-Bhāgavatam, Tenth Canto, Thirty-third Chapter, verse 20, it is said that after enjoying love affairs with Kṛṣṇa by dancing, embracing and kissing, the gopīs would sometimes become very tired, and Kṛṣṇa, out of His causeless mercy and compassion, would smear their faces with His lotus hands. This is an example of fatigue caused by laboring in the rāsa dance.

Nectar of Devotion 29:

Sometimes Rādhārāṇī felt pride within Herself and said, "Although the cowherd boys prepare nice flower garlands for Kṛṣṇa, when I present My garland to Him, He becomes struck with wonder and immediately accepts it and puts it on His heart."

Similarly, in the Tenth Canto, Second Chapter, verse 33, of Śrīmad-Bhāgavatam, Lord Brahmā says, "My dear Madhusūdana, persons who are pure devotees of Your Lordship actually feel Your ecstatic friendship, and as such they are never vanquished by enemies. They know they are always protected by You, and so they can matter-of-factly pass over the heads of their enemies without any care."

Nectar of Devotion 30:

Actually, in Vṛndāvana the vaiśya community and the brāhmaṇa community are considered prominent. This Madhumaṅgala one day addressed Kṛṣṇa in this fashion: "My dear friend, I can see that You are not aware of the peacock feathers that are falling on the ground, and at the same time You are unmindful of the flower garlands which are offered to You. I think I can guess the reason for Your absentmindedness when I see Your two eyes flying over to the eyes of Śrīmatī Rādhārāṇī, just like black drones flying to lotus flowers." This is an instance of an argumentative suggestion in ecstatic love.

Nectar of Devotion 33:

When Mahārāja Yudhiṣṭhira went with Kṛṣṇa in the arena of the Rājasūya sacrifice, in his imagination he began to anoint the body of Kṛṣṇa with pulp of sandalwood, he decorated Kṛṣṇa with a garland hanging down to His knees, he gave Kṛṣṇa garments all embroidered with gold, he gave Kṛṣṇa ornaments all bedecked with valuable jewels, and he gave Kṛṣṇa many fully decorated elephants, chariots and horses. He further wished to give Kṛṣṇa in charity his kingdom, his family and his personal self also. After so desiring, when there was nothing actually to give in charity, Mahārāja Yudhiṣṭhira became very perturbed and anxious.

Nectar of Devotion 36:

Out of the many close associates of Lord Kṛṣṇa, Uddhava is considered the best. The following is a description of him: "His body is blackish like the color of the Yamunā River, and it is similarly as cool. He is always decorated with flower garlands first used by Lord Kṛṣṇa, and he is dressed with yellow silk clothing. His two arms are just like the bolts of a door, his eyes are just like lotus flowers, and he is the most important devotee among all the associates. Let us therefore offer our respectful obeisances unto Uddhava's lotus feet."

Nectar of Devotion 36:

Descriptions of the bodily features of the anugas in Vṛndāvana are given in the following statement: "Let us offer our respectful obeisances unto the constant associates of the son of Mahārāja Nanda. They always stay in Vṛndāvana, and their bodies are decorated with garlands of pearls and with bangles and bracelets of gold. Their colors are like black bees and the golden moon, and they are dressed just to suit their particular special bodily features. Their specific duties can be understood from a statement by mother Yaśodā, who said, 'Bakula, please cleanse the yellowish dress of Kṛṣṇa. Vārika, you just flavor the bathing water with aguru scent. And Rasāla, you just prepare the betel nuts. You can all see that Kṛṣṇa is approaching. There is dust overhead, and the cows can be seen very distinctly.'"

Nectar of Devotion 41:

The eternal associates of the Lord in Vṛndāvana have described this as follows: "The Lord, Hari, whose bodily hue is like the indranīla jewel, whose smiling is as beautiful as the kunda flower, whose silk dress is as yellow as golden autumn foliage, whose chest is beautified with garlands of flowers and who is always playing upon His flute—this enemy of the Agha demon is always attracting our hearts by wandering about Vṛndāvana."

There are similar statements of fraternal love expressed outside the jurisdiction of Vṛndāvana. When the sons of Pāṇḍu, headed by Mahārāja Yudhiṣṭhira, saw Kṛṣṇa in His four-handed form on the Battlefield of Kurukṣetra, holding His conchshell, disc, club and lotus flower, they completely forgot themselves and became merged in the ocean of nectarean happiness.

Nectar of Devotion 41:

One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."

Nectar of Devotion 41:

Out of all these confidential friends, Śrīdāmā is considered to be the chief. Śrīdāmā used to put on a yellow-colored dress. He would carry a buffalo horn, and his turban was of reddish, copper color. His bodily complexion was blackish, and around his neck there was a nice garland. He would always challenge Kṛṣṇa in joking friendship. Let us pray to Śrīdāmā to bestow his mercy upon us!

Sometimes Śrīdāmā used to address Kṛṣṇa, "Oh, You are so cruel that You left us alone on the bank of the Yamunā, and we were all mad from not seeing You there! Now it is our great fortune that we are able to see You here. If You want to pacify us, You must embrace each one of us with Your arms. But believe me, my dear friend, a moment's absence from You creates great havoc, not only for us but for the cows also. Everything becomes disarranged, and we become mad after You."

Nectar of Devotion 41:

"My dear Kṛśāṅgī (delicate one), just see how Subala is whispering Your message into Kṛṣṇa's ear, how he is delivering the confidential letter of Śyāmā-dāsī silently into Kṛṣṇa's hand, how he is delivering the betel nuts prepared by Pālikā into Kṛṣṇa's mouth, and how he is decorating Kṛṣṇa with the garland prepared by Tārakā. Did you know, my dear friend, that all these most intimate friends of Kṛṣṇa are always engaged in His service in this way?" Out of the many intimate priya-narmās, Subala and Ujjvala are considered to be the most prominent.

Nectar of Devotion 41:

Subala's body is described as follows. His complexion is just like molten gold. He is very, very dear to Kṛṣṇa. He always has a garland around his neck, and he wears yellow clothing. His eyes are just like lotus flower petals, and he is so intelligent that by his talking and his moral instructions all the other friends take the highest pleasure. Let us all offer our respectful obeisances unto Kṛṣṇa's friend Subala!

The degree of intimacy shared by Kṛṣṇa and Subala can be understood by the fact that the talks between them were so confidential that no one else could understand what they were saying.

Nectar of Devotion 42:

My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

At this age Kṛṣṇa was garlanded with various kinds of flowers. He used to put on a silk dress, colored with various kinds of dye. Such beautiful decorations are considered cosmetics for Kṛṣṇa. Kṛṣṇa would wear this dress when He used to go into the forest to tend the cows. Sometimes He would wrestle there with His different friends, and sometimes they would dance all together in the forest. These are some of the specific activities of the paugaṇḍa age.

Nectar of Devotion 42:

The cowherd friends of Kṛṣṇa were so happy in His company that they expressed their transcendental feelings within themselves thus: "Dear Kṛṣṇa, You are always busy tending the cows which are scattered all over beautiful Vṛndāvana. You have a beautiful garland, a small conchshell, a peacock feather on Your turban, yellow-colored silk cloth, decorations of karṇikāra flowers on Your ears and a mallikā flower garland on Your chest. Appearing so beautiful, when You pretend, just like an actor, to be fighting with us, You give us unlimited transcendental bliss."

Nectar of Devotion 42:

The servants of Kṛṣṇa were sometimes engaged in collecting flowers, decorating His body with valuable ornaments and trinkets, dancing before Him, singing, helping Him herd the cows, massaging His body, preparing flower garlands and sometimes fanning His body. These were some of the primary duties of the servants of Kṛṣṇa. The friends and servants of Kṛṣṇa were combined together in serving Him, and all of their activities are known as anubhāva.

When Kṛṣṇa came out from the Yamunā after chastising the Kāliya-nāga, Śrīdāmā wanted to embrace Him first, but he could not raise his arms because of his great feeling of respect.

