Material nature acts in two capacities, as māyā and pradhāna. Māyā is the direct cause, and pradhāna refers to the elements of the material manifestation. When the first puruṣa-avatāra, Mahā-Viṣṇu, glances over material nature, material nature becomes agitated, and the puruṣa-avatāra thus impregnates matter with the living entities. Simply by the glance of Mahā-Viṣṇu, consciousness is created, and this consciousness is known as the mahat-tattva. The predominating Deity of the mahat-tattva is Vāsudeva. This created consciousness is then divided into three departmental activities according to the three guṇas, or modes of material nature. Consciousness in the mode of goodness is described in the Eleventh Canto of Śrīmad-Bhāgavatam. The predominating Deity of this mode is Aniruddha. Consciousness in the mode of passion produces intelligence, and the predominating Deity in this case is Pradyumna. He is the master of the senses. Consciousness in the mode of ignorance causes the production of ether (the sky) and the ear. The cosmic manifestation is a combination of all these modes, and in this way innumerable universes are created. No one can count the number of universes.
Ear (Other Books)
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
"The gopīs used to relish the beauty of Kṛṣṇa as a ceremony of perpetual enjoyment. They enjoyed the beautiful face of Kṛṣṇa, His beautiful ears with earrings, His broad forehead and His smile, and when enjoying this sight of Kṛṣṇa's beauty, they used to criticize the creator Brahmā for causing their vision of Kṛṣṇa to be momentarily impeded by the blinking of their eyelids."
The Vedic hymn known as kāma-gāyatrī describes the face of Kṛṣṇa as the king of all moons. In metaphorical language, there are many different moons, but they are all one in Kṛṣṇa. There is the moon of His mouth, the moon of His cheeks, the moonspots of sandalwood pulp on His body, the moons of the fingertips of His hands and the moons of the tips of His toes. In this way there are twenty-four and a half moons, and Kṛṣṇa is the central figure of all of them.
The devotee increasingly feels the absence of Kṛṣṇa, for without Him one cannot drink the nectar of His beauty. When the transcendental sound of Kṛṣṇa's flute is heard, the devotee's anxiety to continue to hear that flute enables him to penetrate the covering of the material world and enter into the spiritual sky, where the transcendental sound of the flute enters into the ears of the followers of the gopīs. The sound of Kṛṣṇa's flute always resides within the ears of the gopīs and increases their ecstasy. When it is heard, no other sound can enter into their ears, and amongst their family they are not able to reply to questions properly, for all these beautiful sounds are vibrating in their ears.
By associating with holy persons and discussing transcendental subject matters with them, one becomes convinced of the value of spiritual life. Very soon, hearing of Kṛṣṇa becomes pleasing to the ear and begins to satisfy one's heart. After receiving such spiritual messages from holy persons or pure devotees, if one tries to apply them in his own life, the path of Kṛṣṇa consciousness naturally develops in faith, attachment and devotional service.
As far as Mahārāja Ambarīṣa is concerned, he actually performed all the items of devotional service. He first of all engaged his mind upon the lotus feet of Kṛṣṇa. He engaged his words, his power of speaking, in describing the transcendental qualities of the Supreme Personality of Godhead. He engaged his hands in washing the temple of the Deity, his ears in hearing the words of Kṛṣṇa and his eyes in beholding the Deity.
The most astonishing fact is that Lord Caitanya, although the Supreme Personality of Godhead, Kṛṣṇa, never displayed Himself as Kṛṣṇa. Rather, whenever He was detected by intelligent devotees as Lord Kṛṣṇa and was addressed as Lord Kṛṣṇa, He denied it. Indeed, He sometimes placed His hands over His ears, protesting that one should not be addressed as the Supreme Lord. Indirectly, He was teaching the Māyāvādī philosophers that one should not falsely pose himself as the Supreme Lord and thereby misguide people. Nor should followers be foolish enough to accept anyone and everyone as the Supreme Personality of Godhead.
Generally a human being is interested in religion, economic development, sense gratification and liberation, but love of God is above all these. A bona fide spiritual master chants the holy names—Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare—and the transcendental sound vibration enters into the ear of the disciple, and if a disciple follows in the footsteps of his spiritual master and chants the holy name with similar respect, he actually comes to worship the transcendental name. When the transcendental name is worshiped by the devotee, the name Himself spreads His glories within the heart of a devotee. When a devotee is perfectly qualified in chanting the transcendental vibration of the holy name, he is quite fit to become a spiritual master and to deliver all the people of the world.
In the Śvetāśvatara Upaniṣad (3.19) it is clearly explained that the Absolute Truth has no material legs and hands, but in that scripture it is indicated that He has spiritual hands by which He accepts everything offered to Him. Similarly, He has no material eyes, but He does have spiritual eyes by which He can see everything and anything. Although He has no material ears, He can hear everything and anything. Having perfect senses, He knows past, future and present. Indeed, He knows everything, but no one can understand Him, for by material senses He cannot be understood. Being the origin of all emanations, He is the supreme, the greatest, the Personality of Godhead.
In Brahma-saṁhitā a nice description of the flute of Kṛṣṇa is given: "When Kṛṣṇa began to play on His flute, the sound vibration entered into the ear of Brahmā as the Vedic mantra oṁ" This oṁ is composed of three letters—A, U, and M—and it describes our relationship with the Supreme Lord, our activities by which we can achieve the highest perfection of love and the actual position of love on the spiritual platform. When the sound vibration of Kṛṣṇa's flute is expressed through the mouth of Brahmā, it becomes gāyatrī.
Nectar of Devotion
How much a devotee is seriously attached to the devotional service of the Supreme Personality of Godhead can be understood from the statement of Mahārāja Pṛthu (Ādi-rāja) which is described in Śrīmad-Bhāgavatam, Fourth Canto, Twentieth Chapter, verse 24. He prays to the Supreme Personality of Godhead thus: "My dear Lord, if after taking liberation I have no chance of hearing the glories of Your Lordship, glories chanted by pure devotees from the core of their hearts in praise of Your lotus feet, and if I have no chance for this honey of transcendental bliss, then I shall never ask for liberation or this so-called spiritual emancipation. I shall simply always pray unto Your Lordship that You may give me millions of tongues and millions of ears, so that I can constantly chant and hear of Your transcendental glories."
