Earrings

Expressions researched:
"earring" |"earrings"

SB Canto 1

SB 1.3.4, Translation:

The devotees, with their perfect eyes, see the transcendental form of the puruṣa who has thousands of legs, thighs, arms and faces-all extraordinary. In that body there are thousands of heads, ears, eyes and noses. They are decorated with thousands of helmets and glowing earrings and are adorned with garlands.

SB 1.11.19, Translation:

At the same time, many hundreds of well-known prostitutes began to proceed on various vehicles. They were all very eager to meet the Lord, and their beautiful faces were decorated with dazzling earrings, which enhanced the beauty of their foreheads.

SB 1.12.9, Translation:

The Lord was enriched with four hands, earrings of molten gold and eyes blood red with fury. As He loitered about, His club constantly encircled Him like a shooting star.

SB 1.15.16, Purport:

Karṇa: Born of Kuntī by the sun-god prior to her marriage with Mahārāja Pāṇḍu, Karṇa took his birth with bangles and earrings, extraordinary signs for an undaunted hero. In the beginning his name was Vasusena, but when he grew up he presented his natural bangles and earrings to Indradeva, and thenceforward he became known as Vaikartana. After his birth from the maiden Kuntī, he was thrown in the Ganges. Later he was picked up by Adhiratha, and he and his wife Rādhā brought him up as their own offspring. Karṇa was very charitable, especially toward the brāhmaṇas. There was nothing he could not spare for a brāhmaṇa. In the same charitable spirit he gave in charity his natural bangles and earrings to Indradeva, who, being very much satisfied with him, gave him in return a great weapon called Śakti.

SB Canto 2

SB 2.2.9, Translation:

His mouth expresses His happiness. His eyes spread like the petals of a lotus, and His garments, yellowish like the saffron of a kadamba flower, are bedecked with valuable jewels. His ornaments are all made of gold, set with jewels, and He wears a glowing head dress and earrings.

SB 2.9.12, Translation:

Some of them are effulgent like coral and diamonds in complexion and have garlands on their heads, blooming like lotus flowers, and some wear earrings.

SB 2.9.16, Translation:

The Personality of Godhead, seen leaning favorably towards His loving servitors, His very sight intoxicating and attractive, appeared to be very much satisfied. He had a smiling face decorated with an enchanting reddish hue. He was dressed in yellow robes and wore earrings and a helmet on his head. He had four hands, and His chest was marked with the lines of the goddess of fortune.

SB Canto 3

SB 3.3.5, Purport:

The Lord once went to the heavenly planet to present an earring to Aditi, the mother of the demigods, and His wife Satyabhāmā also went with Him. There is a special flowering tree called the pārijāta, which grows only in the heavenly planets, and Satyabhāmā wanted this tree. Just to please His wife, like an ordinary husband, the Lord brought back the tree, and this enraged Vajrī, or the controller of the thunderbolt. Indra's wives inspired him to run after the Lord to fight, and Indra, because he was a henpecked husband and also a fool, listened to them and dared to fight with Kṛṣṇa. He was a fool on this occasion because he forgot that everything belongs to the Lord.

SB 3.8.27, Translation:

He also acknowledged the service of the devotees and vanquished their distress by His beautiful smile. The reflection of His face, decorated with earrings, was so pleasing because it dazzled with the rays from His lips and the beauty of His nose and eyebrows.

SB 3.14.50, Translation:

Your grandson will be able to see, inside and outside, the Supreme Personality of Godhead, whose wife is the beautiful goddess of fortune. The Lord can assume the form desired by the devotee, and His face is always beautifully decorated with earrings.

SB 3.15.27, Translation:

After passing through the six entrances of Vaikuṇṭha-purī, the Lord's residence, without feeling astonishment at all the decorations, they saw at the seventh gate two shining beings of the same age, armed with maces and adorned with most valuable jewelry, earrings, diamonds, helmets, garments, etc.

SB 3.21.10, Translation:

Adorned with a crown and earrings, He held His characteristic conch, disc and mace in three of His hands and a white lily in the fourth. He glanced about in a happy, smiling mood whose sight captivates the hearts of all devotees.

SB 3.28.29, Translation:

The yogī should then meditate on the lotuslike countenance of the Lord, who presents His different forms in this world out of compassion for the anxious devotees. His nose is prominent, and His crystal-clear cheeks are illuminated by the oscillation of His glittering alligator-shaped earrings.

SB Canto 4

SB 4.3.5-7, Translation:

The chaste lady Satī, the daughter of Dakṣa, heard the heavenly denizens flying in the sky conversing about the great sacrifice being performed by her father. When she saw that from all directions the beautiful wives of the heavenly denizens, their eyes very beautifully glittering, were near her residence and were going to the sacrifice dressed in fine clothing and ornamented with earrings and necklaces with lockets, she approached her husband, the master of the bhūtas, in great anxiety, and spoke as follows.

SB 4.3.5-7, Purport:

The dresses and bodily features of the wives of the heavenly denizens are very nicely described here. Their eyes moved, their earrings and other ornaments glittered and glared, their dresses were the nicest possible, and all of them had special lockets on their necklaces. Each woman was accompanied by her husband. Thus they looked so beautiful that Satī, Dākṣāyaṇī, was impelled to dress similarly and go to the sacrifice with her husband.

SB 4.7.20, Translation:

His complexion was blackish, His garment yellow like gold, and His helmet as dazzling as the sun. His hair was bluish, the color of black bees, and His face was decorated with earrings. His eight hands held a conchshell, wheel, club, lotus flower, arrow, bow, shield and sword, and they were decorated with golden ornaments such as bangles and bracelets. His whole body resembled a blossoming tree beautifully decorated with various kinds of flowers.

SB 4.7.21, Purport:

The smiling face of Lord Viṣṇu is pleasing to the whole world. Not only devotees but even nondevotees are attracted by such a smile. This verse nicely describes how the sun, moon, eight-petalled lotus flower and humming black bees were represented by the fans of hair, the overhead canopy, the moving earrings on both sides of His face, and His blackish hair. All together, accompanied by the conchshell, wheel, club, lotus flower, bow, arrows, shield and sword in His hands, these presented a grand and beautiful audience for Lord Viṣṇu which captivated all the demigods there, including Dakṣa and Lord Brahmā.

SB 4.10.18-19, Translation:

The great sage Maitreya continued: My dear Vidura, the heads of those who were cut to pieces by the arrows of Dhruva Mahārāja were decorated very beautifully with earrings and turbans. The legs of their bodies were as beautiful as golden palm trees, their arms were decorated with golden bracelets and armlets, and on their heads there were very valuable helmets bedecked with gold. All these ornaments lying on that battlefield were very attractive and could bewilder the mind of a hero.

SB 4.12.20, Translation:

Dhruva Mahārāja saw two very beautiful associates of Lord Viṣṇu in the plane. They had four hands and a blackish bodily luster, they were very youthful, and their eyes were just like reddish lotus flowers. They held clubs in their hands, and they were dressed in very attractive garments with helmets and were decorated with necklaces, bracelets and earrings.

SB 4.21.4, Translation:

As the King entered the gate of the city, all the citizens received him with many auspicious articles like lamps, flowers and yogurt. The King was also received by many beautiful unmarried girls whose bodies were bedecked with various ornaments, especially with earrings which collided with one another.

SB 4.24.47-48, Translation:

The Lord is superexcellently beautiful on account of His open and merciful smile and Mis sidelong glance upon His devotees. His black hair is curly, and His garments, waving in the wind, appear like flying saffron pollen from lotus flowers. His glittering earrings, shining helmet, bangles, garland, ankle bells, waist belt and various other bodily ornaments combine with conchshell, disc, club and lotus flower to increase the natural beauty of the Kaustubha pearl on His chest.

SB 4.25.9, Purport:

In order to wear a gold or diamond nose pin or earring, one has to pierce the ear or nose. Such pain endured for the sake of sense gratification is endured on the path of karma-kāṇḍa, the path of fruitive activity. If one wishes to enjoy something in the future, he has to endure trouble in the present. If one wants to become a millionaire in the future and enjoy his riches, he has to work very hard at the present moment in order to accumulate money. This is karma-kāṇḍīya.

SB 4.25.22, Translation:

The woman's nose, teeth and forehead were all very beautiful. Her ears were equally very beautiful and were bedecked with dazzling earrings.

SB 4.25.22, Purport:

The body of intelligence enjoys the objects of sense gratification that cover it, such as smell, vision and hearing. The word sunāsām ("beautiful nose") indicates the organ for acquiring knowledge by smell. Similarly, the mouth is the instrument for acquiring knowledge by taste, for by chewing an object and touching it with the tongue we can understand its taste. The word sukapolām ("nice forehead") indicates a clear brain capable of understanding things as they are. By intelligence one can set things in order. The earrings set upon the two ears are placed there by the work of the intelligence. Thus the ways of acquiring knowledge are described metaphorically.

SB Canto 5

SB 5.2.13, Translation:

My dear friend, what do you eat to maintain your body? Because you are chewing betel, a pleasing scent is emanating from your mouth. This proves that you always eat the remnants of food offered to Viṣṇu. Indeed, you must also be an expansion of Lord Viṣṇu's body. Your face is as beautiful as a pleasing lake. Your jeweled earrings resemble two brilliant sharks with unblinking eyes like those of Viṣṇu, and your own eyes resemble two restless fish. Simultaneously, therefore, two sharks and two restless fish are swimming in the lake of your face. Besides them, the white rows of your teeth seem like rows of very beautiful swans in the water, and your scattered hair resembles swarms of bumblebees following the beauty of your face.

SB 5.2.13, Purport:

Āgnīdhra considered Pūrvacitti an expansion of Lord Viṣṇu because of the pleasing scent of her body. Aside from that, because of her jeweled earrings, shaped like sharks, because of her scattered hair, resembling bumblebees mad after the scent of her body, and because of the white rows of her teeth, which resembled swans, Āgnīdhra compared Pūrvacitti's face to a beautiful lake decorated with lotus flowers, fish, swans and bumblebees.

SB 5.3.3, Translation:

Lord Viṣṇu appeared before King Nābhi with four arms. He was very bright, and He appeared to be the best of all personalities. Around the lower portion of His body, He wore a yellow silken garment. On His chest was the mark of Śrīvatsa, which always displays beauty. He carried a conchshell, lotus flower, disc and club, and He wore a garland of forest flowers and the Kaustubha gem. He was beautifully decorated with a helmet, earrings, bangles, belt, pearl necklace, armlets, ankle bells and other bodily ornaments bedecked with radiant jewels. Seeing the Lord present before them, King Nābhi and his priests and associates felt just like poor people who have suddenly attained great riches. They received the Lord and respectfully bent their heads and offered Him things in worship.

