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Cheeks

Srimad-Bhagavatam

SB Canto 1

SB 1.8.31, Purport:

The Lord, in His naturally childish playful activities, used to spoil the stocked butter of mother Yaśodā by breaking the pots and distributing the contents to His friends and playmates, including the celebrated monkeys of Vṛndāvana, who took advantage of the Lord's munificence. Mother Yaśodā saw this, and out of her pure love she wanted to make a show of punishment for her transcendental child. She took a rope and threatened the Lord that she would tie Him up, as is generally done in the ordinary household. Seeing the rope in the hands of mother Yaśodā, the Lord bowed down His head and began to weep just like a child, and tears rolled down His cheeks, washing off the black ointment smeared about His beautiful eyes. This picture of the Lord is adored by Kuntīdevī because she is conscious of the Lord's supreme position. He is feared often by fear personified, yet He is afraid of His mother, who wanted to punish Him just in an ordinary manner.

SB 1.10.14, Purport:

There were hundreds of ladies in the palace of Hastināpura. All of them were affectionate to Kṛṣṇa. All of them were relatives also. When they saw that Kṛṣṇa was going away from the palace for His native place, they were very anxious for Him, and as usual tears began to roll down their cheeks. They thought, at the same time, that tears at that moment might be a cause of misfortune for Kṛṣṇa; therefore they wanted to check them. This was very difficult for them because the tears could not be checked. Therefore, they smeared their tears in their eyes, and their hearts throbbed. Therefore ladies who were the wives and daughters-in-law of those who died in the battlefield never came in direct contact with Kṛṣṇa. But all of them heard of Him and His great activities, and thus they thought of Him, talked of Him, His name, fame, etc., and became affectionate also, like those who were in direct contact. Therefore directly or indirectly anyone who thinks of Kṛṣṇa, talks of Kṛṣṇa or worships Kṛṣṇa becomes attached to Him. Because Kṛṣṇa is absolute, there is no difference between His name, form, quality, etc. Our intimate relation with Kṛṣṇa can be confidentially revived by our talking of, hearing of, or remembering Him. It is so done due to spiritual potency.

SB 1.11.32, Purport:

Although due to feminine shyness there were many hindrances to embracing the dear husband, Lord Śrī Kṛṣṇa, the queens performed that act by seeing Him, by putting Him in the cores of their hearts, and by sending their sons to embrace Him. Still, the act remained unfinished, and tears rolled down their cheeks despite all endeavors to check them. One indirectly embraces the husband by sending the son to embrace him because the son is developed as part of the mother's body. The embrace of the son is not exactly the embrace of husband and wife from the sexual point of view, but the embrace is satisfaction from the affectionate point of view. The embrace of the eyes is more effective in the conjugal relation, and thus according to Śrīla Jīva Gosvāmī there is nothing wrong in such an exchange of feeling between husband and wife.

SB Canto 3

SB 3.13.32, Translation:

Thereupon Lord Boar killed the demon within the water, just as a lion kills an elephant. The cheeks and tongue of the Lord became smeared with the blood of the demon, just as an elephant becomes reddish from digging in the purple earth.

SB 3.15.41, Translation:

His countenance was distinguished by cheeks that enhanced the beauty of His alligator-shaped pendants, which outshone lightning. His nose was prominent, and His head was covered with a gem-studded crown. A charming necklace hung between His stout arms, and His neck was adorned with the gem known by the name Kaustubha.

SB 3.26.23-24, Purport:

In the beginning, from clear consciousness, or the pure state of Kṛṣṇa consciousness, the first contamination sprang up. This is called false ego, or identification of the body as self. The living entity exists in the natural state of Kṛṣṇa consciousness, but he has marginal independence, and this allows him to forget Kṛṣṇa. Originally, pure Kṛṣṇa consciousness exists, but because of misuse of marginal independence there is a chance of forgetting Kṛṣṇa. This is exhibited in actual life; there are many instances in which someone acting in Kṛṣṇa consciousness suddenly changes. In the Upaniṣads it is stated, therefore, that the path of spiritual realization is just like the sharp edge of a razor. The example is very appropriate. One shaves his cheeks with a sharp razor very nicely, but as soon as his attention is diverted from the activity, he immediately cuts his cheek because he mishandles the razor.

