At Purī, when He entered the temple of Jagannātha, He became at once saturated with transcendental ecstasy and fell down on the floor of the temple unconscious. The custodians of the temple could not understand the transcendental feats of the Lord, but there was a great learned paṇḍita named Sārvabhauma Bhaṭṭācārya, who was present, and he could understand that the Lord's losing His consciousness upon entering the Jagannātha temple was not an ordinary thing. Sārvabhauma Bhaṭṭācārya, who was the chief appointed paṇḍita in the court of the King of Orissa, Mahārāja Pratāparudra, was attracted by the youthful luster of Lord Śrī Caitanya Mahāprabhu and could understand that such a transcendental trance was only rarely exhibited and only then by the topmost devotees who are already on the transcendental plane in complete forgetfulness of material existence.
Floor (Books)
Bhagavad-gita As It Is
BG Chapters 13 - 18
Beginning from practicing humility up to the point of realization of the Supreme Truth, the Absolute Personality of Godhead, this process is just like a staircase beginning from the ground floor and going up to the top floor. Now on this staircase there are so many people who have reached the first floor, the second or the third floor, etc., but unless one reaches the top floor, which is the understanding of Kṛṣṇa, he is at a lower stage of knowledge. If anyone wants to compete with God and at the same time make advancement in spiritual knowledge, he will be frustrated. It is clearly stated that without humility, understanding is not truly possible. To think oneself God is most puffed up. Although the living entity is always being kicked by the stringent laws of material nature, he still thinks, "I am God" because of ignorance. The beginning of knowledge, therefore, is amānitva, humility.
Srimad-Bhagavatam
SB Preface and Introduction
SB Canto 2
The necessities of life for the protection and comfort of the body must not be unnecessarily increased. Human energy is spoiled in a vain search after such illusory happiness. If one is able to lie down on the floor, then why should one endeavor to get a good bedstead or soft cushion to lie on? If one can rest without any pillow and make use of the soft arms endowed by nature, there is no necessity of searching after a pillow. If we make a study of the general life of the animals, we can see that they have no intelligence for building big houses, furniture, and other household paraphernalia, and yet they maintain a healthy life by lying down on the open land. They do not know how to cook or prepare foodstuff, yet they still live healthy lives more easily than the human being. This does not mean that human civilization should revert to animal life or that the human being should live naked in the jungles without any culture, education and sense of morality.
SB Canto 3
For example, Uddhava knew perfectly well that Lord Śrī Kṛṣṇa is eternally existent and can neither die nor disappear for good, yet he lamented for Lord Kṛṣṇa. All these events are perfect arrangements to give perfection to His supreme glories. It is for enjoyment's sake. When a father plays with his little son and the father lies down on the floor as if defeated by the son, it is just to give the little son pleasure, and nothing more. Because the Lord is all-powerful, it is possible for Him to adjust opposites such as birth and no birth, power and defeat, fear and fearlessness. A pure devotee knows very well how it is possible for the Lord to adjust opposite things, but he laments for the nondevotees who, not knowing the supreme glories of the Lord, think of Him as imaginary simply because there are so many apparently contradictory statements in the scriptures. Factually there is nothing contradictory; everything is possible when we understand the Lord as the Lord and not as one of us, with all our imperfection.
Its beauty was enhanced by artistic engravings here and there on the walls. The floor was of emerald, with coral daises.
At the present moment people are very proud of their architectural art, yet floors are generally decorated with colored cement. It appears, however, that the castle constructed by the yogic powers of Kardama Muni had floors of emerald with coral daises.
SB Canto 4
According to the development of consciousness, God realization is present. In the human form of life it is recommended, therefore, that one undergo the different types of penances and austerities described in Bhagavad-gītā (karma-yoga, jñāna-yoga, dhyāna-yoga and bhakti-yoga). Like a staircase, yoga has different steps for reaching the topmost floor, and according to one's position upon the staircase, he is understood to be situated in karma-yoga, jñāna-yoga, dhyāna-yoga or bhakti-yoga. Of course, bhakti-yoga is the topmost step on the staircase of realization of the Supreme Personality of Godhead. In other words, according to one's development in consciousness, one realizes his spiritual identity, and thus when one's existential position is purified fully, he becomes situated in brahmānanda, which is ultimately unlimited.