SB 5.25.4, Translation:

The pink, transparent toenails on the Lord's lotus feet are exactly like valuable gems polished to a mirror finish. When the unalloyed devotees and the leaders of the snakes offer their obeisances to Lord Saṅkarṣaṇa with great devotion, they become very joyful upon seeing their own beautiful faces reflected in His toenails. Their cheeks are decorated with glittering earrings, and the beauty of their faces is extremely pleasing to see.

SB 5.25.7, Translation:

Śukadeva Gosvāmī continued: The demigods, the demons, the Uragas (serpentine demigods), the Siddhas, the Gandharvas, the Vidyādharas and many highly elevated sages constantly offer prayers to the Lord. Because He is intoxicated, the Lord looks bewildered, and His eyes, appearing like flowers in full bloom, move to and fro. He pleases His personal associates, the heads of the demigods, by the sweet vibrations emanating from His mouth. Dressed in bluish garments and wearing a single earring, He holds a plow on His back with His two beautiful and well-constructed hands. Appearing as white as the heavenly King Indra, He wears a golden belt around His waist and a vaijayantī garland of ever-fresh tulasī blossoms around His neck. Bees intoxicated by the honeylike fragrance of the tulasī flowers hum very sweetly around the garland, which thus becomes more and more beautiful. In this way, the Lord enjoys His very magnanimous pastimes.

SB Canto 6

SB 6.1.34-36, Translation:

The order carriers of Yamarāja said: Your eyes are just like the petals of lotus flowers. Dressed in yellow silken garments, decorated with garlands of lotuses, and wearing very attractive helmets on your heads and earrings on your ears, you all appear fresh and youthful. Your four long arms are decorated with bows and quivers of arrows and with swords, clubs, conchshells, discs and lotus flowers. Your effulgence has dissipated the darkness of this place with extraordinary illumination. Now, sirs, why are you obstructing us?

SB 6.4.35-39, Translation:

Śrī Śukadeva Gosvāmī said: The Supreme Personality of Godhead, Hari, who is extremely affectionate to His devotees, was very pleased by the prayers offered by Dakṣa, and thus He appeared at that holy place known as Aghamarṣaṇa. O Mahārāja Parīkṣit, best of the Kuru dynasty, the Lord's lotus feet rested on the shoulders of His carrier, Garuḍa, and He appeared with eight long, mighty, very beautiful arms. In His hands He held a disc, conchshell, sword, shield, arrow, bow, rope and club—in each hand a different weapon, all brilliantly shining. His garments were yellow and His bodily hue deep bluish. His eyes and face were very cheerful, and from His neck to His feet hung a long garland of flowers. His chest was decorated with the Kaustubha jewel and the mark of Śrīvatsa. On His head was a gorgeous round helmet, and His ears were decorated with earrings resembling sharks. All these ornaments were uncommonly beautiful. The Lord wore a golden belt on His waist, bracelets on His arms, rings on His fingers, and ankle bells on His feet. Thus decorated by various ornaments, Lord Hari, who is attractive to all the living entities of the three worlds, is known as Puruṣottama, the best personality. He was accompanied by great devotees like Nārada, Nanda and all the principal demigods, led by the heavenly king, Indra, and the residents of various upper planetary systems such as Siddhaloka, Gandharvaloka and Cāraṇaloka. Situated on both sides of the Lord and behind Him as well, these devotees offered Him prayers continuously.

SB Canto 8

SB 8.6.3-7, Translation:

Lord Brahmā, along with Lord Śiva, saw the crystal-clear personal beauty of the Supreme Personality of Godhead, whose blackish body resembles a marakata gem, whose eyes are reddish like the depths of a lotus, who is dressed with garments that are yellow like molten gold, and whose entire body is attractively decorated. They saw His beautiful, smiling, lotuslike face, crowned by a helmet bedecked with valuable jewels. The Lord has attractive eyebrows, and His cheeks are adorned with earrings. Lord Brahmā and Lord Śiva saw the belt on the Lord's waist, the bangles on His arms, the necklace on His chest, and the ankle bells on His legs. The Lord is bedecked with flower garlands, His neck is decorated with the Kaustubha gem, and He carries with Him the goddess of fortune and His personal weapons, like His disc and club. When Lord Brahmā, along with Lord Śiva and the other demigods, thus saw the form of the Lord, they all immediately fell to the ground, offering their obeisances.

SB 8.7.17, Translation:

The Lord appeared like a blackish cloud. He was dressed with yellow garments, His earrings shone on His ears like lightning, and His hair spread over His shoulders. He wore a garland of flowers, and His eyes were pinkish. With His strong, glorious arms, which award fearlessness throughout the universe, He took hold of Vāsuki and began churning the ocean, using Mandara Mountain as a churning rod. When engaged in this way, the Lord appeared like a beautifully situated mountain named Indranīla.

SB 8.8.16, Translation:

Viśvakarmā, one of the prajāpatis, supplied varieties of decorated ornaments. The goddess of learning, Sarasvatī, supplied a necklace, Lord Brahmā supplied a lotus flower, and the inhabitants of Nāgaloka supplied earrings.

SB 8.8.17, Translation:

Thereafter, mother Lakṣmī, the goddess of fortune, having been properly celebrated with an auspicious ritualistic ceremony, began moving about, holding in her hand a garland of lotus flowers, which were surrounded by humming bumblebees. Smiling with shyness, her cheeks decorated by her earrings, she looked extremely beautiful.

SB 8.8.33, Translation:

Earrings made of pearls. The tips of his hair were anointed with oil, and his chest was very broad. His body had all good features, he was stout and strong like a lion, and he was decorated with bangles. In his hand he carried a jug filled to the top with nectar.

SB 8.8.41-46, Translation:

The Supreme Personality of Godhead, Viṣṇu, who can counteract any unfavorable situation, then assumed the form of an extremely beautiful woman. This incarnation as a woman, Mohinī-mūrti, was most pleasing to the mind. Her complexion resembled in color a newly grown blackish lotus, and every part of Her body was beautifully situated. Her ears were equally decorated with earrings, Her cheeks were very beautiful, Her nose was raised and Her face full of youthful luster. Her large breasts made Her waist seem very thin. Attracted by the aroma of Her face and body, bumblebees hummed around Her, and thus Her eyes were restless. Her hair, which was extremely beautiful, was garlanded with mallikā flowers. Her attractively constructed neck was decorated with a necklace and other ornaments, Her arms were decorated with bangles, Her body was covered with a clean sari, and Her breasts seemed like islands in an ocean of beauty. Her legs were decorated with ankle bells. Because of the movements of Her eyebrows as She smiled with shyness and glanced over the demons, all the demons were saturated with lusty desires, and every one of them desired to possess Her.

SB 8.9.18, Translation:

Her attractive nose and cheeks and Her ears, adorned with golden earrings, made Her face very beautiful. As She moved, Her sari's border on Her breasts moved slightly aside. When the demigods and demons saw these beautiful features of Mohinī-mūrti, who was glancing at them and slightly smiling, they were all completely enchanted.

SB 8.10.39, Translation:

In the course of the battle, the warfield became strewn with the severed heads of heroes, their eyes still staring and their teeth still pressed against their lips in anger. Helmets and earrings were scattered from these severed heads. Similarly, many arms, decorated with ornaments and clutching various weapons, were strewn here and there, as were many legs and thighs, which resembled the trunks of elephants.

SB 8.10.54, Translation:

The Supreme Personality of Godhead, whose eyes resemble the petals of a newly blossomed lotus, sat on the back of Garuḍa, spreading His lotus feet over Garuḍa's shoulders. Dressed in yellow, decorated by the Kaustubha gem and the goddess of fortune, and wearing an invaluable helmet and earrings, the Supreme Lord, holding various weapons in His eight hands, became visible to the demigods.

SB 8.12.8, Purport:

The Lord says, mayā tatam idaṁ sarvam: "In My impersonal feature I am spread throughout the world." Therefore, this world is not different from Him. The difference is a difference in names. For example, whether we speak of gold earrings, gold bangles or gold necklaces, ultimately they are all gold. In a similar way, all the different manifestations of matter and spirit are ultimately one in the Supreme Personality of Godhead.

SB 8.12.8, Purport:

Since the energy and the energetic are not different and since the material and marginal energies are both energies of the supreme energetic, the Supreme Lord, ultimately the Supreme Personality of Godhead is everything. In this regard, the example may be given of gold that has not been molded and gold that has been molded into various ornaments. A gold earring and the gold in a mine are different only as cause and effect; otherwise they are the same.

SB 8.12.8, Purport:

Ekam evādvitīyaṁ brahma. This is the Vedic version (Chāndogya Upaniṣad 6.2.1). There is oneness because everything emanates from the Supreme Brahman. The example already given is that there is no difference between a golden earring and the gold mine as it is. The Vaiśeṣika philosophers, however, because of their Māyāvāda conception, create differences.

SB 8.12.20, Translation:

The woman's face was decorated by broad, beautiful, restless eyes, which moved as the ball bounced here and there from Her hand. The two brilliant earrings on Her ears decorated Her shining cheeks like bluish reflections, and the hair scattered on Her face made Her even more beautiful to see.

SB 8.15.8-9, Translation:

Then, after getting on the chariot given by Śukrācārya, Bali Mahārāja, decorated with a nice garland, put protective armor on his body, equipped himself with a bow, and took up a sword and a quiver of arrows. When he sat down on the seat of the chariot, his arms decorated with golden bangles and his ears with sapphire earrings, he shone like a worshipable fire.

SB 8.18.2, Translation:

The body of the Supreme Personality of Godhead, blackish in complexion, was free from all inebrieties. His lotus face, decorated with earrings resembling sharks, appeared very beautiful, and on His bosom was the mark of Śrīvatsa. He wore bangles on His wrists, armlets on His arms, a helmet on His head, a belt on His waist, a sacred thread across His chest, and ankle bells decorating His lotus feet.

SB 8.20.32-33, Translation:

These associates, headed by Sunanda and other chief associates and accompanied by all the predominating deities of the various planets, offered prayers to the Lord, who wore a brilliant helmet, bracelets, and glittering earrings that resembled fish. On the Lord's bosom were the lock of hair called Śrīvatsa and the transcendental jewel named Kaustubha. He wore a yellow garment, covered by a belt, and He was decorated by a flower garland, surrounded by bees. Manifesting Himself in this way, O King, the Supreme Personality of Godhead, whose activities are wonderful, covered the entire surface of the earth with one footstep, the sky with His body, and all directions with His arms.

SB Canto 9

SB 9.3.15, Translation:

Thereafter, three men with very beautiful bodily features emerged from the lake. They were nicely dressed and decorated with earrings and garlands of lotuses. All of them were of the same standard of beauty.

