There are innumerable four-armed manifestations in different planets and different places. For instance, They are manifested in Dvārakā and Mathurā eternally. From the four original four-handed forms are manifested the twenty-four principal four-armed forms, which are called vaibhava-vilāsa. They are named differently according to the placement of the conch, club, lotus and disc in Their hands. The same four principal manifestations of Kṛṣṇa are found on each planet in the spiritual sky, known as Nārāyaṇaloka or Vaikuṇṭhaloka. In Vaikuṇṭhaloka Kṛṣṇa is manifested in the four-handed form of Nārāyaṇa. From each Nārāyaṇa are manifested the forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. Thus Nārāyaṇa is the center, and the four forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha surround the Nārāyaṇa form. Each of these four forms again expands into three, and these all have different names, beginning with Keśava. These forms are twelve in all, and, again, They are known by different names according to the placement of the symbols in Their hands.
Conchshell (CC and Other Books)
Sri Caitanya-caritamrta
CC Adi-lila
This Personality of Godhead (Śrī Kṛṣṇa) has two hands and holds a flute, whereas the other (Nārāyaṇa) has four hands, with conch, wheel, mace and lotus.
The residents of Vaikuṇṭha have brilliantly black complexions much more fascinating and attractive than the dull white and black complexions found in the material world. Their bodies, being spiritual, have no equals in the material world. The beauty of a bright cloud when lightning flashes on it merely hints at their beauty. Generally the inhabitants of Vaikuṇṭha dress in yellow clothing. Their bodies are delicate and attractively built, and their eyes are like the petals of lotus flowers. Like Lord Viṣṇu, the residents of Vaikuṇṭha have four hands decorated with a conchshell, wheel, club and lotus flower. Their chests are beautifully broad and fully decorated with necklaces of a brilliant diamondlike metal surrounded by costly jewels never to be found in the material world. The residents of Vaikuṇṭha are always powerful and effulgent. Some of them have complexions like red coral cat's eyes and lotus flowers, and each of them has earrings of costly jewels. On their heads they wear flowery crowns resembling garlands.
Kṛṣṇa's own form has only two hands, but in the form of Lord Nārāyaṇa He has four hands. Lord Nārāyaṇa holds a conchshell, disc, club and lotus flower, and He is full of great opulence. The śrī, bhū and nīlā energies serve at His lotus feet.
"They saw the lotus-eyed Lord Viṣṇu, the Supreme Personality of Godhead, mounted on Garuḍa and holding Lakṣmī, the goddess of fortune, to His chest. He resembled a bluish rain cloud with flashing lightning, and in two of His four hands He held a conchshell and disc. His arms stretched down to His knees, and all His beautiful limbs were smeared with sandalwood and decorated with glittering ornaments. He wore yellow clothes, and by either side stood His energies Bhūmi and Nīlā."
With reference to the Viṣṇu-dharmottara, the Laghu-bhāgavatāmṛta explains that Rāma is an incarnation of Vāsudeva, Lakṣmaṇa is an incarnation of Saṅkarṣaṇa, Bharata is an incarnation of Pradyumna, and Śatrughna is an incarnation of Aniruddha. The Padma Purāṇa describes that Rāmacandra is Nārāyaṇa and that Lakṣmaṇa, Bharata and Śatrughna are respectively Śeṣa, Cakra and Śaṅkha (the conchshell in the hand of Nārāyaṇa). In the Rāma-gīta of the Skanda Purāṇa, Lakṣmaṇa, Bharata and Śatrughna have been described as the triple attendants of Lord Rāma.
When the Lord tried to walk, in His small footprints the specific marks of Lord Viṣṇu were visible, namely the flag, thunderbolt, conchshell, disc and fish.
One day Lord Caitanya Mahāprabhu exhibited to Lord Nityānanda Prabhu a six-armed form bearing a conchshell, disc, club, lotus flower, bow and flute.
Thereafter the Lord showed Him His four-armed form, standing in a three-curved posture. With two hands He played upon a flute, and in the other two He carried a conchshell and disc.
CC Madhya-lila
“Topics about Kṛṣṇa are like waves of nectar. If such nectar does not enter one's ear, the ear is no better than the hole of a damaged conchshell. Such an ear is created for no purpose.
In the Hari-bhakti-vilāsa (6.30) it is stated that the Deity should be bathed in water mixed with yogurt and milk, accompanied by the sounds of conchshells, bells and other instruments and the chanting of the mantra oṁ bhagavate vāsudevāya namaḥ, as well as the chanting of the Brahma-saṁhitā verses beginning cintāmaṇi-prakara-sadmasu kalpa-vṛkṣa-lakṣāvṛteṣu surabhīr abhipālayantam (Bs. 5.29).
After the mahā-snāna was finished, the Deity was again massaged with scented oil and His body made glossy. Then the last bathing ceremony was performed with scented water kept within a conchshell.
Caitanya Mahāprabhu continued, “Conchshells and cow dung are nothing but the bones and the stool of some living entities, but according to the Vedic version they are both considered very pure.
According to Vedic principles, bones and dung are generally considered very impure. If one touches a bone or stool, he must take a bath immediately. That is the Vedic injunction. Yet the Vedas also enjoin that a conchshell, although the bone of an animal, and cow dung, although the stool of an animal, are very much sanctified. Even though such statements appear contradictory, on the basis of the Vedic version we still accept the fact that conchshells and cow dung are pure and sanctified.
Pānā-nṛsiṁha, or Pānākal-narasiṁha, is located in the district of Krishna, in the hills known as Maṅgalagiri, about seven miles from a city known as Vijayawada. One must climb six hundred steps to reach the temple. It is said that when the Lord is offered food with syrup here, He does not take more than half. Within this temple is a conchshell presented by the late king of Tanjore, and it is said that this shell was used by Lord Kṛṣṇa Himself. During the month of March, a great fair takes place in this temple.
“In His lower right hand, Lord Vāsudeva holds a club, in the upper right hand a conchshell, in the upper left hand a disc and in the lower left hand a lotus flower. In His lower right hand, Saṅkarṣaṇa holds a club, in His upper right hand a conchshell, in His upper left hand a lotus flower and in His lower left hand a disc.
“Pradyumna holds the disc, conch, club and lotus. Aniruddha holds the disc, club, conch and lotus.
“Lord Keśava holds the lotus, conch, disc and club. Lord Nārāyaṇa holds the conch, lotus, club and disc.
“Lord Mādhava holds the club, disc, conch and lotus. Lord Govinda holds the disc, club, lotus and conch.
“Lord Viṣṇu holds the club, lotus, conch and disc. Lord Madhusūdana holds the disc, conch, lotus and club.
“Lord Trivikrama holds the lotus, club, disc and conch. Lord Vāmana holds the conch, disc, club and lotus.
“Lord Śrīdhara holds the lotus, disc, club and conch. Lord Hṛṣīkeśa holds the club, disc, lotus and conch.
“Lord Padmanābha holds the conch, lotus, disc and club. Lord Dāmodara holds the lotus, disc, club and conch.