SB 3.28.29, Translation:

The yogī should then meditate on the lotuslike countenance of the Lord, who presents His different forms in this world out of compassion for the anxious devotees. His nose is prominent, and His crystal-clear cheeks are illuminated by the oscillation of His glittering alligator-shaped earrings.

SB Canto 5

SB 5.25.4, Translation:

The pink, transparent toenails on the Lord's lotus feet are exactly like valuable gems polished to a mirror finish. When the unalloyed devotees and the leaders of the snakes offer their obeisances to Lord Saṅkarṣaṇa with great devotion, they become very joyful upon seeing their own beautiful faces reflected in His toenails. Their cheeks are decorated with glittering earrings, and the beauty of their faces is extremely pleasing to see.

SB Canto 8

SB 8.6.3-7, Translation:

Lord Brahmā, along with Lord Śiva, saw the crystal-clear personal beauty of the Supreme Personality of Godhead, whose blackish body resembles a marakata gem, whose eyes are reddish like the depths of a lotus, who is dressed with garments that are yellow like molten gold, and whose entire body is attractively decorated. They saw His beautiful, smiling, lotuslike face, crowned by a helmet bedecked with valuable jewels. The Lord has attractive eyebrows, and His cheeks are adorned with earrings. Lord Brahmā and Lord Śiva saw the belt on the Lord's waist, the bangles on His arms, the necklace on His chest, and the ankle bells on His legs. The Lord is bedecked with flower garlands, His neck is decorated with the Kaustubha gem, and He carries with Him the goddess of fortune and His personal weapons, like His disc and club. When Lord Brahmā, along with Lord Śiva and the other demigods, thus saw the form of the Lord, they all immediately fell to the ground, offering their obeisances.

SB 8.8.17, Translation:

Thereafter, mother Lakṣmī, the goddess of fortune, having been properly celebrated with an auspicious ritualistic ceremony, began moving about, holding in her hand a garland of lotus flowers, which were surrounded by humming bumblebees. Smiling with shyness, her cheeks decorated by her earrings, she looked extremely beautiful.

SB 8.8.41-46, Translation:

The Supreme Personality of Godhead, Viṣṇu, who can counteract any unfavorable situation, then assumed the form of an extremely beautiful woman. This incarnation as a woman, Mohinī-mūrti, was most pleasing to the mind. Her complexion resembled in color a newly grown blackish lotus, and every part of Her body was beautifully situated. Her ears were equally decorated with earrings, Her cheeks were very beautiful, Her nose was raised and Her face full of youthful luster. Her large breasts made Her waist seem very thin. Attracted by the aroma of Her face and body, bumblebees hummed around Her, and thus Her eyes were restless. Her hair, which was extremely beautiful, was garlanded with mallikā flowers. Her attractively constructed neck was decorated with a necklace and other ornaments, Her arms were decorated with bangles, Her body was covered with a clean sari, and Her breasts seemed like islands in an ocean of beauty. Her legs were decorated with ankle bells. Because of the movements of Her eyebrows as She smiled with shyness and glanced over the demons, all the demons were saturated with lusty desires, and every one of them desired to possess Her.

SB 8.9.18, Translation:

Her attractive nose and cheeks and Her ears, adorned with golden earrings, made Her face very beautiful. As She moved, Her sari's border on Her breasts moved slightly aside. When the demigods and demons saw these beautiful features of Mohinī-mūrti, who was glancing at them and slightly smiling, they were all completely enchanted.

SB 8.12.20, Translation:

The woman's face was decorated by broad, beautiful, restless eyes, which moved as the ball bounced here and there from Her hand. The two brilliant earrings on Her ears decorated Her shining cheeks like bluish reflections, and the hair scattered on Her face made Her even more beautiful to see.

SB Canto 9

SB 9.24.65, Translation:

Kṛṣṇa's face is decorated with ornaments, such as earrings resembling sharks. His ears are beautiful, His cheeks brilliant, and His smiling attractive to everyone. Whoever sees Lord Kṛṣṇa sees a festival. His face and body are fully satisfying for everyone to see, but the devotees are angry at the creator for the disturbance caused by the momentary blinking of their eyes.