Nectar of Devotion 42:

There is another instance of ecstatic love for Kṛṣṇa in friendship. Once when a cowherd boy named Vṛṣabha was collecting flowers from the forest to prepare a garland to be offered to Kṛṣṇa, the sun reached its zenith, and although the sunshine was scorching hot, Vṛṣabha felt it to be like the moonshine. That is the way of rendering transcendental loving service to the Lord; when devotees are put into great difficulties—even like the Pāṇḍavas, as described above—they feel all their miserable conditions to be great facilities for serving the Lord.

Krsna, The Supreme Personality of Godhead

Krsna Book 1:

Because the newly married girl may feel too much separation from her father's family, the brother goes with her until she reaches her father-in-law's house. The full dowry contributed by Devaka was as follows: 400 elephants fully decorated with golden garlands, 15,000 decorated horses, and 1,800 chariots. He also arranged for 200 beautiful girls to follow his daughter. The kṣatriya system of marriage, still current in India, dictates that when a kṣatriya is married, a few dozen of the bride's young girlfriends (in addition to the bride) go to the house of the king. The followers of the queen are called maidservants, but actually they act as friends of the queen. This practice is prevalent from time immemorial, traceable at least to the time before the advent of Lord Kṛṣṇa 5,000 years ago. So Vasudeva brought home another 200 beautiful girls along with his wife Devakī.

Krsna Book 4:

This is a graphic example of a cruel demon who could sacrifice all relationships for the sake of personal gratification. But the child immediately slipped out of his hands, went up into the sky and appeared with eight arms as the younger sister of Viṣṇu. She was decorated with nice garments and flower garlands and ornaments; in her eight hands she held a bow, lance, arrows, sword, conchshell, disc, club and shield.

Seeing the appearance of the child (who was actually the Goddess Durgā), all the demigods from different planets like Siddhaloka, Cāraṇaloka, Gandharvaloka, Apsaroloka, Kinnaraloka and Uragaloka presented her with various articles and began to offer their respective prayers. From above, the goddess addressed Kaṁsa: “You rascal, how can you kill me? The child who will kill you is already born before me somewhere within this world. Don’t be so cruel to your poor sister.”

Krsna Book 5:

Ceilings and roofs were decorated with different kinds of flags, festoons and green leaves. The gates were made of green leaves and flowers. All the cows, bulls and calves were smeared with a mixture of oil and turmeric and painted with minerals like red oxide, yellow clay and manganese. They wore garlands of peacock feathers and were covered with nice colored cloths and gold necklaces.

When all the ecstatic cowherd men heard that Nanda Mahārāja, the father of Kṛṣṇa, was celebrating the birth ceremony of his son, they became spontaneously joyful. They dressed themselves with very costly garments and ornamented their bodies with different kinds of earrings and necklaces and wore great turbans on their heads. After dressing themselves in this gorgeous way, they took various kinds of presentations and thus approached the house of Nanda Mahārāja.

Krsna Book 5:

Their ears were decorated with pearl rings, their necks with jeweled lockets, their lips and eyes with different kinds of lipstick and ointment, and their hands with nice golden bangles. As they were very hastily passing over the stone road, the flower garlands which were decorating their bodies fell to the ground, and it appeared that a shower of flowers was falling from the sky. From the movement of the different kinds of ornaments on their bodies, they were looking still more beautiful. In this way, they all reached the house of Nanda-Yaśodā and blessed the child: "Dear child, You live long just to protect us." While they were blessing child Kṛṣṇa in this way, they offered a mixture of turmeric powder, oil, yogurt, milk and water. They sprinkled this mixture not only on the body of child Kṛṣṇa but on all other persons who were present there. Also on that auspicious occasion, there were different bands of expert musicians playing.

Krsna Book 5:

Rohiṇīdevī, the mother of Balarāma, was the most fortunate wife of Vasudeva. She was away from her husband, yet just to congratulate Mahārāja Nanda on the occasion of the birth ceremony of his son, Kṛṣṇa, she dressed herself very nicely. Wearing a garland, a necklace and other bodily ornaments, she appeared on the scene and moved hither and thither. According to the Vedic system, a woman whose husband is not at home does not dress herself very nicely. But although Rohiṇī’s husband was away, she still dressed herself very nicely on this occasion.

Krsna Book 7:

As the brāhmaṇas chanted the Vedic hymns and performed the ritualistic ceremonies for the second time, Nanda Mahārāja again gave them huge quantities of grain and many cows. All the cows which were given in charity were covered with nice gold-embroidered garments, and their horns were bedecked with golden rings; their hooves were covered with silver plate, and they wore garlands of flowers. He gave so many cows just for the welfare of his wonderful child, and the brāhmaṇas in return bestowed their heartfelt blessings. And the blessings offered by the able brāhmaṇas were never to be baffled.

Krsna Book 9:

The bangles and bracelets on her hands tinkled as they touched each other, and her earrings and breasts shook. There were drops of perspiration on her face, and the flower garland which was on her head scattered here and there. Before this picturesque sight, Lord Kṛṣṇa appeared as a child. He felt hungry, and to increase His mother's love, He wanted her to stop churning. He indicated that her first business was to let Him suck her breast, and then she could churn butter later.

Mother Yaśodā took her son on her lap and pushed the nipple of her breast into His mouth, and while Kṛṣṇa was sucking the milk, she was smiling, enjoying the beauty of her child's face. Suddenly, the milk which was on the stove began to boil over. Just to stop the milk from spilling, Mother Yaśodā at once put Kṛṣṇa aside and went to the stove.

Krsna Book 9:

In attempting to bind her son, she became tired. She was perspiring, and the garland on her head fell down. Then Lord Kṛṣṇa appreciated the hard labor of His mother, and being compassionate upon her, He agreed to be bound up by the ropes. Kṛṣṇa, playing as a human child in the house of Mother Yaśodā, was performing His own selected pastimes. Of course, no one can control the Supreme Personality of Godhead. The pure devotee surrenders himself unto the lotus feet of the Lord, who may either protect or vanquish the devotee. But for his part, the devotee never forgets his own position of surrender. Similarly, the Lord also feels transcendental pleasure by submitting Himself to the protection of the devotee. This was exemplified by Kṛṣṇa's surrender unto His mother, Yaśodā.

Krsna Book 13:

Viṣṇu is the expansion of Kṛṣṇa, so the Viṣṇu forms appeared before Brahmā. All the Viṣṇu forms were of bluish color and dressed in yellow garments; all of Them had four hands decorated with club, disc, lotus flower and conchshell. On Their heads were glittering golden helmets inlaid with jewels; They were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells. Their legs were decorated with bells, Their waists with golden belts, and Their fingers with jeweled rings. Brahmā also saw that upon the whole body of each Lord Viṣṇu, from the lotus feet up to the top of the head, fresh tulasī leaves and buds had been thrown. Another significant feature of the Viṣṇu forms was that all of Them were looking transcendentally beautiful. Their smiling resembled the moonshine, and Their glancing resembled the early rising of the sun.

Krsna Book 14:

“Let me offer my respectful repeated obeisances unto the son of Mahārāja Nanda, who is standing before me with conchshell earrings and a peacock feather on His head. His face is beautiful; He is wearing a helmet and is garlanded by forest flowers, and He stands with a morsel of food in His hand. He is decorated with a cane, a buffalo-horn bugle and a flute. He stands before me with small lotus feet.

“My dear Lord, people may say that I am the master of all Vedic knowledge, and I am supposed to be the creator of this universe, but it has been proved now that I cannot understand You, who are present before me just like a child. You are playing with Your boyfriends and calves, which might imply that You do not even have sufficient education.

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While passing, they enjoyed seeing the dead carcass of Aghāsura in the shape of a gigantic serpent. When Kṛṣṇa returned home to Vrajabhūmi, He was seen by all the inhabitants of Vṛndāvana. He was wearing a peacock feather in His helmet, which was also decorated with forest flowers. Kṛṣṇa was also garlanded with flowers and painted with different colored minerals collected from the caves of Govardhana Hill. Govardhana Hill is always famous for supplying natural red oxides, and Kṛṣṇa and His friends painted their bodies with them. Each of them had a bugle made of buffalo horn and a stick and a flute, and each called his respective calves by their particular names. The cowherd boys were so proud of Kṛṣṇa's wonderful activities that, while entering the village, they all sang His glories. All the gopīs in Vṛndāvana saw beautiful Kṛṣṇa entering the village. The boys composed nice songs describing how they were saved from being swallowed by the great serpent and how the serpent was killed.