“Lord Puruṣottama holds the disc, lotus, conch and club. Lord Acyuta holds the club, lotus, disc and conch.
“Lord Nṛsiṁha holds the disc, lotus, club and conch. Lord Janārdana holds the lotus, disc, conch and club.
“Śrī Hari holds the conch, disc, lotus and club. Lord Śrī Kṛṣṇa holds the conch, club, lotus and disc.
“Lord Adhokṣaja holds the lotus, club, conch and disc. Lord Upendra holds the conch, club, disc and lotus.
“Keśava is described differently as holding the lotus, conch, club and disc, and Mādhava is described as holding the disc, club, conch and lotus in His hands.
“Kṛṣṇa's smile, the fragrance of His transcendental body, His flute, bugle, ankle bells and conchshell, the marks on His feet, His place of residence, His favorite plant (tulasī), His devotees, and the observance of fasts and vows connected to His devotion all awaken the symptoms of ecstatic love.”
“"Some yogīs think of the Lord within their hearts as measuring about six inches. The Lord has four hands, in which He holds a conchshell, club, disc and lotus flower. Those who worship this form of Viṣṇu within the heart are called sagarbha-yogīs."
“The items of worship, such as water, conchshell, flowers, incense and lamp, should be described. You should also mention chanting softly, offering prayers, circumambulating and offering obeisances. All these should be carefully described.
CC Antya-lila
Śivānanda Sena, unhappy that the dog had to stay behind, paid the boatman ten paṇa of conchshells to take the dog across the river.
One paṇa is eighty kaḍis, or small conchshells. Formerly, even fifty or sixty years ago, there was no paper currency in India. Coins were generally made not of base metal but of gold, silver and copper. In other words, the medium of exchange was really something valuable. Four pieces of kaḍi made one gaṇḍā, and twenty such gaṇḍās equaled one paṇa. This kaḍi was also used as a medium of exchange; therefore Śivānanda Sena paid for the dog with daśa paṇa, or eighty times ten pieces of kaḍi. In those days one paisa was also subdivided into small conchshells, but at the present moment the prices for commodities have gone so high that there is nothing one can get in exchange for only one paisa. With one paisa in those days, however, one could purchase sufficient vegetables to provide for a whole family. Even thirty years ago, vegetables were occasionally so inexpensive that one paisa's worth could provide for a whole family for a day.
“"Upon seeing peacock feathers in front of Her, this girl suddenly begins trembling. When She sometimes sees a necklace of guñjā (small conchshells), She sheds tears and cries loudly. I do not know what kind of new ecstatic influence has entered the heart of this poor girl. It has imbued Her with the dancing attitude of a player creating wonderful, unprecedented dances on a stage."
After saying this, Śrī Caitanya Mahāprabhu again bestowed His mercy upon Raghunātha dāsa by giving him a stone from Govardhana Hill and a garland of small conchshells.
Previously, when Śaṅkarānanda Sarasvatī had returned from Vṛndāvana, he had brought the stone from Govardhana Hill and also the garland of conchshells.
He presented Śrī Caitanya Mahāprabhu with these two items—the garland of conchshells and the stone from Govardhana Hill.
When Raghunātha dāsa received from Śrī Caitanya Mahāprabhu the stone and the garland of conchshells, he could understand the Lord's intention. Thus he thought as follows.
"By offering me the govardhana-śilā, Śrī Caitanya Mahāprabhu has offered me a place near Govardhana Hill, and by offering me the garland of conchshells, He has offered me shelter at the lotus feet of Śrīmatī Rādhārāṇī."
"Although I am a fallen soul, the lowest of men, Śrī Caitanya Mahāprabhu delivered me from the blazing forest fire of great material opulence by His mercy. He handed me over in great pleasure to Svarūpa Dāmodara, His personal associate. The Lord also gave me the garland of small conchshells that He wore on His chest and a stone from Govardhana Hill, although they were very dear to Him. That same Lord Śrī Caitanya Mahāprabhu awakens within my heart and makes me mad after Him."
To invite Śrī Caitanya Mahāprabhu would cost 320 kauḍis (small conchshells). This would provide lunch for three people, including Śrī Caitanya Mahāprabhu and sometimes Kāśīśvara and Govinda.
The cost for the food needed to invite Śrī Caitanya Mahāprabhu was fixed at two paṇas of kauḍis (160 conchshells), and that food would be taken by two men and sometimes three.
When a brāhmaṇa at whose home an invitation could not be accepted invited the Lord, he would pay two paṇas of conchshells to purchase the prasādam.
“Once when he deposited the collection, however, a balance of 200,000 kāhanas of conchshells was due from him. Therefore the King demanded this sum.
"Of course, a sannyāsī or brāhmaṇa may beg for up to five gaṇḍās, but why should he be granted the inappropriate sum of 200,000 kāhanas of conchshells?"
The kauḍi is like an American cent or Japanese yen. In the old medium of exchange, the first unit of currency was a small conchshell called a kauḍi. Four kauḍis made one gaṇḍā, twenty gaṇḍās made one paṇa, and sixteen paṇas made one kāhana. Gopīnātha Paṭṭanāyaka owed the government 200,000 kāhanas. The King absolved him of this debt, reappointed him to his post and doubled his salary.
Gopīnātha Ācārya, Jagadānanda, Kāśīśvara, Bhagavān, Rāmabhadra Ācārya, Śaṅkara and Vakreśvara, who were all brāhmaṇas, extended invitations to Śrī Caitanya Mahāprabhu and offered Him food cooked at home, whereas other devotees would pay two paṇas of small conchshells to purchase Jagannātha's prasādam and then invite the Lord.
At first the cost of Jagannātha prasādam for an invitation was four paṇas of conchshells, but when Rāmacandra Purī was there, the price was cut in half.
The gifts consisted of some sand from the site of the rāsa-līlā, a stone from Govardhana Hill, dry ripened pīlu fruits and a garland of small conchshells.
“The ring of Kṛṣṇa's rāsa-līlā, manufactured by Śukadeva Gosvāmī, the most auspicious craftsman, is as pure as an earring made from a conchshell. The yogī of My mind is wearing that earring upon his ear. From a gourd he has carved out the bowl of My aspirations, and he has taken the bag of My expectations on his shoulder.
Just then, everyone heard the blowing of the conchshell at the Jagannātha temple. Śrī Caitanya Mahāprabhu immediately took His bath and went to see Lord Jagannātha.
His entire body faded to the color of a white conchshell, and then He began to quiver like the waves in the ocean.
The offering of food known as gopāla-vallabha-bhoga was then given to Lord Jagannātha, and ārati was performed with the sound of the conch and the ringing of bells.
“Only the most fortunate can hear these four nectarean sounds—Kṛṣṇa's words, the tinkling of His ankle bells and bangles, His voice and the vibration of His flute. If one does not hear these sounds, his ears are as useless as small conchshells with holes.”
That chapter also tells how the Lord entrusted Raghunātha dāsa Gosvāmī to the care of Svarūpa Dāmodara Gosvāmī and gave Raghunātha dāsa the gift of a stone from Govardhana Hill and a garland of small conchshells.