SB 9.24.65, Purport:

At the end of the Ninth Canto, in the Twenty-fourth Chapter, we find a hint of Kṛṣṇa's beauty. Now we are proceeding to the Tenth Canto, which is considered Kṛṣṇa's head. The entire Śrīmad-Bhāgavata Purāṇa is the embodiment of Kṛṣṇa's form, and the Tenth Canto is His face. This verse gives a hint of how beautiful His face is. Kṛṣṇa's smiling face, with His cheeks, His lips, the ornaments in His ears, His chewing of betel nuts—all this was minutely observed by the gopīs, who thus enjoyed transcendental bliss, so much so that they were never fully satisfied to see Kṛṣṇa's face, but instead condemned the creator of the body for making eyelids that obstructed their vision. The beauty of Kṛṣṇa's face was therefore much more appreciated by the gopīs than by His friends the cowherd boys or even by Yaśodā Mātā, who was also interested in decorating the face of Kṛṣṇa.

SB Cantos 10.14 to 12 (Translations Only)

SB 10.23.22, Translation:

His complexion was dark blue and His garment golden. Wearing a peacock feather, colored minerals, sprigs of flower buds, and a garland of forest flowers and leaves, He was dressed just like a dramatic dancer. He rested one hand upon the shoulder of a friend and with the other twirled a lotus. Lilies graced His ears, His hair hung down over His cheeks, and His lotuslike face was smiling.

SB 10.29.39, Translation:

Seeing Your face encircled by curling locks of hair, Your cheeks beautified by earrings, Your lips full of nectar, and Your smiling glance, and also seeing Your two imposing arms, which take away our fear, and Your chest, which is the only source of pleasure for the goddess of fortune, we must become Your maidservants.

SB 10.33.7, Translation:

As the gopīs sang in praise of Kṛṣṇa, their feet danced, their hands gestured, and their eyebrows moved with playful smiles. With their braids and belts tied tight, their waists bending, their faces perspiring, the garments on their breasts moving this way and that, and their earrings swinging on their cheeks, Lord Kṛṣṇa's young consorts shone like streaks of lightning in a mass of clouds.

SB 10.33.12, Translation:

Next to Kṛṣṇa's cheek one gopī put her own, beautified by the effulgence of her earrings, which glittered as she danced. Kṛṣṇa then carefully gave her the betel nut He was chewing.

SB 10.33.15, Translation:

Enhancing the beauty of the gopīs' faces were the lotus flowers behind their ears, the locks of hair decorating their cheeks, and drops of perspiration. The reverberation of their armlets and ankle bells made a loud musical sound, and their chaplets scattered. Thus the gopīs danced with the Supreme Lord in the arena of the rāsa dance as swarms of bees sang in accompaniment.

SB 10.33.21, Translation:

The gopīs honored their hero with smiling glances sweetened by the beauty of their cheeks and the effulgence of their curly locks and glittering golden earrings. Overjoyed from the touch of His fingernails, they chanted the glories of His all-auspicious transcendental pastimes.

SB 10.35.2-3, Translation:

The gopīs said: When Mukunda vibrates the flute He has placed to His lips, stopping its holes with His tender fingers, He rests His left cheek on His left arm and makes His eyebrows dance. At that time the demigoddesses traveling in the sky with their husbands, the Siddhas, become amazed. As those ladies listen, they are embarrassed to find their minds yielding to the pursuit of lusty desires, and in their distress they are unaware that the belts of their garments are loosening.

SB 10.35.24-25, Translation:

As Kṛṣṇa respectfully greets His well-wishing friends, His eyes roll slightly as if from intoxication. He wears a flower garland, and the beauty of His soft cheeks is accentuated by the brilliance of His golden earrings and the whiteness of His face, which has the color of a badara berry. With His cheerful face resembling the moon, lord of the night, the Lord of the Yadus moves with the grace of a regal elephant. Thus He returns in the evening, delivering the cows of Vraja from the heat of the day.

