Enchant (CC & Other Books)

Expressions researched:
"enchant" |"enchanted" |"enchanter" |"enchanters" |"enchanting" |"enchantingly" |"enchantment" |"enchantments" |"enchantress" |"enchants"

CC Adi-lila

CC Adi 4.82, Translation:

Rādhā is the one who gives pleasure to Govinda, and She is also the enchantress of Govinda. She is the be-all and end-all of Govinda, and the crest jewel of all His consorts.

CC Adi 4.95, Translation:

Lord Kṛṣṇa enchants the world, but Śrī Rādhā enchants even Him. Therefore She is the supreme goddess of all.

CC Adi 4.244, Translation:

“The vibration of My transcendental flute attracts the three worlds, but My ears are enchanted by the sweet words of Śrīmatī Rādhārāṇī.

CC Adi 4.260, Translation:

“"Her eyes are enchanted by the beauty of Lord Kṛṣṇa, the enemy of Kaṁsa. Her body thrills in pleasure at His touch. Her ears are always attracted to His sweet voice, Her nostrils are enchanted by His fragrance, and Her tongue hankers for the nectar of His soft lips. She hangs down her lotuslike face, exercising self-control only by pretense, but She cannot help showing the external signs of Her spontaneous love for Lord Kṛṣṇa."

CC Adi 5.218-219, Translation:

On an altar made of gems in the principal temple of Vṛndāvana, amidst a forest of desire trees, Lord Govinda, the son of the King of Vraja, sits upon a throne of gems and manifests His full glory and sweetness, thus enchanting the entire world.

CC Adi 9.39, Purport:

They are so foolish that they resign themselves to these four miseries, not knowing the transcendental remedy of the Hare Kṛṣṇa mahā-mantra. Simply by chanting the Hare Kṛṣṇa mahā-mantra, one can become free from all misery, but because they are enchanted by the illusory energy, people do not take this movement seriously. Therefore those who are actually servants of Śrī Caitanya Mahāprabhu must seriously distribute this movement all over the world to render the greatest benefit to human society. Of course, animals and other lower species are not capable of understanding this movement, but if even a small number of human beings take it seriously, then by their chanting loudly, all living entities, including even trees, animals and other lower species, will be benefited.

CC Adi 17.232, Purport:

There was a Muslim tailor near the house of Śrīvāsa Ṭhākura who used to sew the garments of the family. One day he was very pleased with the dancing of Śrī Caitanya Mahāprabhu; indeed, he was enchanted. The Lord, understanding his attitude, showed him His original form as Kṛṣṇa. The tailor then began to dance, saying, "I have seen! I have seen!" He became absorbed in ecstatic love and began to dance with Lord Caitanya. Thus he became one of the foremost Vaiṣṇava adherents of Śrī Caitanya Mahāprabhu.

CC Madhya-lila

CC Madhya 1.84, Translation:

The gopīs continued, "Dear Kṛṣṇa, the fragrance of the mellows of Your pastimes is spread throughout the forests of the glorious land of Vṛndāvana, which is surrounded by the sweetness of the district of Mathurā. In the congenial atmosphere of that wonderful land, You may enjoy Your pastimes, with Your flute dancing on Your lips, and surrounded by us, the gopīs, whose hearts are always enchanted by unpredictable ecstatic emotions."

CC Madhya 1.87, Purport:

This unmāda (madness) is not ordinary madness. When Śrī Caitanya Mahāprabhu talked inconsistently, almost like a crazy fellow, He was in the transcendental ecstasy of love. In the highest transcendental ecstasy there is a feeling of being enchanted in the presence of the enchanter. When the enchanter and the enchanted become separated, mohana, or bewilderment, occurs. When so bewildered due to separation, one becomes stunned, and at that time all the bodily symptoms of transcendental ecstasy are manifested. When they are manifest, one appears inconceivably crazy. This is called transcendental madness. In this state, there is imaginative discourse, and one experiences emotions like those of a madman.

CC Madhya 2.56, Translation:

Śrī Caitanya Mahāprabhu used to lament by saying, "Where is Śrī Kṛṣṇa, whose form is curved in three places? Where is the sweet song of His flute, and where is the bank of the Yamunā? Where is the rāsa dance? Where is that dancing, singing, and laughing? Where is My Lord, Madana-mohana, the enchanter of Cupid?"

CC Madhya 2.68, Translation:

“My dear Lord, You attract all the women of the universe, and You make adjustments for all of them when they appear. You are Lord Kṛṣṇa, and You can enchant everyone, but on the whole, You are nothing but a debauchee. Who can honor You?