Other Books by Srila Prabhupada
Teachings of Lord Caitanya
These twenty-four forms—the four original Viṣṇu forms, the twelve Vaikuṇṭha forms, and the eight vilāsa-mūrtis mentioned above—are known as vilāsa manifestations of the prābhava (four-handed) form, and they are named differently according to the position of the symbolic representations (mace, disc, lotus flower and conch shell). Out of these twenty-four vilāsa forms, some are vaibhava forms, such as Pradyumna, Trivikrama, Vāmana, Hari and Kṛṣṇa, which have different features. Thus Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are prābhava-vilāsa forms of Kṛṣṇa, and there are a total of twenty further variations. All of these have Vaikuṇṭha planets in the spiritual sky and are situated in eight different directions. Although each of them resides eternally in the spiritual sky, some of them nonetheless appear in the material world also.
In the Siddhārtha-saṁhitā there is a description of the twenty-four forms of Viṣṇu, and these forms are named according to the position of the symbols in Their four hands. When describing the positions of objects in the hands of the Viṣṇu mūrtis, one should begin with the lower right hand and then move to the upper right hand, to the upper left hand and finally to the lower left hand. In this way, Vāsudeva is represented by club, conch shell, disc and lotus flower. Saṅkarṣaṇa is represented by club, conch shell, lotus flower and disc. Similarly, Pradyumna is represented by disc, conch shell, club and lotus flower. Aniruddha is represented by disc, club, conch shell and lotus flower. In the spiritual sky the representations of Nārāyaṇa are twenty in number and are described as follows: Śrī Keśava (lotus, conch shell, disc and club), Nārāyaṇa (conch, lotus, club and disc), Śrī Mādhava (club, disc, conch and lotus), Śrī Govinda (disc, club, lotus and conch), Viṣṇu-mūrti (club, lotus, conch and disc), Madhusūdana (disc, conch, lotus and club), Trivikrama (lotus, club, disc and conch), Śrī Vāmana (conch, disc, club and lotus), Śrīdhara (lotus, disc, club and conch), Hṛṣīkeśa (club, disc, lotus and conch), Padmanābha (conch, lotus, disc and club), Dāmodara (lotus, disc, club and conch), Puruṣottama (disc, lotus, conch and club), Acyuta (club, lotus, disc and conch), Nṛsiṁha (disc, lotus, club and conch), Janārdana (lotus, disc, conch and club), Śrī Hari (conch, disc, lotus and club), Śrī Kṛṣṇa (conch, club, lotus and disc), Adhokṣaja (lotus, club, conch and disc), and Upendra (conch, club, disc and lotus).
Situated above these two emotions is permanent love, which is called sthāyi-bhāva. In other words, when one's attachment to Kṛṣṇa is permanent, one is situated in sthāyi-bhāva. That permanent loving attitude is sometimes mixed with different kinds of taste, called vibhāva, anubhāva and vyabhicārī. Vibhāva is a particular taste or attachment for Kṛṣṇa, and it can be divided into two further categories—ālambana and uddīpana. In the Agni Purāṇa and other authoritative scriptures, that which increases one's love for Kṛṣṇa is said to be vibhāva, and when Kṛṣṇa is the objective, vibhāva is described as ālambana. Uddīpanas include Kṛṣṇa's transcendental qualities, His activities, His beautiful smiling face and the aroma of His body, the sounds of His flute, ankle bells, and conch shell, the marks on the soles of His feet, His dwelling place and His paraphernalia of devotional service (such as tulasī leaves, devotees, ceremonial performances and Ekādaśī). Anubhāva occurs when feelings and emotions within oneself are exhibited. In the attitude of anubhāva, one dances and sometimes falls down, sometimes sings loudly, shows convulsions, yawns and sometimes breathes very heavily—all without concern for circumstances.
The mystic who worships the Supersoul within himself is also an ātmārāma. The ātmārāma yogīs are of two kinds: sagarbha and nigarbha. It is stated in Śrīmad-Bhāgavatam (2.2.8): "Some yogīs meditate within their heart on the localized Viṣṇu, who is four-handed and who holds four symbols: conch, disc, mace and lotus." The yogī who thinks of the four-handed Viṣṇu becomes absorbed in devotional ecstasy and shows the symptoms of that state. Sometimes he cries, and sometimes he feels separation from the Lord. In this way he merges in transcendental bliss, resulting in his becoming entrapped like a fish.
Next Lord Caitanya instructed Sanātana to write about the characteristics of both the form of the Lord in the temple and the śālagrāma-śilā, and also to write about the effect of going to holy places where there are different temples of the Lord and seeing the form of God in the temple. Sanātana was also instructed to glorify the transcendental name of the Lord and to describe the different offenses one can commit while chanting the Lord's name or worshiping the Deity. In the worship of the Lord certain paraphernalia are used, such as a conchshell, water, incense and fragrant flowers. The Lord instructed Sanātana to describe these, along with the chanting of prayers and hymns, circumambulation, and the offering of obeisances. Other topics for Sanātana to explain included following the regulative principles of puraścaraṇa, accepting kṛṣṇa-prasādam, rejecting foodstuff not offered to Kṛṣṇa, and not indulging in defaming a devotee who has the actual symptoms of a devotee.
The stool and bone of any living entity are considered to be impure according to the Vedic literature, yet the same Vedic literature asserts that cow dung and conch shells are very pure. Apparently these statements are contradictory, but because cow dung and conch shells are considered pure by the Vedas, they are accepted as pure by the followers of the Vedas, without argument. If we try to understand the statements by indirect interpretation, creating some hypothesis, then we challenge the evidential authority of the Vedic statements. In other words, Vedic statements cannot be accepted according to our imperfect interpretations; they must be accepted as they are. If they are not accepted in this way, there is no authority in the Vedic statements.
Nectar of Devotion
In the Padma Purāṇa there is a statement describing how a Vaiṣṇava should decorate his body with tilaka and beads: "Persons who put tulasī beads on the neck, who mark twelve places of their bodies as Viṣṇu temples with Viṣṇu's symbolic representations (the four items held in the four hands of Lord Viṣṇu—conch, mace, disc and lotus), and who have viṣṇu-tilaka on their foreheads, are to be understood as the devotees of Lord Viṣṇu in this world. Their presence makes the world purified, and anywhere they remain, they make that place as good as Vaikuṇṭha."
In the Skanda Purāṇa there is a similar statement: "Persons whose bodies are marked with tilaka, symbolizing the conchshell, wheel, club and lotus—and who keep the leaves of tulasī on their heads, and whose bodies are always decorated with gopī-candana—even seen once, can help the seer be relieved from all sinful activities."
One devotee praised the bodily features of Kṛṣṇa when he saw the Lord in His manifested personal feature. He exclaimed, "How wonderful is the personal feature of Lord Kṛṣṇa! How His neck is just like a conchshell! His eyes are so beautiful, as though they themselves were encountering the beauty of a lotus flower. His body is just like the tamāla tree, very blackish. His head is protected with a canopy of hair. There are the marks of Śrīvatsa on His chest, and He is holding His conchshell. By such beautiful bodily features, the enemy of the demon Madhu has appeared so pleasing that He can bestow upon me transcendental bliss simply by my seeing His transcendental qualities."