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In this way, Lord Kṛṣṇa and Balarāma began to enjoy the residents of Vṛndāvana to Their full satisfaction as They herded the calves and cows on the bank of the Yamunā. In some places Kṛṣṇa and Balarāma were accompanied by Their friends. The boys were singing, imitating the humming sound of the drones and accompanying Kṛṣṇa and Balarāma, who were garlanded with forest flowers. While walking, the boys sometimes imitated the quacking sound of the swans in the lakes, or when they saw the peacocks dancing, they imitated them before Kṛṣṇa. Kṛṣṇa also moved His neck, imitating the dancing and making His friends laugh.

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Simultaneously, the mothers rendered service and bestowed benediction upon their transcendental sons. They took care of their children by bathing Them and dressing Them very nicely. Kṛṣṇa was dressed in yellowish garments, and Balarāma was dressed in bluish garments, and They were given all sorts of ornaments and flower garlands. Being relieved of the fatigue of Their day's work in the pasturing ground, They looked refreshed and very beautiful.

They were given palatable dishes by Their mothers, and They pleasantly ate everything. After eating, They were seated nicely on clean bedding, and the mothers began to sing various songs of Their activities. As soon as They lay down on the bedding, They very quickly fell fast asleep. In this way, Kṛṣṇa and Balarāma used to enjoy Vṛndāvana life as cowherd boys.

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Now, after seeing the marks where I have touched your head with My lotus feet, Garuḍa will not disturb you.”

The Lord was pleased with Kāliya and his wives. Immediately after hearing His order, the snake and his wives began to worship Him with great offerings of nice garments, flowers, garlands, jewels, ornaments, sandal pulp, lotus flowers and nice eatable fruits. In this way they pleased the master of Garuḍa, of whom they were very much afraid. Then, obeying the orders of Lord Kṛṣṇa, all of them left the lake within the Yamunā.

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Kṛṣṇa, the reservoir of pleasure, blowing His flute, accompanied by His elder brother Balarāma and the other cowherd boys and the cows, entered the beautiful forest of Vṛndāvana to enjoy the atmosphere. They walked into the midst of newly grown leaves of trees whose flowers resembled peacock feathers. They were garlanded by those flowers and decorated with saffron chalk. Sometimes they were dancing and singing and sometimes wrestling with one another. While Kṛṣṇa danced, some of the cowherd boys sang and others played on flutes; some bugled on buffalo horns or clapped their hands, praising Kṛṣṇa, "Dear brother, You are dancing very nicely." Actually, all these boys were demigods descended from higher planets to assist Kṛṣṇa in His pastimes. The demigods garbed in the dress of the cowherd boys were encouraging Kṛṣṇa in His dancing, just as one artist encourages another with praise.

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While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.

Kṛṣṇa was very expert in playing the flute, and the gopīs were captivated by the sound vibration, which was attractive not only to them but to all living creatures who heard it.

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Another gopī expressed her opinion that Kṛṣṇa and Balarāma, while tending the cows with the cowherd boys, appeared just like actors going to play on a dramatic stage. Kṛṣṇa was dressed in glowing garments of yellow, Balarāma in blue, and They held new twigs of mango tree, peacock feathers and bunches of flowers in Their hands. Dressed with garlands of lotus flowers, They were sometimes singing very sweetly among Their friends. One gopī told her friends, "How is it Kṛṣṇa and Balarāma are looking so beautiful?" Another gopī said, "My dear friends, we cannot even think of His bamboo flute—what sort of pious activities did it execute so that it is now enjoying the nectar of the lips of Kṛṣṇa, which is actually the property of us gopīs?" Kṛṣṇa sometimes kisses the gopīs; therefore the transcendental nectar of His lips is available only to them. So the gopīs asked, “How is it possible that the flute, which is nothing but a bamboo rod, is always engaged in enjoying the nectar from Kṛṣṇa's lips?

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The Māyāvādī philosopher takes all these forms of the deity to be imaginary, but actually they are accepted in the Vedic scriptures to be identical with either the Supreme Lord or a respective demigod.

The unmarried gopīs used to prepare the deity of Goddess Durgā and worship it with candana pulp, garlands, incense, lamps and all kinds of presentations—fruits, grain and twigs of plants. After worshiping, it is the custom to pray for some benediction. The unmarried girls used to pray with great devotion to Goddess Kātyāyanī, addressing her as follows: "O supreme external energy of the Personality of Godhead, O supreme mystic power, O supreme controller of this material world, O goddess, please be kind to us and arrange for our marriage with the son of Nanda Mahārāja, Kṛṣṇa." The Vaiṣṇavas generally do not worship any demigods. Śrīla Narottama dāsa Ṭhākura has strictly forbidden all worship of the demigods for anyone who wants to advance in pure devotional service.

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The brāhmaṇas' wives saw Kṛṣṇa with a blackish complexion, wearing a garment that glittered like gold. He wore a nice garland of forest flowers and a peacock feather on His head. He was also painted with the minerals found in Vṛndāvana, and He looked exactly like a dancing actor on a theatrical stage. They saw Him resting one hand on the shoulder of His friend, and in His other hand He was holding a lotus flower. His ears were decorated with lilies, He wore marks of tilaka, and He was smiling charmingly. With their very eyes the wives of the brāhmaṇas saw the Supreme Personality of Godhead, of whom they had heard so much, who was so dear to them, and in whom their minds were always absorbed. Now they saw Him eye to eye and face to face, and Kṛṣṇa entered within their hearts through their eyes.

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When He was enjoying them in their midst, He appeared just like the full moon surrounded by millions of shining stars. Thus the Supreme Personality of Godhead, surrounded by hundreds of gopīs and decorated with a flower garland of many colors, began to wander within the Vṛndāvana forest, sometimes singing to Himself and sometimes singing with the gopīs. In this way the Lord and the gopīs reached the cool, sandy bank of the Yamunā, where there were lilies and lotus flowers. In such a transcendental atmosphere, the gopīs and Kṛṣṇa began to enjoy one another. While they were walking on the bank of the Yamunā, Kṛṣṇa would sometimes put His arms around a gopī’s head, breast or waist. Pinching one another and joking and looking at one another, they enjoyed. When Kṛṣṇa touched the bodies of the gopīs, their lust to embrace Him increased. They all enjoyed these pastimes.

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After addressing the innumerable trees and plants and the earth, they turned their faces toward the beautiful deer, who were looking at them very pleasingly. "It appears," they addressed the deer, “that Kṛṣṇa, who is the Supreme Nārāyaṇa Himself, must have passed through this way along with His companion, Lakṣmī, the goddess of fortune. Otherwise, how is it possible that the aroma of His garland, which is smeared with the red kuṅkuma from the breasts of the goddess of fortune, can be perceived in the breeze blowing here? It appears that they must have passed through here and touched your bodies, and thus you are feeling so pleasant and are looking toward us with sympathy. Will you kindly, therefore, inform us which way Kṛṣṇa has gone? Kṛṣṇa is the well-wisher of Vṛndāvana. He is as kind to you as to us; therefore after leaving us, He must have been present in your company.

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The gopīs and Kṛṣṇa entered the water of the Yamunā just to relieve their fatigue from the rāsa dance. The lily-flower garlands around the necks of the gopīs were strewn to pieces due to the gopīs' embracing the body of Kṛṣṇa, and the flowers were reddish from being smeared with the kuṅkuma on their breasts. The bumblebees were humming about in order to get honey from the flowers. Kṛṣṇa and the gopīs entered the water of the Yamunā just as an elephant enters a water tank with his many female companions. Both the gopīs and Kṛṣṇa forgot their real identities, playing in the water, enjoying each other's company and relieving the fatigue of rāsa dancing. The gopīs began to splash water on the body of Kṛṣṇa, all the while smiling, and Kṛṣṇa enjoyed this.