CC Madhya 6.82, Purport:

One cannot understand the Supreme Personality of Godhead simply by exhibiting some mundane magic. Foolish people are enchanted by magical demonstrations, and when they see a few wonderful things done by mystical power, they accept a magician as the Personality of Godhead or an incarnation. This is not the way of realization. Nor should one guess or speculate about an incarnation of God or the Personality of Godhead. One has to learn from the bona fide person or from the Supreme Personality of Godhead Himself, as Arjuna did, by the mercy of Kṛṣṇa. Kṛṣṇa Himself also gives many hints about His potencies as the Supreme Personality of Godhead. One should understand the Supreme Personality of Godhead only through the evidence presented by the śāstras and the mahājanas.

CC Madhya 8.288, Purport:

And in His Gaurāṅga feature Kṛṣṇa tastes separation from Kṛṣṇa in the ecstasy of Śrīmatī Rādhārāṇī. This ecstatic form is Śrī Kṛṣṇa Caitanya. Śrī Kṛṣṇa is always the transcendental reservoir of all pleasure, and He is technically called dhīra-lalita. Śrīmatī Rādhārāṇī is the embodiment of spiritual energy, personified as ecstatic love for Kṛṣṇa; therefore only Kṛṣṇa can touch Her. The dhīra-lalita aspect is not seen in any other form of the Lord, including Viṣṇu and Nārāyaṇa. Śrīmatī Rādhārāṇī is therefore known as Govinda-nandinī and Govinda-mohinī, for She is the only source of transcendental pleasure for Śrī Kṛṣṇa and the only person who can enchant His mind.

CC Madhya 13.3, Translation:

All glories to the listeners of Śrī Caitanya-caritāmṛta! Please hear the description of the dancing of Lord Caitanya Mahāprabhu at the Ratha-yātrā festival. His dancing is very enchanting. Please hear of it with great attention.

CC Madhya 13.150, Purport:

Śrīmatī Rādhārāṇī is the center of all Vṛndāvana's activities. In Vṛndāvana, Kṛṣṇa is the instrument of Śrīmatī Rādhārāṇī; therefore all the inhabitants of Vṛndāvana still chant "Jaya Rādhe!" From Kṛṣṇa's own statement given herein, it appears that Rādhārāṇī is the Queen of Vṛndāvana and that Kṛṣṇa is simply Her decoration. Kṛṣṇa is known as Madana-mohana, the enchanter of Cupid, but Śrīmatī Rādhārāṇī is the enchanter of Kṛṣṇa. Consequently Śrīmatī Rādhārāṇī is called Madana-mohana-mohinī, the enchanter of the enchanter of Cupid.

CC Madhya 14.170, Translation:

“Now hear a description of different ecstasies, beginning with kila-kiñcita. With these ecstatic ornaments, Śrīmatī Rādhārāṇī enchants the mind of Kṛṣṇa.

CC Madhya 14.183, Translation:

Śrī Caitanya Mahāprabhu then asked Svarūpa Dāmodara, "Please speak of the ecstatic ornaments decorating the body of Śrīmatī Rādhārāṇī, by which She enchants the mind of Śrī Govinda."

CC Madhya 17.213, Translation:

Thereafter the male parrot said, "Kṛṣṇa is the enchanter of the mind of Cupid." He then began to recite another verse.

CC Madhya 17.214, Translation:

The male parrot then said, "My dear śārī (female parrot), Śrī Kṛṣṇa carries a flute and enchants the hearts of all women throughout the universe. He is specifically the enjoyer of the beautiful gopīs, and He is the enchanter of Cupid also. Let Him be glorified!"

CC Madhya 17.216, Translation:

The female parrot said, "When Lord Śrī Kṛṣṇa is with Rādhārāṇī, He is the enchanter of Cupid; otherwise, when He is alone, He Himself is enchanted by erotic feelings even though He enchants the whole universe."

CC Madhya 18.55, Purport:

O goddess Devī, any person who goes there is eligible to enjoy the glories of my abode.”

In the Bhakti-ratnākara (Fifth Wave) it is also said:

ei kāmyavane kṛṣṇa-līlā manohara

karibe darśana sthāna kuṇḍa bahutara

kāmyavane yata tīrtha lekhā nāhi tāra

"In this Kāmyavana, Kṛṣṇa performed enchanting pastimes. Here you will be able to take darśana of many ponds and other transcendental spots. I cannot even describe in writing all the sacred tīrthas found at Kāmyavana."

CC Madhya 24.178, Translation:

“"All the cranes and swans in the water are being enchanted by the melodious song of Kṛṣṇa"s flute. They have approached and are worshiping the Supreme Personality of Godhead with full attention. Alas, they are closing their eyes and are becoming completely silent.’