SB 10.38.9, Translation:

Surely I shall see the face of Lord Mukunda, since the deer are now walking past me on my right. That face, framed by His curly hair, is beautified by His attractive cheeks and nose, His smiling glances and His reddish lotus eyes.

SB 10.39.20, Translation:

Having shown us Mukunda's face, framed by dark locks and beautified by His fine cheeks, raised nose and gentle smiles, which eradicate all misery, you are now making that face invisible. This behavior of yours is not at all good.

SB 10.39.46-48, Translation:

Akrūra then saw the Supreme Personality of Godhead lying peacefully on the lap of Lord Ananta Śeṣa. The complexion of that Supreme Person was like a dark-blue cloud. He wore yellow garments and had four arms and reddish lotus-petal eyes. His face looked attractive and cheerful with its smiling, endearing glance and lovely eyebrows, its raised nose and finely formed ears, and its beautiful cheeks and reddish lips. The Lord's broad shoulders and expansive chest were beautiful, and His arms long and stout. His neck resembled a conchshell, His navel was deep, and His abdomen bore lines like those on a banyan leaf

SB 10.46.45, Translation:

As they pulled on the churning ropes with their bangled arms, the women of Vraja shone with the splendor of their jewels, which reflected the lamps' light. Their hips, breasts and necklaces moved about, and their faces, anointed with reddish kuṅkuma, glowed radiantly with the luster of their earrings reflecting from their cheeks.

SB 10.51.1-6, Translation:

Śukadeva Gosvāmī said: Kālayavana saw the Lord come out from Mathurā like the rising moon. The Lord was most beautiful to behold, with His dark-blue complexion and yellow silk garment. Upon His chest He bore the mark of Śrīvatsa, and the Kaustubha gem adorned His neck. His four arms were sturdy and long. He displayed His ever-joyful lotuslike face, with eyes pink like lotuses, beautifully effulgent cheeks, a pristine smile and glittering shark-shaped earrings. The barbarian thought, "This person must indeed be Vāsudeva, since He possesses the characteristics Nārada mentioned: He is marked with Śrīvatsa, He has four arms, His eyes are like lotuses, He wears a garland of forest flowers, and He is extremely handsome. He cannot be anyone else. Since He goes on foot and unarmed, I will fight Him without weapons." Resolving thus, he ran after the Lord, who turned His back and ran away. Kālayavana hoped to catch Lord Kṛṣṇa, though great mystic yogīs cannot attain Him.

SB 10.83.29, Translation:

I lifted my face, which was encircled by my abundant locks and effulgent from the glow of my earrings reflected from my cheeks. Smiling coolly, I glanced about. Then, looking around at all the kings, I slowly placed the necklace on the shoulder of Murāri, who had captured my heart.

Sri Caitanya-caritamrta

CC Adi-lila

CC Adi 10.14, Purport:

Śrī Caitanya Mahāprabhu called Puṇḍarīka Vidyānidhi "father," and He gave him the title Premanidhi. Puṇḍarīka Vidyānidhi later became the spiritual master of Gadādhara Paṇḍita and an intimate friend of Svarūpa Dāmodara's. Gadādhara Paṇḍita at first misunderstood Puṇḍarīka Vidyānidhi to be an ordinary pounds-and-shillings man, but later, upon being corrected by Śrī Caitanya Mahāprabhu, he became his disciple. Another incident in the life of Puṇḍarīka Vidyānidhi involves his criticizing the priest of the Jagannātha temple, for which Jagannātha Prabhu chastised him personally by slapping his cheeks. This is described in Śrī Caitanya-bhāgavata, Antya-khaṇḍa, Chapter Ten. Śrī Bhaktisiddhānta Sarasvatī Ṭhākura informs us that during his time there were still two living descendants of the family of Puṇḍarīka Vidyānidhi, who were named Śrī Harakumāra Smṛtitīrtha and Śrī Kṛṣṇakiṅkara Vidyālaṅkāra. For further information one should refer to the dictionary known as Vaiṣṇava-mañjuṣā.