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According to the Vedic system, charity is given to the brāhmaṇas. It is stated in the Vedic śāstras that only the brāhmaṇas and the sannyāsīs can accept charity. The cowherd men from Vṛndāvana gave the brāhmaṇas cows decorated with golden ornaments and beautiful garlands. The brāhmaṇas are given charity because they are not engaged in any business profession. They are supposed to be engaged in brahminical occupations, as described in the Bhagavad-gītā—namely, they must be very learned and must perform austerity and penances. Not only must they themselves be learned, but they must also teach others. Brāhmaṇas are not meant to be brāhmaṇas alone: they should create other brāhmaṇas also. If a man is found who agrees to become a brāhmaṇa's disciple, he is also given the chance to become a brāhmaṇa. The brāhmaṇa is always engaged in the worship of Lord Viṣṇu. Therefore the brāhmaṇas are eligible to accept all kinds of charity.

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Immediately upon being touched by the lotus feet of Kṛṣṇa, the serpent shed its reptilian body and appeared as a very beautiful demigod named Vidyādhara. His bodily features were so beautiful that he appeared to be worshipable. There was a luster and effulgence emanating from his body, and he was garlanded with a gold necklace. He offered obeisances to Lord Kṛṣṇa and stood before Him with great humility. Kṛṣṇa then asked the demigod, "You appear to be a very nice demigod and to be favored by the goddess of fortune. How is it that you performed such abominable activities that you got the body of a serpent?" The demigod then began to narrate the story of his previous life.

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The breeze was blowing, bearing the aroma of mallikā flowers, and the bumblebees were mad after the aroma. Taking advantage of the pleasing atmosphere, Kṛṣṇa and Balarāma began to sing very melodiously. The damsels became so absorbed in Their rhythmical song that they almost forgot themselves; their hair loosened, their clothes slackened, and their garlands began to fall to the ground.

At that time, while Kṛṣṇa, Balarāma and the damsels were so much absorbed, almost in madness, a demoniac associate of Kuvera (the treasurer of the heavenly planets) appeared on the scene. The demon's name was Śaṅkhacūḍa because on his head there was a valuable jewel resembling a conchshell. Just as the two sons of Kuvera had been puffed up over their wealth and opulence and did not care for Nārada Muni's presence, this Śaṅkhacūḍa was also puffed up over material opulence.

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They then wanted to deliver everything—whatever they had—namely their fruits, flowers and the honey incessantly falling from their branches.

When Kṛṣṇa walked on the bank of the Yamunā, He was seen nicely decorated with tilaka on His face. He was garlanded with different kinds of forest flowers, and His body was smeared with the pulp of sandalwood and tulasī leaves. The bumblebees became mad after the fragrance and sweetness of the atmosphere and began to hum. Being pleased by the humming sound of the bees, Kṛṣṇa would play His flute, and together the sounds became so sweet to hear that aquatic birds like cranes, swans and ducks were charmed. Instead of swimming or flying, they became stunned. They closed their eyes and entered a trance of meditation in worship of Kṛṣṇa.

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They were also differently named according to color. When He would prepare to return from the pasturing ground, He would gather all the cows. As Vaiṣṇavas count 108 beads, which represent the 108 individual gopīs, so Kṛṣṇa would also count on 108 beads to count the different groups of cows.

"When Kṛṣṇa returns, He is garlanded with tulasī leaves," a gopī described Him to a friend. "He puts His hand on the shoulder of a cowherd boyfriend and begins to blow His transcendental flute. The wives of the black deer become enchanted upon hearing the vibration of His flute, which resembles the vibration of the vīṇā. The deer come to Kṛṣṇa and become so charmed that they stand still, forgetting their homes and husbands. Like us, who are enchanted by the ocean of the transcendental qualities of Kṛṣṇa, the she-deer become enchanted by the vibration of His flute."

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“Kṛṣṇa is compared to the moon, born in the ocean of the womb of Devakī. When He returns in the evening, it appears that He is fatigued, but He still tries to gladden the inhabitants of Vṛndāvana by His auspicious presence. When Kṛṣṇa returns, garlanded with flowers, His face looks beautiful, adorned with golden earrings. He walks into Vṛndāvana with a stride just like the elephant's and slowly enters His home. Upon His return, the men, women and cows of Vṛndāvana immediately forget the scorching heat of the day.”

Such descriptions of Kṛṣṇa's transcendental pastimes and activities were remembered by the gopīs during His absence from Vṛndāvana. They give us some idea of how attractive Kṛṣṇa is, not only to human beings but to all animate and inanimate objects. In Vṛndāvana, everyone and everything is attracted to Kṛṣṇa, including the trees, the plants, the water, and animals like the deer and cows.

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Although They were the most influential personalities, They were glancing at him with smiling faces. Akrūra could understand that both Kṛṣṇa and Balarāma had returned from tending cows in the forest; They had taken Their baths and were dressed with fresh clothing and garlanded with flowers and with necklaces made of valuable jewels. Their bodies were smeared with the pulp of sandalwood. Akrūra greatly appreciated the aroma of the flowers and sandalwood and Their bodily presence. He considered himself very fortunate to see Kṛṣṇa, the Supreme Personality of Godhead, and His plenary expansion, Balarāma, face to face, for he knew that They were the original personalities of the creation.

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He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands. His chest was marked with the particular signs of Viṣṇu, and He wore fresh flower garlands. All in all, He was very beautiful to look at. Akrūra also saw His Lordship surrounded by intimate associates like the four Kumāras—Sanaka, Sanātana, Sananda and Sanat-kumāra—and other associates like Sunanda and Nanda, as well as demigods like Brahmā and Lord Śiva. The nine great learned sages were there, and also devotees like Prahlāda and Nārada and the eight Vasus. All were engaged in offering prayers to the Lord with clean hearts and pure words.

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The corridors and verandas of the houses were decorated with silk cloth and embroidery work in jewels and pearls. In front of the balcony windows were pigeons and peacocks walking and cooing. All the grain dealers' shops within the city were decorated with different kinds of flowers and garlands, newly grown grass and pleasing flowers like narcissus and roses. The entrance doors of the houses were decorated with waterpots filled with water. A mixture of water, yogurt, sandalwood pulp and flowers was sprinkled all around the doors, which were also decorated with burning lamps of different sizes. Over all the doors were decorations of fresh mango leaves and silk festoons.

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You are the Supersoul, and You do not discriminate between friend and enemy. Yet You are pleased to give Your devotees the special result of their devotional activities. My Lord, I am praying that You please tell me whatever You wish me to do, because I am Your eternal servant. If You would order me to do something, it would be a great favor to me.” The florist, Sudāmā, was greatly pleased within his heart by seeing Kṛṣṇa and Balarāma in his place, and thus, as his choicest desire, he made two exquisite garlands of various flowers and presented them to the Lord. Kṛṣṇa and Balarāma were very much pleased with his sincere service, and Kṛṣṇa offered the florist His salutation and benedictions, which He is always prepared to bestow upon the surrendered souls. When the florist was offered benedictions, he begged from the Lord that he might remain His eternal servant in devotional service and by such service do good to all living creatures.

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All the trees before him appeared to be made of gold, and he could not see his own footprints in dust or muddy clay. In dreams he saw various kinds of ghosts being carried in a carriage drawn by donkeys. He also dreamed that someone gave him poison and he was drinking it. He dreamed also that he was going naked with a garland of flowers and was smearing oil all over his body. Thus, as Kaṁsa saw various signs of death while both awake and sleeping, he could understand that death was certain, and thus in great anxiety he could not rest that night. Just after the night expired, he busily arranged for the wrestling match.

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There is a reddish hue on His white face because He is engaged in a strenuous wrestling match with Muṣṭika.”

Another lady in the assembly addressed her friend, “Dear friend, just imagine how fortunate is the land of Vṛndāvana, where the Supreme Personality of Godhead Himself is present, always decorated with flower garlands and engaged in tending cows along with His brother, Lord Balarāma. He is always accompanied by His cowherd boyfriends, and He plays His transcendental flute. The residents of Vṛndāvana are fortunate to be able to constantly see the lotus feet of Kṛṣṇa and Balarāma, which are worshiped by great demigods like Lord Śiva and by the goddess of fortune. We cannot estimate how many pious activities were executed by the damsels of Vrajabhūmi so that they were able to enjoy the Supreme Personality of Godhead by looking upon the unparalleled beauty of His transcendental body. The beauty of the Lord is beyond compare.