SB 9.24.65, Translation:

Kṛṣṇa's face is decorated with ornaments, such as earrings resembling sharks. His ears are beautiful, His cheeks brilliant, and His smiling attractive to everyone. Whoever sees Lord Kṛṣṇa sees a festival. His face and body are fully satisfying for everyone to see, but the devotees are angry at the creator for the disturbance caused by the momentary blinking of their eyes.

SB Canto 10.1 to 10.13

SB 10.3.9-10, Translation:

Vasudeva then saw the newborn child, who had very wonderful lotuslike eyes and who bore in His four hands the four weapons śaṅkha, cakra, gadā and padma. On His chest was the mark of Śrīvatsa and on His neck the brilliant Kaustubha gem. Dressed in yellow, His body blackish like a dense cloud, His scattered hair fully grown, and His helmet and earrings sparkling uncommonly with the valuable gem Vaidūrya, the child, decorated with a brilliant belt, armlets, bangles and other ornaments, appeared very wonderful.

SB 10.5.11, Translation:

In the ears of the gopīs were brilliantly polished jeweled earrings, and from their necks hung metal lockets. Their hands were decorated with bangles, their dresses were of varied colors, and from their hair, flowers fell onto the street like showers. Thus while going to the house of Mahārāja Nanda, the gopīs, their earrings, breasts and garlands moving, were brilliantly beautiful.

SB 10.6.5-6, Translation:

Her hips were full, her breasts were large and firm, seeming to overburden her slim waist, and she was dressed very nicely. Her hair, adorned with a garland of mallikā flowers, was scattered about her beautiful face. Her earrings were brilliant, and as she smiled very attractively, glancing upon everyone, her beauty drew the attention of all the inhabitants of Vraja, especially the men. When the gopīs saw her, they thought that the beautiful goddess of fortune, holding a lotus flower in her hand, had come to see her husband, Kṛṣṇa.

SB 10.9.3, Translation:

Dressed in a saffron-yellow sari, with a belt tied about her full hips, mother Yaśodā pulled on the churning rope, laboring considerably, her bangles and earrings moving and vibrating and her whole body shaking. Because of her intense love for her child, her breasts were wet with milk. Her face, with its very beautiful eyebrows, was wet with perspiration, and mālatī flowers were falling from her hair.

SB 10.13.47-48, Translation:

All those personalities had four arms, holding conchshell, disc, mace and lotus flower in Their hands. They wore helmets on Their heads, earrings on Their ears and garlands of forest flowers around Their necks. On the upper portion of the right side of Their chests was the emblem of the goddess of fortune. Furthermore, They wore armlets on Their arms, the Kaustubha gem around Their necks, which were marked with three lines like a conchshell, and bracelets on Their wrists. With bangles on Their ankles, ornaments on Their feet, and sacred belts around Their waists, They all appeared very beautiful.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.14.1, Translation:

Lord Brahmā said: My dear Lord, You are the only worshipable Lord, the Supreme Personality of Godhead, and therefore I offer my humble obeisances and prayers just to please You. O son of the king of the cowherds, Your transcendental body is dark blue like a new cloud, Your garment is brilliant like lightning, and the beauty of Your face is enhanced by Your guñjā earrings and the peacock feather on Your head. Wearing garlands of various forest flowers and leaves, and equipped with a herding stick, a buffalo horn and a flute, You stand beautifully with a morsel of food in Your hand.

SB 10.18.27, Translation:

When Lord Balarāma, who carries the plow weapon, saw the gigantic body of the demon as he moved swiftly in the sky—with his blazing eyes, fiery hair, terrible teeth reaching toward his scowling brows, and an amazing effulgence generated by his armlets, crown and earrings—the Lord seemed to become a little frightened.

SB 10.29.4, Translation:

When the young women of Vṛndāvana heard Kṛṣṇa's flute song, which arouses romantic feelings, their minds were captivated by the Lord. They went to where their lover waited, each unknown to the others, moving so quickly that their earrings swung back and forth.

SB 10.29.39, Translation:

Seeing Your face encircled by curling locks of hair, Your cheeks beautified by earrings, Your lips full of nectar, and Your smiling glance, and also seeing Your two imposing arms, which take away our fear, and Your chest, which is the only source of pleasure for the goddess of fortune, we must become Your maidservants.

SB 10.33.7, Translation:

As the gopīs sang in praise of Kṛṣṇa, their feet danced, their hands gestured, and their eyebrows moved with playful smiles. With their braids and belts tied tight, their waists bending, their faces perspiring, the garments on their breasts moving this way and that, and their earrings swinging on their cheeks, Lord Kṛṣṇa's young consorts shone like streaks of lightning in a mass of clouds.

SB 10.33.12, Translation:

Next to Kṛṣṇa's cheek one gopī put her own, beautified by the effulgence of her earrings, which glittered as she danced. Kṛṣṇa then carefully gave her the betel nut He was chewing.

SB 10.33.21, Translation:

The gopīs honored their hero with smiling glances sweetened by the beauty of their cheeks and the effulgence of their curly locks and glittering golden earrings. Overjoyed from the touch of His fingernails, they chanted the glories of His all-auspicious transcendental pastimes.

SB 10.35.24-25, Translation:

As Kṛṣṇa respectfully greets His well-wishing friends, His eyes roll slightly as if from intoxication. He wears a flower garland, and the beauty of His soft cheeks is accentuated by the brilliance of His golden earrings and the whiteness of His face, which has the color of a badara berry. With His cheerful face resembling the moon, lord of the night, the Lord of the Yadus moves with the grace of a regal elephant. Thus He returns in the evening, delivering the cows of Vraja from the heat of the day.

SB 10.39.51-52, Translation:

Adorned with a helmet, bracelets and armlets, which were all bedecked with many priceless jewels, and also with a belt, a sacred thread, necklaces, ankle bells and earrings, the Lord shone with dazzling effulgence. In one hand He held a lotus flower, in the others a conchshell, discus and club. Gracing His chest were the Śrīvatsa mark, the brilliant Kaustubha gem and a flower garland.

SB 10.41.25, Translation:

Some of the ladies put their clothes and ornaments on backwards, others forgot one of their earrings or ankle bells, and others applied makeup to one eye but not the other.

SB 10.46.45, Translation:

As they pulled on the churning ropes with their bangled arms, the women of Vraja shone with the splendor of their jewels, which reflected the lamps' light. Their hips, breasts and necklaces moved about, and their faces, anointed with reddish kuṅkuma, glowed radiantly with the luster of their earrings reflecting from their cheeks.

SB 10.47.1-2, Translation:

Śukadeva Gosvāmī said: The young women of Vraja became astonished upon seeing Lord Kṛṣṇa's servant, who had long arms, whose eyes resembled a newly grown lotus, who wore a yellow garment and a lotus garland, and whose lotuslike face glowed with brightly polished earrings. "Who is this handsome man?" the gopīs asked. "Where has he come from, and whom does he serve? He's wearing Kṛṣṇa's clothes and ornaments!" Saying this, the gopīs eagerly crowded around Uddhava, whose shelter was the lotus feet of Lord Uttamaḥśloka, Śrī Kṛṣṇa.

SB 10.51.1-6, Translation:

Śukadeva Gosvāmī said: Kālayavana saw the Lord come out from Mathurā like the rising moon. The Lord was most beautiful to behold, with His dark-blue complexion and yellow silk garment. Upon His chest He bore the mark of Śrīvatsa, and the Kaustubha gem adorned His neck. His four arms were sturdy and long. He displayed His ever-joyful lotuslike face, with eyes pink like lotuses, beautifully effulgent cheeks, a pristine smile and glittering shark-shaped earrings. The barbarian thought, "This person must indeed be Vāsudeva, since He possesses the characteristics Nārada mentioned: He is marked with Śrīvatsa, He has four arms, His eyes are like lotuses, He wears a garland of forest flowers, and He is extremely handsome. He cannot be anyone else. Since He goes on foot and unarmed, I will fight Him without weapons." Resolving thus, he ran after the Lord, who turned His back and ran away. Kālayavana hoped to catch Lord Kṛṣṇa, though great mystic yogīs cannot attain Him.

SB 10.51.23-26, Translation:

As he gazed at the Lord, King Mucukunda saw that He was dark blue like a cloud, had four arms, and wore a yellow silk garment. On His chest He bore the Śrīvatsa mark and on His neck the brilliantly glowing Kaustubha gem. Adorned with a Vaijayantī garland, the Lord displayed His handsome, peaceful face, which attracts the eyes of all mankind with its shark-shaped earrings and affectionately smiling glance. The beauty of His youthful form was unexcelled, and He moved with the nobility of an angry lion. The highly intelligent King was overwhelmed by the Lord's effulgence, which showed Him to be invincible. Expressing his uncertainty, Mucukunda hesitantly questioned Lord Kṛṣṇa as follows.

SB 10.53.51-55, Translation:

Rukmiṇī appeared as enchanting as the Lord's illusory potency, who enchants even the sober and grave. Thus the kings gazed upon her virgin beauty, her shapely waist, and her lovely face adorned with earrings. Her hips were graced with a jewel-studded belt, her breasts were just budding, and her eyes seemed apprehensive of her encroaching locks of hair. She smiled sweetly, her jasmine-bud teeth reflecting the glow of her bimba-red lips. As she walked with the motions of a royal swan, the effulgence of her tinkling ankle bells beautified her feet. Seeing her, the assembled heroes were totally bewildered. Lust tore at their hearts. Indeed, when the kings saw her broad smile and shy glance, they became stupefied, dropped their weapons and fell unconscious to the ground from their elephants, chariots and horses. On the pretext of the procession, Rukmiṇī displayed her beauty for Kṛṣṇa alone. Slowly she advanced the two moving lotus-whorls of her feet, awaiting the arrival of the Supreme Lord. With the fingernails of her left hand she pushed some strands of hair away from her face and shyly looked from the corners of her eyes at the kings standing before her. At that moment she saw Kṛṣṇa. Then, while His enemies looked on, the Lord seized the princess, who was eager to mount His chariot.

SB 10.54.7, Translation:

The heads of soldiers fighting on chariots, horses and elephants fell to the ground by the millions; some heads wore earrings and helmets, others turbans.

SB 10.54.55, Translation:

All the men and women, full of joy and adorned with shining jewels and earrings, brought wedding presents, which they reverently offered to the exquisitely dressed groom and bride.

SB 10.55.24, Translation:

Drawing His sharp-edged sword, Pradyumna forcefully cut off Śambara's head, complete with red mustache, helmet and earrings.