CC Madhya 24.205, Purport:

If the confidential devotees do not take up the task of elevating everyone to Kṛṣṇa consciousness, then who will do it? Those who claim to be devotees but do not engage in Kṛṣṇa's service to elevate all living creatures to Kṛṣṇa consciousness are to be considered kaniṣṭha-adhikārīs (people in the lowest stage of devotional service). When one rises to the second platform of devotional service, his business is to propagate Kṛṣṇa consciousness all over the world. Those who are active in the Kṛṣṇa consciousness movement should not remain in the neophyte stage but should rise to the platform of preachers, the second platform of devotional service. Devotional service is so enchanting that even the first-class devotees (uttama-adhikārīs) also come down to the second platform to preach and render service to the Lord for the benefit of the whole world.

CC Antya-lila

CC Antya 1.162, Translation:

“"My dear friend the flute, it appears that you have been born of a very good family, for your residence is in the hands of Śrī Kṛṣṇa. By birth you are simple and are not at all crooked. Why then have you taken initiation into this dangerous mantra that enchants the assembled gopīs?"

CC Antya 1.171, Translation:

""When Śrīmatī Rādhārāṇī smiles, waves of joy flow over Her cheeks, and Her arched eyebrows dance like the bow of Cupid. Her glance is so enchanting that it is like a dancing bumblebee moving unsteadily due to intoxication. That bee has bitten the whorl of My heart.""

CC Antya 3.139, Purport:

Sometimes the word gṛha-vṛtti is substituted for the word gṛha-vitta. Vṛtti means "profession." The gṛha-vṛtti of the prostitute was to enchant foolish people and induce them to indulge in sex. Here, however, gṛha-vṛtti is not a suitable word. The proper word is gṛha-vitta, which means "all the possessions she had in her home." All the girl's possessions had been earned by professional prostitution and were therefore products of her sinful life. When such possessions are given to brāhmaṇas and Vaiṣṇavas who can engage them in the service of the Lord because of their advancement in spiritual life, this indirectly helps the person who gives the charity, for he is thus relieved of sinful reactions. As Kṛṣṇa promises, ahaṁ tvāṁ sarva-pāpebhyo mokṣayiṣyāmi: (BG 18.66) "I shall save you from all sinful reactions."

CC Antya 3.250, Purport:

"This divine energy of Mine, consisting of the three modes of material nature, is difficult to overcome. But those who have surrendered unto Me can easily cross beyond it." This was actually proved by the behavior of Haridāsa Ṭhākura. Māyā enchants the entire world. Indeed, people have forgotten the ultimate goal of life because of the dazzling attractions of the material world. But this dazzling attraction, especially the attractive beauty of a woman, is meant for persons who are not surrendered to the Supreme Personality of Godhead. The Lord says, mām eva ye prapadyante māyām etāṁ taranti te: (BG 7.14) "One who is surrendered unto Me cannot be conquered by the illusory energy." The illusory energy personally came to test Haridāsa Ṭhākura, but herein she admits her defeat, for she was unable to captivate him. How is this possible? It was because Haridāsa Ṭhākura, fully surrendered to the lotus feet of Kṛṣṇa, was always absorbed in thoughts of Kṛṣṇa by chanting the holy names of the Lord 300,000 times daily as a vow.

CC Antya 14.16, Translation:

"When the ecstatic emotion of enchantment gradually progresses, it becomes similar to bewilderment. Then one reaches the stage of astonishment (vaicitrī), which awakens transcendental madness. Udghūrṇā and citra-jalpa are two among the many divisions of transcendental madness."

CC Antya 14.18, Translation:

Śrī Caitanya Mahāprabhu saw Lord Kṛṣṇa standing with His beautiful body curved in three places, holding His flute to His lips. Wearing yellow garments and garlands of forest flowers, He was enchanting even to Cupid.

CC Antya 15.56, Translation:

Standing there with His flute to His lips, Kṛṣṇa, who enchants millions upon millions of Cupids, attracted the eyes and minds of all the world with His unlimited beauty.

CC Antya 15.63, Translation:

“"My dear friend, the luster of Kṛṣṇa"s body is more brilliant than that of a newly formed cloud, and His yellow dress is more attractive than newly arrived lightning. A peacock feather decorates His head, and on His neck hangs a lovely necklace of brilliant pearls. As He holds His charming flute to His lips, His face looks as beautiful as the full autumn moon. By such beauty, Madana-mohana, the enchanter of Cupid, is increasing the desire of My eyes to see Him.’”

CC Antya 15.80, Translation:

“By nature, Kṛṣṇa is very restless; He does not stay in one place. He meets with someone, enchants his mind and then disappears.