The beginning of Kṛṣṇa consciousness and devotional service is hearing, in Sanskrit called śravaṇam. All people should be given the chance to come and join devotional parties so that they may hear. This hearing is very important for progressing in Kṛṣṇa consciousness. When one links his ears to give aural reception to the transcendental vibrations, he can quickly become purified and cleansed in the heart. Lord Caitanya has affirmed that this hearing is very important. It cleanses the heart of the contaminated soul so that he becomes quickly qualified to enter into devotional service and understand Kṛṣṇa consciousness.
In this age it is very difficult to follow thoroughly the regulative principles and studies of the Vedas which were formerly recommended. However, if one gives aural reception to the sound vibrated by great devotees and ācāryas, that alone will give him relief from all material contamination. Therefore it is the recommendation of Caitanya Mahāprabhu that one should simply hear from authorities who are actually devotees of the Lord. Hearing from professional men will not help. If we hear from those who are actually self-realized, then the nectarean rivers, like those which are flowing on the moon planet, will flow into our ears.
Regarding worship of the form of the Lord, or Deity, Rūpa Gosvāmī has written the following verse: "My dear friend, if you still have any desire to enjoy the company of your friends within this material world, then don't look upon the form of Kṛṣṇa, who is standing on the bank of Keśī-ghāṭa (a bathing place in Vṛndāvana). He is known as Govinda, and His eyes are very enchanting. He is playing upon His flute, and on His head there is a peacock feather. And His whole body is illuminated by the moonlight in the sky."
The purport of this verse is that if someone becomes attached to the śrī-mūrti, or Deity of Kṛṣṇa, by worshiping at home, then he will forget his relationships of so-called friendship, love and society. Thus it is the duty of every householder to install Deities of the Lord at home and to begin the process of worshiping along with all of his family members. This will save everyone from such unwanted activities as going to clubs, cinemas and dancing parties, and smoking, drinking, etc. All such nonsense will be forgotten if one stresses the worship of the Deities at home.
Rūpa Gosvāmī further writes, "My dear foolish friend, I think that you have already heard some of the auspicious Śrīmad-Bhāgavatam, which decries seeking the results of fruitive activities, economic development and liberation. I think that now it is certain that gradually the verses of the Tenth Canto of Śrīmad-Bhāgavatam, describing the pastimes of the Lord, will enter your ears and go into your heart."
A devotee once said, "It is very astonishing that since I have seen this Personality of Godhead, who is washed by the tears of my eyes, there is shivering of my body, and He has made me a failure in executing my material duties. Since seeing Him, I cannot remain silently at home. I wish to go out to Him always." The purport of this statement is that as soon as one is fortunate enough to contact a pure devotee, one must be anxious immediately to hear about Kṛṣṇa, to learn about Kṛṣṇa, or, in other words, to become fully Kṛṣṇa conscious.
Similarly, there is a statement about hearing and chanting the mahā-mantra: "It is said that saints have been able to hear the vibrating strings of the vīṇā in the hands of Nārada, who is always singing the glories of Lord Kṛṣṇa. Now this same sound vibration has entered my ears, and I am always feeling the presence of the Supreme Personality. Gradually I am becoming bereft of all attachment for material enjoyment."
In the Ninth Canto, Fourth Chapter, verses 18, 19 and 20, of Śrīmad-Bhāgavatam, there is a statement about Mahārāja Ambarīṣa, who followed every one of the devotional processes. In these verses, Śukadeva Gosvāmī says, "King Ambarīṣa first of all concentrated his mind on the lotus feet of Lord Kṛṣṇa and then engaged his speech in describing the pastimes and activities of the Lord. He engaged his hands in washing the temple of the Lord. He engaged his ears in hearing of the transcendental glories of the Lord. He engaged his eyes in seeing the beautiful Deity in the temple. He engaged his body in associating with the pure devotees of the Lord. (When you associate with someone you have to sit down together, eat together, etc.—and in this way the touch of your body with his body is inevitable. Ambarīṣa Mahārāja made his association only with pure devotees and did not allow his body to be touched by anyone else.) He engaged his nostrils in smelling the flowers and tulasī offered to Kṛṣṇa, and he engaged his tongue in tasting Kṛṣṇa prasāda (food prepared specifically for offering to the Lord, the remnants of which are taken by the devotees). Mahārāja Ambarīṣa was able to offer very nice prasāda to Kṛṣṇa because he was a king and had no scarcity of finances. He used to offer Kṛṣṇa the most royal dishes and would then taste the remnants as kṛṣṇa-prasāda. There was no scarcity in his royal style, because he had a very beautiful temple wherein the Deity of the Lord was decorated with costly paraphernalia and offered high-grade food. So everything was available, and his engagement was always completely in Kṛṣṇa consciousness." The idea is that we should follow in the footsteps of great devotees. If we are unable to execute all the different items of devotional service, we must try to execute at least one of them, as exemplified by previous ācāryas.
Generally, when Lord Kṛṣṇa appears He does so in a family of kṣatriyas (kings), as did Lord Rāmacandra, and sometimes in a family of brāhmaṇas. But Kṛṣṇa accepted the role of son to Mahārāja Nanda, despite the fact that Nanda belonged to the vaiśya community. The business of the vaiśya community is trade, commerce and the protection of cows. Therefore his friend, who may have been born into a brāhmaṇa family, expressed his wonder at how such an exalted child could take birth in a family of vaiśyas. Anyway, he pointed out the auspicious signs on the body of Kṛṣṇa to the boy's foster father.
He continued, "This boy has a reddish luster in seven places—His eyes, the ends of His hands, the ends of His legs, His palate, His lips, His tongue and His nails. A reddish luster in these seven places is considered to be auspicious. Three parts of His body are very broad: His waist, forehead and chest. Three parts of His body are short: His neck, thighs and genitals. Three parts of His body are very deep: His voice, intelligence and navel. There is highness in five parts of His body: His nose, arms, ears, forehead and thighs. In five parts of His body there is fineness: His skin, the hairs on His head and on the other parts of His body, His teeth and His fingertips. The aggregate of all these bodily features is manifest only in the bodies of great personalities."
