As far as Mahārāja Ambarīṣa is concerned, he actually performed all the items of devotional service. He first of all engaged his mind upon the lotus feet of Kṛṣṇa. He engaged his words, his power of speaking, in describing the transcendental qualities of the Supreme Personality of Godhead. He engaged his hands in washing the temple of the Deity, his ears in hearing the words of Kṛṣṇa and his eyes in beholding the Deity. He engaged his sense of touch by rendering service to the devotees, and he engaged his sense of smell by relishing the fragrance of the flowers offered to Kṛṣṇa. He engaged his tongue in tasting the tulasī leaves offered to the lotus feet of Kṛṣṇa, his legs in going to the temple of Kṛṣṇa, and his head in offering obeisances to the Deity of Kṛṣṇa. Because all his desires and ambitions were thus engaged in the devotional service of the Lord, Mahārāja Ambarīṣa is considered the leader in discharging devotional service in all kinds of ways.
Fragrance (Other books)
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
"O Govinda! This young girl with tears in Her eyes is crying in a sweet voice, chanting Your glories." Such pure devotees are always anxious to describe the glories of Kṛṣṇa and to live in a place where He exhibited His pastimes. A similar verse appears, again, in the Kṛṣṇa-karṇāmṛta (92): "The body of Kṛṣṇa is so nice, and His face is so beautiful. Everything about Him is simply sweet and fragrant." And in the Bhakti-rasāmṛta-sindhu (1.2.156): "O lotus-eyed one, when will I be able to always chant Your holy name, and being inspired by that chanting, when will I be able to dance on the banks of the Yamunā?"
Next the Lord explained the word guṇa. In the ātmārāma verse guṇa indicates the unlimited transcendental qualities of Kṛṣṇa, primarily those pertaining to His sac-cid-ānanda form. In His transcendental blissful knowledge and eternity, He is fully perfect, and His perfection is increased when He is controlled by the attention of His devotee. God is so kind and merciful that He gives Himself in exchange for the devotional service of the devotee. His transcendental qualities are such that His perfect beauty, His perfect reciprocation of love between Himself and His devotees, and the fragrance of His transcendental qualities attract different kinds of transcendentalists and liberated souls.
Sanātana was also instructed to glorify the transcendental name of the Lord and to describe the different offenses one can commit while chanting the Lord's name or worshiping the Deity. In the worship of the Lord certain paraphernalia are used, such as a conchshell, water, incense and fragrant flowers. The Lord instructed Sanātana to describe these, along with the chanting of prayers and hymns, circumambulation, and the offering of obeisances. Other topics for Sanātana to explain included following the regulative principles of puraścaraṇa, accepting kṛṣṇa-prasādam, rejecting foodstuff not offered to Kṛṣṇa, and not indulging in defaming a devotee who has the actual symptoms of a devotee.
Rāmānanda Rāya then began to explain how Rādhārāṇīis the supreme emblem of Kṛṣṇa's pleasure potency. Rādhārāṇī expands Herself in different forms, known as Lalitā, Viśākhā and Her other confidential associates. In his Ujjvala-nīlamaṇi, Rūpa Gosvāmī explains that one of the characteristics of Śrīmatī Rādhārāṇī is that Her body is an evolution of transcendental pleasure. That body is decorated with flowers and fragrant aromas and is complete with transcendental love for Kṛṣṇa. Indeed, that body is the personification of His pleasure potency. Rādhārāṇī bathes Her transcendental body three times: first in the water of mercy, second in the water of youthful beauty, and third in the water of youthful luster.
Nectar of Devotion
One should not pass urine or evacuate while engaged in worshiping. (7) One should not offer incense without offering some flower. (8) Useless flowers without any fragrance should not be offered. (9) One should not fail to wash his teeth very carefully every day. (10) One should not enter the temple directly after sexual intercourse. (11) One should not touch a woman during her menstrual period. (12) One should not enter the temple after touching a dead body. (13) One should not enter the temple wearing garments of red or blue color or garments which are unwashed.