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The great wrestler was jolted, to the astonishment of the audience. Cāṇūra then took his last chance and attacked Kṛṣṇa, just as one hawk swoops upon another. Folding his two hands, he began to strike the chest of Kṛṣṇa, but Lord Kṛṣṇa was not even slightly disturbed, any more than an elephant is when hit by a flower garland. Kṛṣṇa quickly caught the two hands of Cāṇūra and began to wheel him around, and simply by this centrifugal action, Cāṇūra lost his life. Kṛṣṇa then threw him to the ground. Cāṇūra fell just like the flag of Indra, and all his nicely fashioned ornaments were scattered hither and thither.

Muṣṭika also struck Balarāma, and Balarāma returned the stroke with great force. Muṣṭika began to tremble and vomit blood. Distressed, he gave up his vital force and fell down just as a tree falls down in a hurricane.

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When the gopīs saw Uddhava, they observed that his features almost exactly resembled those of Kṛṣṇa, and they could understand that he was a great devotee of Kṛṣṇa's. His arms were very long and his eyes were just like the petals of the lotus flower. He was dressed in yellow garments and wore a garland of lotus flowers. His face was very beautiful. Having achieved the liberation of sārūpya and thus having the same bodily features as the Lord, Uddhava looked almost like Kṛṣṇa. In Kṛṣṇa's absence, the gopīs had been coming dutifully to visit Mother Yaśodā’s house early in the morning. They knew that Nanda Mahārāja and Mother Yaśodā were always grief-stricken, and they had made it their first duty to come and pay their respects to the most exalted elder personalities of Vṛndāvana. Seeing the friends of Kṛṣṇa, Nanda and Yaśodā would remember Kṛṣṇa Himself and be satisfied, and the gopīs also would be pleased by seeing Nanda and Yaśodā.

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While the other gopīs were talking with Kṛṣṇa's messenger Uddhava, Śrīmatī Rādhārāṇī took that bumblebee to be a messenger from Kṛṣṇa and began to talk with it as follows: “Bumblebee, you are accustomed to drinking honey from flower to flower, and therefore you have preferred to be a messenger of Kṛṣṇa, who is of the same nature as you. I can see on your mustaches the red powder of kuṅkuma which was smeared on the flower garland of Kṛṣṇa while it was pressed against the breasts of some other girl who is My competitor. You feel very proud because of having touched that garland, and your mustaches have become reddish. You have come here carrying a message for Me, anxious to touch My feet. But My dear bumblebee, let Me warn you—don’t touch Me! I don’t want any messages from your unreliable master. You are the unreliable servant of an unreliable master.”

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Kṛṣṇa reached her house, He saw that it was completely decorated in a way to excite the lusty desires of a man. This suggests that there were many nude pictures, on top of which were canopies and flags embroidered with pearl necklaces, along with comfortable beds and cushioned chairs. The rooms were provided with flower garlands and were nicely scented with incense and sprinkled with scented water. And the rooms were illuminated by nice lamps.

When Kubjā saw that Lord Kṛṣṇa had come to her house to fulfill His promised visit, she immediately got up from her chair to receive Him cordially. Accompanied by her many girlfriends, she began to talk with Him with great respect and honor. After offering Him a nice place to sit, she worshiped Lord Kṛṣṇa in a manner just suitable to her position. Uddhava was similarly received by Kubjā and her girlfriends, but he did not want to sit on an equal level with Kṛṣṇa, and thus he simply sat down on the floor.

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As one usually does in such situations, Kṛṣṇa entered the bedroom of Kubjā without wasting time. In the meantime, Kubjā took her bath and smeared her body with sandalwood pulp. She dressed herself with nice garments, valuable jewelry, ornaments and flower garlands. After chewing betel nut and other intoxicating eatables and spraying herself with scents, she appeared before Kṛṣṇa. Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune. When Kṛṣṇa saw Kubjā hesitating to come before Him, He immediately caught hold of her hand, which was decorated with bangles. With great affection, He dragged her near Him and made her sit by His side. Simply by having previously supplied pulp of sandalwood to the Supreme Lord, Kṛṣṇa, Kubjā became free from all sinful reactions and eligible to enjoy with Him.

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The brāhmaṇas chanted Vedic mantras at numerous places. The people constructed road crossings and gates at entrances to lanes and streets. When Lord Kṛṣṇa was entering the nicely decorated city of Mathurā in a festive attitude, the ladies and girls of Mathurā prepared different kinds of flower garlands to make the ceremony most auspicious. In accordance with the Vedic custom, they took yogurt mixed with fresh green grass and strewed it here and there to make the victory jubilation even more auspicious. As Kṛṣṇa passed through the street, all the ladies and women regarded Him with eyes bright with great affection. Kṛṣṇa and Balarāma carried various kinds of ornaments, jewels and other booty carefully collected from the battlefield and presented it all to King Ugrasena. Kṛṣṇa thus offered His respect to His grandfather because Ugrasena was at that time the crowned king of the Yadu dynasty.

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This proves that while there are undoubtedly innumerable demigods, none of them is independent of Kṛṣṇa. As stated in the Caitanya-caritāmṛta, Kṛṣṇa is the supreme master, and all others are His servants. So all the demigods took the opportunity to render service to Kṛṣṇa when He was personally present within this universe. This example should be followed by all, especially those who are Kṛṣṇa conscious, for they should serve Kṛṣṇa by their respective abilities.

When the new city was fully constructed according to plan, Kṛṣṇa transferred all the inhabitants of Mathurā and installed Śrī Balarāma as the city father. After this He consulted with Balarāma, and, being garlanded with lotus flowers but carrying no weapons, He came out of the city to meet Kālayavana, who had already surrounded Mathurā.

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Kṛṣṇa appeared blissful, with a handsome forehead and beautiful smiling face, restless eyebrows and moving earrings. Before seeing Kṛṣṇa, Kālayavana had heard about Him from Nārada, and now the descriptions of Nārada were confirmed. Kālayavana noticed Kṛṣṇa's specific marks and the jewels on His chest, His beautiful garland of lotus flowers, His lotuslike eyes and similar beautiful bodily features. He concluded that this beautiful personality must be Vāsudeva, for every description he had previously heard from Nārada was substantiated by the presence of Kṛṣṇa. Kālayavana was astonished to see Kṛṣṇa passing through his army without any weapon in His hands and without any chariot. He was simply walking on foot. Kālayavana had come to fight with Kṛṣṇa, and yet he had sufficient principles not to take up any kind of weapon. He decided to fight with Him hand to hand. Thus he prepared to capture Kṛṣṇa and fight.

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When Lord Kṛṣṇa appeared before Mucukunda, the King saw Him dressed in a yellow garment, His chest marked with the symbol of Śrīvatsa, and the Kaustubha jewel hanging around His neck. Kṛṣṇa appeared before him with four hands, as viṣṇu-mūrti, with a garland called Vaijayantī hanging from His neck down to His knees. He looked lustrous, His face was beautifully smiling, and He wore nice jeweled earrings on His ears. Kṛṣṇa appeared more beautiful than a human can conceive. Not only did He appear in this feature, but He glanced over Mucukunda with great affection, attracting the King's mind. Although He was the Supreme Personality of Godhead, the oldest of all, He looked like a fresh young boy, and His movements were just like those of a free deer. Still, He appeared extremely powerful; His influence and vast power are so great that every human being should be afraid of Him.

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The roads of Kuṇḍina were arrayed with colored flags and festoons, and gates were constructed at particular crossings. The whole city was decorated very nicely. The beauty of the city was enhanced by the inhabitants, both men and women, who were dressed in fresh, washed clothes and decorated with sandalwood pulp, pearl necklaces and flower garlands. Incense burned everywhere, and fragrances like aguru scented the air. Priests and brāhmaṇas were sumptuously fed and, according to ritualistic ceremony, were given sufficient wealth and cows in charity. In this way, they were engaged in chanting Vedic hymns. The King's daughter, Rukmiṇī, was exquisitely beautiful. She was very clean and had beautiful teeth. The auspicious sacred thread was tied on her wrist. She was given various types of jewelry to wear and long silken cloth to cover the upper and lower parts of her body. Learned priests gave her protection by chanting mantras from the Sāma Veda, Ṛg Veda and Yajur Veda.