There is a nice statement in Śrīmad-Bhāgavatam regarding Kṛṣṇa's speaking politely. When Kṛṣṇa politely bade His father, Nanda Mahārāja, to stop the ritualistic offering of sacrifice to the rain-god, Indra, a wife of one village cowherd man became captivated. She later thus described the speaking of Kṛṣṇa to her friends: "Kṛṣṇa was speaking to His father so politely and gently that it was as if He were pouring nectar into the ears of all present there. After hearing such sweet words from Kṛṣṇa, who will not be attracted to Him?"
The gopīs would meditate on Kṛṣṇa's dressing Himself just like a dancing actor and entering the forest of Vṛndāvana, marking the ground with His footprints. They meditated on Kṛṣṇa's having a helmet with a peacock feather and wearing earrings on His ears and yellow-gold colored garments covered with jewels and pearls. They also meditated on Kṛṣṇa's blowing His flute and on all the cowherd boys' singing of the glories of the Lord." That is the description of the meditation which the gopīs used to perform.
In his book Stavāvalī, Śrī Raghunātha dāsa Gosvāmī has prayed for the mercy of Rādhārāṇī, who was so captivated by the flute vibrations of Kṛṣṇa that She immediately asked information of His whereabouts from residents in the Vṛndāvana forest. Upon first seeing Kṛṣṇa, She was filled with such ecstatic love and pleasure that She began to scratch Her ears. The damsels of Vraja and Rādhārāṇī were very expert in talking cunningly, so as soon as they saw Kṛṣṇa they began their talkings; and Kṛṣṇa, pretending to go for some flowers for them, immediately left that place and entered into a mountain cave. This is another instance of eager loving exchanges on the parts of both the gopīs and Kṛṣṇa.
When Śrīmatī Rādhārāṇī first saw Kṛṣṇa, She suddenly became conscious of all transcendental happiness, and the functions of Her different limbs were stunned. When Lalitā, Her constant companion, whispered into Her ear the holy name of Kṛṣṇa, Rādhārāṇī immediately opened Her eyes wide. This is an instance of alertness caused by hearing the sound of Kṛṣṇa's name.
The students of a great devotee once talked among themselves in this way: "My dear Godbrothers, our spiritual master, after seeing the lotus feet of the Lord, has thrown himself into the fire of lamentation, and because of this fire the water of his life has almost dried away. Let us now pour the nectar of the holy name through his ears, and by our doing so the swan of his life may again show signs of life."
Counted among the priya-narmā friends are Subala, Arjuna, Gandharva, Vasanta and Ujjvala. There was talk among the friends of Rādhārāṇī, the gopīs, about these most intimate friends. One gopī addressed Rādhārāṇī thus: "My dear Kṛśāṅgī (delicate one), just see how Subala is whispering Your message into Kṛṣṇa's ear, how he is delivering the confidential letter of Śyāmā-dāsī silently into Kṛṣṇa's hand, how he is delivering the betel nuts prepared by Pālikā into Kṛṣṇa's mouth, and how he is decorating Kṛṣṇa with the garland prepared by Tārakā. Did you know, my dear friend, that all these most intimate friends of Kṛṣṇa are always engaged in His service in this way?" Out of the many intimate priya-narmās, Subala and Ujjvala are considered to be the most prominent.
The cowherd friends of Kṛṣṇa were so happy in His company that they expressed their transcendental feelings within themselves thus: "Dear Kṛṣṇa, You are always busy tending the cows which are scattered all over beautiful Vṛndāvana. You have a beautiful garland, a small conchshell, a peacock feather on Your turban, yellow-colored silk cloth, decorations of karṇikāra flowers on Your ears and a mallikā flower garland on Your chest. Appearing so beautiful, when You pretend, just like an actor, to be fighting with us, You give us unlimited transcendental bliss."
At the end of Kṛṣṇa's paugaṇḍa age, Kṛṣṇa's hair sometimes hangs down to His hips, and sometimes it becomes scattered. In this age His two shoulders become higher and broader, and His face is always decorated with marks of tilaka. When His beautiful hair scatters over His shoulders, it appears to be a goddess of fortune embracing Him, and this embracing is highly relished by His friends. Subala once addressed Him in this way: "My dear Keśava, Your round turban, the lotus flower in Your hand, the vertical marks of tilaka on Your forehead, Your kuṁkum-flavored musk and all of Your beautiful bodily features are defeating me today, although I am usually stronger than You or any of our friends. Since this is so, I do not know how these features of Your body can fail to defeat the pride of all the young girls of Vṛndāvana. When I am so defeated by this beauty, what chance is there for those who are naturally very simple and flexible?"
At this age Kṛṣṇa took pleasure in whispering into the ears of His friends, and the subject of His talks was the beauty of the gopīs, who were just tarrying before them. Subala once addressed Kṛṣṇa thus: "My dear Kṛṣṇa, You are very cunning. You can understand the thoughts of others; therefore I am whispering within Your ear that all of these five gopīs, who are most beautiful, have been attracted by Your dress. And I believe that Cupid has entrusted them with the responsibility of conquering You." In other words, the beauty of the gopīs was capable of conquering Kṛṣṇa, although Kṛṣṇa is the conqueror of all universes.
When the gopīs were in disagreement with Kṛṣṇa, these friends would support Kṛṣṇa's side in His presence—but when Kṛṣṇa was not present, they would support the side of the gopīs. In this way, sometimes supporting one side, sometimes the other, they would talk very privately, with much whispering in the ears, although none of the business was very serious.
When Kṛṣṇa was on the Battlefield of Kurukṣetra, all the cowherd boys came to see Him, wearing jeweled earrings in their ears. Becoming so greatly overjoyed, they extended their arms and embraced Kṛṣṇa as their old friend. These are instances of full satisfaction in friendship with Kṛṣṇa.