A person is called a genius when he can refute any kind of opposing element with newer and newer arguments. In this connection there is a statement in Padyāvalī which contains the following conversation between Kṛṣṇa and Rādhā. One morning, when Kṛṣṇa came to Rādhā, Rādhā asked Him, "My dear Keśava, where is Your vāsa at present?" The Sanskrit word vāsa has three meanings: one meaning is residence, one meaning is fragrance, and another meaning is dress.
Actually Rādhārāṇī inquired from Kṛṣṇa, "Where is Your dress?" But Kṛṣṇa took the meaning as residence, and He replied to Rādhārāṇī, "My dear captivated one, at the present moment My residence is in Your beautiful eyes."
To this Rādhārāṇī replied, "My dear cunning boy, I did not ask You about Your residence. I inquired about Your dress."
Kṛṣṇa then took the meaning of vāsa as fragrance and said, "My dear fortunate one, I have just assumed this fragrance in order to be associated with Your body."
Sometimes the vibration of Lord Kṛṣṇa's flute, His bugling, His smiling, His footmarks on the ground, the transcendental fragrance of His body and the appearance of a new cloud in the sky also become impetuses for ecstatic love of Him.
In the same Padyāvalī there is the following description, which is taken as a sign of frustration in conjugal love. Śrīmatī Rādhārāṇī said, "Dear Mr. Cupid, please do not excite Me by throwing your arrows at My body. Dear Mr. Air, please do not arouse Me with the fragrance of flowers. I am now bereft of Kṛṣṇa's loving attitude, and so, under the circumstances, what is the use of My sustaining this useless body? There is no need for such a body by any living entity." This is a sign of frustration in ecstatic love for Kṛṣṇa.
Krsna, The Supreme Personality of Godhead
When all the inhabitants of Vṛndāvana smelled the good aroma from the smoke of the burning Pūtanā, they inquired from each other, "Where is this good fragrance coming from?" And while conversing, they came to understand that it was the fumes of the burning Pūtanā. They were very fond of Kṛṣṇa, and as soon as they heard that the demon Pūtanā had been killed by Kṛṣṇa, they offered blessings to the little child out of affection. After the burning of Pūtanā, Nanda Mahārāja came home and immediately took up the child on his lap and began to smell His head. In this way, he was quite satisfied that his little child was saved from this great calamity. Śrīla Śukadeva Gosvāmī has given a blessing to all persons who hear the narration of the killing of Pūtanā by Kṛṣṇa: they will surely attain the favor of Govinda.
The two great demigods Nalakūvara and Maṇigrīva were sons of the treasurer of the demigods, Kuvera, who was a great devotee of Lord Śiva. By the grace of Lord Śiva, Kuvera's material opulences had no limit. As a rich man's sons often become addicted to wine and women, so these two sons of Kuvera were also addicted to wine and sex. Once, these two demigods, desiring to enjoy, entered the garden of Lord Śiva in the province of Kailāsa, on the bank of the Mandākinī Ganges. There they drank much and engaged in hearing the sweet singing of the beautiful women who accompanied them in that garden of fragrant flowers. In an intoxicated condition, the two demigods entered the water of the Ganges, which was filled with lotus flowers, and there they began to enjoy the company of the young girls exactly as a male elephant enjoys female elephants within the water.
The demon quickly threw Kṛṣṇa up and tried to kill Him by pinching Him in his beak. Bakāsura did not know that although Kṛṣṇa was playing the part of a child of Nanda Mahārāja, He was still the original father of Lord Brahmā, the creator of the universe. Mother Yaśodā’s child, who is the reservoir of pleasure for the demigods and who is the maintainer of saintly persons, caught hold of the great gigantic heron by the two halves of his beak and, before His cowherd boyfriends, bifurcated his mouth, just as a child very easily splits a blade of grass. From the sky, the denizens of the heavenly planets showered flowers like the mallikā, the most fragrant of all flowers, as a token of their congratulations. Accompanying the showers of flowers was a vibration of bugles, drums and conchshells.