CC Adi 11.20, Translation:

There were many extraordinary activities performed by Murāri, a great devotee of Lord Caitanya Mahāprabhu. Sometimes in his ecstasy he would slap the cheek of a tiger, and sometimes he would play with a venomous snake.

CC Adi 11.20, Purport:

In the Caitanya-bhāgavata, Antya-khaṇḍa, Chapter Five, there is the following statement: "Murāri Caitanya dāsa had no material bodily features, for he was completely spiritual. Thus he would sometimes chase after tigers in the jungle and treat them just like cats and dogs. He would slap the cheek of a tiger and take a venomous snake on his lap. He had no fear for his external body, of which he was completely forgetful. He could spend all twenty-four hours of the day chanting the Hare Kṛṣṇa mahā-mantra or speaking about Lord Caitanya and Nityānanda. Sometimes he would remain submerged in water for two or three days, but he would feel no bodily inconvenience. Thus he behaved almost like stone or wood, but he always used his energy in chanting the Hare Kṛṣṇa mahā-mantra. No one can describe his specific characteristics, but it is understood that wherever Murāri Caitanya dāsa passed, whoever was present would be enlightened in Kṛṣṇa consciousness simply by the atmosphere he created."”

CC Adi 17.190, Translation:
“"My beard was burned, and there were blisters on my cheeks." Every orderly who went gave the same description.""

CC Madhya-lila

CC Madhya 15.281, Translation:

Not only did Amogha beg the Lord's pardon, but he also began slapping his own cheeks, saying, "By this mouth I have blasphemed You."

CC Madhya 15.282, Translation:

Indeed, Amogha continued slapping his face over and over until his cheeks were swollen. Finally Gopīnātha Ācārya stopped him by catching hold of his hands.

CC Madhya 16.81, Translation:

Although his cheeks were swollen from the slapping, Puṇḍarīka Vidyānidhi was very happy within. This incident has been elaborately described by Ṭhākura Vṛndāvana dāsa.

CC Madhya 21.123, Translation:
“"All men and women were accustomed to enjoying the beauty of the shining face of Lord Kṛṣṇa, as well as His shark-shaped earrings swinging on His ears. His beautiful features, His cheeks and His playful smiles all combined to form a constant festival for the eyes, and the blinking of the eyes became obstacles that impeded one from seeing that beauty. For this reason, men and women became very angry at the creator (Lord Brahmā).""
CC Madhya 21.126, Translation and Purport:
“The face of Kṛṣṇa is the king of all moons, and the body of Kṛṣṇa is the throne. Thus the king governs a society of moons."
Kṛṣṇa's face is considered the king of moons, and His body is considered the throne. All the other candras (moons) are considered to be subordinate moons. His left cheek is a moon, and His right cheek is a moon. His forehead is considered a half moon, the spot of sandalwood pulp on His forehead is considered a moon, and His fingernails and toenails are also different moons.
CC Madhya 21.127, Translation:
“Kṛṣṇa has two cheeks that shine like glowing gems. Both are considered full moons. His forehead is considered a half moon, and the spot of sandalwood there is considered a full moon."
CC Madhya 24.50, Translation:
“"Dear Kṛṣṇa, we have simply surrendered ourselves as Your maidservants, for we have seen Your beautiful face decorated with tresses of hair, Your earrings falling upon Your cheeks, the nectar of Your lips, and the beauty of Your smile. Indeed, because we have also been embraced by Your arms, which give us courage, and seen Your chest, which is beautiful and broad, we have surrendered ourselves.""

CC Antya-lila

CC Antya 1.171, Translation:

""When Śrīmatī Rādhārāṇī smiles, waves of joy flow over Her cheeks, and Her arched eyebrows dance like the bow of Cupid. Her glance is so enchanting that it is like a dancing bumblebee moving unsteadily due to intoxication. That bee has bitten the whorl of My heart.""

CC Antya 15.70, Translation:

""Dear Kṛṣṇa, by seeing Your beautiful face decorated with tresses of hair, by seeing the beauty of Your earrings falling on Your cheeks, and by seeing the nectar of Your lips, the beauty of Your smiling glances, Your two arms, which assure complete fearlessness, and Your broad chest, whose beauty arouses conjugal attraction, we have simply surrendered ourselves to becoming Your maidservants.""