In Śrīmad-Bhāgavatam, Tenth Canto, Ninth Chapter, verse 3, Śukadeva Gosvāmī gives Mahārāja Parīkṣit a description of the form and beauty of mother Yaśodā. He says, "My dear King, the wide hips of mother Yaśodā were surrounded by silk and linen clothes, and her breasts were flowing with milk because of her affection. When she was churning butter and tightly holding the rope, the bangles on her hands and the earrings on her ears were moving, and from the nice decoration in her hair the flowers were slackening and falling down. Due to her excessive labor, there were drops of perspiration on her face."
In the middle kaumāra age, the upper portion of Kṛṣṇa's hair falls around His eyes. Sometimes He is covered with cloth around the lower part of His body, and sometimes He is completely naked. Sometimes He tries to walk, taking step by step, and sometimes He talks very sweetly, in broken language. These are some of the symptoms of His middle kaumāra age. He is thus described when mother Yaśodā once saw Him in His middle kaumāra age: His scattered hairs were touching His eyebrows, and His eyes were restless, but He could not express His feelings with proper words; still, when He was talking, His talk was so nice and sweet to hear. When mother Yaśodā looked at His little ears and saw Him naked, trying to run very quickly with His little legs, she was merged into the ocean of nectar. Kṛṣṇa's ornaments at this age are a pearl hanging from the septum of His nose, butter on His lotuslike palms, and some small bells hanging from His waist. It is stated that when mother Yaśodā saw that the child was moving, ringing the bells on His waist, smiling at her with a pearl between His nostrils and with butter on His hands, she became wonderfully pleased to see her little child in that fashion.
The steady ecstasy of conjugal love is the original cause of bodily enjoyment. In the Padyāvalī this original cause of union is described when Rādhārāṇī tells one of Her constant companions, "My dear friend, who is this boy whose eyelids, dancing constantly, have increased the beauty of His face and attracted My desire for conjugal love? His ears are decorated with buds of aśoka flowers, and He has dressed Himself in yellow robes. By the sound of His flute, this boy has already made Me impatient."
Easy Journey to Other Planets
Śrīmad-Bhāgavatam also describes how yogīs can travel to all the planets in the universe. When the vital force is lifted to the cerebellum, there is every chance of this force bursting out from the eyes, nose, ears, etc., as these are places which are known as the seventh orbit of the vital force. But the yogīs can block out these holes by complete suspension of air. The yogī then concentrates the vital force in the middle position, that is, between the eyebrows. At this position, the yogī can think of the planet into which he wants to enter after leaving the body. He can then decide whether he wants to go to the abode of Kṛṣṇa in the transcendental Vaikuṇṭhas from which he will not be required to descend into the material world, or to travel to higher planets in the material universe. The perfect yogī is at liberty to do either.
On the spiritual platform everything is identical with everything else, although there is transcendental variegatedness. Emperor Ambarīṣa adopted all the above nine items, and he attained perfect success. It was he who engaged his mind on the lotus feet of the Lord, his voice in describing the spiritual world, his hands in cleansing the temple of the Lord, his ears in submissively hearing the words of Lord Śrī Kṛṣṇa, his eyes in viewing the Deities of the Lord, his body in touching the bodies of the devotees, his nostrils in smelling the flowers offered to the Lord, his tongue in tasting the food offered to the Lord, his legs in visiting the temple of the Lord, and all the energy of his life in executing the services of the Lord without in the least desiring his own sense gratification. All these activities helped him attain the perfect stage of life which defeats all dexterities of material science.
Krsna, The Supreme Personality of Godhead
This material body, or the material manifestation, is covered by seven layers: skin, flesh, blood, marrow, bone, fat and semen. The branches of the tree are eight: earth, water, fire, air, ether, mind, intelligence and ego. There are nine gates in this body: the two eyes, two nostrils, two ears, one mouth, one genital, one rectum. And there are ten kinds of internal air passing within the body: prāṇa, apāna, udāna, vyāna, samāna, etc. The two birds seated in this tree, as explained above, are the living entity and the localized Supreme Personality of Godhead, Paramātmā.
As the dust on the lotus flower exhibits the exquisite beauty of the flower, all the gopīs (cowherd women) applied the dust of kuṅkuma on their lotuslike faces. These beautiful gopīs took their different presentations and very soon reached the house of Mahārāja Nanda. Overburdened with their heavy hips and swollen breasts, the gopīs could not proceed very quickly toward the house of Nanda Mahārāja, but out of ecstatic love for Kṛṣṇa they proceeded as quickly as possible. Their ears were decorated with pearl rings, their necks were decorated with jeweled lockets, their lips and eyes were decorated with different kinds of lipstick and ointment, and their hands were decorated with nice golden bangles.
As Kṛṣṇa pressed her breast extremely hard and sucked out her very breath, Pūtanā fell down on the ground, spread her arms and legs and began to cry, "Oh, child, leave me, leave me!" She was crying loudly and perspiring, and her whole body became wet.
As she died screaming, there was a tremendous vibration on the earth and in the sky, on the upper and lower planets and in all directions, and people thought that thunderbolts were falling. Thus the nightmare of the Pūtanā witch was over, and she assumed her real feature as a great demon. She opened her fierce mouth and spread her arms and legs all over. She fell exactly as Vṛtrāsura did when struck by the thunderbolt of Indra. The long hair on her head was scattered all over her body. Her fallen body extended up to twelve miles and smashed all the trees to pieces, and everyone was struck with wonder upon seeing this gigantic body. Her teeth appeared just like plows, and her nostrils appeared just like mountain caves. Her breasts appeared like small hills, and her hair was a vast reddish bush. Her eye sockets appeared like blind wells, and her two thighs appeared like two banks of a river. Her two hands appeared like two strongly constructed bridges, and her abdomen seemed like a dried-up lake. All the cowherd men and women became struck with awe and wonder upon seeing this. And the tumultuous sound of her falling shocked their brains and ears and made their hearts beat strongly.
It is said that it is the nature of a devotee to constantly apply his mind, energy, words, ears, etc., in hearing and chanting about Kṛṣṇa. This is called Kṛṣṇa consciousness, and for one who is rapt in hearing and chanting about Kṛṣṇa, the subject matter never becomes hackneyed or old. That is the significance of transcendental subject matter in contrast to material subject matter. Material subject matter becomes stale, and one cannot hear a certain subject for a long time; he wants change. But as far as transcendental subject matter is concerned, it is called nitya-nava-navāyamāna. This means that one can go on chanting and hearing about the Lord and never feel tired but remain fresh and eager to hear more and more.