Śukadeva Gosvāmī told the King, “Now hear of this secret with attention. After saving His friends from the mouth of Aghāsura and killing the demon, Lord Kṛṣṇa brought His friends to the bank of the Yamunā and addressed them as follows: "My dear friends, just see how this spot is very nice for taking lunch and playing on the soft, sandy Yamunā bank. You can see how the lotus flowers in the water are beautifully blown and how they distribute their fragrance all around. The chirping of the birds along with the cooing of the peacocks, surrounded by the whispering of the leaves in the trees, combine and present sound vibrations that echo one another. And this just enriches the beautiful scenery created by the trees here. Let us have our lunch in this spot because it is already late and we are feeling hungry. Let the calves remain near us, and let them drink water from the Yamunā. While we engage in our lunch-taking, the calves may engage in eating the soft grasses that are in this spot."
With the arrival of the beautiful autumn season, the waters in the lakes and rivers became as clear as crystal and filled with fragrant lotus flowers, and breezes blew very pleasantly. At that time Kṛṣṇa entered the forest of Vṛndāvana with the cows and cowherd boys. Kṛṣṇa was very much pleased with the atmosphere of the forest, where flowers bloomed and bees and drones hummed very jubilantly. While the birds, trees and plants were all looking very happy, Kṛṣṇa, tending the cows and accompanied by Śrī Balarāma and the cowherd boys, began to vibrate His transcendental flute.
From the Vedic literature it appears that when a theatrical actor dances among many dancing girls, the group dance is called a rāsa dance. When Kṛṣṇa saw the full-moon night of the śarat season, decorated with various seasonal flowers—especially the mallikā flowers, which are very fragrant—He remembered the gopīs' prayers to Goddess Kātyāyanī, wherein they prayed for Kṛṣṇa to be their husband. He thought that the full-moon night of the śarat season was just suitable for a nice dance. So their desire to have Kṛṣṇa as their husband would then be fulfilled.
The appearance of the moon increased Kṛṣṇa's desire to dance with the gopīs. The forests were filled with fragrant flowers. The atmosphere was cooling and festive. When Lord Kṛṣṇa began to blow His flute, the gopīs all over Vṛndāvana became enchanted. Their attraction to the vibration of the flute increased a thousand times due to the rising full moon, the red horizon, the calm and cool atmosphere and the blossoming flowers. All the gopīs were by nature very much attracted to Kṛṣṇa's beauty, and when they heard the vibration of His flute, they became apparently lustful to satisfy the senses of Kṛṣṇa.
When some of the gopīs became very tired from dancing and moving their bodies, they placed their hands on the shoulders of Śrī Kṛṣṇa. Then their hair loosened and flowers fell to the ground. When they placed their hands on Kṛṣṇa's shoulder they became overwhelmed by the fragrance of His body, which emanated from the lotus, other aromatic flowers and the pulp of sandalwood. They became filled with attraction for Him, and they began to kiss Him. Some gopīs touched Kṛṣṇa cheek to cheek, and Kṛṣṇa began to offer them chewed betel nuts from His mouth, which they accepted with great pleasure by kissing. And by accepting those betel nuts, the gopīs spiritually advanced.
When Kṛṣṇa walked on the bank of the Yamunā, He was seen nicely decorated with tilaka on His face. He was garlanded with different kinds of forest flowers, and His body was smeared with the pulp of sandalwood and tulasī leaves. The bumblebees became mad after the fragrance and sweetness of the atmosphere and began to hum. Being pleased by the humming sound of the bees, Kṛṣṇa would play His flute, and together the sounds became so sweet to hear that aquatic birds like cranes, swans and ducks were charmed. Instead of swimming or flying, they became stunned. They closed their eyes and entered a trance of meditation in worship of Kṛṣṇa.
Another gopī told Mother Yaśodā, “My dear mother, when your son returns home, He decorates Himself with the buds of the kunda flower, and just to enlighten and gladden His friends, He blows His flute. The breeze blowing from the south creates a pleasing atmosphere because it is fragrant and very cool. Minor demigods like the Gandharvas and Siddhas take advantage of this atmosphere and offer prayers to your son by sounding their bugles and drums. Kṛṣṇa is very kind to the inhabitants of Vrajabhūmi, Vṛndāvana, and when He returns with His cows and friends, He is remembered as the lifter of Govardhana Hill. Taking advantage of this opportunity, the most exalted demigods like Lord Brahmā and Lord Śiva come down to offer their evening prayers, and they accompany the cowherd boys in glorifying the qualities of Kṛṣṇa.