CC Antya 15.73, Translation:
“The earrings dancing on Kṛṣṇa's cheeks are shaped like sharks, and they shine very brightly. These dancing earrings attract the minds of all women. Over and above this, Kṛṣṇa pierces the hearts of women with the arrows of His sweetly smiling glances. He is not at all afraid to kill women in this way."
CC Antya 19.59, Translation:

Blood oozed from the many injuries on His mouth, nose and cheeks, but due to His ecstatic emotions, the Lord did not know it.

Other Books by Srila Prabhupada

Teachings of Lord Caitanya

Teachings of Lord Caitanya, Chapter 10:

The Vedic hymn known as kāma-gāyatrī describes the face of Kṛṣṇa as the king of all moons. In metaphorical language, there are many different moons, but they are all one in Kṛṣṇa. There is the moon of His mouth, the moon of His cheeks, the moonspots of sandalwood pulp on His body, the moons of the fingertips of His hands and the moons of the tips of His toes. In this way there are twenty-four and a half moons, and Kṛṣṇa is the central figure of all of them.

Nectar of Devotion

Nectar of Devotion 30:

It is stated in the Tenth Canto, Thirty-third Chapter, verse 11, of Śrīmad-Bhāgavatam, "Upon seeing that Kṛṣṇa's arm was placed on her shoulder, one of the gopīs engaged in the rāsa dance became so ecstatically happy that she kissed Kṛṣṇa on His cheek." This is an instance of feeling happiness because of achieving a desired goal.

Nectar of Devotion 31:

When Devakī, the mother of Kṛṣṇa, saw her son very jubilant in the presence of the wrestlers in Kaṁsa's arena, two kinds of tears were simultaneously gliding down her cheeks: sometimes her tears were warm, and sometimes they were cold. This is an instance of a conjunction of jubilation and lamentation due to different causes of ecstatic love.

Nectar of Devotion 32:

When mother Yaśodā heard that Kṛṣṇa's cows were being forcibly moved by the strong servants of Kaṁsa and that the tender cowherd boys were trying to protect their cows, she began to think, "How can I protect these poor boys from the invasion of Kaṁsa's servants?" This is an instance of a superior attitude in a devotee. As soon as mother Yaśodā found her son Kṛṣṇa returning from the pasturing ground, she immediately began to pat Him, touching her fingers to the cheeks of the Lord.

Nectar of Devotion 33:

The best example of a dharma-vīra is Mahārāja Yudhiṣṭhira. A devotee once told Kṛṣṇa, "My dear Kṛṣṇa, O killer of all demons, Mahārāja Yudhiṣṭhira, the eldest son of Mahārāja Pāṇḍu, has performed all kinds of sacrifices just to please You. He has always invited the heavenly King, Indra, to take part in the yajñas (sacrifices). Because King Indra was thus absent so often from Śacīdevī, she had to pass much of her time pining over Indra's absence, with her cheeks upon her hands."

Nectar of Devotion 41:

There is a description of Kṛṣṇa's feeling for His vayasyas in Vṛndāvana. He once said to Balarāma, "My dear brother, when My companions were being devoured by the Aghāsura, hot tears poured down from My eyes. And as they were washing My cheeks, My dear elder brother, for at least one moment I completely lost Myself."

Nectar of Devotion 41:

One devotee described the personal beauty of Baladeva as follows "Let me take shelter of the lotus feet of Balarāma, whose beauty is enhanced by the earrings touching His cheeks. His face is decorated with tilaka made from kastūrī (musk), and His broad chest is decorated with a garland of guñjā (small conchshells). His complexion is as white as an autumn cloud, He wears garments of blue color, and His voice is very grave. His arms are very long, touching His thighs, and He has shown His great strength by killing the Pralamba demon. Let me take shelter of this chivalrous Balarāma."