Some things which give impetus or stimulation to ecstatic love of Kṛṣṇa are His transcendental qualities, His uncommon activities, His smiling features, His apparel and garlands, His flute, His buffalo horn, His leg bells, His conchshell, His footprints, His places of pastimes (such as Vṛndāvana), His favorite plant (tulasī), His devotee and the periodical occasions for remembering Him. One such occasion for remembrance is Ekādaśī, which comes twice a month on the eleventh day of the moon, both waning and waxing. On that day all the devotees remain fasting throughout the night and continuously chant the glories of the Lord.
Kṛṣṇa's conchshell is known as Pāñcajanya. This Pāñcajanya conch is also mentioned in Bhagavad-gītā. Kṛṣṇa sounded it before the Battle of Kurukṣetra. It is said that when Lord Kṛṣṇa blows on His transcendental conchshell, the wives of the demons become subject to abortions, and the wives of the demigods become blessed with all auspiciousness. In this way, the sound of Kṛṣṇa's conchshell used to vibrate and circulate all over the world.
Those who are situated on the platform of śānta-rasa get their impetus for advancement in devotional service by smelling the tulasī offered at the lotus feet of the Lord, by hearing the sound of His conchshell, by seeing a sanctified place in some mountain or hill, by observing a forest like the ones in Vṛndāvana, by going to a place of pilgrimage, by visiting the course of the Ganges River, by being victorious over the dictations of bodily demands (i.e., eating, sleeping, mating and defending), by understanding the devastation of eternal time and by constantly associating with devotees engaged in Kṛṣṇa consciousness. All these different items are favorable in elevating saintly persons situated in śānta-rasa to the advanced stage of devotional service.
In the Bhakti-rasāmṛta-sindhu it is said that when Lord Kṛṣṇa was blowing His conchshell known as Pāñcajanya, many great sages who were living in the caves of the mountains immediately reacted, being awakened from their trance of meditation. They immediately saw that the hairs of their bodies were standing. Sometimes devotees in śānta-rasa become stunned, peaceful, jubilant, deliberate, reflective, anxious, dexterous and argumentative. These symptoms indicate continuous ecstasy, or established emotion.
When a great mystic was once awakened from his meditative trance by hearing the vibration of Kṛṣṇa's Pāñcajanya conchshell, the mystic became overpowered—so much so, in fact, that he began to bash his head on the ground, and with eyes full of tears of ecstatic love, he violated all the rules and regulations of his yoga performances. Thus he at once neglected the process of Brahman realization.
When Kṛṣṇa walks near Govardhana Hill with these personal features, all the inhabitants of the heavenly planets, as well as the inhabitants of this earth, feel transcendental bliss and consider themselves the eternal servants of the Lord." Sometimes the devotee becomes filled with the same awe and reverence by seeing a picture of Viṣṇu, who is dressed like Kṛṣṇa and who has a similar complexion. The only difference is that Viṣṇu has four hands, in which He holds the conchshell, the disc, the club and the lotus flower. Lord Viṣṇu is always decorated with many valuable jewels, such as the candrakānta stone and the sūryakānta stone.
In the Lalita-mādhava by Rūpa Gosvāmī there is the following statement by Dāruka, one of the servants of Kṛṣṇa: "Certainly Lord Viṣṇu is very beautiful with His necklace of kaustubha jewels, His four hands holding conchshell, disc, club and lotus flower, and His dazzlingly beautiful jewelry. He is also very beautiful in His eternal position, riding upon the shoulder of Garuḍa. But now the same Lord Viṣṇu is present as the enemy of Kaṁsa, and by His personal feature I am completely forgetting the opulence of Vaikuṇṭha."
When Cupid came on one occasion to visit Lord Kṛṣṇa, some devotee addressed him thus: "My dear Cupid, because you have been so fortunate as to have placed your eyesight on the lotus feet of Kṛṣṇa, the drops of perspiration on your body have become frozen, and they resemble kaṇṭakī fruits (a kind of small fruit found in thorny bushes)." These are signs of ecstasy and veneration for the Supreme Personality of Godhead. When the princes of the Yadu dynasty heard the vibration of Kṛṣṇa's Pāñcajanya conchshell, the hairs on their bodies immediately stood up in ecstatic jubilation. It seemed at that time that all the hairs on the bodies of the princes were dancing in ecstasy.
Pradyumna's attachment in anxiety for Kṛṣṇa was expressed when he said to his wife Rati, "The enemy, Śambara, is already killed. Now I am very anxious to see my father, who is my spiritual master and who always carries the conchshell known as Pāñcajanya." Pradyumna felt great separation from Kṛṣṇa when He was absent from Dvārakā at the Battlefield of Kurukṣetra. He said, "Since my father has left Dvārakā, I do not take much pleasure in practicing fighting, nor am I interested in any kind of sporting pastimes. And what need is there to speak of these things? I do not even wish to stay at Dvārakā in the absence of my father."
There are similar statements of fraternal love expressed outside the jurisdiction of Vṛndāvana. When the sons of Pāṇḍu, headed by Mahārāja Yudhiṣṭhira, saw Kṛṣṇa in His four-handed form on the Battlefield of Kurukṣetra, holding His conchshell, disc, club and lotus flower, they completely forgot themselves and became merged in the ocean of nectarean happiness. This shows how the sons of Pāṇḍu—King Yudhiṣṭhira, Bhīma, Arjuna, Nakula and Sahadeva—were all caught up in fraternal love for Kṛṣṇa.
One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."
Kṛṣṇa's age, His beauty, His bugle, His flute, His conchshell and His pleasing attitude all provoke love in friendship for Him. His exceptional joking abilities, exhibited sometimes by His pretending to be a royal prince, or even the Supreme Personality of Godhead, also give impetus to devotees developing love for Kṛṣṇa in friendship.
Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."
The cowherd friends of Kṛṣṇa were so happy in His company that they expressed their transcendental feelings within themselves thus: "Dear Kṛṣṇa, You are always busy tending the cows which are scattered all over beautiful Vṛndāvana. You have a beautiful garland, a small conchshell, a peacock feather on Your turban, yellow-colored silk cloth, decorations of karṇikāra flowers on Your ears and a mallikā flower garland on Your chest. Appearing so beautiful, when You pretend, just like an actor, to be fighting with us, You give us unlimited transcendental bliss."
When Kṛṣṇa is more grown up, in the middle age of paugaṇḍa, His nails become finely sharp, and His chubby cheeks become lustrous and round. On the two sides of His waist above His belt there are three distinct lines of folded skin, called trivalī.
Pārvatī, the wife of Lord Śiva, told her husband, "My dear Pañcamukha (five-faced), just look at the Pāṇḍavas! After hearing the sound of Kṛṣṇa's conchshell, known as Pāñcajanya, they have regained their strength and are just like lions."