CC Antya 16.113, Translation:

“A fragrance and taste that are uncommon and greatly enchanting and that make one forget all other experiences are attributes of Kṛṣṇa's lips.

CC Antya 17.35, Translation:

“‘When You play Your flute, the vibration acts like a messenger in the form of a yoginī perfect in the art of chanting mantras. This messenger enchants all the women in the universe and attracts them to You. Then she increases their great anxiety and induces them to give up the regulative principle of obeying superiors. Finally, she forcibly brings them to You to surrender in amorous love.

CC Antya 19.91, Translation:

“"The scent of Kṛṣṇa"s transcendental body surpasses the aroma of musk and attracts the minds of all women. The eight lotuslike parts of His body distribute the fragrance of lotuses mixed with that of camphor. His body is anointed with aromatic substances like musk, camphor, sandalwood and aguru. O My dear friend, that Personality of Godhead, also known as the enchanter of Cupid, always increases the desire of My nostrils.’

CC Antya 19.93, Translation:

“My dear friend, the scent of Kṛṣṇa's body enchants the entire world. It especially enters the nostrils of women and remains seated there. Thus it captures them and forcibly brings them to Kṛṣṇa.

CC Antya 19.96, Translation:

“The scent of Kṛṣṇa's transcendental body is so attractive that it enchants the bodies and minds of all women. It bewilders their nostrils, loosens their belts and hair, and makes them madwomen. All the women of the world come under its influence, and therefore the scent of Kṛṣṇa's body is like a plunderer.

CC Antya 19.107, Purport:

"Kṛṣṇa no longer gives us the enchanting nectar of His lips; instead, He now gives that nectar to the women of Mathurā. Kṛṣṇa directly attracts our minds, yet He resembles a bumblebee like you because He gives up the association of a beautiful flower and goes to a flower that is inferior. That is the way Kṛṣṇa has treated us. I do not know why the goddess of fortune continues to serve His lotus feet instead of leaving them aside. Apparently she believes in Kṛṣṇa's false words. We gopīs, however, are not unintelligent like Lakṣmī."

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 1:

The impersonal (Māyāvādī) philosophers say that the Absolute Truth is nirguṇa, "without qualities," but the Vaiṣṇava philosophers say that the Absolute Truth is described as nirguṇa because He has no material qualities. This is not to say that He has no spiritual qualities. Indeed, the Lord's spiritual qualities are so great and so enchanting that even liberated persons become attracted to Him. This is explained in the ātmārāma verse of Śrīmad-Bhāgavatam (1.7.10), where it is said that those who are already situated on the platform of self-realization are attracted by the transcendental qualities of Kṛṣṇa. This means that Kṛṣṇa's qualities are not material but are pure and transcendental.

Teachings of Lord Caitanya, Chapter 9:

In other words, Kṛṣṇa appears in the material world to satisfy His devotees. His qualities are so attractive that Kṛṣṇa Himself becomes eager to understand Himself. When He is fully decorated and stands with His body curved in three ways, with His eyebrows always moving and His eyes so attractive, the gopīs become enchanted. His special abode is at the top of the spiritual sky, and He resides there with His associates—the cowherd boys, the gopīs and all the goddesses of fortune. It is there that He is known as Madana-mohana.

There are many different pastimes of Kṛṣṇa, such as His pastimes in the forms of Vāsudeva and Saṅkarṣaṇa. In the material sky He performs pastimes as the first puruṣa incarnation, the creator of the material world. There are also pastimes in which He incarnates as a fish or a tortoise or takes the forms of Lord Brahmā and Lord Śiva, incarnations of the material qualities.

Nectar of Devotion

Nectar of Devotion 3:

In this connection, in the Third Canto of Śrīmad-Bhāgavatam, Chapter Twenty-five, verse 36, Kapiladeva has advised His mother, Devahūti, as follows: "My dear mother, My pure devotees are charmed by seeing My different forms, the beauty of My face, the structure of My body so enchanting. My laughing, My pastimes and My glance appear to them so beautiful that their minds are always absorbed in thoughts of Me and their lives are dedicated fully unto Me. Although such people do not desire any kind of liberation or any kind of material happiness, still I give them a place among My associates in the supreme abode."

Nectar of Devotion 13:

"My dear friend, if you still have any desire to enjoy the company of your friends within this material world, then don't look upon the form of Kṛṣṇa, who is standing on the bank of Keśī-ghāṭa (a bathing place in Vṛndāvana). He is known as Govinda, and His eyes are very enchanting. He is playing upon His flute, and on His head there is a peacock feather. And His whole body is illuminated by the moonlight in the sky."