SB 10.59.2-3, Translation:

Śukadeva Gosvāmī said: After Bhauma had stolen the earrings belonging to Indra's mother, along with Varuṇa's umbrella and the demigods' playground at the peak of Mandara mountain, Indra went to Lord Kṛṣṇa and informed Him of these misdeeds. The Lord, taking His wife Satyabhāmā with Him, then rode on Garuḍa to Prāgyotiṣa-pura, which was surrounded on all sides by fortifications consisting of hills, unmanned weapons, water, fire and wind, and by obstructions of mura-pāśa wire.

SB 10.59.22, Translation:

Fallen on the ground, Bhaumāsura's head shone brilliantly, decorated as it was with earrings and an attractive helmet. As cries of "Alas, alas!" and "Well done!" arose, the sages and principal demigods worshiped Lord Mukunda by showering Him with flower garlands.

SB 10.59.23, Translation:

The goddess of the earth then approached Lord Kṛṣṇa and presented Him with Aditi's earrings, which were made of glowing gold inlaid with shining jewels. She also gave Him a Vaijayantī flower garland, Varuṇa's umbrella and the peak of Mandara Mountain.

SB 10.59.38-39, Translation:

The Lord then went to the abode of Indra, the demigods' king, and gave mother Aditi her earrings; there Indra and his wife worshiped Kṛṣṇa and His beloved consort Satyabhāmā. Then, at Satyabhāmā's behest the Lord uprooted the heavenly pārijāta tree and put it on the back of Garuḍa. After defeating Indra and all the other demigods, Kṛṣṇa brought the pārijāta to His capital.

SB 10.60.9, Translation:

As He contemplated her, the goddess of fortune herself, who desires only Him, Lord Kṛṣṇa smiled. The Lord assumes various forms to enact His pastimes, and He was pleased that the form the goddess of fortune had assumed was just suitable for her to serve as His consort. Her charming face was adorned with curling hair, earrings, a locket on her neck, and the nectar of her bright, happy smile. The Lord then spoke to Her as follows.

SB 10.62.29-30, Translation:

Bāṇāsura saw before him Cupid's own son, possessed of unrivaled beauty, with dark-blue complexion, yellow garments, lotus eyes and formidable arms. His face was adorned with effulgent earrings and hair, and also with smiling glances. As He sat opposite His most auspicious lover, playing with her at dice, there hung between His arms a garland of spring jasmines that had been smeared with kuṅkuma powder from her breasts when He had embraced her. Bāṇāsura was astonished to see all this.

SB 10.65.24-25, Translation:

Intoxicated with joy, Lord Balarāma sported flower garlands, including the famous Vaijayantī. He wore a single earring, and beads of perspiration decorated His smiling lotus face like snowflakes. The Lord then summoned the Yamunā River so that He could play in her waters, but she disregarded His command, thinking He was drunk. This angered Balarāma, and He began dragging the river with the tip of His plow.

SB 10.66.12-14, Translation:

Pauṇḍraka's friend, the King of Kāśī, followed behind, O King, leading the rear guard with three akṣauhiṇī divisions. Lord Kṛṣṇa saw that Pauṇḍraka was carrying the Lord's own insignia, such as the conchshell, disc, sword and club, and also an imitation Śārṅga bow and Śrīvatsa mark. He wore a mock Kaustubha gem, was decorated with a garland of forest flowers and was dressed in upper and lower garments of fine yellow silk. His banner bore the image of Garuḍa, and he wore a valuable crown and gleaming, shark-shaped earrings.

SB 10.66.25, Translation:

Seeing a head decorated with earrings lying at the gate of the royal palace, the people present were puzzled. Some of them asked, "What is this?" and others said, "It is a head, but whose is it?"

SB 10.69.9-12, Translation:

Supporting the palace were coral pillars decoratively inlaid with vaidūrya gems. Sapphires bedecked the walls, and the floors glowed with perpetual brilliance. In that palace Tvaṣṭā had arranged canopies with hanging strands of pearls; there were also seats and beds fashioned of ivory and precious jewels. In attendance were many well-dressed maidservants bearing lockets on their necks, and also armor-clad guards with turbans, fine uniforms and jeweled earrings. The glow of numerous jewel-studded lamps dispelled all darkness in the palace. My dear King, on the ornate ridges of the roof danced loudly crying peacocks, who saw the fragrant aguru incense escaping through the holes of the latticed windows and mistook it for a cloud.

SB 10.73.1-6, Translation:

Śukadeva Gosvāmī said: Jarāsandha had defeated 20,800 kings in combat and thrown them into prison. As these kings emerged from the Giridroṇī fortress, they appeared dirty and shabbily dressed. They were emaciated by hunger, their faces were dried up, and they were greatly weakened by their long imprisonment.

The kings then beheld the Lord before them. His complexion was dark blue like the color of a cloud, and He wore a yellow silk garment. He was distinguished by the Śrīvatsa mark on His chest, His four mighty arms, the pinkish hue of His eyes, which resembled the whorl of a lotus, His lovely, cheerful face, His gleaming makara earrings and the lotus, club, conchshell and disc in His hands. A helmet, a jeweled necklace, a golden belt, and golden bracelets and armlets decorated His form, and on His neck He wore both the brilliant, precious Kaustubha gem and a garland of forest flowers. The kings seemed to drink His beauty with their eyes, lick Him with their tongues, relish His fragrance with their nostrils and embrace Him with their arms. Their past sins now eradicated, the kings all bowed down to Lord Hari, placing their heads at His feet.

SB 10.73.27, Translation:

Honored by Lord Mukunda and freed from tribulation, the kings shone splendidly, their earrings gleaming, just as the moon and other celestial bodies shine brilliantly in the sky at the end of the rainy season.

SB 10.75.24, Translation:

All the men there shone like demigods. They were adorned with jeweled earrings, flower garlands, turbans, waistcoats, silk dhotīs and valuable pearl necklaces. The lovely faces of the women were beautified by their matched earrings and locks of hair, and they all wore golden belts.

SB 10.75.33, Translation:

Lord Madhupati's thousands of queens were also staying in the palace. Their feet moved slowly, weighed down by their hips, and the bells on their feet tinkled charmingly. Their waists were very slender, the kuṅkuma from their breasts reddened their pearl necklaces, and their swaying earrings and flowing locks of hair enhanced the exquisite beauty of their faces.

SB 10.77.36, Translation:

Employing His disc, Lord Hari removed that great magician's head with its earrings and crown, just as Purandara had used his thunderbolt to cut off Vṛtra's head. Seeing this, all of Śālva's followers cried out, "Alas, alas!"

SB 10.78.12, Translation:

O best of kings, as Vidūratha fell upon Him, Lord Kṛṣṇa used His razor-edged Sudarśana disc to remove his head, complete with its helmet and earrings.

SB 10.83.29, Translation:

I lifted my face, which was encircled by my abundant locks and effulgent from the glow of my earrings reflected from my cheeks. Smiling coolly, I glanced about. Then, looking around at all the kings, I slowly placed the necklace on the shoulder of Murāri, who had captured my heart.

SB 10.84.48, Translation:

Vasudeva received initiation along with his wives, who wore silk sārīs and were adorned with bangles, necklaces, ankle bells and earrings. With his body wrapped in a deerskin, Vasudeva shone splendidly.

SB 10.89.54-56, Translation:

Arjuna then saw the omnipresent and omnipotent Supreme Personality of Godhead, Mahā-Viṣṇu, sitting at ease on the serpent bed. His bluish complexion was the color of a dense raincloud, He wore a beautiful yellow garment, His face looked charming, His broad eyes were most attractive, and He had eight long, handsome arms. His profuse locks of hair were bathed on all sides in the brilliance reflected from the clusters of precious jewels decorating His crown and earrings. He wore the Kaustubha gem, the mark of Śrīvatsa and a garland of forest flowers. Serving that topmost of all Lords were His personal attendants, headed by Sunanda and Nanda; His cakra and other weapons in their personified forms; His consort potencies Puṣṭi, Śrī, Kīrti and Ajā; and all His various mystic powers.

SB 11.14.36-42, Translation:

Keeping the eyes half closed and fixed on the tip of one's nose, being enlivened and alert, one should meditate on the lotus flower situated within the heart. This lotus has eight petals and is situated on an erect lotus stalk. One should meditate on the sun, moon and fire, placing them one after the other within the whorl of that lotus flower. Placing My transcendental form within the fire, one should meditate upon it as the auspicious goal of all meditation. That form is perfectly proportioned, gentle and cheerful. It possesses four beautiful long arms, a charming, beautiful neck, a handsome forehead, a pure smile and glowing, shark-shaped earrings suspended from two identical ears. That spiritual form is the color of a dark rain cloud and is garbed in golden-yellowish silk. The chest of that form is the abode of Śrīvatsa and the goddess of fortune, and that form is also decorated with a conchshell, disc, club, lotus flower and garland of forest flowers. The two brilliant lotus feet are decorated with ankle bells and bracelets, and that form exhibits the Kaustubha gem along with an effulgent crown. The upper hips are beautified by a golden belt, and the arms are decorated with valuable bracelets. All of the limbs of that beautiful form capture the heart, and the face is beautified by merciful glancing. Pulling the senses back from the sense objects, one should be grave and self-controlled and should use the intelligence to strongly fix the mind upon all of the limbs of My transcendental body. Thus one should meditate upon that most delicate transcendental form of Mine.

SB 11.24.17, Translation:

Gold and earth are originally existing as ingredients. From gold one may fashion golden ornaments such as bracelets and earrings, and from earth one may fashion clay pots and saucers. The original ingredients gold and earth exist before the products made from them, and when the products are eventually destroyed, the original ingredients, gold and earth, will remain. Thus, since the ingredients are present in the beginning and at the end, they must also be present in the middle phase, taking the form of a particular product to which we assign for convenience a particular name, such as bracelet, earring, pot or saucer. We can therefore understand that since the ingredient cause exists before the creation of a product and after the product's destruction, the same ingredient cause must be present during the manifest phase, supporting the product as the basis of its reality.

SB 11.30.28-32, Translation:

The Lord was exhibiting His brilliantly effulgent four-armed form, the radiance of which, just like a smokeless fire, dissipated the darkness in all directions. His complexion was the color of a dark blue cloud and His effulgence the color of molten gold, and His all-auspicious form bore the mark of Śrīvatsa. A beautiful smile graced His lotus face, locks of dark blue hair adorned His head, His lotus eyes were very attractive, and His shark-shaped earrings glittered. He wore a pair of silken garments, an ornamental belt, the sacred thread, bracelets and arm ornaments, along with a helmet, the Kaustubha jewel, necklaces, anklets and other royal emblems. Encircling His body were flower garlands and His personal weapons in their embodied forms. As He sat He held His left foot, with its lotus-red sole, upon His right thigh.