In this way Akrūra expected blessings from the hand of Kṛṣṇa. He knew that Indra, who is the King of heaven and the master of the three worlds—the upper, middle and lower planetary systems—was blessed by the Lord simply for his offering a little water which Kṛṣṇa accepted. Similarly, Bali Mahārāja gave only three paces of land in charity to Vāmanadeva, and he also offered a little water which Lord Vāmanadeva accepted, and thereby Bali Mahārāja attained the position of Indra. When the gopīs were dancing with Kṛṣṇa in the rāsa dance, they became fatigued, and Kṛṣṇa wiped His hand, which is as fragrant as a lotus flower growing in Mānasa-sarovara Lake, over the pearllike drops of perspiration on the faces of the gopīs, and immediately the gopīs became refreshed. Thus Akrūra was expecting benediction from that supreme hand of Kṛṣṇa. Kṛṣṇa's hand is capable of bestowing benediction upon all kinds of men if they take to Kṛṣṇa consciousness.
Kṛṣṇa and Balarāma learned the art of dressing hair in various styles and fixing a helmet in different positions on the head. They also learned how to set up a theatrical stage, how to decorate dramatic actors with costumes and with flower ornaments over the ear, and how to sprinkle sandalwood pulp and water to produce a nice fragrance. They also learned the art of performing magical feats. Within the magical field there is an art called bahu-rūpī, by which a person dresses himself in such a way that when he approaches a friend he cannot be recognized. Kṛṣṇa and Balarāma also learned how to make various syrups and beverages required at various times, having various tastes and intoxicating effects. They also learned different types of sewing and embroidery work, as well as how to manipulate thin threads for dancing puppets. This art includes how to string wires on musical instruments, such as the vīṇā, sitar, esarāja and tamboura, to produce melodious sounds. Then They learned how to make and solve riddles. They learned the art of how even a dull student can very quickly learn the alphabet and read books. Then They learned how to rehearse and act out a drama. They also studied the art of solving crossword puzzles, filling up the missing spaces and making complete words.
Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune. When Kṛṣṇa saw Kubjā hesitating to come before Him, He immediately caught hold of her hand, which was decorated with bangles. With great affection, He dragged her near Him and made her sit by His side. Simply by having previously supplied pulp of sandalwood to the Supreme Lord, Kṛṣṇa, Kubjā became free from all sinful reactions and eligible to enjoy with Him. She then took Kṛṣṇa's lotus feet and placed them on her breasts, which were burning with the blazing fire of lust. By smelling the fragrance of Kṛṣṇa's lotus feet, she was immediately relieved of all lusty desires. She was thus allowed to embrace Kṛṣṇa with her arms and mitigate her long-cherished desire to have Him as a visitor in her house.
When Mucukunda, the celebrated descendant of the Ikṣvāku dynasty, was favored by Lord Kṛṣṇa, he circumambulated the Lord within the cave and then came out. On coming out of the cave, Mucukunda saw that the human species had surprisingly been reduced in stature to pygmy size. Similarly, the trees had also been far reduced in size, and Mucukunda could immediately understand that the current age was Kali-yuga. Therefore, without diverting his attention, he began to travel north. Eventually he reached the mountain known as Gandhamādana, where there were many trees, such as sandalwood and other flowering trees, whose fragrance made anyone who reached them joyful. He decided to remain in that Gandhamādana Mountain region to execute austerities and penances for the rest of his life. It appears that this place is situated in the northernmost part of the Himalayan Mountains, where the abode of Nara-Nārāyaṇa is situated. This place is still existing and is called Badarikāśrama. In Badarikāśrama he engaged himself in the worship of Lord Kṛṣṇa, tolerating all kinds of pains and pleasures and the other dualities of this material world. Lord Kṛṣṇa returned to the vicinity of Mathurā, where He fought with the soldiers of Kālayavana and killed them one after another. After this, He collected all the booty from the dead bodies, and under His direction it was loaded on bullock carts and brought back to Dvārakā.