Nectar of Devotion 42:

Kṛṣṇa's paugaṇḍa age can be further divided into three periods—namely the beginning, middle and end. In the beginning of the paugaṇḍa age there is a very nice reddish luster on His lips, His abdomen is very thin, and on His neck are circles like those on a conchshell. Sometimes, some outside visitors would return to Vṛndāvana to see Kṛṣṇa and, upon seeing Him again, would exclaim, "My dear Mukunda, Your beauty is gradually increasing, just like the leaf on a banyan tree! My dear lotus-eyed one, Your neck is gradually manifesting circles like those of the conchshell. And in the shining moonlight Your teeth and cheeks are competing with the padmarāga jewels in their beautiful arrangement. I am sure that Your beautiful bodily development is now giving much pleasure to Your friends."

Nectar of Devotion 42:

When Kṛṣṇa is more grown up, in the middle age of paugaṇḍa, His nails become finely sharp, and His chubby cheeks become lustrous and round. On the two sides of His waist above His belt there are three distinct lines of folded skin, called trivalī.

Nectar of Devotion 42:

The cowherd boyfriends of Kṛṣṇa felt very proud of their association with Him. At that time the tip of His nose defeated the beauty of sesame flowers, the luster of His cheeks defeated the glow of pearls, and the two sides of His body were exquisitely beautiful. In this age Kṛṣṇa wore a silk dress that glittered like lightning, His head was decorated with a silk turban covered with gold lace, and in His hand He carried a stick about fifty-six inches long.* Seeing this exquisitely beautiful dress of Kṛṣṇa, one devotee addressed his friend in this manner: "My dear friend, just look at Kṛṣṇa! See how He is carrying in His hand a stick which is bound up and down with golden rings, how His turban with golden lace is showing such a beautiful luster, and how His dress is giving His friends the highest transcendental pleasure!"

Nectar of Devotion 45:

When one is smiling but his teeth are not visible, one can distinctly mark a definite change in the eyes and in the cheeks. This is called smita smiling. Once when Kṛṣṇa was stealing yogurt, Jaratī, the headmistress of the house, could detect His activities, and she was therefore coming very hurriedly to catch Him. At that time, Kṛṣṇa became very much afraid of Jaratī and went to His elder brother, Baladeva. He said, "My dear brother, I have stolen yogurt! Just see—Jaratī is coming hurriedly to catch Me!" When Kṛṣṇa was thus seeking the shelter of Baladeva because He was being chased by Jaratī, all the great sages in the heavenly planets began to smile. This smiling is called smita smiling.

Nectar of Devotion 49:
The following example contains a mixture of ecstatic fraternity and laughter, taken respectively as the whole and part. When Kṛṣṇa saw that Subala, in the dress of Rādhārāṇī, was silently hiding under the shade of a beautiful aśoka tree on the bank of the Yamunā, He immediately arose from His seat in surprise. Upon seeing Kṛṣṇa, Subala tried to hide his laughter by covering his cheeks. There is also an example of a mixture of parental love and compassion in devotional service. When mother Yaśodā was thinking that her son was walking in the forest without any umbrella or shoes, she became greatly perturbed to think of how much difficulty Kṛṣṇa must have been feeling. In this example the whole is the parental love, and the part is compassion.
Nectar of Devotion 49:

When Kubjā caught hold of Kṛṣṇa's yellow garment because she was feeling almost lusty with sex urge, Kṛṣṇa simply bowed down His head with His cheeks glowing in front of the many people who were standing there and laughing. This is an example of a mixture of ecstatic conjugal love and laughter. The laughter is taken as the whole, and the conjugal love is taken as the part.

Nectar of Devotion 50:

In the Lalita-mādhava of Śrīla Rūpa Gosvāmī it is stated, "After Kṛṣṇa's arrival in Kaṁsa's arena, Kaṁsa's priest looked at Kṛṣṇa with a detestful expression. The entire arena was filled with dread on the part of Kaṁsa and his priest and restless expressions of pleasure on the cheeks of Kṛṣṇa's friends. Frustration was felt by His envious rivals. The great sages meditated. Hot tears were in the eyes of Devakī and other motherly ladies, and hairs stood on the bodies of the expert warriors. There was astonishment in the hearts of demigods such as Indra. The servants danced, and the restless eyes of all the young girls glanced about." In this statement there is a description of a combination of different mellows, but there is no incompatibility.