Following the principles of forest living and the footsteps of the great sages and munis, Pṛthu Mahārāja accepted five kinds of heating processes during the summer season, exposed himself to torrents of rain in the rainy season and, in the winter, stood in water up to his neck. He also used to simply lie down on the floor to sleep.
They must undergo such severe types of austerity in order to become purified from material contamination. Pañca-tapāḥ refers to five kinds of heating processes. One is enjoined to sit within a circle of fire, with flames blazing from four sides and the sun blazing directly overhead. This is one kind of pañca-tapāḥ recommended for austerity. Similarly, in the rainy season one is enjoined to expose himself to torrents of rain and in winter to sit in cold water up to the neck. As far as bedding is concerned, the ascetic should be content with simply lying on the floor. The purpose for undergoing such severe austerities is to become a devotee of the Supreme Personality of Godhead, Kṛṣṇa, as explained in the next verse.
The floors of the houses in that city were made of sapphire, crystal, diamonds, pearls, emeralds and rubies. Because of the luster of the houses in the capital, the city was compared to the celestial town named Bhogavatī.
Scientists are conducting research to find out how we can satisfy our senses more and more elaborately. In this Kali-yuga, the demoniac mentality is employed in manufacturing various machines to facilitate the process of sense gratification. There are so many machines for ordinary household activities. There are machines for washing dishes, cleansing the floor, shaving, clipping hair—today everything is done by machine. All these facilities for sense gratification are described in this verse as sarva-kāma-vinirmitām. The time factor, however, is so strong that not only is our span of life being expended, but all the machines and facilities for sense gratification are deteriorating. Therefore in this verse the word vilumpanti ("plundering") is used. Everything is being plundered from the very beginning of our lives.
Then one can take instructions from the Supersoul directly. This is the duty of the pure devotee: to see the bona fide spiritual master and consult with the Supersoul within the heart.
When the brāhmaṇa asked the woman who the man lying on the floor was, she answered that he was her spiritual master and that she was perplexed about what to do in his absence. At such a time the Supersoul immediately appears, provided the devotee is purified in heart by following the directions of the spiritual master. A sincere devotee who follows the instructions of the spiritual master certainly gets direct instructions from his heart from the Supersoul. Thus a sincere devotee is always helped directly or indirectly by the spiritual master and the Supersoul. This is confirmed in Caitanya-caritāmṛta: guru-kṛṣṇa-prasāde pāya bhakti-latā-bīja (CC Madhya 19.151). If the devotee serves his spiritual master sincerely, Kṛṣṇa automatically becomes pleased. Yasya prasādād bhagavad-prasādaḥ. By satisfying the spiritual master, one automatically satisfies Kṛṣṇa.
SB Canto 7
The steps of King Indra's residence were made of coral, the floor was bedecked with invaluable emeralds, the walls were of crystal, and the columns of vaidūrya stone. The wonderful canopies were beautifully decorated, the seats were bedecked with rubies, and the silk bedding, as white as foam, was decorated with pearls. The ladies of the palace, who were blessed with beautiful teeth and the most wonderfully beautiful faces, walked here and there in the palace, their ankle bells tinkling melodiously, and saw their own beautiful reflections in the gems. The demigods, however, being very much oppressed, had to bow down and offer obeisances at the feet of Hiraṇyakaśipu, who chastised the demigods very severely and for no reason. Thus Hiraṇyakaśipu lived in the palace and severely ruled everyone.