Since India is situated in the tropical zone, the atmosphere is always dry. Dust always accumulates on the streets and roads, so they must be sprinkled with water at least once a day, and in big cities like Calcutta twice a day. The roads of Kuṇḍina were arrayed with colored flags and festoons, and gates were constructed at particular crossings. The whole city was decorated very nicely. The beauty of the city was enhanced by the inhabitants, both men and women, who were dressed in fresh, washed clothes and decorated with sandalwood pulp, pearl necklaces and flower garlands. Incense burned everywhere, and fragrances like aguru scented the air. Priests and brāhmaṇas were sumptuously fed and, according to ritualistic ceremony, were given sufficient wealth and cows in charity. In this way, they were engaged in chanting Vedic hymns. The King's daughter, Rukmiṇī, was exquisitely beautiful. She was very clean and had beautiful teeth. The auspicious sacred thread was tied on her wrist. She was given various types of jewelry to wear and long silken cloth to cover the upper and lower parts of her body. Learned priests gave her protection by chanting mantras from the Sāma Veda, Ṛg Veda and Yajur Veda. Then they chanted mantras from the Atharva Veda and offered oblations in the fire to pacify the influence of different stars.
After defeating all the opposing elements and forcibly carrying away Rukmiṇī, Kṛṣṇa brought her to His capital city, Dvārakā, and then married her according to the Vedic ritualistic principles. After this marriage, Kṛṣṇa became the King of the Yadus at Dvārakā. On the occasion of His marriage with Rukmiṇī, all the inhabitants were happy, and in every house there were great ceremonies. The inhabitants of Dvārakā City were so much pleased that they dressed themselves with the nicest possible ornaments and garments and went to present gifts, according to their means, to the newly married couple, Kṛṣṇa and Rukmiṇī. All the houses of Yadupurī (Dvārakā) were decorated with flags, festoons and flowers. Each and every house had an extra gate specifically prepared for this occasion, and on both sides of the gate were big water jugs filled with water. The whole city was made fragrant by the burning of fine incense, and at night there was illumination from thousands of lamps, which decorated every building.
Actually, Kṛṣṇa had purposely taken His wife Satyabhāmā with Him so that she could collect the pārijāta with her own hand. But the denizens of the heavenly planets, including Indra, were very irritated. Without their permission, Satyabhāmā had uprooted a pārijāta tree, which is not to be found on the earth planet. Indra, along with other demigods, offered opposition to Kṛṣṇa and Satyabhāmā for taking away the tree, but in order to please His favorite wife Satyabhāmā, Kṛṣṇa became determined and adamant, so there was a fight between the demigods and Kṛṣṇa. As usual, Kṛṣṇa came out victorious, and He triumphantly brought the pārijāta tree chosen by His wife to this earth planet, to Dvārakā. After this, the tree was installed in the palace garden of Satyabhāmā. On account of this extraordinary tree, the garden house of Satyabhāmā became extraordinarily beautiful. As the pārijāta tree came down to the earthly planet, the fragrance of its flowers also came down, and the celestial drones migrated to this earth in search of their fragrance and honey.
In their dealings as husband and wife, Kṛṣṇa and His queens would smile, talk, joke, embrace and so on, and their conjugal relationship ever-increasingly developed. In this way, Kṛṣṇa and the queens enjoyed transcendental happiness in their household life. Although each and every queen had thousands of maidservants engaged for her service, the queens were all personally attentive to serving Kṛṣṇa. Each one of them used to receive Kṛṣṇa personally when He entered the palace. They engaged in seating Him on a nice couch, worshiping Him with all kinds of paraphernalia, washing His lotus feet with Ganges water, offering Him betel nuts and massaging His legs. In this way, they gave Him relief from the fatigue He felt after being away from home. They fanned Him nicely, offered Him fragrant essential floral oil, decorated Him with flower garlands, dressed His hair, asked Him to lie down to take rest, bathed Him personally and fed Him palatable dishes. Each queen did all these things herself and did not wait for the maidservants. In other words, Kṛṣṇa and His different queens displayed on this earth an ideal household life.