The purport of this verse is that if someone becomes attached to the śrī-mūrti, or Deity of Kṛṣṇa, by worshiping at home, then he will forget his relationships of so-called friendship, love and society. Thus it is the duty of every householder to install Deities of the Lord at home and to begin the process of worshiping along with all of his family members. This will save everyone from such unwanted activities as going to clubs, cinemas and dancing parties, and smoking, drinking, etc. All such nonsense will be forgotten if one stresses the worship of the Deities at home.

Nectar of Devotion 21:

One who can talk and dress himself very artistically is called vidagdha. This exemplary characteristic was visible in the personality of Śrī Kṛṣṇa. It is spoken of by Rādhārāṇī as follows: "My dear friend, just see how Kṛṣṇa has nicely composed songs and how He dances and speaks funny words and plays on His flute, wearing such nice garlands. He has dressed Himself in such an enchanting way, as though He had defeated all kinds of players at the chessboard. He lives wonderfully at the topmost height of artistic craftsmanship."

Nectar of Devotion 22:

And not only women, but even stronghearted men are subject to falling down from their position at the sound of Your flute. In fact, we have seen that in Vṛndāvana even the cows, the deer, the birds, the trees—everyone—has been enchanted by the sweet vibration of Your flute and the fascinating beauty of Your person."

In Rūpa Gosvāmī's Lalita-mādhava, it is said, "One day Kṛṣṇa happened to see the shadow of His beautiful form reflected on the jeweled foreground. Upon seeing this bodily reflection, He expressed His feelings: 'How wonderful it is that I have never seen such a beautiful form! Although it is My own form, still, like Rādhārāṇī, I am trying to embrace this form and enjoy celestial bliss.'" This statement shows how Kṛṣṇa and His shadow reflection are one and the same. There is no difference between Kṛṣṇa and His shadow reflection, nor between Kṛṣṇa and His picture.

Nectar of Devotion 26:

All of these gopīs have become so affected that it is as if they had offered three sprinkles of water upon their lives. In other words, they have given up all hope for their living condition." According to the Indian system, when a person is dead there is a sprinkling of water on the body. Thus, the statement of Vṛndā shows that the gopīs were so enchanted by the beauty of Kṛṣṇa that because they could not express their minds, they had decided to commit suicide.

When Kṛṣṇa arrived at the age of thirteen to fourteen years, His two arms and chest assumed an unspeakable beauty, and His whole form became simply enchanting. When Kṛṣṇa attained thirteen years of age, His two thighs were challenging the trunks of elephants, His rising chest was trying to come to peace talks with doors of jewels, and His two arms were minimizing the value of the bolts found on doors. Who can describe the wonderful beauty of these features of Kṛṣṇa? The special beauty of Kṛṣṇa's body was His mild smiling, His restless eyes and His world enchanting songs. These are the special features of this age.

Nectar of Devotion 26:

There is a statement in this connection that Kṛṣṇa, on arriving at this age, manifested such beautiful bodily features that His restless eyes became the playthings of Cupid, and His mild smile resembled the newly grown lotus flower. The enchanting vibration of His songs became a great impediment to the young girls, who were supposed to remain chaste and faithful to their husbands.

At this age Kṛṣṇa enjoyed the rāsa-līlā, exhibiting His power of joking with the cowherd girls and enjoying their company in the bushes of the gardens by the bank of the Yamunā.

In this connection there is the following statement: "Throughout the whole tract of land known as Vṛndāvana there were the footprints of Kṛṣṇa and the gopīs, and in some places peacock feathers were strewn about.

Nectar of Devotion 26:

You have just become the spiritual master of these young girls, and You are teaching them to whisper among themselves. You are teaching them to offer solemn prayers, as well as training them to cheat their husbands and to join You in the gardens at night, without caring for the instructions of their superiors. You are enthusing them by the vibration of Your enchanting flute; and, as their teacher, You are teaching them all the intricacies of loving affairs."

It is said that even when Kṛṣṇa was a boy of five He manifested such youthful energies, but learned scholars do not explain them because of the absence of suitable age. Kṛṣṇa was beautiful because every part of His body was perfectly arranged without any defect. Such perfect bodily features of Kṛṣṇa are described as follows: "My dear enemy of Kaṁsa, Your broad eyes, Your rising chest, Your two pillarlike arms and the thin middle portion of Your body are always enchanting to every lotus-eyed beautiful girl."