In other places, the following offenses are listed: (a) to be against the scriptural injunctions of the Vedic literature or to disrespect within one's heart the Śrīmad-Bhāgavatam while externally falsely accepting its principles, (b) to introduce differing śāstras, (c) to chew pan and betel before the Deity, (d) to keep flowers for worship on the leaf of a castor oil plant, (e) to worship the Deity in the afternoon, (f) to sit on the altar or to sit on the floor to worship the Deity (without a seat), (g) to touch the Deity with the left hand while bathing the Deity, (h) to worship the Deity with a stale or used flower, (i) to spit while worshiping the Deity, (j) to advertise one's glory while worshiping the Deity, (k) to apply tilaka to one's forehead in a curved way, (l) to enter the temple without having washed one's feet, (m) to offer the Deity food cooked by an uninitiated person, (n) to worship the Deity and offer bhoga to the Deity within the vision of an uninitiated person or non-Vaiṣṇava, (o) to offer worship to the Deity without worshiping Vaikuṇṭha deities like Gaṇeśa, (p) to worship the Deity while perspiring, (q) to refuse flowers offered to the Deity, (r) to take a vow or oath in the holy name of the Lord.
SB Canto 8
From Pratipat until the thirteenth day of the next bright moon (Śukla-trayodaśī), one should observe complete celibacy, sleep on the floor, bathe three times a day and thus execute the vow.
SB Canto 9
Thereafter, Lord Rāmacandra entered the palace of His forefathers. Within the palace were various treasures and valuable wardrobes. The sitting places on the two sides of the entrance door were made of coral, the yards were surrounded by pillars of vaidūrya-maṇi, the floor was made of highly polished marakata-maṇi, and the foundation was made of marble. The entire palace was decorated with flags and garlands and bedecked with valuable stones, shining with a celestial effulgence. The palace was fully decorated with pearls and surrounded by lamps and incense. The men and women within the palace all resembled demigods and were decorated with various ornaments, which seemed beautiful because of being placed on their bodies.
SB Cantos 10.14 to 12 (Translations Only)
The Lord saw Mathurā, with its tall gates and household entrances made of crystal, its immense archways and main doors of gold, its granaries and other storehouses of copper and brass, and its impregnable moats. Beautifying the city were pleasant gardens and parks. The main intersections were fashioned of gold, and there were mansions with private pleasure gardens, along with guildhalls and many other buildings. Mathurā resounded with the calls of peacocks and pet turtledoves, who sat in the small openings of the lattice windows and on the gem-studded floors, and also on the columned balconies and on the ornate rafters in front of the houses. These balconies and rafters were adorned with vaidūrya stones, diamonds, crystal quartz, sapphires, coral, pearls and emeralds. All the royal avenues and commercial streets were sprinkled with water, as were the side roads and courtyards, and flower garlands, newly grown sprouts, parched grains and rice had been scattered about everywhere. Gracing the houses' doorways were elaborately decorated pots filled with water, which were bedecked with mango leaves, smeared with yogurt and sandalwood paste, and encircled by flower petals and ribbons. Near the pots were flags, rows of lamps, bunches of flowers and the trunks of banana and betel-nut trees.
Uddhava also received a seat of honor, since he was a saintly person, but he simply touched it and sat on the floor. Then Lord Kṛṣṇa, imitating the manners of human society, quickly made Himself comfortable on an opulent bed.
O King, Akrūra bathed the feet of Lord Kṛṣṇa and Lord Balarāma and then poured the bath water on his head. He presented Them with gifts of fine clothing, aromatic sandalwood paste, flower garlands and excellent jewelry. After thus worshiping the two Lords, he bowed his head to the floor. He then began to massage Lord Kṛṣṇa's feet, placing them on his lap, and with his head bowed in humility he addressed Kṛṣṇa and Balarāma as follows.
In the construction of that city could be seen the full scientific knowledge and architectural skill of Viśvakarmā. There were wide avenues, commercial roads and courtyards laid out on ample plots of land; there were splendid parks, and also gardens stocked with trees and creepers from the heavenly planets. The gateway towers were topped with golden turrets touching the sky, and their upper levels were fashioned of crystal quartz. The gold-covered houses were adorned in front with golden pots and on top with jeweled roofs, and their floors were inlaid with precious emeralds. Beside the houses stood treasury buildings, warehouses, and stables for fine horses, all built of silver and brass. Each residence had a watchtower, and also a temple for its household deity. Filled with citizens of all four social orders, the city was especially beautified by the palaces of Śrī Kṛṣṇa, the Lord of the Yadus.