SB 12.11.11-12, Translation:

His flower garland is His material energy, comprising various combinations of the modes of nature. His yellow garment is the Vedic meters, and His sacred thread the syllable oṁ composed of three sounds. In the form of His two shark-shaped earrings, the Lord carries the processes of Sāṅkhya and yoga, and His crown, bestowing fearlessness on the inhabitants of all the worlds, is the supreme position of Brahmaloka.

CC Adi-lila

CC Adi 5.186, Translation:

He wore golden earrings on His ears, and golden armlets and bangles. He wore tinkling anklets on His feet and a garland of flowers around His neck.

CC Madhya-lila

CC Madhya 8.166, Purport:

Śrīmatī Rādhārāṇī’s earrings are the holy names of Kṛṣṇa, as well as the hearing of His name and fame.

CC Madhya 8.179, Translation:

“Śrīmatī Rādhārāṇī’s earrings are the name, fame and qualities of Lord Kṛṣṇa. The glories of Lord Kṛṣṇa's name, fame and qualities are always inundating Her speech."

CC Madhya 12.20, Translation and Purport:

Nityānanda Prabhu continued, "The King has decided to become a mendicant and accept the sign of a mendicant by wearing an ivory earring. He does not want to enjoy his kingdom without seeing the lotus feet of Śrī Caitanya Mahāprabhu."

In India there is still a class of professional mendicants who are very much like the gypsies of Western countries. They know some magical art and mystical processes, and their business is to beg from door to door, sometimes pleading and sometimes threatening. Such mendicants are sometimes called yogīs and sometimes kāṇaphāṭā yogīs. The word kāṇaphāṭā refers to one who has put a hole in his ear to wear an earring made of ivory. Mahārāja Pratāparudra was so depressed by not getting to see Śrī Caitanya Mahāprabhu that he decided to become such a yogī. Ordinary men think that a yogī must have an ivory earring in his ear, but this is not the sign of a real yogī. Mahārāja Pratāparudra also thought that to become a mendicant yogī, one must wear such an earring.

CC Madhya 17.82, Purport:

Kāśī is another name for Vārāṇasī (Benares). It has been a place of pilgrimage since time immemorial. Two rivers named Asiḥ and Varuṇā merge there. Maṇikarṇikā is famous because, according to the opinion of great personalities, a bejeweled earring fell there from the ear of Lord Viṣṇu.

CC Madhya 21.123, Translation:

“'All men and women were accustomed to enjoying the beauty of the shining face of Lord Kṛṣṇa, as well as His shark-shaped earrings swinging on His ears. His beautiful features, His cheeks and His playful smiles all combined to form a constant festival for the eyes, and the blinking of the eyes became obstacles that impeded one from seeing that beauty. For this reason, men and women became very angry at the creator (Lord Brahmā).'"

CC Madhya 21.129, Translation:

“Kṛṣṇa's face is the enjoyer king. That full-moon face makes His shark-shaped earrings and lotus eyes dance. His eyebrows are like bows, and His eyes are like arrows. His ears are fixed on the string of that bow, and when His eyes spread to His ears, He pierces the hearts of the gopīs."

CC Madhya 24.50, Translation:

“'Dear Kṛṣṇa, we have simply surrendered ourselves as Your maidservants, for we have seen Your beautiful face decorated with tresses of hair, Your earrings falling upon Your cheeks, the nectar of Your lips, and the beauty of Your smile. Indeed, because we have also been embraced by Your arms, which give us courage, and seen Your chest, which is beautiful and broad, we have surrendered ourselves.'"

CC Antya-lila

CC Antya 13.131, Translation:

Subsequently Raghunātha Bhaṭṭa ordered his disciples to construct a temple for Govinda. He prepared various ornaments for Govinda, including a flute and shark-shaped earrings.

CC Antya 14.44, Translation:

“The ring of Kṛṣṇa's rāsa-līlā, manufactured by Śukadeva Gosvāmī, the most auspicious craftsman, is as pure as an earring made from a conchshell. The yogī of My mind is wearing that earring upon his ear. From a gourd he has carved out the bowl of My aspirations, and he has taken the bag of My expectations on his shoulder."

CC Antya 15.70, Translation:

"'Dear Kṛṣṇa, by seeing Your beautiful face decorated with tresses of hair, by seeing the beauty of Your earrings falling on Your cheeks, and by seeing the nectar of Your lips, the beauty of Your smiling glances, Your two arms, which assure complete fearlessness, and Your broad chest, whose beauty arouses conjugal attraction, we have simply surrendered ourselves to becoming Your maidservants.'"

CC Antya 15.73, Translation:

“The earrings dancing on Kṛṣṇa's cheeks are shaped like sharks, and they shine very brightly. These dancing earrings attract the minds of all women. Over and above this, Kṛṣṇa pierces the hearts of women with the arrows of His sweetly smiling glances. He is not at all afraid to kill women in this way."

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 10:

Lord Caitanya, greatly relishing all the verses of Śrīmad-Bhāgavatam which He was explaining to Sanātana, quoted another verse (SB 9.24.65):

yasyānanaṁ makara-kuṇḍala-cāru-karṇa-

bhrājat-kapola-subhagaṁ savllāsa-hāsam

nityotsavaṁ na tatṛpur dṛśibhiḥ pibantyo

nāryo narāś ca muditāḥ kupitā nimeś ca

"The gopīs used to relish the beauty of Kṛṣṇa as a ceremony of perpetual enjoyment. They enjoyed the beautiful face of Kṛṣṇa, His beautiful ears with earrings, His broad forehead and His smile, and when enjoying this sight of Kṛṣṇa's beauty, they used to criticize the creator Brahmā for causing their vision of Kṛṣṇa to be momentarily impeded by the blinking of their eyelids."

Teachings of Lord Caitanya, Chapter 10:

The dancing movement of Kṛṣṇa's earrings, eyes and eyebrows is very attractive to the damsels of Vraja.

Teachings of Lord Caitanya, Chapter 23:

The Lord knows everything directly and indirectly, and He is cognizant of all the minute details of everything. He is fully independent as well. He can be compared to a gold mine, and the cosmic creations can be compared to ornaments made from that gold, such as gold rings, necklaces, etc. The gold ring and necklace are qualitatively one with the gold in the mine, but quantitatively the gold in the mine and the gold in the earring or necklace are different. Lord Caitanya's philosophy of the Absolute Truth centers about the fact that the Supreme Lord is simultaneously one with and different from His creation. Nothing is absolutely equal to the Absolute Truth, but at the same time nothing is independent of it.

Nectar of Devotion

Nectar of Devotion 26:

The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls.

Nectar of Devotion 26:

His helmet, His earrings, His necklace, His four garments, the bangles on His head, the rings on His fingers, His ankle bells and His flute—these are the different features of Kṛṣṇa's ornaments. Kṛṣṇa, the enemy of Agha, always looked beautiful with His incomparable helmet, His earrings made of diamonds, His necklace of pearls, His bangles, His embroidered garments and the beautiful rings on His fingers.

Nectar of Devotion 41:

One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."

Nectar of Devotion 42:

At this age, Kṛṣṇa once dressed Himself up exactly like Rādhārāṇī, just to create fun among His friends. He put on golden earrings, and because He was blackish, He smeared the pulp of kuṁkum all over His body in order to become as fair as She. By seeing this dress, Kṛṣṇa's friend Subala became very astonished.

Nectar of Devotion 42:

When Kṛṣṇa was on the Battlefield of Kurukṣetra, all the cowherd boys came to see Him, wearing jeweled earrings in their ears. Becoming so greatly overjoyed, they extended their arms and embraced Kṛṣṇa as their old friend. These are instances of full satisfaction in friendship with Kṛṣṇa.

Nectar of Devotion 43:

In Śrīmad-Bhāgavatam, Tenth Canto, Ninth Chapter, verse 3, Śukadeva Gosvāmī gives Mahārāja Parīkṣit a description of the form and beauty of mother Yaśodā. He says, "My dear King, the wide hips of mother Yaśodā were surrounded by silk and linen clothes, and her breasts were flowing with milk because of her affection. When she was churning butter and tightly holding the rope, the bangles on her hands and the earrings on her ears were moving, and from the nice decoration in her hair the flowers were slackening and falling down. Due to her excessive labor, there were drops of perspiration on her face."

Krsna, The Supreme Personality of Godhead

Krsna Book 3:

Vasudeva saw that wonderful child born as a baby with four hands, holding conchshell, club, disc and lotus flower, decorated with the mark of Śrīvatsa, wearing the jeweled necklace of kaustubha stone, dressed in yellow silk, appearing dazzling like a bright blackish cloud, wearing a helmet bedecked with the vaidūrya stone, valuable bracelets, earrings and similar other ornaments all over His body, and beautified by an abundance of hair on His head. Due to the extraordinary features of the child, Vasudeva was struck with wonder.

Krsna Book 5:

When all the ecstatic cowherd men heard that Nanda Mahārāja, the father of Kṛṣṇa, was celebrating the birth ceremony of his son, they became spontaneously joyful. They dressed themselves with very costly garments and ornamented their bodies with different kinds of earrings and necklaces and wore great turbans on their heads. After dressing themselves in this gorgeous way, they took various kinds of presentations and thus approached the house of Nanda Mahārāja.

Krsna Book 6:

Pūtanā entered the county of Gokula, the residential quarter of Nanda Mahārāja, without permission. Dressing herself just like a beautiful woman, she entered the house of mother Yaśodā. She appeared very beautiful, with raised hips, nicely swollen breasts, earrings, and flowers in her hair.

Krsna Book 9:

Once upon a time, seeing that her maidservant was engaged in different household duties, mother Yaśodā personally took charge of churning butter. And while she churned butter, she sang the childhood pastimes of Kṛṣṇa and enjoyed thinking of her son.

The end of her sari was tightly wrapped while she churned, and on account of her intense love for her son, milk automatically dripped from her breasts, which moved as she labored very hard, churning with two hands. The bangles and bracelets on her hands tinkled as they touched each other, and her earrings and breasts shook. There were drops of perspiration on her face, and the flower garland which was on her head scattered here and there. Before this picturesque sight, Lord Kṛṣṇa appeared as a child.

Krsna Book 13:

All the Viṣṇu forms were of bluish color and dressed in yellow garments; all of Them had four hands decorated with club, disc, lotus flower and conchshell. On Their heads were glittering golden helmets inlaid with jewels; They were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells.

Krsna Book 14:

“Let me offer my respectful repeated obeisances unto the son of Mahārāja Nanda, who is standing before me with conchshell earrings and a peacock feather on His head. His face is beautiful; He is wearing a helmet and is garlanded by forest flowers, and He stands with a morsel of food in His hand. He is decorated with a cane, a buffalo-horn bugle and a flute. He stands before me with small lotus feet."