Krsna, The Supreme Personality of Godhead
While the bride and bridegroom were passing along on the chariot, there were different kinds of musical instruments playing to indicate the auspicious moment. There were conchshells, bugles, drums and kettledrums; combined together, they were vibrating a nice concert. The procession was passing very pleasingly, and Kaṁsa was driving the chariot, when suddenly there was a miraculous sound vibrated from the sky which especially announced to Kaṁsa: "Kaṁsa, you are such a fool! You are driving the chariot of your sister and your brother-in-law, but you do not know that the eighth child of this sister will kill you."
Vasudeva saw that wonderful child born as a baby with four hands, holding conchshell, club, disc and lotus flower, decorated with the mark of Śrīvatsa, wearing the jeweled necklace of kaustubha stone, dressed in yellow silk, appearing dazzling like a bright blackish cloud, wearing a helmet bedecked with the vaidūrya stone, valuable bracelets, earrings and similar other ornaments all over His body, and beautified by an abundance of hair on His head. Due to the extraordinary features of the child, Vasudeva was struck with wonder. How could a newly born child be so decorated? Vasudeva could therefore understand that Lord Kṛṣṇa had now appeared, and he became overpowered by the occasion.
In other words, she requested the Lord to assume the form of an ordinary child. "My only cause of fear from my brother Kaṁsa is due to Your appearance. My Lord Madhusūdana, Kaṁsa may not know that You are already born. Therefore I request You to conceal this four-armed form of Your Lordship, which holds the four symbols of Viṣṇu—namely the conchshell, the disc, the club and the lotus flower. My dear Lord, at the end of the annihilation of the cosmic manifestation, You put the whole universe within Your abdomen; still, by Your unalloyed mercy You have appeared in my womb. I am surprised that You imitate the activities of ordinary human beings just to please Your devotee."
Kaṁsa was so cruel that he did not listen to the pitiful prayers of his sister Devakī. He forcibly grabbed the newborn child to rebuke his sister and attempted to dash her on the stone mercilessly. This is a graphic example of a cruel demon who could sacrifice all relationships for the sake of personal gratification. But the child immediately slipped out of his hands, went up into the sky and appeared with eight arms as the younger sister of Viṣṇu. She was decorated with nice garments and flower garlands and ornaments; in her eight hands she held a bow, lance, arrows, sword, conchshell, disc, club and shield.
They chanted as follows: "My dear Kṛṣṇa, may the Lord who is known as Aja protect Your legs; may Lord Maṇimān protect Your knees; may Lord Yajña protect Your thighs; may Lord Acyuta protect Your upper waist; may Lord Hayagrīva protect Your abdomen; may Lord Keśava protect Your heart; may Lord Īśa protect Your chest; may Lord Sūrya protect Your neck; may Lord Viṣṇu protect Your arms; may Lord Urukrama protect Your face; may Lord Īśvara protect Your head; may Lord Cakradhara protect Your front; may Lord Gadādhara protect Your back; may Lord Madhusūdana, who carries a bow in His hand, protect Your right side; may Lord Ajana protect Your left side; may Lord Urugāya with His conchshell protect You on all sides; may the Personality of Godhead Upendra protect You from above; may Lord Tārkṣya protect You on the ground; may Lord Haladhara protect You from all sides; may the Personality of Godhead known as Hṛṣīkeśa protect all Your senses; may Lord Nārāyaṇa protect Your life airs; may the Lord of Śvetadvīpa, Nārāyaṇa, protect the core of Your heart; may Lord Yogeśvara protect Your mind; may Lord Pṛśnigarbha protect Your intelligence; and may the Supreme Personality of Godhead protect Your soul. While You are playing, may Lord Govinda protect You from all sides, and when You are sleeping, may Lord Mādhava protect You from all danger; when You are walking, may the Lord of Vaikuṇṭha protect You from falling down; when You are sitting, may Lord Nārāyaṇa give You all protection; and while You are eating, may the Lord of all sacrifices give You all protection."
This was due to the glowing effulgence of Kṛṣṇa. The demon quickly threw Kṛṣṇa up and tried to kill Him by pinching Him in his beak. Bakāsura did not know that although Kṛṣṇa was playing the part of a child of Nanda Mahārāja, He was still the original father of Lord Brahmā, the creator of the universe. Mother Yaśodā’s child, who is the reservoir of pleasure for the demigods and who is the maintainer of saintly persons, caught hold of the great gigantic heron by the two halves of his beak and, before His cowherd boyfriends, bifurcated his mouth, just as a child very easily splits a blade of grass. From the sky, the denizens of the heavenly planets showered flowers like the mallikā, the most fragrant of all flowers, as a token of their congratulations. Accompanying the showers of flowers was a vibration of bugles, drums and conchshells.
In order to convince Brahmā that all those calves and boys were not the original ones, the calves and boys who were playing with Kṛṣṇa transformed into Viṣṇu forms. Actually, the original ones were sleeping under the spell of Brahmā’s mystic power, but the present ones, seen by Brahmā, were all immediate expansions of Kṛṣṇa, or Viṣṇu. Viṣṇu is the expansion of Kṛṣṇa, so the Viṣṇu forms appeared before Brahmā. All the Viṣṇu forms were of bluish color and dressed in yellow garments; all of Them had four hands decorated with club, disc, lotus flower and conchshell. On Their heads were glittering golden helmets inlaid with jewels; They were bedecked with pearls and earrings and garlanded with beautiful flowers. On Their chests was the mark of Śrīvatsa, Their arms were decorated with armlets and other jewelry, and Their necks were just like conchshells.
“Let me offer my respectful repeated obeisances unto the son of Mahārāja Nanda, who is standing before me with conchshell earrings and a peacock feather on His head. His face is beautiful; He is wearing a helmet and is garlanded by forest flowers, and He stands with a morsel of food in His hand. He is decorated with a cane, a buffalo-horn bugle and a flute. He stands before me with small lotus feet.
He did not, therefore, personally take any part in their sorrow. On the other hand, all the inhabitants of Vṛndāvana, being disturbed, began to search out Kṛṣṇa by following the impression of His footprints on the ground, and thus they moved hastily toward the bank of the Yamunā. Finally, by following the footprints marked with flag, bow and conchshell, the inhabitants of Vṛndāvana arrived at the riverbank and saw that all the cows and boys were weeping to behold Kṛṣṇa enwrapped in the coils of the black serpent. Then they became still more overwhelmed with grief. While Balarāma was smiling to see their lamentation, all the inhabitants of Vrajabhūmi merged into the ocean of grief because they thought that Kṛṣṇa was finished. Although the residents of Vṛndāvana did not know much about Kṛṣṇa, their love for Him was beyond comparison. As soon as they saw that Kṛṣṇa was in the river Yamunā enveloped by the serpent Kāliya and that all the boys and cows were lamenting, they simply began to think of Kṛṣṇa's friendship, His smiling face, His sweet words and His dealings with them. Thinking of all these and seeing that their Kṛṣṇa was now within the clutches of Kāliya, they at once felt that the three worlds had become vacant. Lord Caitanya also said that He was seeing the three worlds as vacant for want of Kṛṣṇa. This is the highest stage of Kṛṣṇa consciousness. Almost all of the inhabitants of Vṛndāvana had the highest ecstatic love for Kṛṣṇa.