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Dama means curbing down, and ghoṣa means famous; so he was famous for controlling the citizens. Damaghoṣa thought that if Kṛṣṇa came to disturb the marriage ceremony, he would certainly cut Him down with his military power. Therefore, after performing the various auspicious ceremonies, Damaghoṣa gathered his military divisions. He took many elephants garlanded with golden necklaces, and many similarly decorated chariots and horses. It appeared that Damaghoṣa, along with his son and other companions, was going to Kuṇḍina not exactly to get Śiśupāla married but mainly to fight.

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Conchshells, drums such as paṇavas, and bugles of different sizes, such as tūryas and bherīs, combined to make a sound which was not only auspicious but very sweet to hear. Thousands of wives of respectable brāhmaṇas were present, all dressed very nicely with suitable ornaments. They presented Rukmiṇī with flower garlands, sandalwood pulp and a variety of colorful garments to assist her in worshiping Lord Śiva and Goddess Durgā. Some of these ladies were very old and knew perfectly well how to chant prayers to Goddess Durgā and Lord Śiva; so, followed by Rukmiṇī and others, they led these prayers before the deity.

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Rukmiṇī, however, desired to have Kṛṣṇa for her husband and therefore prayed that the deity be pleased with her and bless her with that benediction. Since she desired only Kṛṣṇa, her worship of the demigods is not condemned. While Rukmiṇī was praying, she presented a variety of items before the deity, chief of which were water, different kinds of flames, incense, garments, garlands and various foods prepared with ghee, such as purīs and kachoris. She also offered fruits, sugarcane, betel nuts and spices. With great devotion, Rukmiṇī offered them to the deity according to the regulative principles, directed by the old brāhmaṇa ladies. After this ritualistic ceremony, the ladies offered the remnants of the food to Rukmiṇī as prasādam, which she accepted with great respect. Then Rukmiṇī offered her obeisances to the ladies and to Goddess Durgā.

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The elephants, feeling much pain from Garuḍa's attack on them, all dispersed from the battlefield. Bhaumāsura alone remained on the battlefield, and he engaged himself in fighting with Kṛṣṇa. He saw that Kṛṣṇa's carrier, Garuḍa, had caused great disturbance to his soldiers and elephants, and in great anger he struck Garuḍa with all his strength, which defied the strength of a thunderbolt. Fortunately, Garuḍa was not an ordinary bird, and he felt the strokes given by Bhaumāsura just as a great elephant feels the impact of a garland of flowers.

Bhaumāsura thus came to see that none of his tricks would act upon Kṛṣṇa, and he became aware that all his attempts to kill Kṛṣṇa would be frustrated.

Krsna Book 59:

At this time, the earth personified appeared before Lord Kṛṣṇa and greeted Him with a Vaijayantī flower garland. She then returned the dazzling earrings of Aditi, bedecked with jewels and gold. She also returned the umbrella of Varuṇa, along with a valuable jewel, which she presented to Kṛṣṇa. After this, the earth personified offered her prayers to Kṛṣṇa, the Supreme Personality and master of the world, who is always worshiped by exalted demigods. She fell down in obeisances and, in great devotional ecstasy, began to speak.

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“My dear Lord, the lotus flower grows out of Your navel, and You are always decorated with a garland of lotus flowers. Your eyes are always spread like the petals of the lotus flower, and therefore they are all-pleasing to the eyes of others. Your soft and delicate lotus feet are always worshiped by Your unalloyed devotees, and those lotus feet pacify their lotuslike hearts. I therefore repeatedly offer my respectful obeisances unto You.

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They engaged in seating Him on a nice couch, worshiping Him with all kinds of paraphernalia, washing His lotus feet with Ganges water, offering Him betel nuts and massaging His legs. In this way, they gave Him relief from the fatigue He felt after being away from home. They fanned Him nicely, offered Him fragrant essential floral oil, decorated Him with flower garlands, dressed His hair, asked Him to lie down to take rest, bathed Him personally and fed Him palatable dishes. Each queen did all these things herself and did not wait for the maidservants. In other words, Kṛṣṇa and His different queens displayed on this earth an ideal household life.

Krsna Book 60:

The palace of Rukmiṇī was wonderfully furnished. Hanging from the ceiling were many canopies with laces bedecked with pearl garlands, and the whole palace was illuminated by the effulgence of valuable jewels. There were many flower groves of mallikā and cāmeli, which are considered the most fragrant flowers in India. There were many clusters of these plants, with blooming flowers enhancing the beauty of the palace. And because of the exquisite fragrance of the flowers, little groups of humming bees gathered around the trees, and at night the pleasing moonshine glittered through the network of holes in the windows. There were many heavily flowered trees of pārijāta, and the mild wind stirred the fragrance of the flowers all around. Incense burned within the walls of the palace, and the fragrant smoke leaked out of the window shutters.

Krsna Book 61:

Each and every wife had hundreds and thousands of maidservants, yet when Kṛṣṇa entered the palaces of His thousands of wives, each one of them used to receive Kṛṣṇa personally by seating Him in a nice chair, worshiping Him with all requisite paraphernalia, personally washing His lotus feet, offering Him betel nuts, massaging His legs to relieve them of fatigue, fanning Him to make Him comfortable, offering all kinds of scented sandalwood pulp, oils and aromatics, putting flower garlands on His neck, dressing His hair, getting Him to lie down on the bed and assisting Him in taking His bath. Thus they served Kṛṣṇa always, in every respect, especially when He was eating. They always engaged in the service of the Lord.

Krsna Book 61:

Pradyumna, the eldest son of Kṛṣṇa, born of Rukmiṇī, was Cupid himself. He was so beautiful and attractive that the daughter of Rukmī, namely Rukmavatī, could not select any husband other than Pradyumna during her svayaṁvara. Therefore, in that selection meeting she garlanded Pradyumna in the presence of all the other princes. When there was a fight among the princes, Pradyumna came out victorious, and therefore Rukmī was obliged to offer his beautiful daughter to Pradyumna. Although enmity always blazed in Rukmī’s heart because of his having been insulted by Kṛṣṇa's kidnapping of his sister, Rukmiṇī, Rukmī could not resist consenting to the marriage ceremony just to please Rukmiṇī when his daughter selected Pradyumna as her husband. And so Pradyumna became the son-in-law as well as the nephew of Rukmī.

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The palace in which Ūṣā and Citralekhā lived was so well fortified that it was impossible for any male to either enter or see inside. Ūṣā and Aniruddha lived together in the palace, and day after day Ūṣā’s love for Aniruddha grew four times upon four. Ūṣā pleased Aniruddha with valuable garments, flowers, garlands, scents and incense. By his bedside sitting place were other paraphernalia for residential purposes—nice drinks such as milk and sherbet and nice eatables which could be chewed or swallowed. Above all, she pleased him with sweet words and very obliging service. Ūṣā worshiped Aniruddha as if he were the Supreme Personality of Godhead. By her excellent service, Ūṣā made Aniruddha forget all other things and was able to draw his attention and love to her without deviation. In such an atmosphere of love and service, Aniruddha practically forgot himself and could not recall how many days he had been away from his real home.

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The glaring rays of his glittering earrings and the beautiful smile on his lips were certainly captivating. Still, Bāṇāsura was very angry.

When Bāṇāsura saw him, Aniruddha was engaged in playing with Ūṣā. Aniruddha was nicely dressed, and Ūṣā had garlanded him with various beautiful flowers. The reddish kuṅkuma powder put on the breasts of women was spotted here and there on the garland, indicating that Ūṣā had embraced him. Bāṇāsura was struck with wonder that, even in his presence, Aniruddha was peacefully sitting in front of Ūṣā. Aniruddha knew, however, that his would-be father-in-law was not at all pleased and that he was gathering many soldiers in the palace to attack him.

Krsna Book 63:

Thus, keeping forward a division of one akṣauhiṇī of soldiers, Kṛṣṇa proceeded toward Dvārakā. In the meantime, all the people of Dvārakā, having received the news that Lord Kṛṣṇa was returning with Aniruddha and Ūṣā in great opulence, decorated every corner of the city with flags, festoons and garlands. All the big roads and crossings were carefully cleansed and sprinkled with sandalwood pulp mixed with water. Everywhere was the fragrance of sandalwood. All the citizens joined with their friends and relatives to welcome Lord Kṛṣṇa with great pomp and jubilation, and a tumultuous vibration of conchshells, drums and bugles received the Lord. In this way the Supreme Personality of Godhead, Kṛṣṇa, entered His capital, Dvārakā.