Nectar of Devotion 26:

Generally, there are four kinds of garments on the body of Kṛṣṇa: His shirt, turban, belt and wearing garments. In Vṛndāvana, He used to put on reddish garments, with a golden shirt on His body and an orange-colored turban on His head. The different kinds of belts, combined with His enchanting smile, used to always increase the transcendental bliss of His associates. This dress of Kṛṣṇa is described as gorgeous. As a baby elephant is sometimes dressed in colorful clothing, so Kṛṣṇa's gorgeousness was manifested by decoration with such colorful clothing on the different parts of His body.

Ākalpa refers to the texture of Kṛṣṇa's hair, His nicely dressed body anointed with sandalwood pulp and decorated with flower garlands, His tilaka and His chewing pan. Kṛṣṇa was decorated constantly in this ākalpa process. Kṛṣṇa's hair was sometimes decorated with flowers placed on the middle of His head, or else it was reaching down to His back.

Nectar of Devotion 26:

One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.

Nectar of Devotion 27:

In the Third Canto, First Chapter, verse 32, of Śrīmad-Bhāgavatam, Vidura inquires from Uddhava, "My dear friend, is Akrūra in an auspicious condition? Not only is he a learned scholar and sinless, but he is also a devotee of Lord Kṛṣṇa. He has such ecstatic love for Kṛṣṇa that I have seen him rolling upon Kṛṣṇa's footprints in the dust as if bereft of all sense." Similarly, one gopī gave a message to Kṛṣṇa that Rādhārāṇī, because of Her separation from Him and because of Her enchantment with the aroma of His flower garlands, was rolling on the ground, thereby bruising Her soft body.

Nectar of Devotion 27:

One gopī informed Kṛṣṇa that when Śrīmatī Rādhārāṇī was singing about His glories, She enchanted all of Her friends in such a way that they became stonelike and dull. At the same time, the nearby stones began to melt away in ecstatic love.

When Nārada Muni was chanting the Hare Kṛṣṇa mantra, he chanted so loudly that it was apprehended that Lord Nṛsiṁha had appeared. Thus all the demons began to flee in different directions.

Nectar of Devotion 29:

Śrīla Bilvamaṅgala Ṭhākura prays in his book as follows: "Let Śrīmatī Rādhārāṇī purify the whole world, because She has surrendered Herself completely unto Kṛṣṇa. Out of Her ecstatic love for Him, She sometimes acted just like an addled person and attempted to churn yogurt, although there was no yogurt in the pot. And seeing this, Kṛṣṇa became so enchanted by Rādhārāṇī that He began to milk a bull instead of a cow." These are some of the instances of insanity or madness in connection with the love affairs of Rādhā and Kṛṣṇa. In Śrīmad-Bhāgavatam it is said that when Kṛṣṇa entered the poisonous waters of the Yamunā, Śrīmatī Yaśodā-devī went insane. Instead of searching for curative herbs, she began to speak to the trees as if they were snake chanters. With folded hands she began to bow down to the trees, asking them, "What is the medicinal herb which can check Kṛṣṇa's dying from this poisonous water?" This is an instance of insanity caused by some great danger.

Nectar of Devotion 30:

Once while Kṛṣṇa was out walking, one of the associates of Rādhārāṇī told Her, "My dear friend, do You think that this walking personality is a tamāla tree? If He is a tamāla tree, then how is it possible for Him to walk and be so beautiful? Then, this personality might be a cloud. But if He's a cloud, then where is the beautiful moon within? Under the circumstances, I think it may be granted that this person is the same enchanting Personality of Godhead by whose flute vibration the three worlds are captivated. He must be the same Mukunda who is standing before Govardhana Hill." This is another instance of an argumentative presentation of ecstatic love.

Nectar of Devotion 39:

When the devotee meets with Kṛṣṇa in great eagerness, that state of meeting is called perfection. In the Kṛṣṇa-karṇāmṛta, Bilvamaṅgala Ṭhākura describes how Kṛṣṇa meets His devotee—with peacock feather on His head, with marakata jewels on His chest and with His ever enchanting smile, His restless eyes and His very delicate body.

In the Tenth Canto of Śrīmad-Bhāgavatam, Thirty-eighth Chapter, verse 34, Śukadeva Gosvāmī tells King Parīkṣit, "My dear King, as soon as Akrūra the chariot driver saw Lord Kṛṣṇa and His elder brother Balarāma in Vṛndāvana, he immediately got down from the chariot and, being greatly afflicted by affection for the transcendental Lord, fell down upon His lotus feet to offer respectful obeisances." These are some of the instances of perfectional meetings with Kṛṣṇa.