When the demon Maya was saved from the fire by his friend Arjuna, Maya presented him with an assembly hall, in which Duryodhana would later mistake water for a solid floor.
Supporting the palace were coral pillars decoratively inlaid with vaidūrya gems. Sapphires bedecked the walls, and the floors glowed with perpetual brilliance. In that palace Tvaṣṭā had arranged canopies with hanging strands of pearls; there were also seats and beds fashioned of ivory and precious jewels. In attendance were many well-dressed maidservants bearing lockets on their necks, and also armor-clad guards with turbans, fine uniforms and jeweled earrings. The glow of numerous jewel-studded lamps dispelled all darkness in the palace. My dear King, on the ornate ridges of the roof danced loudly crying peacocks, who saw the fragrant aguru incense escaping through the holes of the latticed windows and mistook it for a cloud.
Bewildered by the illusions created through Maya Dānava's magic, Duryodhana mistook the solid floor for water and lifted the end of his garment. And elsewhere he fell into the water, mistaking it for the solid floor.
There he went up to the Supreme Lord, who was lying with His head on the lap of His consort, Śrī, and kicked Him on the chest. The Lord then rose, along with Goddess Lakṣmī, as a sign of respect. Coming down from His bedstead, that supreme goal of all pure devotees bowed His head to the floor before the sage and told him, "Welcome, brāhmaṇa. Please sit in this chair and rest awhile. Kindly forgive us, dear master, for not noticing your arrival".
Sri Caitanya-caritamrta
CC Adi-lila
"Knowing me to be performing austerities with the desire to touch His feet, He came with His friend Arjuna and accepted my hand. Yet I am but a maidservant engaged in sweeping the floor of the house of Śrī Kṛṣṇa."
When Śrī Caitanya Mahāprabhu, the great gardener, sees that people are chanting, dancing and laughing and that some of them are rolling on the floor and some are making loud humming sounds, He smiles with great pleasure.
While mother Śacī was feeding the child from her breast, she saw on His lotus feet all the marks that were visible on the floor of the room, and she called for Jagannātha Miśra.
Hāte khaḍi (vidyārambha) is a ceremony marking the beginning of primary education. When a boy is four or five years old, an auspicious day is chosen for this ceremony. After Viṣṇu is worshiped, the teacher gives the child a piece of chalk and then, guiding the student's hand, instructs him how to write the letters of the alphabet (a, ā, i, etc.) by writing big letters on the floor. When the child is a little advanced in writing, he is given a slate for his primary education, which ends when he learns the two-letter combinations, which are called phalā, as mentioned above.
CC Madhya-lila
After reading the verse, Śrī Caitanya Mahāprabhu went into an ecstatic mood. While He was in that state, Śrīla Rūpa Gosvāmī came and immediately fell down on the floor like a rod.
After saying this, Nityānanda Prabhu took a handful of rice and threw it on the floor in front of Him, as if He were angry.
Lord Śrī Caitanya Mahāprabhu went swiftly to embrace Lord Jagannātha, but when He entered the temple, He was so overwhelmed with love of Godhead that He fainted to the floor.
When they entered the temple, Sārvabhauma Bhaṭṭācārya offered Caitanya Mahāprabhu a seat, while he himself sat down on the floor out of due respect for a sannyāsī.
In this way, Śrī Caitanya Mahāprabhu first washed the main temple and then thoroughly washed the ceiling, the walls, the floor, the sitting place (siṁhāsana) and everything else within the room.
Śrī Caitanya Mahāprabhu Himself and His devotees began to throw water onto the ceiling. When this water fell, it washed the walls and floor.
This verse from Śrīmad-Bhāgavatam (10.60.24) refers to Kṛṣṇa's speaking to Rukmiṇī in His bedroom. Just to test her sincerity, He began to joke with her, presenting Himself as poor, incapable and unfit to be her lover. Not understanding that He was joking, Rukmiṇī took Him seriously and thought that He wanted to leave her company. This misunderstanding made her very unhappy, and her whole body was affected. Her fan and bangles fell to the floor, and she also fell down like a banana tree knocked down by high winds.