When the gopīs were describing the sweet vibration of Kṛṣṇa's flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibrations. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a Vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.
Even the wives of the denizens of heaven become attracted after hearing the transcendental sound of His flute. Although they are traveling in the air in their airplanes, enjoying the company of their husbands, on hearing the sound of Kṛṣṇa's flute, they immediately become perturbed. Their hair is loosened, and their tight belts are slackened.” This means that the transcendental sound of the flute of Kṛṣṇa extended to all corners of the universe. Also, it is significant that the gopīs knew about the different kinds of airplanes flying in the sky.
Another gopī said to her friends, "My dear friends, the cows are also charmed as soon as they hear the transcendental sound of the flute of Kṛṣṇa. It sounds to them like the pouring of nectar, and they immediately spread their long ears just to catch the liquid nectar of the flute. As for the calves, they are seen with the nipples of their mothers pressed in their mouths, but they cannot suck the milk. They remain struck with devotion, and tears glide down from their eyes, illustrating vividly how they are embracing Kṛṣṇa heart to heart."
The brāhmaṇas' wives saw Kṛṣṇa with a blackish complexion, wearing a garment that glittered like gold. He wore a nice garland of forest flowers and a peacock feather on His head. He was also painted with the minerals found in Vṛndāvana, and He looked exactly like a dancing actor on a theatrical stage. They saw Him resting one hand on the shoulder of His friend, and in His other hand He was holding a lotus flower. His ears were decorated with lilies, He wore marks of tilaka, and He was smiling charmingly. With their very eyes the wives of the brāhmaṇas saw the Supreme Personality of Godhead, of whom they had heard so much, who was so dear to them, and in whom their minds were always absorbed. Now they saw Him eye to eye and face to face, and Kṛṣṇa entered within their hearts through their eyes.
The gopīs so enjoyed the company of Kṛṣṇa, the husband of the goddess of fortune, that they forgot that they had any other husbands in the world, and upon being embraced by the arms of Kṛṣṇa and dancing and singing with Him, they forgot everything. Śrīmad-Bhāgavatam thus describes the beauty of the gopīs while they were rāsa dancing with Kṛṣṇa. There were lotus flowers over both their ears, and their faces were decorated with sandalwood pulp. They wore tilaka, and there were drops of perspiration on their smiling mouths. From their feet came the tinkling sound of ankle bells and bangles. The flowers within their hair were falling to the lotus feet of Kṛṣṇa, and He was very satisfied.
Beautiful Kṛṣṇa plays His flute in order to enliven the hearts of many devotees. He is the only friend of the suffering living entities. When He plays His flute, all the cows and other animals of Vṛndāvana, although engaged in eating, simply take a morsel of food in their mouths and stop chewing. Their ears raise up and they become stunned. They do not appear alive but like painted animals. Kṛṣṇa's flute-playing is so attractive that even the animals become enchanted, and what to speak of ourselves.
Lord Śeṣa Nāga was covered with bluish garments, and His necks were all white. The white necks of Śeṣa Nāga appeared exactly like snowcapped mountains. On the coiled lap of Śeṣa Nāga, Kṛṣṇa was sitting very soberly, with four hands. His eyes were like the reddish petals of the lotus flower.
In other words, after returning to the Yamunā, Akrūra saw Balarāma turned into Śeṣa Nāga and Kṛṣṇa turned into Mahā-Viṣṇu. He saw the four-handed Supreme Personality of Godhead, smiling very beautifully. He was very pleasing to all and was looking toward everyone with a merciful glance. He appeared beautiful with His raised nose, broad forehead, attractive ears and reddish lips. His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants. The other parts of His legs, the joints and lower extremities, were all very beautiful, the nails of His feet were dazzling, and His toes were as beautiful as the petals of the lotus flower. His helmet was decorated with very valuable jewels. There was a nice belt around His waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands. His chest was marked with the particular signs of Viṣṇu, and He wore fresh flower garlands. All in all, He was very beautiful to look at.
Everyone within this material world is covered by these modes, from Lord Brahmā down to the nonmoving plants and trees. My dear Lord, I offer my respectful obeisances unto You because You are beyond the influence of the three modes. Except for You, everyone is being carried away by the waves of these modes. My dear Lord, fire is Your mouth, the earth is Your feet, the sun is Your eye, the sky is Your navel, and the directions are Your ears. Space is Your head, the demigods are Your arms, the oceans and seas are Your abdomen, and the winds and air are Your strength and vitality. All the plants and herbs are the hairs on Your body, the clouds are the hair on Your head, the mountains are Your bones and nails, the days and nights are the blinking of Your eyelids, Prajāpati (the progenitor) is Your genitals, and the rains are Your semen.
Kaṁsa saw various kinds of inauspicious signs while both awake and dreaming. When he looked in the mirror he could not see his head, although the head was actually present. He saw the luminaries in the sky in double, although there was only one set factually. He began to see holes in his shadow, and he heard a high buzzing sound within his ears. All the trees before him appeared to be made of gold, and he could not see his own footprints in dust or muddy clay. In dreams he saw various kinds of ghosts being carried in a carriage drawn by donkeys. He also dreamed that someone gave him poison and he was drinking it. He dreamed also that he was going naked with a garland of flowers and was smearing oil all over his body. Thus, as Kaṁsa saw various signs of death while both awake and sleeping, he could understand that death was certain, and thus in great anxiety he could not rest that night.
Kṛṣṇa and Balarāma learned the art of dressing hair in various styles and fixing a helmet in different positions on the head. They also learned how to set up a theatrical stage, how to decorate dramatic actors with clothes and with flower ornaments over the ear, and how to sprinkle sandalwood pulp and water to produce a nice fragrance.