Nectar of Devotion 49:

The following statement was made by Kṛṣṇa to the gopīs: "My dear enchanted, don't gaze at Me with longing eyes like this. Be satisfied and return to your homes in Vṛndāvana. There is no necessity of your presence here." While Kṛṣṇa was joking in this way with the damsels of Vraja, who with great hope had come to enjoy the rāsa dance with Him, Subala was also on the scene, and he began to look at Kṛṣṇa with wide and laughing eyes. Subala's feeling contained a mixture of fraternity and laughter in devotional service. Fraternity is considered here to be the whole, and the laughter is considered the part.

Nectar of Instruction

Nectar of Instruction 4, Purport:

At that time the tigers, snakes, deer and all other animals abandoned their natural animosity and began chanting and dancing in saṅkīrtana. Of course, we cannot imitate the activities of Śrī Caitanya Mahāprabhu, but we should follow in His footsteps. We are not powerful enough to enchant the lower animals such as tigers, snakes, cats and dogs or entice them to dance, but by chanting the holy names of the Lord we can actually convert many people throughout the world to Kṛṣṇa consciousness. Contributing or distributing the holy name of the Lord is a sublime example of contributing or giving charity (the dadāti principle). By the same token, one must also follow the pratigṛhṇāti principle and be willing and ready to receive the transcendental gift. One should inquire about the Kṛṣṇa consciousness movement and open his mind in order to understand the situation of this material world. Thus the guhyam ākhyāti pṛcchati principles can be served.

Krsna, The Supreme Personality of Godhead

Krsna Book 29:

The appearance of the moon increased Kṛṣṇa's desire to dance with the gopīs. The forests were filled with fragrant flowers. The atmosphere was cooling and festive. When Lord Kṛṣṇa began to blow His flute, the gopīs all over Vṛndāvana became enchanted. Their attraction to the vibration of the flute increased a thousand times due to the rising full moon, the red horizon, the calm and cool atmosphere and the blossoming flowers. All the gopīs were by nature very much attracted to Kṛṣṇa's beauty, and when they heard the vibration of His flute, they became apparently lustful to satisfy the senses of Kṛṣṇa.

Krsna Book 29:

He is the speaker of the Bhagavad-gītā. He can speak on the highest elevated subjects of philosophy, politics, economics—everything. And He also spoke before the gopīs, who were so dear to Him. He wanted to enchant them by word jugglery, and thus He began to speak as follows.

"O ladies of Vṛndāvana," Kṛṣṇa said, "you are very fortunate, and you are very dear to Me. I am very much pleased that you have come here, and I hope everything is well in Vṛndāvana. Now please order Me. What can I do for you? What is the purpose of your coming here in the dead of night? Kindly take your seats and let Me know what I can do for you."

The gopīs had come to Kṛṣṇa to enjoy His company, to dance with Him, embrace Him and kiss Him, and when Kṛṣṇa began to receive them very officially, showing all kinds of etiquette, they were surprised.

Krsna Book 29:

There is no woman within these three worlds who cannot but deviate from her path of chastity once she is attracted to You, because Your beauty is so sublime that not only men and women but also cows, birds, beasts and even trees, fruits and flowers—everyone and everything—become enchanted, and what to speak of ourselves? It is, however, definitely decided that as Lord Viṣṇu is always protecting the demigods from the onslaught of demons, so You have also advented in Vṛndāvana just to give the residents protection from all kinds of distress. O dear friend of the distressed, kindly place Your hand on our burning breasts as well as on our heads, because we have surrendered unto You as Your eternal maidservants. If You think, however, that Your lotuslike palms might be burned to ashes if placed on our burning breasts, let us assure You that Your palms will feel pleasure instead of pain, as the lotus flower, although very delicate and soft, enjoys the scorching heat of the sun.”

Krsna Book 31:

O dear Kṛṣṇa, You are the supreme lover, and You always give shelter to surrendered souls. You fulfill everyone's desire; Your lotus feet are worshiped even by Lord Brahmā, the creator of the universe. On whoever worships Your lotus feet, You without a doubt always bestow Your benedictions. So kindly be pleased with us and keep Your lotus feet on our breasts and thus relieve our present distresses. Dear Kṛṣṇa, we are seeking Your kisses, which You offer even to Your flute. The vibration of Your flute enchants the whole world and our hearts also. Kindly, therefore, return and kiss us with Your mouth of nectar.”

Krsna Book 35:

Their ears raise up and they become stunned. They do not appear alive but like painted animals. Kṛṣṇa's flute-playing is so attractive that even the animals become enchanted, and what to speak of ourselves.”