CC Antya-lila
"I am in the renounced order, and therefore I must lie on the floor. For Me to use a bedstead, quilt or pillow would be very shameful."
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
This means that Kṛṣṇa's qualities are not material but are pure and transcendental.
The highest stage of ecstasy is characterized by the following thirteen transcendental activities: (1) dancing, (2) rolling on the floor, (3) singing, (4) clapping, (5) stretching the body, (6) thundering, (7) yawning, (8) breathing heavily, (9) forgetting social conventions, (10) drooling, (11) laughing, (12) shaking the head, and (13) hiccoughing. All these symptoms are not awakened simultaneously; they appear according to the exchange of transcendental mellows. Sometimes one symptom is prominent, and at another time another is prominent.
Please forgive me. I was mad to address You like a common friend or a common man.” (Bhagavad-gītā 11.41)
Similarly, when Kṛṣṇa was playing jokes on Rukmiṇī, she feared that He might leave her and became so perturbed that she dropped the fan with which she was fanning Him and fainted, falling unconscious to the floor as her hair scattered. She resembled a plantain tree blown down by a blast of wind.
But as far as Yaśodā, Kṛṣṇa's mother in Vṛndāvana, is concerned, Śrīmad-Bhāgavatam 10.8.45 states:
- trayyā copaniṣadbhiś ca sāṅkhya-yogaiś ca sātvataiḥ
- upagīyamāna-māhātmyaṁ hariṁ sāmanyatātmajam
"Mother Yaśodā thought that the Personality of Godhead, who is worshiped by all the Vedas and Upaniṣads, as well as by the sāṅkhya system of philosophy and all authorized scriptures, had been born from her womb."
Have you strayed from the general path? Because you have come here, all the animals in my traps have fled.”
"Yes, I am sorry," Nārada replied. "I have come to you to find my own path and to inquire from you. While on the path I have seen that there are many boars, deer and rabbits lying on the forest floor half-dead and flopping about. Who has committed these sinful acts?"
"What you have seen is all right," the hunter replied. "It was done by me."
“If you are hunting all these poor animals, why don’t you kill them at once?” Nārada asked. “You half-kill them, and they are writhing in their death pangs. This is a great sin. If you want to kill an animal, why don’t you kill it completely? Why do you leave it half-killed and allow it to die flopping around?”
Upon seeing this unique feature of Lord Caitanya, Rāmānanda Rāya fainted and fell to the floor. Lord Caitanya then touched him, and he came to his senses. Rāmānanda Rāya was surprised to see Lord Caitanya in His mendicant dress again. Lord Caitanya embraced him and pacified him and said that Rāmānanda was the only one to have seen this form. "Because you have understood the purpose of My incarnation, you are privileged to have seen this particular feature of My personality," the Lord said. "My dear Rāmānanda, I am not a different person with a fair complexion, a gaura-puruṣa. I am the selfsame Kṛṣṇa, the son of Mahārāja Nanda, and due to contact with the body of Śrīmatī Rādhārāṇī I have now assumed this form. Śrīmatī Rādhārāṇī does not touch anyone but Kṛṣṇa; therefore She has influenced Me with Her complexion, mind and words. In this way I am just trying to understand the transcendental flavor of Her relationship with Kṛṣṇa."
Nectar of Devotion
One should not show disrespect to a scripture teaching about the supremacy of the Lord. (23) One should not introduce any opposing scripture. (24) One should not chew betel before the Deity. (25) One should not offer a flower which was kept in an unclean pot. (26) One should not worship the Lord while sitting on the bare floor; one must have a sitting place or carpet. (27) One should not touch the Deity before one has completed taking bath. (28) One should not decorate his forehead with the three-lined tilaka. (29) One should not enter the temple without washing his hands and feet.