Krsna Book 18:

In order to avoid the company of Kṛṣṇa, Pralambāsura carried Balarāma far away. The demon was undoubtedly very strong and powerful, but he was carrying Balarāma, who is compared to a mountain; therefore he began to feel the burden, and thus he assumed his real form. When he appeared in his real feature, he was decorated with a golden helmet and earrings and looked just like a cloud with lightning carrying the moon. Balarāma observed the demon's body expanding up to the limits of the clouds, his eyes dazzling like blazing fire and his mouth flashing with sharpened teeth.

Krsna Book 29:

All the gopīs were by nature very much attracted to Kṛṣṇa's beauty, and when they heard the vibration of His flute, they became apparently lustful to satisfy the senses of Kṛṣṇa. Immediately upon hearing the vibration of the flute, they all left their respective engagements and proceeded to the spot where Kṛṣṇa was standing. While they ran very swiftly, their earrings swung back and forth. They all rushed toward the place known as Vaṁśīvaṭa.

Krsna Book 29:

“Dear Kṛṣṇa, we have simply been captivated by seeing You with tilaka and with earrings and by seeing Your beautiful face covered with scattered hair and bearing Your extraordinary smile. Not only that, but we are also attracted by Your arms, which always give assurance to the surrendered souls. And although we are also attracted by Your chest, which is always embraced by the goddess of fortune, we do not wish to take her position. We shall simply be satisfied by being Your maidservants."

Krsna Book 33:

While Kṛṣṇa and the gopīs danced, they displayed extraordinary bodily features. The movements of their legs, their placing their hands on one another, the movements of their eyebrows, their smiling, the movements of the breasts of the gopīs and their clothes, their earrings, their cheeks, their hair with flowers—as they sang and danced these combined to appear like clouds, thunder, snow and lightning.

Krsna Book 35:

One gopī said, "My dear friends, Kṛṣṇa and Balarāma are nicely dressed with earrings and pearl necklaces. They enjoy Themselves on the top of Govardhana Hill, and everything becomes absorbed in transcendental pleasure when Kṛṣṇa plays on His flute, charming the whole created manifestation. When He plays, the clouds stop their loud thundering out of fear of Him. Rather than disturb the vibration of His flute, they respond with mild thunder and so congratulate Kṛṣṇa, their friend."

Krsna Book 35:

"Kṛṣṇa is compared to the moon, born in the ocean of the womb of Devakī. When He returns in the evening, it appears that He is fatigued, but He still tries to gladden the inhabitants of Vṛndāvana by His auspicious presence. When Kṛṣṇa returns, garlanded with flowers, His face looks beautiful, adorned with golden earrings. He walks into Vṛndāvana with a stride just like the elephant's and slowly enters His home. Upon His return, the men, women and cows of Vṛndāvana immediately forget the scorching heat of the day."

Krsna Book 41:

When the news spread that Kṛṣṇa, Balarāma and the cowherd boys were within Mathurā City, all the inhabitants gathered, and the ladies and girls immediately went up to the roofs of the houses to see Them. They had been awaiting the arrival of Kṛṣṇa and Balarāma with great anxiety, and in their extreme eagerness to see Kṛṣṇa and Balarāma, the ladies did not dress themselves very properly. Some of them placed their clothes in the wrong place. Some anointed their eyes on one side only, and some wore ankle bells only on one leg or wore only one earring. Thus in great haste, not even decorated properly, they went to see Kṛṣṇa from the roofs.

Krsna Book 46:

In the morning, the gopīs prepared for morning ārati by lighting their lamps and sprinkling butter mixed with yogurt. After finishing their maṅgala-ārati, they engaged themselves in churning butter from yogurt. While the gopīs were thus engaged, the lamps reflected on their ornaments made the ornaments still brighter. Their churning rods, their arms, their earrings, their bangles, their breasts—everything moved, and kuṅkuma powder gave their faces a saffron luster comparable to the rising sun.

Krsna Book 51:

Passing through Kālayavana's assembly of soldiers, Kṛṣṇa appeared like the moon in the sky passing through the assembled clouds. Kālayavana was fortunate enough to see the lines of Śrīvatsa, a particular impression on the chest of Śrī Kṛṣṇa, and the Kaustubha jewel He was wearing. Kālayavana saw Him, however, in His Viṣṇu form, with a well-built body, four hands, and eyes like the petals of a newly blooming lotus. Kṛṣṇa appeared blissful, with a handsome forehead and beautiful smiling face, restless eyebrows and moving earrings.

Krsna Book 51:

When Lord Kṛṣṇa appeared before Mucukunda, the King saw Him dressed in a yellow garment, His chest marked with the symbol of Śrīvatsa, and the Kaustubha-maṇi jewel hanging around His neck. Kṛṣṇa appeared before him with four hands, as viṣṇu-mūrti, with a garland called Vaijayantī hanging from His neck down to His knees. He looked lustrous, His face was beautifully smiling, and He wore nice jeweled earrings on His ears. Kṛṣṇa appeared more beautiful than a human can conceive. Not only did He appear in this feature, but He glanced over Mucukunda with great affection, attracting the King's mind.

Krsna Book 53:

All the princes and visitors who came to Kuṇḍina for the marriage had assembled outside the temple to see Rukmiṇī. The princes were especially eager to see her because they all actually thought that they would have Rukmiṇī as their wife. Struck with wonder upon seeing Rukmiṇī, they thought she was especially manufactured by the Creator to bewilder all the great chivalrous princes. Her body was well constructed, the middle portion being thin. Her high hips were adorned with a jeweled locket, she had pink lips, and the beauty of her face was enhanced by her slightly scattered hair and by different kinds of earrings. The bodily luster and beauty of Rukmiṇī appeared as if painted by an artist perfectly presenting beauty following the descriptions of great poets.

Krsna Book 54:

As Kṛṣṇa was speaking with Rukmiṇī, the commanders of the Yadu dynasty's soldiers, headed by Lord Balarāma, who is also known as Saṅkarṣaṇa, as well as by Gada, not tolerating the defiant attitude of the opposing soldiers, began to strike their horses, elephants and chariots with arrows. As the fighting progressed, the princes and soldiers of the enemy began to fall from their horses, elephants and chariots. Within a short time, millions of severed heads, decorated with helmets and earrings, had fallen on the battlefield. The soldiers' hands were severed along with their bows and arrows and clubs; arms were piled upon arms, thighs upon thighs, and horses upon horses. Similarly, other animals, such as camels, elephants and asses, as well as infantry soldiers, all fell with severed heads.

Krsna Book 59:

The story of Bhaumāsura—how he kidnapped and made captive sixteen thousand princesses by collecting them from the palaces of various kings and how he was killed by Kṛṣṇa, the Supreme Lord of wonderful character—is all described by Śukadeva Gosvāmī to King Parīkṣit in Śrīmad-Bhāgavatam. Generally, the demons are always against the demigods. This demon, Bhaumāsura, having become very powerful, took by force the umbrella from the throne of the demigod Varuṇa. He also took the earrings of Aditi, the mother of the demigods. He conquered a portion of heavenly Mount Meru and occupied the portion known as Maṇi-parvata. The King of the heavenly planets, Indra, therefore came to Dvārakā to complain about Bhaumāsura before Lord Kṛṣṇa.

Krsna Book 59:

Haumāsura thus came to see that none of his tricks would act upon Kṛṣṇa, and he became aware that all his attempts to kill Kṛṣṇa would be frustrated. Yet he tried for the last time, taking a trident in his hand to strike Him. Kṛṣṇa was so dexterous that before Bhaumāsura could throw his trident, his head was cut off by the sharp Sudarśana cakra. His head, illuminated by earrings and a helmet, fell down on the battlefield.

Krsna Book 59:

At this time, the earth personified appeared before Lord Kṛṣṇa and greeted Him with a Vaijayantī flower garland. She then returned the dazzling earrings of Aditi, bedecked with jewels and gold. She also returned the umbrella of Varuṇa, along with a valuable jewel, which she presented to Kṛṣṇa. After this, the earth personified offered her prayers to Kṛṣṇa, the Supreme Personality and master of the world, who is always worshiped by exalted demigods.

Krsna Book 59:

After this incident, Lord Kṛṣṇa and Satyabhāmā entered Amarāvatī, the capital city of the heavenly planets, and they immediately entered the palace of King Indra and his wife, Śacīdevī, who welcomed them. Kṛṣṇa then presented Indra with the earrings of Aditi.

Krsna Book 59:

Out of His causeless mercy, Kṛṣṇa had gone to the heavenly kingdom, Amarāvatī, to present King Indra with his mother's earrings, which had been lost to Bhaumāsura, and Indra had been very glad to receive them. But when a pārijāta tree from the heavenly kingdom was taken by Kṛṣṇa, Indra had fought with Him. This was self-interest on the part of Indra. He had offered his prayer, tipping down his head to the lotus feet of Kṛṣṇa, but as soon as his purpose had been served, he became a different creature. That is the way of the dealings of materialistic men. Materialistic men are always interested in their own profit. For this purpose they can offer any kind of respect to anyone, but when their personal interest is over, they are no longer friends. This selfish nature is found not only among the richer class of men on this planet but even in personalities like Indra and other demigods.

Krsna Book 60:

When we take account of her beautiful face, it appears that the curling hair on her head, the beautiful earrings on her ears, her smiling mouth and her necklace of gold all combined to shower rains of nectar, and thus it was definitely proved that Rukmiṇī was none other than the original goddess of fortune, who is always engaged in the service of the lotus feet of Nārāyaṇa.

Krsna Book 62:

Aniruddha's complexion was brilliant and swarthy. He was dressed in yellow garments and had eyes just like lotus petals. His arms were very long, and he had nice, curling, bluish hair. The glaring rays of his glittering earrings and the beautiful smile on his lips were certainly captivating.

Krsna Book 66:

Kṛṣṇa saw that Pauṇḍraka had decorated himself with the symbols of the conchshell, disc, lotus and club. He carried an imitation Śārṅga bow, and on his chest was a mock insignia of Śrīvatsa. His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vāsudeva's. He was dressed in yellow silken garments, and the flag on his chariot carried the symbol of Garuḍa, exactly imitating Kṛṣṇa's. He had a very valuable helmet on his head, and his earrings, like swordfish, glittered brilliantly. On the whole, however, his dress and makeup were clearly imitation. Anyone could understand that he was just like someone onstage playing the part of Vāsudeva in false dress. When Lord Śrī Kṛṣṇa saw Pauṇḍraka imitating His posture and dress, He could not check His laughter, and thus He laughed with great satisfaction.

Krsna Book 66:

When the head of the King of Kāśī was thrown through the city gate, people gathered and were astonished to see that wonderful thing. When they found out that there were earrings on it, they could understand that it was someone's head.