The gopīs, being naturally very affectionate to Kṛṣṇa, began to offer Him yogurt mixed with their tears, and they poured incessant blessings upon Him. Mother Yaśodā, Mother Rohiṇī, Nanda and Balarāma, who is the strongest of the strong, embraced Kṛṣṇa one after another and, from spontaneous feelings of affection, blessed Him over and over again. In the heavens, different demigods from different planetary systems, such as Siddhaloka, Gandharvaloka and Cāraṇaloka, also began to show their complete satisfaction. They poured showers of flowers on the surface of the earth and sounded different conchshells. There was beating of drums, and being inspired by godly feelings, residents of Gandharvaloka began to play on their tambouras to please the Lord. After this incident, the Supreme Personality of Godhead, surrounded by His dear friends and the animals, returned to His home. As usual, the gopīs began to chant the glorious pastimes of Lord Kṛṣṇa with great feeling, for they were chanting from the heart.
At that time, while Kṛṣṇa, Balarāma and the damsels were so much absorbed, almost in madness, a demoniac associate of Kuvera (the treasurer of the heavenly planets) appeared on the scene. The demon's name was Śaṅkhacūḍa because on his head there was a valuable jewel resembling a conchshell. Just as the two sons of Kuvera had been puffed up over their wealth and opulence and did not care for Nārada Muni's presence, this Śaṅkhacūḍa was also puffed up over material opulence.
They called to the gopīs. "We are coming at once to chastise this demon." Very quickly They reached Śaṅkhacūḍa. Thinking the brothers too powerful, Śaṅkhacūḍa left the company of the gopīs and ran in fear for his life. But Kṛṣṇa would not let him go. He entrusted the gopīs to the care of Balarāma and followed Śaṅkhacūḍa wherever he fled. Kṛṣṇa wanted to take the valuable jewel resembling a conchshell from the head of the demon. After following him a very short distance, Kṛṣṇa caught him, struck his head with His fist and killed him. He then took the valuable jewel and returned. In the presence of all the damsels of Vraja, He presented the valuable jewel to His elder brother, Balarāma.
His arms, reaching to the knees, were very strongly built. His shoulders were high, His chest was very broad, and His neck was shaped like a conchshell. His navel was very deep, and His abdomen was marked with three lines. His hips were broad and big, resembling those of a woman, and His thighs resembled the trunks of elephants. The other parts of His legs, the joints and lower extremities, were all very beautiful, the nails of His feet were dazzling, and His toes were as beautiful as the petals of the lotus flower. His helmet was decorated with very valuable jewels. There was a nice belt around His waist, and He wore a sacred thread across His broad chest. Bangles were on His hands, and armlets on the upper portion of His arms. He wore bells on His ankles. He possessed dazzling beauty, and His palms were like lotus flowers. He was further beautified by the different emblems of the viṣṇu-mūrti—the conchshell, club, disc and lotus flower—which He held in His four hands.
From the day Kaṁsa had heard he would be killed by the eighth son of Devakī, he was always thinking of Kṛṣṇa with His wheel in hand, and because he was very much afraid of his death, he was thinking of Kṛṣṇa in that form twenty-four hours a day, without stopping—even while eating, while walking and while breathing—and naturally he got the blessing of liberation. In the Bhagavad-gītā it is stated, sadā tad-bhāva-bhāvitaḥ: (BG 8.6) a person gets his next life according to the thoughts in which he is always absorbed. Kaṁsa was thinking of Kṛṣṇa with His wheel, which means Nārāyaṇa, who holds a wheel, conchshell, lotus flower and club.
The ocean deity replied, "The boy was not actually taken by me but was captured by a demon named Pañcajana. This great demon generally remains deep in the water in the shape of a conchshell. The son of Your teacher might be within the belly of the demon, having been devoured by him."
On hearing this, Kṛṣṇa dove deep into the water and caught hold of the demon Pañcajana. He killed him on the spot but could not find the son of His teacher within his belly. Therefore He took the demon's dead body (in the shape of a conchshell) and returned to His chariot on the beach of Prabhāsa-kṣetra. From there He started for Saṁyamanī, the residence of Yamarāja, the superintendent of death. Accompanied by His elder brother, Balarāma, who is also known as Halāyudha, Kṛṣṇa arrived there and blew on His conchshell.
After equipping Themselves with military dress, Kṛṣṇa and Balarāma mounted Their chariots. Kṛṣṇa rode the chariot of which Dāruka was the driver. With a small army They came out of the city of Mathurā, blowing Their respective conchshells. Curiously enough, although the other party was equipped with greater military strength, when they heard the vibration of Kṛṣṇa's conchshell their hearts were shaken. When Jarāsandha saw Balarāma and Kṛṣṇa, he was a little bit compassionate because They happened to be related to him as grandsons. He specifically addressed Kṛṣṇa as puruṣādhama, meaning "the lowest among men." Actually Kṛṣṇa is known in all Vedic scriptures as Puruṣottama, the highest among men. Jarāsandha had no intention of addressing Kṛṣṇa as Puruṣottama, but great scholars have determined the true meaning of the word puruṣādhama to be "one who makes all other personalities go downward." Actually no one can be equal to or greater than the Supreme Personality of Godhead.
The denizens of heaven were very much pleased, and they offered their respects by chanting in glorification of the Lord and showering Him with flowers, accepting the victory with great appreciation. Jarāsandha returned to his kingdom, and Mathurā City was saved from the danger of imminent attack. The citizens of Mathurā organized the combined services of professional singers like sūtas and māgadhas, along with poets who could compose nice songs, and they began to chant the victory glorification of Lord Kṛṣṇa. When Lord Kṛṣṇa entered the city after the victory, many bugles, conches and kettledrums sounded, and the vibrations of various musical instruments like bherīs, tūryas, vīṇās, flutes and mṛdaṅgas all joined together to make a beautiful reception. While Kṛṣṇa was entering, the whole city was cleansed, all the different streets and roads were sprinkled with water, and the inhabitants, being joyous, decorated their respective houses and shops with flags and festoons.
As Rukmiṇī proceeded toward the temple, she was silent and grave. Her mother and her girlfriends were by her side, and the wife of a brāhmaṇa was in the center; surrounding her were royal bodyguards. (This custom of a would-be bride's going to the temple of a demigod is still practiced in India.) As the procession continued, various musical sounds were heard. Conchshells, drums such as paṇavas, and bugles of different sizes, such as tūryas and bherīs, combined to make a sound which was not only auspicious but very sweet to hear. Thousands of wives of respectable brāhmaṇas were present, all dressed very nicely with suitable ornaments. They presented Rukmiṇī with flower garlands, sandalwood pulp and a variety of colorful garments to assist her in worshiping Lord Śiva and Goddess Durgā. Some of these ladies were very old and knew perfectly well how to chant prayers to Goddess Durgā and Lord Śiva; so, followed by Rukmiṇī and others, they led these prayers before the deity.