A hunter takes a secure hiding place and then kills an animal without facing it. So Lord Rāmacandra, as a kṣatriya, should have fought with Vāli face to face, but, instigated by His friend, He killed him from behind a tree. Thus He deviated from the religious principles of a kṣatriya. Also, He was so attracted by the beauty of Sītā that He converted Śūrpaṇakhā, the sister of Rāvaṇa, into an ugly woman by cutting off her nose and ears. Śūrpaṇakhā proposed an intimate relationship with Him, and as a kṣatriya He should have satisfied her. But He was so henpecked that He could not forget Sītā-devī and converted Śūrpaṇakhā into an ugly woman. Before that birth as a kṣatriya, He took His birth as a brāhmaṇa boy known as Vāmanadeva and asked charity from Bali Mahārāja. Bali Mahārāja was so magnanimous that he gave Him whatever he had, yet Kṛṣṇa as Vāmanadeva ungratefully arrested him just like a crow and pushed him down to the Pātāla kingdom. We know all about Kṛṣṇa and how ungrateful He is. But here is the difficulty: in spite of His being so cruel and hardhearted, it is very difficult for us to give up talking about Him. And it is not only we who are unable to give up this talk, but great sages and saintly persons also engage in talking about Him.
Since Kṛṣṇa is absolute, His so-called unkind activities are as relishable as His kind activities. Therefore saintly persons and great devotees like the gopīs cannot give up Kṛṣṇa in any circumstances. Lord Caitanya therefore prayed, "Kṛṣṇa, You are free and independent in all respects. You can either embrace Me or crush Me under Your feet—whatever You like. You may make Me brokenhearted by not letting Me see You throughout My whole life, but You are My only object of love."
"In My opinion," Śrīmatī Rādhārāṇī continued, "no one should hear about Kṛṣṇa, because as soon as a drop of the nectar of His transcendental activities is poured into the ear, one immediately rises above the duality of attraction and rejection. Being completely freed from the contamination of material attachment, one gives up attachment for this material world, including family, home, wife, children and everything else materially dear to every person. Being deprived of all material acquisitions, one makes his relatives and himself unhappy. Then he wanders in search of Kṛṣṇa, either as a human being or in other species of life, even as a bird, and voluntarily accepts the profession of a mendicant. It is very difficult to actually understand Kṛṣṇa—His name, His qualities, His form, His pastimes, His paraphernalia and His entourage."
When the demigod Indra saw that Kṛṣṇa was constructing a particular city of His own choice, he sent the celebrated pārijāta tree of the heavenly planets to be planted in the new city, and he also sent a parliamentary house, Sudharmā. The specific quality of this assembly house was that anyone participating in a meeting within it would overcome the influence of invalidity due to old age. The demigod Varuṇa presented a horse, which was all white except for black ears and which could run at the speed of the mind. Kuvera, the treasurer of the demigods, presented the art of attaining the eight perfectional stages of material opulence. In this way, all the demigods began to present their respective gifts according to their different capacities. There are thirty-three million demigods, each entrusted with a particular department of universal management. All the demigods took the opportunity of the Supreme Personality of Godhead's constructing a city of His own choice to present their respective gifts, making the city of Dvārakā unique within the universe.
When Lord Kṛṣṇa appeared before Mucukunda, the King saw Him dressed in a yellow garment, His chest marked with the symbol of Śrīvatsa, and the Kaustubha-maṇi jewel hanging around His neck. Kṛṣṇa appeared before him with four hands, as viṣṇu-mūrti, with a garland called Vaijayantī hanging from His neck down to His knees. He looked lustrous, His face was beautifully smiling, and He wore nice jeweled earrings on His ears. Kṛṣṇa appeared more beautiful than a human can conceive. Not only did He appear in this feature, but He glanced over Mucukunda with great affection, attracting the King's mind. Although He was the Supreme Personality of Godhead, the oldest of all, He looked like a fresh young boy, and His movements were just like those of a free deer. Still, He appeared extremely powerful; His influence and vast power are so great that every human being should be afraid of Him.
Kṛṣṇa said that the king in whose kingdom the citizens are happy is very dear to Him. Of course, Kṛṣṇa could understand that the brāhmaṇa had come with a confidential message; therefore He said, "If you have no objection, I give you liberty to speak about your mission."
Thus, being very much satisfied by these transcendental pastimes with the Lord, the brāhmaṇa narrated the whole story of his mission in coming to see Kṛṣṇa. He got out the letter Rukmiṇī had written to Kṛṣṇa and said, “These are the words of Princess Rukmiṇī: ‘My dear Kṛṣṇa, O infallible and most beautiful one, any human being who happens to hear about Your transcendental form and pastimes immediately absorbs through his ears Your name, fame and qualities; thus all his material pangs subside, and he fixes Your form in his heart. Through such transcendental love for You, he always sees You within himself; and by this process all his desires are fulfilled. Similarly, I have heard of Your transcendental qualities. I may be shameless in expressing myself directly, but You have captivated me and taken my heart. You may doubt my steadiness of character, since how could an unmarried young girl like me approach You without any shame? But my dear Mukunda, You are the supreme lion among human beings, the supreme person among persons. Any girl, though not yet having left her home, or even any woman of the highest chastity, would desire to marry You, being captivated by Your unprecedented character, knowledge, opulence and position. I know that You are the husband of the goddess of fortune and are very kind toward Your devotees; therefore I have decided to become Your eternal maidservant. My dear Lord, I dedicate my life and soul unto Your lotus feet. I have selected Your Lordship as my husband, and I therefore request You to accept me as Your wife.
Rukmiṇī’s raised breasts were smeared with kuṅkuma and saffron; thus her beauty was enhanced by the reflection of the reddish color emanating from her covered breasts. Her high hips were decorated with a jeweled lace girdle, and a locket of great effulgence hung on her neck. Above all, because she was engaged in the service of Lord Kṛṣṇa—although at that time she was old enough to have grown-up sons—her beautiful body was beyond compare in the three worlds. When we take account of her beautiful face, it appears that the curling hair on her head, the beautiful earrings on her ears, her smiling mouth and her necklace of gold all combined to shower rains of nectar, and thus it was definitely proved that Rukmiṇī was none other than the original goddess of fortune, who is always engaged in the service of the lotus feet of Nārāyaṇa.
In the Vedas it is stated that although You have no material hands and legs, You accept everything offered in devotion by the devotees. You have no material eyes and ears, but still You can see and hear everything everywhere. Although You do not possess anything, the great demigods who accept prayers and worship from others come and worship You to solicit Your mercy.