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Does Kṛṣṇa have any plans to come here to see His mother, Yaśodā, and does He remember us gopīs, who are now pitiably bereft of His company? Kṛṣṇa may have forgotten us in the midst of the cultured women of Dvārakā, but as far as we are concerned, we still remember Him by collecting flowers and sewing them into garlands. When He does not come, however, we simply pass our time by crying. If only He would come here and accept these garlands we have made. Dear Lord Balarāma, descendant of Daśārha, You know that we would give up everything for Kṛṣṇa's friendship. Even in great distress one cannot give up the connection of family members, but although it might be impossible for others, we gave up our fathers, mothers, sisters and relatives. But then Kṛṣṇa, without caring a pinch for our renunciation, all of a sudden renounced us and went away. He broke off our intimate relationship without serious consideration and left for a foreign country.

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While drinking this natural beverage, all the gopīs chanted the glories of Lord Balarāma, and Lord Balarāma felt very happy, as if He had become intoxicated by drinking that Vāruṇī beverage. His eyes rolled in a pleasing attitude. He was decorated with long garlands of forest flowers, and the whole situation appeared to be a great function of happiness because of this transcendental bliss. Lord Balarāma smiled beautifully, and the drops of perspiration decorating His face appeared like soothing morning dew.

While Balarāma was in that happy mood, He desired to enjoy the company of the gopīs in the water of the Yamunā. Therefore He called the Yamunā to come nearby. But the Yamunā neglected the order of Balarāmajī, considering Him intoxicated. Lord Balarāma became very much displeased at the Yamunā’s neglecting His order.

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Kṛṣṇa saw that Pauṇḍraka had decorated himself with the symbols of the conchshell, disc, lotus and club. He carried an imitation Śārṅga bow, and on his chest was a mock insignia of Śrīvatsa. His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vāsudeva's. He was dressed in yellow silken garments, and the flag on his chariot carried the symbol of Garuḍa, exactly imitating Kṛṣṇa's. He had a very valuable helmet on his head, and his earrings, like swordfish, glittered brilliantly. On the whole, however, his dress and makeup were clearly imitation. Anyone could understand that he was just like someone onstage playing the part of Vāsudeva in false dress. When Lord Śrī Kṛṣṇa saw Pauṇḍraka imitating His posture and dress, He could not check His laughter, and thus He laughed with great satisfaction.

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There he saw Lord Balarāma in the midst of many beautiful young girls, enjoying their company while singing and dancing. Dvivida became captivated by the beauty of Lord Balarāma's body, whose every feature was very beautiful, decorated as He was with a garland of lotus flowers. Similarly, all the young girls present, dressed and garlanded with flowers, exhibited much beauty. Lord Balarāma seemed fully intoxicated from drinking the vāruṇī beverage, and His eyes appeared to be rolling in a drunken state. Lord Balarāma appeared just like the king of the elephants in the midst of many she-elephants.

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Then, wishing for the welfare of all living entities, He would touch auspicious articles such as milk, honey, ghee (clarified butter), gold, jewels and fire. Although the Lord is by nature very beautiful due to the perfect figure of His transcendental body, He would dress Himself in yellow garments and put on His necklace of Kaustubha jewels. He would wear flower garlands, smear His body with the pulp of sandalwood and decorate Himself with similar cosmetics and ornaments. It is said that the ornaments themselves became beautiful upon being placed on the transcendental body of the Lord. After decorating Himself in this way, the Lord would then look at marble statues of the cow and calf and visit temples of God or demigods like Lord Śiva. There were many brāhmaṇas who would come daily to see the Supreme Lord before taking their breakfast; they were anxious to see Him, and He welcomed them.

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His next duty was to please all kinds of men belonging to the different castes, both in the city and within the palace compound. He made them happy by fulfilling their different desires, and when the Lord saw them happy He also became very much pleased. The flower garlands, betel nuts, sandalwood pulp and other fragrant cosmetic articles offered to the Lord would be distributed by Him, first to the brāhmaṇas and elderly members of the family, then to the queens, and then to the ministers, and if there were still some balance He would engage it for His own personal use. By the time the Lord finished all these daily duties and activities, His charioteer Dāruka would come with His wonderful chariot to stand before the Lord with folded hands, intimating that the chariot was ready, and the Lord would come out of the palace to travel.

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The sixteen thousand queens, headed by the goddess of fortune Rukmiṇīdevī, the ideal wife of Lord Kṛṣṇa, and accompanied by their respective sons, all followed behind Lord Kṛṣṇa. They were dressed in costly garments decorated with ornaments, and their bodies were smeared with sandalwood pulp and garlanded with fragrant flowers. Riding on palanquins nicely decorated with silks, flags and golden lace, they followed their exalted husband, Lord Kṛṣṇa. The infantry soldiers carried shields, swords and lances in their hands and acted as royal bodyguards to the queens. In the rear of the procession were the wives and children of all the other followers, and there were many society girls also following. Many beasts of burden like bulls, buffalo, mules and asses carried the camps, bedding and carpets, and the women who followed were seated in separate palanquins on the backs of camels.

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These beautiful decorations glorified the opulence of the city. Participating in this great ceremony, all the citizens gathered here and there, dressed in colorful new clothing and decorated with ornaments, flower garlands and fragrant scents. The houses were all illuminated by hundreds and thousands of lamps placed in different corners of the cornices, walls, columns, bases and architraves, and from far away the rays of the lamps appeared to be celebrating the festival of Dīpāvalī (a particular festival observed on the New Year's Day of the Hindu calendar). Within the walls of the houses, fragrant incense was burning, and smoke rose through the windows, making the entire atmosphere very pleasing. On the top of every house, flags were flapping, and the golden waterpots kept on the roofs shone brilliantly.

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Lord Kṛṣṇa delightfully offered His respects and obeisances to Kuntī and other elder ladies of the palace. His younger sister, Subhadrā, was also standing there with Draupadī, and both offered their respectful obeisances unto the lotus feet of the Lord. At the indication of her mother-in-law, Draupadī brought clothing, ornaments and garlands, and with this paraphernalia they received the queens Rukmiṇī, Satyabhāmā, Bhadrā, Jāmbavatī, Kālindī, Mitravindā, Lakṣmaṇā and the devoted Satyā. These principal queens of Lord Kṛṣṇa were first received, and then the other queens were also offered a proper reception. King Yudhiṣṭhira arranged for Kṛṣṇa's rest and saw to it that all who came along with Him—namely His queens, soldiers, ministers and secretaries—were comfortably situated. He had arranged that they would experience a new feature of reception every day while staying as guests of the Pāṇḍavas.

Krsna Book 73:

He wore glittering shark-shaped earrings, and His helmet was bedecked with valuable jewels. The Lord's necklace of pearls and the bangles and bracelets nicely situated on His body all shone with a transcendental beauty. The Kaustubha jewel hanging on His chest glittered with great luster, and the Lord wore a beautiful flower garland. After so much distress, when the kings and princes saw Lord Kṛṣṇa, with His beautiful transcendental features, they looked upon Him to their hearts' content, as if drinking nectar through their eyes, licking His body with their tongues, smelling the aroma of His body with their noses and embracing Him with their arms. Just by dint of their being in front of the Supreme Personality of Godhead, all reactions to their sinful activities were washed away. Therefore, without reservation, they surrendered themselves at the lotus feet of the Lord. It is stated in the Bhagavad-gītā that unless one is freed from all sinful reactions, one cannot fully surrender unto the lotus feet of the Lord.

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Lord Kṛṣṇa requested Sahadeva, the son of King Jarāsandha, to supply all necessities to the kings and show them all respect and honor. In pursuance of the order of Lord Kṛṣṇa, Sahadeva offered them all honor and presented them with ornaments, garments, garlands and other paraphernalia. After taking their baths and dressing very nicely, the kings appeared happy and gentle. Then they were supplied nice food. Lord Kṛṣṇa supplied everything for their comfort, as befitting their royal positions. Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses.