Mistaking Satrājit to be the sun-god, some of the important citizens of Dvārakā immediately went to Kṛṣṇa to inform Him that the sun-god had arrived to see Him. At that time, Kṛṣṇa was playing chess. One of the important residents of Dvārakā spoke thus: "My dear Lord Nārāyaṇa, You are the Supreme Personality of Godhead. In Your plenary portion as Nārāyaṇa, or Viṣṇu, You have four hands with different symbols—the conchshell, disc, club and lotus flower. You are actually the owner of everything, but in spite of Your being the Supreme Personality of Godhead, Nārāyaṇa, You descended in Vṛndāvana to act as the child of Yaśodāmātā, who sometimes used to tie You up with her ropes, and You are celebrated, therefore, by the name Dāmodara."
Kṛṣṇa also immediately accepted Satyā as His wife. Then there was a marriage ceremony with great pomp. The queens of King Nagnajit were also very much pleased because their daughter Satyā got Kṛṣṇa as her husband. Since the King and queens were very much pleased on this auspicious occasion, there was a celebration all over the city in honor of the marriage. Everywhere were heard the sounds of the conchshell and kettledrum and various other vibrations of music and song. The learned brāhmaṇas showered their blessings upon the newly married couple. In jubilation, all the inhabitants of the city dressed themselves with colorful garments and ornaments. King Nagnajit was so much pleased that he gave a dowry to his daughter and son-in-law, as follows.
When Kṛṣṇa arrived, He broke all the strongholds to pieces by the strokes of His club and scattered the military strength here and there by the constant onslaught of His arrows. With His celebrated Sudarśana cakra He counteracted the electrified boundary, annihilated the canals of water and the gaseous boundary, and cut to pieces the electrified network fabricated by the demon Mura. By the vibration of His conchshell, He broke the hearts of the great fighters and also broke the fighting machines that were there. Similarly, He broke the walls around the city with His invincible club.
The vibration of Lord Kṛṣṇa's conchshell sounded like a thunderbolt at the time of the dissolution of the whole cosmic manifestation. The demon Mura heard the vibration of the conchshell, awakened from his sleep and came out to see what had happened. He had five heads and had long been living within the water.
“Let me offer my respectful obeisances unto the Lord, who is always present with four symbols, namely His conchshell, disc, lotus and club, and who is the Lord of all demigods. Please accept my respectful obeisances unto You. My dear Lord, You are the Supersoul, and in order to satisfy the aspirations of Your devotees, You descend to the earth in Your various transcendental incarnations, which are just appropriate to the devotees' worshipful desire. Kindly accept my respectful obeisances.
When Bāṇāsura saw that his soldiers and commanders had been defeated, his anger only increased. He thought it wise to stop fighting with Sātyaki, Kṛṣṇa's commander in chief, and instead directly attack Lord Kṛṣṇa. Now having the opportunity to use his one thousand arms, he rushed toward Kṛṣṇa, simultaneously working five hundred bows and two thousand arrows. Such a foolish person could never measure Kṛṣṇa's strength. Immediately, without difficulty, Kṛṣṇa cut each of Bāṇāsura's bows into two pieces and, to check him from going further, made the horses of his chariot lie on the ground so that the chariot broke to pieces. After doing this, Kṛṣṇa blew His conchshell, Pāñcajanya.
Thus, keeping forward a division of one akṣauhiṇī of soldiers, Kṛṣṇa proceeded toward Dvārakā. In the meantime, all the people of Dvārakā, having received the news that Lord Kṛṣṇa was returning with Aniruddha and Ūṣā in great opulence, decorated every corner of the city with flags, festoons and garlands. All the big roads and crossings were carefully cleansed and sprinkled with sandalwood pulp mixed with water. Everywhere was the fragrance of sandalwood. All the citizens joined with their friends and relatives to welcome Lord Kṛṣṇa with great pomp and jubilation, and a tumultuous vibration of conchshells, drums and bugles received the Lord. In this way the Supreme Personality of Godhead, Kṛṣṇa, entered His capital, Dvārakā.
King Pauṇḍraka was a great warrior, and as soon as he heard of Kṛṣṇa's attack, he came out of the city with two akṣauhiṇī divisions of soldiers. The King of Kāśī also came out, with three akṣauhiṇī divisions. When the two kings came before Lord Kṛṣṇa to oppose Him, Kṛṣṇa saw Pauṇḍraka face to face for the first time. Kṛṣṇa saw that Pauṇḍraka had decorated himself with the symbols of the conchshell, disc, lotus and club. He carried an imitation Śārṅga bow, and on his chest was a mock insignia of Śrīvatsa. His neck was decorated with a false Kaustubha jewel, and he wore a flower garland in exact imitation of Lord Vāsudeva's. He was dressed in yellow silken garments, and the flag on his chariot carried the symbol of Garuḍa, exactly imitating Kṛṣṇa's. He had a very valuable helmet on his head, and his earrings, like swordfish, glittered brilliantly. On the whole, however, his dress and makeup were clearly imitation. Anyone could understand that he was just like someone onstage playing the part of Vāsudeva in false dress. When Lord Śrī Kṛṣṇa saw Pauṇḍraka imitating His posture and dress, He could not check His laughter, and thus He laughed with great satisfaction.
The language and tone used by Balarāma are simply abusive, and due to the influence of this age it appears that the shoes befitting the feet want to rise to the top of the head, where the helmet is worn. We are connected with the Yadu dynasty by marriage, and because of this they have been given the chance to come live with us, dine with us and sleep with us; now they are taking advantage of these privileges. They had practically no position before we gave them a portion of our kingdom to rule, and now they are trying to command us. We have allowed the Yadu dynasty to use the royal insignias like the whisk, fan, conchshell, white umbrella, crown, royal throne, sitting place and bedstead, along with everything else befitting the royal order.
The dramatic actors would then play their parts, and the dancing ballet girls would separately display their artistic movements. All these functions would be accompanied by the beating of mṛdaṅga drums and the sounds of the vīṇā, flutes and bells, followed by the sound of the muraja, another type of drum. To these musical vibrations, the auspicious sound of the conchshell would be added. The professional singers called sūtas and māgadhas would sing, and others would perform their dancing art. In this way, as devotees, they would offer respectful prayers to the Supreme Personality of Godhead. Sometimes the learned brāhmaṇas present in that assembly would chant Vedic hymns and explain them to the audience to the best of their knowledge, and sometimes some of them would recite old historical accounts of the activities of prominent kings. The Lord, accompanied by His associates, would be very much pleased to hear them.
The chariot of Lord Kṛṣṇa started for Hastināpura accompanied by many other chariots, along with elephants, cavalry, infantry and similar royal paraphernalia. Bugles, drums, trumpets, conchshells and horns all produced a loud auspicious sound which vibrated in all directions. The sixteen thousand queens, headed by the goddess of fortune Rukmiṇīdevī, the ideal wife of Lord Kṛṣṇa, and accompanied by their respective sons, all followed behind Lord Kṛṣṇa. They were dressed in costly garments decorated with ornaments, and their bodies were smeared with sandalwood pulp and garlanded with fragrant flowers. Riding on palanquins nicely decorated with silks, flags and golden lace, they followed their exalted husband, Lord Kṛṣṇa.