All the princesses who were wives of Kṛṣṇa were exquisitely beautiful, and each one of them was attracted by Kṛṣṇa's eyes, which were just like lotus petals, and by His beautiful face, long arms, beautiful ears, pleasing smile, humorous talk and sweet words. Influenced by these features of Kṛṣṇa, they all used to dress themselves very attractively, desiring to attract Him by their feminine bodily appeal. They exhibited their feminine characteristics by smiling and moving their eyebrows, thus shooting sharp arrows of conjugal love just to awaken Kṛṣṇa's lusty desires for them. Still, they could not arouse Kṛṣṇa's mind or His sexual appetite. This means that Kṛṣṇa never had any sexual relations with any of His many wives, save and except to beget children.
Saintly persons who have completely cleansed their hearts of all material contamination can realize Your transcendental form, although You are all-pervading like the sky, unaffected by any material thing. Only the devotees can realize You, and no one else. In the impersonalists' conception of Your supreme existence, the sky is just like Your navel, fire is Your mouth, and water is Your semen. The heavenly planets are Your head, all the directions are Your ears, the earth (Urvī) is Your lotus feet, the moon is Your mind, and the sun is Your eye.
The object of meditation is Brahman, Paramātmā or the Supreme Personality of Godhead, but Kṛṣṇa Himself is all three: He is the Supreme Personality of Godhead, Bhagavān; the localized Paramātmā is His plenary partial expansion; and the all-pervading Brahman effulgence is the personal rays of His transcendental body. Therefore Kṛṣṇa is always one, and for Him there is no differentiation. That is the difference between an ordinary living being and Kṛṣṇa. For an ordinary living being there are many distinctions. An ordinary living being is different from his body, and he is different from other species of living entities. A human being is different from other human beings and different from the animals. Even in his own body, there are different bodily limbs. We have our hands and legs, but our hands are different from our legs. The hand cannot act like the leg, nor can the leg act like the hand. The ears can hear but the eyes cannot, and the eyes can see but the ears cannot. All these differences are technically called svajātīya-vijātīya.
Kṛṣṇa has many incarnations, such as Lord Nṛsiṁha, Lord Boar, Lord Fish and Lord Tortoise, but there is no difference between Kṛṣṇa's original two-handed form, like that of a human being, and these incarnations of gigantic animal forms. Nor is there any difference between the action of one part of His body and that of another. His hands can act as His legs, His eyes can act as His ears, or His nose can act as another part of His body. Kṛṣṇa's smelling and eating and hearing are all the same. We limited living entities have to use a particular part of the body for a particular purpose, but there is no such distinction for Kṛṣṇa. In the Brahma-saṁhitā it is said, aṅgāni yasya sakalendriya-vṛttimanti: Kṛṣṇa can perform the activities of one limb with any other limb. So by analytical study of Kṛṣṇa and His person, it is concluded that He is the complete whole.
As an elephant breaks the branches of a tree in two, Bhīmasena separated the body of Jarāsandha. The audience standing nearby saw that Jarāsandha's body was now divided into two halves, so that each half had one leg, one thigh, one testicle, half a backbone, half a chest, one collarbone, one arm, one eye, one ear and half a face.
Kṛṣṇa did not reply to even a single accusation made by Śiśupāla, but all the members present in the meeting, except for a few who agreed with Śiśupāla, were very much agitated because it is the duty of any respectable person not to tolerate blasphemy against God or His devotee. Some of them, who thought that they could not properly take action against Śiśupāla, left the assembly in protest, covering their ears with their hands in order not to hear further accusations. Thus they left the meeting, condemning the action of Śiśupāla. It is the Vedic injunction that whenever there is blasphemy of the Supreme Personality of Godhead, one must immediately leave. If he does not do so, he becomes bereft of his pious activities and is degraded to a lower condition of life.
If one can simply think that Kṛṣṇa, as Paramātmā, is everywhere, even within the atom, then one can perfect the thinking, feeling and willing functions of his mind. The perfect devotee does not see the material world as it appears to material eyes, for he sees everywhere the presence of his worshipable Lord in His Paramātmā feature.”
Mahārāja Parīkṣit continued by saying that the function of the ear can be perfected simply by engagement in hearing the transcendental activities of the Lord, and the function of the head can be fully utilized when the head is engaged in bowing down before the Lord and His representative. That the Lord is represented in everyone's heart is a fact, and therefore the highly advanced devotee offers his respects to every living entity, considering that the body is the temple of the Lord. But it is not possible for all men to come to that stage of life immediately, because that stage is for the first-class devotee.
"Great sages, please understand that the transcendental pastimes of Lord Kṛṣṇa are all eternal. They are not ordinary narrations of historical incidents. Such narrations are identical with the Supreme Personality of Godhead Himself. Anyone, therefore, who hears such narrations of the Lord's pastimes is immediately freed from the contamination of material existence. And those who are pure devotees enjoy these narrations as nectar entering into their ears." Such narrations were spoken by Śukadeva Gosvāmī, the exalted son of Vyāsadeva, and anyone who hears them, as well as anyone who repeats them for the hearing of others, becomes Kṛṣṇa conscious. And only the Kṛṣṇa conscious persons are eligible to go back home, back to Godhead.
Let the mystic yogīs engage in their meditational service, and let the different sects engage in unnecessary arguing as to which is the best. But it is a fact that unless one is Kṛṣṇa conscious, unless one is engaged in devotional service, and unless one has the mercy of the Supreme Personality of Godhead, he cannot cross over this material ocean.” An intelligent person, therefore, gives up all stereotyped ideas and joins the Kṛṣṇa consciousness movement for factual liberation.
The personified Vedas continued their prayers: "Dear Lord, Your impersonal feature is explained in the Vedas. You have no hands, but You can accept all sacrifices offered to You. You have no legs, but You can walk more swiftly than anyone else. Although You have no eyes, You can see whatever happens in the past, present and future. Although You have no ears, You can hear everything that is said. Although You have no mind, You know everyone and everyone's activities, past, present and future, and yet no one knows who You are. You know everyone, but no one knows You; therefore, You are the oldest and supreme personality."