In the Hari-bhakti-sudhodaya it is stated that when Prahlāda Mahārāja was thinking himself unfit to approach the Supreme Personality of Godhead, he immersed himself in great distress, in an ocean of unhappiness. As such, he used to shed tears and lie down on the floor as though unconscious.
The students of a great devotee once talked among themselves in this way: "My dear Godbrothers, our spiritual master, after seeing the lotus feet of the Lord, has thrown himself into the fire of lamentation, and because of this fire the water of his life has almost dried away. Let us now pour the nectar of the holy name through his ears, and by our doing so the swan of his life may again show signs of life."
When Lord Kṛṣṇa went to the city of Śoṇitapura to fight with Bali's son Bāṇa and to cut off all his hands, Uddhava, being separated from Kṛṣṇa and thinking of His fight, was almost completely stunned into unconsciousness.
When demigods from the heavenly planets came to Śrī Kṛṣṇa, all of Kṛṣṇa's sons followed them, and Lord Brahmā sprinkled water from his kamaṇḍalu upon them. When the demigods came before Kṛṣṇa, the sons, instead of sitting on golden chairs, sat down on the floor, which was covered with deerskin.
Sometimes the behavior of Kṛṣṇa's sons appears similar to the behavior of His personal servants. For example, the sons used to offer their obeisances, they were silent, submissive and gentle, and they were always ready to carry out Kṛṣṇa's orders, even at the risk of life. When present before Kṛṣṇa, they bowed down on the ground. They were very silent and steady, and they used to restrain coughing and laughing before the Lord.
Krsna, The Supreme Personality of Godhead
"All right, keep your butter and yogurt carefully so that They may not reach it." In reply to this, the gopīs said, "Yes, actually we do so, but because we are sometimes engaged in our household duties, these naughty boys enter our house somehow or other and spoil everything. Sometimes, being unable to steal our butter and yogurt, out of anger They pass urine on the clean floor and sometimes spit on it. Now just see how your boy is hearing these complaints. All day He simply makes arrangements to steal our butter and yogurt, and now He is sitting just like a very silent good boy. Just see His face." When Mother Yaśodā thought to chastise her boy after hearing all the complaints, she saw His pitiable face, and smiling, she did not chastise Him.
The gopīs are so fortunate that they can see and think of Kṛṣṇa twenty-four hours a day, beginning from their milking the cows or husking the paddy or churning the butter in the morning. While engaged in cleaning their houses and washing their floors, they are always absorbed in thought of Kṛṣṇa.”
The gopīs give a perfect example of how one can execute Kṛṣṇa consciousness even while performing various types of material engagements. By constantly being absorbed in the thought of Kṛṣṇa, one cannot be affected by the contamination of material activities. The gopīs, therefore, are perfectly in trance, samādhi, the highest perfectional stage of mystic power. In the Bhagavad-gītā, it is confirmed that one who is constantly thinking of Kṛṣṇa is a first-class yogī among all kinds of yogīs. "My dear friends," one lady told another, "we must accept the activities of the gopīs to be the highest form of piety; otherwise, how could they have achieved the opportunity of seeing Kṛṣṇa both morning and evening—in the morning when He goes to the pasturing ground with His cows and cowherd boyfriends, and in the evening when He returns with them, playing on His flute and smiling very brilliantly?"
They learned how to write dramas, and They learned the various types of painting, from simple village arts up to the highest perfectional stage. They also learned how to paint tilaka on the face by making different kinds of dots on the forehead and cheeks. Then They learned the art of making paintings on the floor with a liquid paste of rice and flour; such paintings are very popular at auspicious ceremonies performed at household affairs or in the temple. They learned how to make a resting place with flowers and how to decorate clothing and limbs with colorful paintings. They also learned how to set valuable jewels in ornaments. They learned the art of ringing waterpots. Waterpots are filled with water to a certain measurement so that as one beats on the pots, different tones are produced, and when the pots are beaten together they produce a melodious sound. They also learned how to splash water in the rivers or lakes while taking a bath among friends. They learned how to decorate with flowers.