Krsna Book 75:

The demigods and the inhabitants of Pitṛloka and Gandharvaloka, as well as many sages, showered flowers from the sky. The men and women of Hastināpura, or Indraprastha, their bodies smeared with scents and floral oils, were nicely dressed in colorful garments and decorated with garlands, jewels and ornaments. Enjoying the ceremony, they threw on one another liquid substances like water, oil, milk, butter and yogurt. Some even smeared these on each other's bodies. In this way, they enjoyed the occasion. The professional prostitutes jubilantly smeared these liquid substances on the bodies of the men, and the men reciprocated in the same way. All the liquid substances had been mixed with turmeric and saffron, and their color was a lustrous yellow.

Krsna Book 75:

When everyone was refreshed after bathing and was dressed in silken clothing with jeweled earrings, flower garlands, turbans, long wrappers and pearl necklaces, they looked, all together, like the demigods from heaven. This was especially true of the women, who were very nicely dressed. Each wore a golden belt around the waist. They were all smiling, with spots of tilaka and curling hair scattered here and there. This combination was very attractive.

Krsna Book 79:

The sages and brāhmaṇas then performed a ceremonial bathing of Lord Balarāma, just as the demigods bathe King Indra when he is victorious over the demons. The brāhmaṇas and sages honored Lord Balarāma by presenting Him with first-class new clothing and ornaments and the lotus garland of victory; this garland was the reservoir of all beauty and was everlasting—it was never to be dried up.

After this incident, Lord Balarāma took permission from the brāhmaṇas assembled at Naimiṣāraṇya and, accompanied by other brāhmaṇas, went to the bank of the river Kauśikī. After taking His bath in this holy place, He proceeded toward the river Sarayū and visited the source of the river. Traveling on the bank of the Sarayū River, He gradually reached Prayāga, where there is a confluence of three rivers—the Ganges, Yamunā and Sarasvatī.

Krsna Book 82:

All the members of the Yadu dynasty were naturally very beautiful, yet on this occasion, when they appeared duly decorated with gold necklaces and flower garlands, dressed in valuable clothing and properly armed with their respective weapons, their natural beauty and personalities were a hundred times enhanced. The members of the Yadu dynasty came to Kurukṣetra in their gorgeously decorated chariots, which resembled the airplanes of the demigods and which were pulled by big horses that moved like the waves of the ocean. Some Yadus rode on sturdy, stalwart elephants that moved like the clouds in the sky. Their wives were carried on beautiful palanquins by beautiful men whose features resembled those of the Vidyādharas. The entire assembly looked as beautiful as an assembly of the demigods of heaven.

Krsna Book 82:

Since it is a Vedic custom to give in charity as much as possible during the hours of the eclipse, the members of the Yadu dynasty distributed many hundreds of cows in charity to the brāhmaṇas. All those cows were fully decorated with nice dress and ornaments. The special feature of these cows was that they had golden ankle bells and flower garlands on their necks.

After the eclipse, all the members of the Yadu dynasty again took their baths in the lakes created by Lord Paraśurāma. Then they sumptuously fed the brāhmaṇas with first-class cooked food, all prepared in butter. According to the Vedic system, there are two classes of food. One is called raw food, and the other is called cooked food. "Raw food" does not indicate raw vegetables and raw grains but food boiled in water, whereas cooked food is made in ghee. Capātīs, dāl, rice and ordinary vegetables are called raw foods, as are fruits and salads. But purīs, kachoris, samosās, sweet balls and so on are called cooked foods.

Krsna Book 83:

My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.

“My dear Draupadī, when I accepted Lord Kṛṣṇa as my worshipable husband and He accepted me as His maidservant, there was a tumultuous roaring among the disappointed princes. All of them were very agitated because of their lusty desires, but without caring for them, my husband, in His form as the four-handed Nārāyaṇa, immediately took me on His chariot, which was drawn by four excellent horses.

Krsna Book 84:

As soon as the sages and ascetics arrived, all the kings, including Mahārāja Yudhiṣṭhira and the other Pāṇḍavas and Lord Kṛṣṇa and Balarāma, immediately got up from their seats and offered respects by bowing down to the universally respected sages. After this, the sages were properly welcomed by being offered seats and water for washing their feet. Palatable fruits, garlands of flowers, incense and sandalwood pulp were presented, and all the kings, led by Kṛṣṇa and Balarāma, worshiped the sages according to the Vedic rules and regulations. When all the sages were comfortably seated, Lord Kṛṣṇa, who descended for the protection of religion, began to address them on behalf of all the kings. When Kṛṣṇa began to speak, all became silent, being eager to hear and understand His welcoming words to the sages.

Krsna Book 84:

When the sages were selected as priests of the sacrifices, they in turn induced Vasudeva to collect the required paraphernalia for executing the yajñas in that place of pilgrimage. When Vasudeva was thus persuaded to start to perform the yajñas, all the members of the Yadu dynasty took their baths, dressed themselves very nicely, decorated themselves beautifully and garlanded themselves with lotus flowers. Vasudeva's wives, dressed with nice garments and ornaments and golden necklaces, approached the arena of sacrifice carrying in their hands the required articles to offer in the sacrifice.

Krsna Book 86:

His heart was filled with love and affection for the Lord and His associates, and his eyes were filled with tears of ecstasy. He washed the feet of his divine guests, and afterward he and his family members sprinkled the water on their own heads. After this, he offered the guests nice flower garlands, sandalwood pulp, incense, new garments, ornaments, lamps, cows and bulls. In a manner just befitting his royal position, he worshiped each one of them in this way. When all had been fed sumptuously and were sitting very comfortably, Bahulāśva came before Lord Kṛṣṇa and caught His lotus feet. He placed them on his lap and, while massaging the feet with his hands, began to speak about the glories of the Lord in a sweet voice.

Krsna Book 89:

He was dressed in very nice yellow clothing, His face was beautifully smiling, and His eyes, which were like lotus petals, were very attractive. Lord Mahā-Viṣṇu's helmet was bedecked with valuable jewels, and His beautiful earrings enhanced the beauty of the curling hair on His head. Lord Mahā-Viṣṇu had eight arms, all very long, reaching to His knees. His neck was decorated with the Kaustubha jewel, and His chest was marked with the symbol of Śrīvatsa, which means "the resting place of the goddess of fortune." The Lord wore a garland of lotus flowers down to His knees. This long garland is known as a Vaijayantī garland.

The Lord was attended by His personal associates Nanda and Sunanda, and the personified Sudarśana disc was also standing by Him. As stated in the Vedas, the Lord has innumerable energies, and they also stood there in their personified forms.

Krsna Book 90:

This attempt would create a situation wherein the Lord could embrace them as they willingly approached Him. Upon being embraced, the wives of the Lord would feel on their mouths a clear indication of conjugal love, and this would create an atmosphere of spiritual bliss. When the garland on the neck of the Lord then touched the breasts of the queens, their whole bodies became covered with saffron yellow. Being engaged in their celestial pastimes, the queens forgot themselves, and their loosened hair appeared like beautiful waves of a river. When the queens sprinkled water on the body of Kṛṣṇa or He sprinkled water on the bodies of the queens, the whole situation appeared just like that of an elephant enjoying in a lake with many she-elephants.

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“Hello, cakravākī. Why have you closed your eyes? Are you searching after your husband, who may have gone to foreign countries? Why are you lamenting so pitiably? Alas, it appears that you are very much aggrieved. Or is it a fact that you also are willing to become an eternal servitor of the Supreme Personality of Godhead? We think that you are anxious to put a garland on the lotus feet of the Lord and then place it on your hair.

“O dear ocean, why are you roaring all day and night? Don’t you like to sleep? We think you have been attacked by insomnia, or, if we are not wrong, our dear Śyāmasundara has tactfully taken away your gravity and power of forbearance, which are your natural qualifications. Is it a fact that for this reason you are suffering from insomnia like us? Yes, we admit that there is no remedy for this disease.

Page Title:Garland (Other Books)
Compiler:Visnu Murti, RupaManjari
Created:25 of Feb, 2012
Totals by Section:BG=0, SB=0, CC=0, OB=111, Lec=0, Con=0, Let=0
No. of Quotes:111