There is no one equal to or greater than You, and everyone acts as Your eternal servant.” Thus the Vedic statements describe that the Absolute has no legs, no hands, no eyes, no ears and no mind, and yet He can act through His potencies and fulfill the needs of all living entities. As stated in the Bhagavad-gītā, His hands and legs are everywhere, for He is all-pervasive. The hands, legs, ears and eyes of all living entities are acting and moving by the direction of the Supersoul sitting within the living entity's heart. Unless the Supersoul is present, it is not possible for the hands and legs to be active. The Supreme Personality of Godhead is so great, independent and perfect that even without having any eyes, legs and ears, He is not dependent on others for His activities. On the contrary, others are dependent on Him for the activities of their different sense organs. Unless the living entity is inspired and directed by the Supersoul, he cannot act.
Renunciation Through Wisdom
Although Western people have brilliantly developed in mundane matters, they are tossed about in a sea of despair and listlessness. Similarly, the Indians, although trying to feel grateful for their mundane development, are experiencing the same listlessness and dissatisfaction. Strangely enough, now the Western thinkers are looking toward India to find peace and calm. We can safely harbor the firm conviction that soon the message of peace will reach their ears.
Lord Kṛṣṇa instructs us that the living entities are His separated parts. The duty of the part is to serve the whole. A complete body has different parts and limbs, such as hands, legs, eyes, and ears. The hands and legs work the hardest, but they do not refuse to give food to the stomach, although the stomach does very little. On the other hand, if the hands and legs act contrarily and actually refuse to feed the stomach, then an impossible situation is created. There is no question of the hands and legs trying to enjoy in this situation, because the lack of food in the stomach will cause the hands and legs to become weak and useless.
The karmīs are foolish and ignorant, whereas the karma-yogīs are wise and learned. These wise men know that the nature of the material modes and material activities is exactly opposite to that of the soul. For this reason the karma-yogīs never engage in material activities under the modes of material nature, as the karmīs do, but rather perform karma-yoga, which is meant to satisfy Lord Viṣṇu. Such wise men always keep themselves aloof from close association with this phenomenal world, for they aspire to elevate the soul to its original spiritual position. They understand that the soul has come into contact with matter only by a freak arrangement. Therefore, although their ears, eyes, and other senses are involved in this phenomenal world, the sages refrain from material activities.
The famous atheist Kapila propagated the Sāṅkhya philosophy. He concluded that the material world consists of twenty-four material elements, namely, earth, water, fire, air, and ether; form, taste, smell, sound, and touch; eyes, tongue, nose, ears, and skin; mouth, hands, legs, anus, and genitals; mind, intelligence, and false ego; and the unmanifested state of the three modes of nature (pradhāna). When Kapila was unable to perceive the unmanifested soul after analyzing the twenty-four elements, he concluded that God does not exist. Thus the devotee community regards Kapila as an atheist.
The mahat-tattva, the material nature, manifests itself in twenty-four ingredients: 1) the unmanifest principle, 2) false ego, 3) intelligence, 4) mind, 5) ether, 6) air, 7) fire, 8) water, 9) earth, 10) sound, 11) touch, 12) form, 13) taste, 14) smell, 15) ears, 16) skin, 17) eyes, 18) tongue, 19) nose, 20) mouth, 21) hands, 22) feet, 23) anus, 24) genitals.
When Kṛṣṇa conscious topics, which are both very potent and nectarean to the ears and heart, are heard and discussed in the association of saints, then faith in the Supreme Lord gradually increases, along with attraction and devotion to Him. Faith inspires initial surrender, and later, by the powerful influence of saintly association, one's faith deepens and becomes steady. Once faith becomes steady, all mental agitations and doubts clear up due to constant worship of the Lord. One then practices bhajana (chanting meditation) of a very esoteric and elevated nature, and this leads one to the stage of love of Godhead. To attain this state, saintly association is imperative; there is no substitute.
Message of Godhead
It is admitted that in the Western countries the people have done their best to advance in the culture of material science, centered on the material body and mind. But it is admitted, also, that notwithstanding all such advancement of material knowledge in the West, the people in general there are suffering the pangs of the poisonous effects of materialism because they have cared very little for the culture of spiritual science. Great thinkers in the Western countries must therefore look to the people of India if the message of Godhead, of genuine spiritualism, is to reach their ears.
The material scientists—the modern quasi priests who invoke such material activities—invent many objects to gratify the material senses such as the eye, ear, nose, and tongue and ultimately the mind, and there results a field of unnecessary competition for enhancement of such material happiness, which leads the whole world into the whirlpool of uncalled—for clashes. The net result is scarcity all over the world, so much so that even the bare necessities of life, namely food and clothing, become objects of contention and control. And so arise all sorts of obstacles to the traditional, God-given life of plain living and high thinking.
Mukunda-mala-stotra (mantras 1 to 6 only)
Softness of the body is a sign of a great personality. The śāstras state that the following bodily features indicate a great personality: a reddish luster in seven places—the eyes, the palms, the soles, the palate, the lips, the tongue, and the nails; broadness in three places—the waist, the forehead, and the chest; shortness in three places—the neck, the thighs, and the genitals; deepness in three places—the voice, the intelligence, and the navel; highness in five places—the nose, the arms, the ears, the forehead, and the thighs; and fineness in five places—the skin, the hair on the head, the bodily hair, the teeth, and the fingertips. All these features are present in the body of the Lord.
Narada-bhakti-sutra (sutras 1 to 8 only)
Service to Kṛṣṇa utilizes all the senses, and when the senses are engaged in the service of Kṛṣṇa, they become purified. There are ten senses—five active senses and five knowledge-acquiring senses. The active senses are the power of talking, the hands, the legs, the evacuating outlet, and the generating organ. The knowledge-acquiring senses are the eyes, the ears, the nose, the tongue, and the sense of touch. The mind, the center of all the senses, is sometimes considered the eleventh sense.
| Page Title: | Ear (Other Books) |
| Compiler: | Rishab, Priya |
| Created: | 13 of Jun, 2011 |
| Totals by Section: | BG=0, SB=0, CC=0, OB=71, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 71 |