After offering Him a nice place to sit, she worshiped Lord Kṛṣṇa in a manner just suitable to her position. Uddhava was similarly received by Kubjā and her girlfriends, but he did not want to sit on an equal level with Kṛṣṇa, and thus he simply sat down on the floor.
As one usually does in such situations, Kṛṣṇa entered the bedroom of Kubjā without wasting time. In the meantime, Kubjā took her bath and smeared her body with sandalwood pulp. She dressed herself with nice garments, valuable jewelry, ornaments and flower garlands. After chewing betel nut and other intoxicating eatables and spraying herself with scents, she appeared before Kṛṣṇa. Her smiling glance and moving eyebrows were full of feminine bashfulness as she stood gracefully before Lord Kṛṣṇa, who is known as Mādhava, the husband of the goddess of fortune.
Almost all the palaces were skyscrapers. In each and every house there were underground rooms containing big golden and silver pots for stocking grain. And there were many golden waterpots within the rooms. The bedrooms were all bedecked with jewels, and the floors were mosaic pavements of marakata jewels. The Viṣṇu Deity, worshiped by the descendants of Yadu, was installed in each house in the city. The residential quarters were so arranged that the different castes—brāhmaṇas, kṣatriyas, vaiśyas and śūdras—had their respective quarters. It appears from this that the caste system mentioned in the Bhagavad-gītā existed even at that time. In the center of the city was a residence made specifically for King Ugrasena. This was the most dazzling of all the houses.
Thus she became perplexed with fear of separation, and her heart began to palpitate. Without replying to a word of Kṛṣṇa's statement, she simply cried in great anxiety, as if drowning in an ocean of grief. She silently scratched the floor with her toenails, which reflected reddish light on the floor. The tears from her eyes mixed with the black cosmetic ointment from her eyelids and dropped down, washing the kuṅkuma and saffron from her breasts. Choked up on account of great anxiety, unable to speak even a word, she kept her head downward and remained standing just like a stick. Due to extremely painful fear and lamentation, she lost all her powers of reason and became weak, her body losing so much weight that the bangles on her wrists became slack. The cāmara with which she was serving Kṛṣṇa immediately fell from her hand. Her brain and memory became puzzled, and she lost consciousness.
The lakes were full of nice swans and cranes, and the voices of these birds resounded everywhere. In the city there were as many as 900,000 great palaces built of first-class marble, with gates and doors made of silver. The pillars of the houses and palaces were bedecked with jewels such as touchstone, sapphire and emerald, and the floors gave off a beautiful luster. The highways, lanes, streets, crossings and marketplaces were all beautifully decorated. The whole city was full of residential homes, assembly houses and temples, all of different architectural beauty. All of this made Dvārakā a glowing city. The big avenues, crossings, lanes and streets, and also the thresholds of every residential house, were very clean. On both sides of every path there were bushes, and at regular intervals there were large trees that shaded the avenues so that the sunshine would not bother the passersby.
This yajña is also known as pañca-sūnā. Knowingly or unknowingly, everyone, especially the householder, commits five kinds of sinful activities. When we receive water from a water pitcher, we kill many germs that are in it. Similarly, when we use a grinding machine or eat food, we kill many germs. When sweeping a floor or igniting a fire we kill many germs, and when we walk on the street we kill many ants and other insects. Consciously or unconsciously, in all our different activities, we are killing. Therefore, it is incumbent upon every householder to perform the pañca-sūnā sacrifice to rid himself of the reactions to such sinful activities.
In one palace Nārada found Lord Kṛṣṇa feeding brāhmaṇas after performing ritualistic yajñas. In another palace Nārada found Kṛṣṇa silently chanting the Gāyatrī mantra, and in a third he found Him practicing fighting with a sword and shield. In some palaces Lord Kṛṣṇa was found riding on horses, elephants or chariots and wandering hither and thither.
| Page Title: | Floor (Books) |
| Compiler: | Visnu Murti, RupaManjari |
| Created: | 27 of Jun, 2012 |
| Totals by Section: | BG=1, SB=23, CC=12, OB=15, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 51 |