There were many kings of different provinces such as Kuru, Sṛñjaya and Kekaya, and Lord Kṛṣṇa duly reciprocated greetings and respects with them. The professional reciters like the sūtas, māgadhas and vandīs, accompanied by the brāhmaṇas, offered their respectful prayers to the Lord. Performing artists like the Gandharvas, as well as the royal jokers, began to play their paṇava drums, conchshells, kettledrums, vīṇās, mṛdaṅgas and bugles, and they exhibited their dancing art to please the Lord. Thus the all-famous Supreme Personality of Godhead, Lord Kṛṣṇa, entered the great city of Hastināpura, which was opulent in every respect. While Lord Kṛṣṇa was entering the city, all the people talked amongst themselves about the glories of the Lord, praising His transcendental name, qualities, form and so on.
Lord Kṛṣṇa empowered the Pāṇḍavas to execute His great mission of chastising the infidel miscreants of the world and giving protection to His faithful devotees. In His Viṣṇu form, the Lord carries four weapons in His four hands—a lotus flower and a conchshell in two hands, and in the other two hands a club and a disc. The club and disc are meant for the infidel miscreants and demons, and the lotus flower and conchshell are for the devotees. But because the Lord is the Supreme Absolute, the result of all His weapons is one and the same. With the club and the disc He chastises the miscreants so that they may come to their senses and know that they are not all in all, for above them there is the Supreme Lord. And by bugling with the conchshell and offering blessings with the lotus flower, He always assures the devotees that no one can vanquish them, even in the greatest calamity. King Yudhiṣṭhira, being thus assured by the indication of Lord Kṛṣṇa, ordered his youngest brother, Sahadeva, accompanied by soldiers of the Sṛñjaya tribe, to conquer the southern countries. Similarly, he ordered Nakula, accompanied by the soldiers of Matsyadeśa, to conquer the kings of the western side. He sent Arjuna, accompanied by the soldiers of Kekayadeśa, to conquer the kings of the northern side, and he ordered Bhīmasena, accompanied by the soldiers of Madradeśa (Madras), to conquer the kings on the eastern side.
However, because in that miserable condition they had had the opportunity to think about Lord Kṛṣṇa, they immediately saw Him now as the Supreme Personality of Godhead, Viṣṇu. They saw that the color of the transcendental body of Lord Kṛṣṇa resembled the hue of a newly arrived cloud in the sky. He appeared before them nicely covered by yellow silken garments, with four hands like Viṣṇu, and carrying the different symbols of the club, the conchshell, the disc and the lotus flower. His chest was marked with a golden line, and the nipples on His chest appeared like the whorls of lotus flowers. His eyes appeared to spread like the petals of a lotus, and His smiling face exhibited the symbol of eternal peace and prosperity. He wore glittering shark-shaped earrings, and His helmet was bedecked with valuable jewels.
After thus causing the annihilation of Jarāsandha by Bhīmasena and after being properly honored by Sahadeva, the son of Jarāsandha, Lord Kṛṣṇa, accompanied by Bhīmasena and Arjuna, returned to the city of Hastināpura. When they reached the precincts of Hastināpura, they blew their respective conchshells, and by hearing the sound vibrations and understanding who was arriving, everyone immediately became cheerful. But the enemies of Kṛṣṇa, upon hearing the conchshells, were very sorry. The citizens of Indraprastha felt their hearts become joyful simply by hearing the vibration of Kṛṣṇa's conchshell because they could understand that Jarāsandha had been killed. Now the performance of the Rājasūya sacrifice by King Yudhiṣṭhira was almost certain. Bhīmasena, Arjuna and Kṛṣṇa, the Supreme Personality of Godhead, arrived before King Yudhiṣṭhira and offered their respects to the King. King Yudhiṣṭhira attentively heard the narration of the killing of Jarāsandha and the setting free of the kings. He also heard of the tactics adopted by Kṛṣṇa to kill Jarāsandha. The King was naturally affectionate toward Kṛṣṇa, but after hearing the story he became even more bound to Him in love; tears of ecstasy glided from his eyes, and he was so stunned that he was almost unable to speak.
After Śiśupāla died by the mercy of Lord Kṛṣṇa and merged into the spiritual existence, and after the end of the Rājasūya-yajña, when all the friends, guests and well-wishers had been fully honored and rewarded, King Yudhiṣṭhira went to bathe in the Ganges. The city of Hastināpura stands today on the bank of the Yamunā, and the statement of Śrīmad-Bhāgavatam that King Yudhiṣṭhira went to bathe in the Ganges indicates, therefore, that during the time of the Pāṇḍavas the river Yamunā was also known as the Ganges. While the King was taking the avabhṛtha bath, different musical instruments vibrated, such as mṛdaṅgas, conchshells, paṇava drums, kettledrums and bugles, and the ankle bells of the dancing girls jingled. Many groups of professional singers sang as vīṇās, flutes, gongs and cymbals were played, and thus a tumultuous sound vibrated in the sky.
My curling hair encircled my face, which shone with a bright luster due to the reflection of my various earrings. My eyes blinking, I first observed all the princes present, and when I reached my Lord I very slowly placed the golden necklace on His neck. As I have already informed you, from the very beginning my mind was attracted by Lord Kṛṣṇa, and thus I considered the garlanding of the Lord my great victory. As soon as I placed my garland on the neck of the Lord, there sounded immediately the combined vibration of mṛdaṅgas, paṭaha and ānaka drums, conchshells, kettledrums and other instruments, causing a tumultuous sound, and while the music played, expert male and female dancers began to dance, and singers began to sing sweetly.
When everything was complete, there was heard the vibration of mṛdaṅgas, conchshells, kettledrums and other musical instruments. Professional dancers, both male and female, began to dance. The sūtas and māgadhas, who were professional singers, began to offer prayers by singing. And the Gandharvas and their wives, whose voices were very sweet, began to sing many auspicious songs. Vasudeva anointed his eyes with black cosmetic, smeared butter over his body and then, along with his eighteen wives, headed by Devakī, sat before the priests to be purified by the abhiṣeka ceremony. While the ceremony was being observed strictly according to the principles of the scriptures, Vasudeva resembled the moon encircled by stars. Because he was being initiated for the sacrifice, he was dressed in a deerskin, but all his wives were dressed with very nice saris, bangles, necklaces, ankle bells, earrings and many other ornaments. Vasudeva looked very beautiful surrounded by his wives, exactly like the King of heaven when he performs such sacrifices.
| Page Title: | Conchshell (CC and Other Books) |
| Compiler: | Rishab, Mayapur |
| Created: | 17 of May, 2011 |
| Totals by Section: | BG=0, SB=0, CC=52, OB=59, Lec=0, Con=0, Let=0 |
| No. of Quotes: | 111 |