Krsna Book 69:

Throughout the palace were many canopies made by Viśvakarmā that were decorated with strings of pearls. The chairs and other furniture were made of ivory and bedecked with gold and diamonds, and jeweled lamps dissipated the darkness within the palace. There was so much incense and fragrant gum burning that the scented fumes were coming out of the windows. The peacocks sitting on the steps became illusioned by the fumes, mistaking them for clouds, and began dancing jubilantly. There were many maidservants, all of whom were decorated with gold necklaces, bangles and beautiful saris. There were also many menservants, nicely dressed in cloaks and turbans and jeweled earrings. Beautiful as they were, the servants were all engaged in different household duties.

Krsna Book 73:

They saw that the color of the transcendental body of Lord Kṛṣṇa resembled the hue of a newly arrived cloud in the sky. He appeared before them nicely covered by yellow silken garments, with four hands like Viṣṇu, and carrying the different symbols of the club, the conchshell, the disc and the lotus flower. His chest was marked with a golden line, and the nipples on His chest appeared like the whorls of lotus flowers. His eyes appeared to spread like the petals of a lotus, and His smiling face exhibited the symbol of eternal peace and prosperity. He wore glittering shark-shaped earrings, and His helmet was bedecked with valuable jewels.

Krsna Book 73:

Lord Kṛṣṇa requested Sahadeva, the son of King Jarāsandha, to supply all necessities to the kings and show them all respect and honor. In pursuance of the order of Lord Kṛṣṇa, Sahadeva offered them all honor and presented them with ornaments, garments, garlands and other paraphernalia. After taking their baths and dressing very nicely, the kings appeared happy and gentle. Then they were supplied nice food. Lord Kṛṣṇa supplied everything for their comfort, as befitting their royal positions. Since the kings were so mercifully treated by Lord Kṛṣṇa, they felt great happiness, and their bright faces appeared just like the stars in the sky after the end of the rainy season. All nicely dressed and ornamented, their earrings glittering, they were then seated on chariots bedecked with gold and jewels and drawn by decorated horses. After seeing that each was taken care of, Lord Kṛṣṇa, in a sweet voice, asked them to return to their respective kingdoms. By His liberal behavior, unparalleled in the history of the world, Lord Kṛṣṇa released all the kings who had been in the clutches of Jarāsandha, and the kings, being fully satisfied, began to chant His holy name, think of His holy form, and glorify His transcendental pastimes as the Supreme Personality of Godhead.

Krsna Book 75:

When everyone was refreshed after bathing and was dressed in silken clothing with jeweled earrings, flower garlands, turbans, long wrappers and pearl necklaces, they looked, all together, like the demigods from heaven. This was especially true of the women, who were very nicely dressed. Each wore a golden belt around the waist. They were all smiling, with spots of tilaka and curling hair scattered here and there. This combination was very attractive.

Krsna Book 75:

In that great palace, the Pāṇḍavas lived with their family members, and Queen Draupadī served her husbands very peacefully. And because in those days Lord Kṛṣṇa was also there, the palace was also decorated by His thousands of queens. When the queens, with their heavy breasts and thin waists, moved within the palace and their ankle bells rang very melodiously with their movement, the whole palace appeared more opulent than the heavenly kingdom. Because a portion of their breasts was sprinkled with saffron powder, the pearl necklaces on their breasts appeared reddish. With their beautiful earrings and flowing hair, the queens appeared very attractive.

Krsna Book 77:

When Lord Śrī Kṛṣṇa stood up with His disc to kill Śālva, He appeared just like a mountain with the red sun rising over it. Lord Kṛṣṇa then cut off Śālva's head, and the head, with its earrings and helmet, fell to the ground. Śālva was thus killed in the same way that Vṛtrāsura was killed by Indra, the King of heaven.

Krsna Book 78:

When Lord Kṛṣṇa understood that Vidūratha was looking for the opportunity to strike Him with his sword, He employed His Sudarśana cakra, His razor-sharp disc, and without delay cut off Vidūratha's head, with its helmet and earrings.

Krsna Book 83:

“At that time, I entered the arena of competition, and the ankle bells on my legs sounded very melodious as I walked. I was nicely dressed with new silken garments, flowers decorated my hair, and because of Lord Kṛṣṇa's victory I was in ecstatic joy and smiling very pleasingly. I carried in my hands a golden necklace bedecked with jewels, which glittered at intervals. My curling hair encircled my face, which shone with a bright luster due to the reflection of my various earrings. My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory."

Krsna Book 84:

Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.

Krsna Book 85:

The total material elements, namely the sky, air, fire, water and earth, are present in everything in the material world, whether in an earthen pot or in a mountain or in the trees or in an earring. These five elements are present in everything, in different proportions and quantities.

Krsna Book 87:

The personified Vedas presented the example that those seeking gold do not reject gold earrings, gold bangles or anything else made of gold simply because they are shaped differently from the original gold. All living entities are part and parcel of the Supreme Lord and are qualitatively one, but they are now differently shaped in 8,400,000 species of life, just like many different ornaments manufactured from the same source of gold.

Krsna Book 89:

Lord Mahā-Viṣṇu's helmet was bedecked with valuable jewels, and His beautiful earrings enhanced the beauty of the curling hair on His head.

Bhagavad-gita As It Is Lectures

Lecture on BG 2.12 -- Hyderabad, November 17, 1972:

The small particle of gold is gold. That is advaita. You cannot say, because it is small particle of gold, you cannot say, "It is iron." It is gold. That is advaita. But the gold mine and the gold earring, there is difference. You cannot say the gold earring is as good as the gold mine. That is dvaita. so in this way, as so far our spiritual existence is concerned, we are one. But so far our energies are concerned, that is different. That is dvaita-advaita. You have no such big energy as God has. In that sense you are different.

Lecture on BG 2.12 -- London, August 18, 1973:

So either Kṛṣṇa or we, every one of us are ever-existing, because we are part and parcel of Kṛṣṇa. Therefore, if Kṛṣṇa is ever-existing, so we are also ever-existing. A particle of gold is gold, qualitatively. The value of gold mine and the gold earring may be different. Gold earring may be, say, hundred dollars, but a gold mine, millions of dollars. But both of them are gold, not that it is iron. Therefore, less value, no.

Lecture on BG 2.13 -- Hyderabad, November 18, 1972:

Indian: But whether the, our ātmā is the part and parcel of the ātmā, Paramātmā.

Prabhupāda: Yes.

Indian: Paramātmā is entirely different from the ātmā and...

Prabhupāda: That I will explain. In quality, you are one. Because a particle of gold is also gold. But the gold mine is not equal to the gold earring. That is mistake.

Lecture on BG 4.18 -- Bombay, April 7, 1974:

It is very difficult to bring one to the brahminical culture, to the kṣatriya culture, to the vaiśya culture, because everything is finished, and it will be finished more and more. Therefore the only saving platform is this harer nāma harer nāma harer nāmaiva kevalam. Then everyone will be saved. Therefore we are pushing on this movement. Chant Hare Kṛṣṇa mantra anywhere.

And it has become practical. Even in Africa, in the village, where they have got so big, big earrings, they are also chanting Hare Kṛṣṇa mahā-mantra. They are also chanting.

Lecture on BG 7.1 -- San Francisco, March 17, 1968:

Just like you have a gold mine and you are preparing so many golden utensils, ornaments and many other things, but they are all gold because the origin is gold. Similarly, you may name it as "earring," but you have to add "gold" earring. You may name it as "necklace," but "gold." Because originally it is coming from the gold mine. Similarly, originally, everything is coming from Kṛṣṇa. Janmādy asya yataḥ (SB 1.1.1). Because if He is Supreme, He is Absolute Truth, then nothing is different from Him. Just like either you say earrings or necklace or bangle or wristwatch, if they are all made of gold, they are gold.

Srimad-Bhagavatam Lectures

Lecture on SB 1.15.33 -- Los Angeles, December 11, 1973:

Kṛṣṇa says, ahaṁ sarvasya prabhavaḥ: (BG 10.8) "I am the origin of everything." If Kṛṣṇa is truth, He is the origin of everything, so how everything can be false? Is that very logical? No. If something has come from gold... Just like we have got so many preparations of gold: gold bangles, gold earring, gold necklace. But it has come from the gold; therefore it is gold. How it can be false? Gold is never false. Gold is gold. So this philosophy that brahma satyaṁ jagan mithyā, that "Gold mine is right, but the gold earring is wrong..." No. That you cannot say. If gold mine is right, then gold earring is also right because it has come from the gold mine.

Lecture on SB 2.1.5 -- Delhi, November 8, 1973:

Actual intelligence is that is Brahma-bhūta, ahaṁ brahmāsmi. Bhāgavata.: "I am part and parcel of God. God is supreme Brahman. I am, being part and parcel..." Just like part and parcel of the gold, gold mine, it may be small earring, it is also gold. Similarly, the small particle of sea water is also the same quality, salty. Similarly, we, being part and parcel of God, we have got the same qualities. Qualitatively, we are one.

Lecture on SB 2.9.11 -- Tokyo, April 27, 1972:

So here is the description of sārūpya-mukti, the same bodily features like Nārāyaṇa. This is called sārūpya-mukti, same bodily feature. Pravāla-vaidūrya-mṛṇāla-varcasaḥ parisphurat-kuṇḍala-mauli-mālinaḥ. Kuṇḍala, earrings. Here no male person have any earrings. But formerly you will find pictures of big, big kings, they have got earrings. You have seen? Yes. That is opulence. Jaipur Mahārāja's photograph, earrings, big, nice. Ornaments, huge ornaments. Kṛṣṇa is going to tend the cows—He has got so much ornaments. That is asset. Formerly also in our childhood, a woman having no sufficient ornaments, he (she) will be ashamed to go to the society: "Oh, others will think me so much poor. I will not go. I'll never go." Therefore I was surprised when I came to your country. I saw young girls and ladies, they have no bangles, no ornaments. At least, I was surprised.

Lecture on SB 3.25.3 -- Bombay, November 3, 1974:

The Māyāvādī philosopher says that brahma satyaṁ jagan mithyā. We Vaiṣṇavas, we do not say mithyā, because God, or the Supreme Brahman, is truth, so there can be anything untruth from the truth. That is not possible. Just like if you prepare something from gold, an earring, that earring is also gold. You cannot say it is something else.

Lecture on SB 3.25.43 -- Bombay, December 11, 1974:

And if one understands that "Kṛṣṇa is my eternal master. He is my eternal father. I am not this body. I am also the same thing as Kṛṣṇa, spiritual..." Mamaivāṁśaḥ. "I am part and parcel of Kṛṣṇa. If Kṛṣṇa is gold, then I am also gold. But Kṛṣṇa is gold mine; I am gold earring, that's all." This is knowledge. Jñāna-vairāgya-yuktena. And when one comes to this knowledge, then he becomes reluctant to this material attachment. That is called vairāgya.