The palace of Rukmiṇī was wonderfully furnished. Hanging from the ceiling were many canopies with laces bedecked with pearl garlands, and the whole palace was illuminated by the effulgence of valuable jewels. There were many flower groves of mallikā and cāmeli, which are considered the most fragrant flowers in India. There were many clusters of these plants, with blooming flowers enhancing the beauty of the palace. And because of the exquisite fragrance of the flowers, little groups of humming bees gathered around the trees, and at night the pleasing moonshine glittered through the network of holes in the windows. There were many heavily flowered trees of pārijāta, and the mild wind stirred the fragrance of the flowers all around. Incense burned within the walls of the palace, and the fragrant smoke leaked out of the window shutters. Within the room were mattresses covered with white bedsheets; the bedding was as soft and white as milk foam. In this situation, Lord Śrī Kṛṣṇa sat very comfortably and enjoyed the service of Rukmiṇījī, who was assisted by her maidservants.
Under the circumstances, what woman who has once heard of Your glories from authoritative sources and has somehow or other relished the nectarean fragrance of Your lotus feet would be foolish enough to agree to marry someone of this material world, who is always afraid of death, disease, old age and rebirth? I have therefore accepted Your lotus feet not without consideration but after mature and deliberate decision. My dear Lord, You are the master of the three worlds. You can fulfill all the desires of all Your devotees in this world and the next because You are the Supreme Soul of everyone. I have therefore selected You as my husband, considering You to be the only fit personality. You may throw me in any species of life according to the reactions of my fruitive activities, and I haven’t the least concern for this. My only ambition is that I may always remain fast to Your lotus feet, for You can deliver Your devotees from illusory material existence and are always prepared to distribute Yourself to Your devotees.
“My dear Lord, You have advised me to select one of the princes such as Śiśupāla, Jarāsandha or Dantavakra, but what is their position in this world? They are always engaged in hard labor to maintain their household life, just like the bulls working hard day and night with an oil-pressing machine. They are compared to asses, beasts of burden. They are always dishonored like dogs, and they are miserly like cats. They have sold themselves like slaves to their wives. Any unfortunate woman who has never heard of Your glories may accept such a man as her husband, but a woman who has learned about You—that You are praised not only in this world but in the halls of the great demigods like Lord Brahmā and Lord Śiva—will not accept anyone besides You as her husband. A man within this material world is just a dead body. In fact, superficially, the living entity is covered by this body, which is nothing but a bag of skin decorated with a beard and mustache, hairs on the body, nails on the fingers, and hairs on the head. Within this decorated bag are bunches of muscles, bundles of bones, and pools of blood, always mixed with stool, urine, mucus, bile and polluted air and enjoyed by different kinds of insects and germs. A foolish woman accepts such a dead body as her husband and, in sheer misunderstanding, loves him as her dear companion. This is possible only because such a woman has never relished the ever-blissful fragrance of Your lotus feet.
Thus, keeping forward a division of one akṣauhiṇī of soldiers, Kṛṣṇa proceeded toward Dvārakā. In the meantime, all the people of Dvārakā, having received the news that Lord Kṛṣṇa was returning with Aniruddha and Ūṣā in great opulence, decorated every corner of the city with flags, festoons and garlands. All the big roads and crossings were carefully cleansed and sprinkled with sandalwood pulp mixed with water. Everywhere was the fragrance of sandalwood. All the citizens joined with their friends and relatives to welcome Lord Kṛṣṇa with great pomp and jubilation, and a tumultuous vibration of conchshells, drums and bugles received the Lord. In this way the Supreme Personality of Godhead, Kṛṣṇa, entered His capital, Dvārakā.
The walls as well as the arches between the pillars glowed from the decorations of different kinds of sapphires. Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.