Another gopī said, "My dear friends, not only living animals but even inanimate objects like the rivers and lakes of Vṛndāvana also become stunned when Kṛṣṇa passes with peacock feathers on His head and His body smeared with the minerals of Vṛndāvana. With leaves and flowers decorating His body, He looks like some hero. When He plays on His flute and calls the cows with Balarāma, the river Yamunā stops flowing and waits for the air to carry dust from His lotus feet. But the river Yamunā is unfortunate like us; it does not get Kṛṣṇa's mercy. The river simply remains stunned, stopping its waves, just as we also stop crying for Kṛṣṇa in expectation."

Krsna Book 35:

"When Kṛṣṇa returns, He is garlanded with tulasī leaves," a gopī described Him to a friend. "He puts His hand on the shoulder of a cowherd boyfriend and begins to blow His transcendental flute. The wives of the black deer become enchanted upon hearing the vibration of His flute, which resembles the vibration of the vīṇā. The deer come to Kṛṣṇa and become so charmed that they stand still, forgetting their homes and husbands. Like us, who are enchanted by the ocean of the transcendental qualities of Kṛṣṇa, the she-deer become enchanted by the vibration of His flute."

Another gopī told Mother Yaśodā, “My dear mother, when your son returns home, He decorates Himself with the buds of the kunda flower, and just to enlighten and gladden His friends, He blows His flute. The breeze blowing from the south creates a pleasing atmosphere because it is fragrant and very cool.

Krsna Book 47:

Perhaps you have come here to canvass again or to take us there. But why should Kṛṣṇa expect us to go there? He is greatly qualified to entice all other girls, not only in Vṛndāvana or Mathurā but all over the universe. His wonderfully enchanting smile is so attractive and the movements of His eyebrows are so beautiful that He can call for any woman from the heavenly, middle or Plutonic planets. Even Mahā-Lakṣmī, the greatest of all goddesses of fortune, hankers to render Him some service. In comparison to all these women of the universe, what are we? We are very insignificant.

“Kṛṣṇa advertises Himself as magnanimous, and He is praised by great saints. His qualifications would be perfectly utilized if He would only show us some mercy, for we are so much downtrodden and neglected by Him. You poor messenger, you are only a less intelligent servant.

Krsna Book 47:

Śrīmatī Rādhārāṇī continued to speak to the black messenger of Kṛṣṇa: "Please do not talk anymore about Kṛṣṇa. It is better to talk about something else. We are already doomed, like the black-spotted she-deer in the forest who are enchanted by the sweet musical vibration of the hunter. In the same way, we have been enchanted by the sweet words of Kṛṣṇa, and by thinking of the rays of His toenails again and again, we are becoming more and more lusty for His association. Therefore, I request you not to talk of Kṛṣṇa anymore."

These talks of Rādhārāṇī with the bumblebee messenger, including Her accusing Kṛṣṇa in so many ways and at the same time expressing Her inability to give up talking about Him, are signs of the topmost transcendental ecstasy, called mahā-bhāva. The ecstatic mahā-bhāva manifestation is possible only in the persons of Rādhārāṇī and Her associates.

Krsna Book 86:

One day Lord Balarāma invited this particular sannyāsī to lunch at His home. Balarāmajī very respectfully offered him all kinds of palatable dishes, and the so-called sannyāsī was eating sumptuously. While eating at the home of Balarāmajī, Arjuna was simply looking at beautiful Subhadrā, who was very enchanting to great heroes and kings. Out of love for her, Arjuna's eyes brightened, and he looked at her with glittering eyes. Arjuna decided that somehow or other he would achieve Subhadrā as his wife, and his mind became agitated on account of this strong desire.

Arjuna, the grandfather of Mahārāja Parīkṣit, was himself extraordinarily beautiful, and his bodily structure was very attractive to Subhadrā, who decided within her mind that she would accept only Arjuna as her husband. As a simple girl, she was smiling with great pleasure, looking at Arjuna. Thus Arjuna also became more and more attracted by her. In this way, Subhadrā dedicated herself to Arjuna, and he resolved to marry her by any means.

Krsna Book 90:

Lord Kṛṣṇa is especially glorified for giving pleasure to the gopīs and the queens of Dvārakā. Śukadeva Gosvāmī glorifies Lord Kṛṣṇa for His enchanting smile, by which He enchanted not only the gopīs of Vṛndāvana but also the queens of Dvārakā. The exact words used in this connection are vardhayan kāma-devam. In Vṛndāvana, as the boyfriend of many gopīs, and in Dvārakā, as the husband of many queens, Kṛṣṇa increased their lusty desires to enjoy with Him. For God realization or self-realization, one generally has to undergo severe austerities and penances for many, many thousands of years, and then it may be possible to realize God. But the gopīs and the queens of Dvārakā, simply by enhancing their lusty desires to enjoy Kṛṣṇa as their boyfriend or husband, received the highest type of salvation.