Lecture on SB 3.26.10 -- Bombay, December 22, 1974:

In the Bhagavad-gītā it is said this creation is going on, bhūtvā bhūtvā pralīyate (BG 8.19). It is created at a certain time, and then again it is annihilated. And when annihilated, mixed together, that is avyaktam. And when they are again created into forms, that is called vyaktam. Just like you take a lump of gold and prepare many ornaments. You can make bangles, you can make necklace, earring, and so many things. And again melt it—it becomes lump of gold. So that is the distinction between vyaktam and avyaktam. When they are made into varieties, that is called vyaktam, and when it is again mixed together, then it is called avyaktam.

Lecture on SB 5.5.24 -- Vrndavana, November 11, 1976:

When I went to New York there was no Kṛṣṇa-bhakta at all, a single man. So how so many Kṛṣṇa-bhaktas have come out? By this same process,

śravaṇaṁ kīrtanaṁ viṣṇoḥ

smaraṇaṁ pāda-sevanam

arcanaṁ vandanaṁ dāsyaṁ

sakhyam ātma-nive...

(SB 7.5.23)

This is bhakti process. So anywhere, in Africa also, in the village of Africa, when our Brahmānanda goes there, the big, big Africans with earrings, big, big earrings, very tall, almost naked, they also dance, "Hare Kṛṣṇa." So this is practical.

Lecture on SB 6.1.27-34 -- Surat, December 17, 1970:

There are many different types of human beings. So, the Caranas, the demigods, the Siddhas. Don't think that in every planet you can find out the same bodily features. There are different bodily features. So in Siddhaloka they have got the same bodily features, but their powers are far, far greater than ours. Siddha-sat...

Now they are describing,

sarve padma-palāśākṣāḥ

pīta-kauśeya-vāsasaḥ

kirīṭinaḥ kuṇḍalino

lasat-puṣkara-mālinaḥ

"You are so beautiful-looking that all of your eyes are just like lotus petals." Sarve padma-palāśākṣāḥ pīta-kauśeya-vāsasaḥ: "And you are very nicely dressed with yellow colored garments and ornaments," and kirīṭinaḥ, "with helmet," kirīṭinaḥ kuṇḍalinaḥ, "earrings, nice earrings, nice jewels, helmets," kirīṭinaḥ kuṇḍalino lasat-puṣkara..., "and with nice flower garlands." This is the description of the inhabitants of Vaikuṇṭhaloka. There is no hat-coat-pant. They are dressed in a different way.

Lecture on SB 6.1.33 -- San Francisco, July 18, 1975:

So in the next verses the description is there of the Viṣṇudūta. So sarve padma-palāśākṣāḥ: exactly the feature like Nārāyaṇa. Padma-palāśa: their eyes are compared with the lotus petal, very nice. Sarve: "All of you look so nice." Padma-palāśa-akṣāḥ pīta-kauśeya-vāsasaḥ. In Vaikuṇṭha, people, they also dress with yellow cloth, pīta-kauśeya, or this saffron color. This is Vaikuṇṭha dress. Kauśeya, pīta, the dress, garments. Kirīṭinaḥ: "with helmets." Kuṇḍalinaḥ: "with nice earring." Kirīṭinaḥ kuṇḍalino lasat-puṣkara-mālinaḥ, "and very nice flower garland." This is Vaikuṇṭha dress.

Lecture on SB 6.1.33 -- Honolulu, June 1, 1976:

So the Yamadūtas, their description of the body already given. They are not very good-looking. So when they saw the Viṣṇu-dūta—the description of the Viṣṇu-dūta is in the next verse—they were surprised, that "Wherefrom such nice features of the body..." They have been described here, sarve padma-palāśākṣāḥ. They saw that their eyes were just like petals of the lotus flower, so beautiful. Sarve padma-palāśākṣāḥ pīta-kauśeya-vāsasaḥ. And all dressed in saffron cloth, yellow. Kirīṭinaḥ, with helmet, kuṇḍalino, and earrings. Kuṇḍalino. Lasat-puṣkara-mālinaḥ. And with flower garland. Just imagine if somebody is very good-looking, with helmet and nice earring, bedecked with jewels, and the helmet bedecked with jewels, and cloth yellow, with garland, four hands. Sarve ca nūtna-vayasaḥ. All young, not old like me; all young like you. Nūtna-vayasaḥ. Just (indistinct) very young. Sarve ca nūtna-vayasaḥ sarve cāru-caturbhujāḥ. And four-handed. Here we get two hands, in the Vaikuṇṭha planet we get four hands. Dhanur niṣa aṅgāsi-gadā-śaṇkha-cakra-ambuja śriyaḥ. And each hand is decorated with bow, arrow, sword, and conchshell, and disc. Like that. This is the description of Vaikuṇṭha features.

Lecture on SB 7.5.1, Pandal Lecture -- Bombay, January 12, 1973:

Kṛṣṇa is fully independent. But because we are part and parcel of Kṛṣṇa, we are minutely possessing almost, not all, all the qualities of Kṛṣṇa in proportionately in minute quantity. Just like the particle of gold is also gold. That is nothing else but gold. But the value of that particle is different from the gold mine. Our relationship with Kṛṣṇa is like that. Kṛṣṇa is just like the gold mine, and I and you, just like gold earring. The gold earring or gold finger ring or any golden ornament, that is gold undoubtedly, but is not as big as the gold mine. That is the difference between God and ourself.

Nectar of Devotion Lectures

The Nectar of Devotion -- Vrndavana, November 7, 1972:

If we cannot preach in the, in the society of the animals, we can preach at least in the human societies, who are supposed to be uncivilized or very lower status of life. Actually, it is so happening. In Africa also, our men are going interior in the village. They are almost naked, these Africans—we have got pictures—with big, big earring. So they are also, their children, and they also dance in Kṛṣṇa consciousness, in the Hare Kṛṣṇa chanting. This is the wonderful movement, that anyone can take part.

The Nectar of Devotion -- Vrndavana, November 8, 1972:

So just like gold earring is also gold—that is not iron—similarly, the, this material world is made of the external energy of Kṛṣṇa. Therefore we do not find anything here wrong. We try to dovetail everything in the service of Kṛṣṇa, because it is Kṛṣṇa's.

Initiation Lectures

Initiation of Lokanatha dasa -- New Vrindaban, May 21, 1969:

So God creates; I also create. That creative energy is within me, but a very minute quantity. That creation is nothing in comparison with God's creation. God has created this whole universe, and what you can create? You can create, utmost, a city like New York. That's all. You can create. That's all right. In that sense you are god also. Part and parcel of God is also god, but small god. Just like your earring. That is gold. So that gold is not equal to the gold mine. That gold mine is different. Therefore the philosophy is, "simultaneously one and different." We are, every one of us, we are simultaneously one with God and different from God. One in quality. The quality of God is also in me. I am of the same quality. Just like a drop of sea water and the vast water, ocean. The quality analytical, chemical composition, is the same, but the quantity of component parts are different. This is called acintya-bhedābheda-tattva: "inconceivably, simultaneously one and different."

General Lectures

Lecture -- Nellore, January 4, 1976:

God is great and we are small. God is prabhu, and we are aṇu. We have got the God's quality as part and parcel, mamaivāṁśa jīva-bhūtaḥ. Kṛṣṇa says that "These jīvas, they are My part and parcel." So gold mine and gold earring, both of them are gold, but the quantity of gold in the earring and the quantity of gold in the mine is not the same. This is right understanding.

Philosophy Discussions

Philosophy Discussion on Hegel:

Kīrtanānanda: That which is giving rise to your perception of something material is actually spirit. The cause of what you are perceiving is spirit. But what you are perceiving is material.

Prabhupāda: Just like gold. Now you have made an earring. You say it is earring but, it may be earring but it is gold. Another example is, just like earth, earth. So you may take dirt and make a pot. So, and a doll, so many things, varieties. So we say it is doll, it is pot, it is this, it is that, but that is also earth. Is it not?

Śyāmasundara: Yes.

Prabhupāda: And when it is broken, then it is again earth. In any condition it is earth.

Śyāmasundara: This pot and this brick, these are not images then, they are dirt, they are...

Prabhupāda: Then you make images. You make images, but when you make images, that is also earth. And when it is broken, that is also earth. And originally it is earth. Sarvam khalv idaṁ brahma. The three conditions: formless condition, form, and again, what it is called-merging. In three conditions it is earth. Aham evāsam evāgre, in the Bhāgavata Kṛṣṇa says, "I existed in the beginning of creation, I maintain the creation, and when the creation is broken, I exist."

1974 Conversations and Morning Walks

Press Conference -- April 18, 1974, Hyderabad:

Guest (8): You have got a center established in Iran?

Prabhupāda: Yes.

Guest (8): Within what time? Recent?

Prabhupāda: I think about two years. Yes. We have got African students also, many African students. And everywhere we are spreading this Hare Kṛṣṇa. We go village to village, they accept. In African village, with big, big earrings, they also dance in Hare Kṛṣṇa mantra.

1975 Conversations and Morning Walks

Morning Walk -- November 11, 1975, Bombay:

Prabhupāda: The soul is the same, and the ingredients of the body are the same. That is explained in Iśo..., ekatvam anupaśyate. Just like from gold, take from the mine—you make earring or this finger ring, the ingredients are the same. The forms may be different.

1976 Conversations and Morning Walks

Garden Conversation -- June 23, 1976, New Vrindaban:

Prabhupāda: So shadow has come from Supreme, and light has also come from the Supreme. So there is no distinction, ultimately. Just like earring, golden, manufactured from gold, and gold which is not manufactured. So this distinction-manufactured or not manufactured, secondary. But really the earring is also gold, and the lump of gold is also gold. So why should we say that earring is false? It is also gold. In relationship with the supreme source, janmādy asya yataḥ (SB 1.1.1), there is no such distinction.

1970 Correspondence

Letter to Krsna dasa -- Los Angeles 18 February, 1970:

It will be very nice if you can make some jewelries for my Deities—two sets of crowns, necklaces, bangles, and earrings, and a flute for Krsna. The flute should be this size and on the end it should have a head like this, I think you may have seen some picture. Devananda will make some drawings of the other jewelry and send to you.

Letter to Hamsaduta -- Los Angeles 22 June, 1970:

Regarding purchasing the composing machine immediately in order to avoid a little rental money is no use. There is a proverb in Bengali—It is no use to purchase a golden earring,

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1975 Correspondence

Letter to Sukadeva -- Bombay 13 November, 1975:

The thing is that to mortgage your present house is not at all good. There is a Bengali saying that one should not borrow money to purchase a gold earring. So I do not approve of this mortgaging transaction.