His next duty was to please all kinds of men belonging to the different castes, both in the city and within the palace compound. He made them happy by fulfilling their different desires, and when the Lord saw them happy He also became very much pleased. The flower garlands, betel nuts, sandalwood pulp and other fragrant cosmetic articles offered to the Lord would be distributed by Him, first to the brāhmaṇas and elderly members of the family, then to the queens, and then to the ministers, and if there were still some balance He would engage it for His own personal use. By the time the Lord finished all these daily duties and activities, His charioteer Dāruka would come with His wonderful chariot to stand before the Lord with folded hands, intimating that the chariot was ready, and the Lord would come out of the palace to travel. Then the Lord, accompanied by Uddhava and Sātyaki, would ride on the chariot just as the sun-god rides on his chariot in the morning, appearing with his blazing rays on the surface of the world. When the Lord was about to leave His palaces, all the queens would look at Him with feminine gestures. The Lord would respond to their greetings with smiles, attracting their hearts so much that they would feel intense separation from Him.
They were dressed in costly garments decorated with ornaments, and their bodies were smeared with sandalwood pulp and garlanded with fragrant flowers. Riding on palanquins nicely decorated with silks, flags and golden lace, they followed their exalted husband, Lord Kṛṣṇa. The infantry soldiers carried shields, swords and lances in their hands and acted as royal bodyguards to the queens. In the rear of the procession were the wives and children of all the other followers, and there were many society girls also following. Many beasts of burden like bulls, buffalo, mules and asses carried the camps, bedding and carpets, and the women who followed were seated in separate palanquins on the backs of camels. This panoramic procession was accompanied by the shouts of the people and was full with the display of different colored flags, umbrellas and whisks and different varieties of weapons, dress, ornaments, helmets and armaments. Shining in the sunlight, the procession appeared just like an ocean with high waves and sharks.
The roads, streets and lanes of Hastināpura were all sprinkled with fragrant water through the trunks of intoxicated elephants. In different places of the city there were colorful festoons and flags decorating the houses and streets. At important crossroads there were gates with golden decorations, and at the two sides of the gates there were golden water jugs. These beautiful decorations glorified the opulence of the city. Participating in this great ceremony, all the citizens gathered here and there, dressed in colorful new clothing and decorated with ornaments, flower garlands and fragrant scents. The houses were all illuminated by hundreds and thousands of lamps placed in different corners of the cornices, walls, columns, bases and architraves, and from far away the rays of the lamps appeared to be celebrating the festival of Dīpāvalī (a particular festival observed on the New Year's Day of the Hindu calendar). Within the walls of the houses, fragrant incense was burning, and smoke rose through the windows, making the entire atmosphere very pleasing. On the top of every house, flags were flapping, and the golden waterpots kept on the roofs shone brilliantly.
Our only ambition is to bear on our heads life after life the dust particles attached to the lotus feet of Lord Kṛṣṇa. The goddess of fortune also desires to keep that dust on her breasts, along with fragrant saffron. We simply desire this dust, which accumulates underneath the lotus feet of Kṛṣṇa as He travels on the land of Vṛndāvana as a cowherd boy. The gopīs especially, and also the cowherd men and the aborigine tribeswomen, always desire to become the grass and straw on the streets of Vṛndāvana, to be trampled on by the lotus feet of Kṛṣṇa. My dear Queen, we wish to remain as such life after life, without any other desire.”
“The original energy is only an emanation from You. My dear Lord, the shining of the moon, the heat of fire, the rays of the sun, the glittering of the stars, and the electric lightning, which are all manifested as very powerful, as well as the gravity of the mountains and the energy and fragrance of the earth—all are different manifestations of You. The pure taste of water, the water itself and the vital force which maintains all life are also features of Your Lordship.
Renunciation Through Wisdom
At the time of death, our state of consciousness determines our next birth. Death destroys the body made up of the five gross elements, but the subtle body, consisting of mind, intelligence, and false ego, remains. As the air carries the scent of the place it blows over, so the soul carries a person's subtle body of mind, intelligence, and false ego, along with his state of consciousness, on to his next birth, and his body is determined accordingly. When a breeze blows over a garden, it carries the fragrance of flowers with it, but when it blows over a rubbish heap, the breeze is filled with the stench.
| Page Title: | Fragrance (Other books) |
| Compiler: | Rishab, Mayapur |
| Created: | 04 of Feb, 2011 |
| Totals by Section: | BG=0, SB=0, CC=0, OB=38, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 38 |