Krsna, The Supreme Personality of Godhead

Krsna Book 33:

As the gopīs and Kṛṣṇa danced together, a very blissful musical sound was produced from the tinkling of their bells, ornaments and bangles. It appeared that Kṛṣṇa was a greenish sapphire locket in the midst of a golden necklace decorated with valuable stones. While Kṛṣṇa and the gopīs danced, they displayed extraordinary bodily features. The movements of their legs, their placing their hands on one another, the movements of their eyebrows, their smiling, the movements of the breasts of the gopīs and their clothes, their earrings, their cheeks, their hair with flowers—as they sang and danced these combined to appear like clouds, thunder, snow and lightning. Kṛṣṇa's bodily features appeared just like a group of clouds, the gopīs' songs were like thunder, their beauty appeared to be just like lightning in the sky, and the drops of perspiration visible on their faces appeared like falling snow. In this way, the gopīs and Kṛṣṇa fully engaged in dancing.

Krsna Book 33:

When some of the gopīs became very tired from dancing and moving their bodies, they placed their hands on the shoulders of Śrī Kṛṣṇa. Then their hair loosened and flowers fell to the ground. When they placed their hands on Kṛṣṇa's shoulder they became overwhelmed by the fragrance of His body, which emanated from the lotus, other aromatic flowers and the pulp of sandalwood. They became filled with attraction for Him, and they began to kiss Him. Some gopīs touched Kṛṣṇa cheek to cheek, and Kṛṣṇa began to offer them chewed betel nuts from His mouth, which they accepted with great pleasure by kissing. And by accepting those betel nuts, the gopīs spiritually advanced.

Krsna Book 33:

Śrīla Śukadeva Gosvāmī has remarked that Kṛṣṇa is self-sufficient—He is ātmārāma. He doesn’t need anyone else for His satisfaction. Because the gopīs wanted Kṛṣṇa as their husband, He fulfilled their desire. When Kṛṣṇa saw that the gopīs were tired from dancing with Him, He immediately began to wipe His hands over their faces so that their fatigue would be relieved. In order to reciprocate the kind hospitality of Kṛṣṇa, the gopīs began to look at Him lovingly. They were overjoyed by the auspicious touch of the hand of Kṛṣṇa. Their smiling cheeks shone with beauty, and they began to sing the glories of Kṛṣṇa with transcendental pleasure. As pure devotees, the more the gopīs enjoyed Kṛṣṇa's company, the more they became enlightened with His glories, and thus they reciprocated with Him. They wanted to satisfy Kṛṣṇa by glorifying His transcendental pastimes. Kṛṣṇa is the Supreme Personality of Godhead, the master of all masters, and the gopīs wanted to worship Him for His unusual exhibition of mercy upon them.

Krsna Book 42:

Kṛṣṇa cannot be pleased by any action other than transcendental loving service unto Him. Thinking like this, Lord Kṛṣṇa pressed the feet of the hunchbacked woman with His toes and, capturing her cheeks with His fingers, gave her a jerk in order to make her straight. At once the hunchbacked woman became a beautiful straight girl, with broad hips, thin waist and very nice, well-shaped breasts. Since Kṛṣṇa was pleased with the service of the hunchbacked woman, and since she was touched by Kṛṣṇa's hands, she became the most beautiful girl among women. This incident shows that by serving Kṛṣṇa the devotee immediately becomes elevated to the most exalted position in all respects. Devotional service is so potent that anyone who takes to it becomes qualified with all godly qualities. Kṛṣṇa was attracted to the hunchbacked woman not for her beauty but for her service; as soon as she rendered service, she immediately became the most beautiful woman. A Kṛṣṇa conscious person does not have to be qualified or beautiful; after becoming Kṛṣṇa conscious and rendering service unto Kṛṣṇa, he becomes very much qualified and beautiful.

Krsna Book 45:

First of all They learned how to sing, how to compose songs and how to recognize the different tunes; They learned the favorable and unfavorable accents and meters, how to sing different kinds of rhythms and melodies, and how to follow them by beating different kinds of drums. They learned how to dance to the rhythm of melody and different songs. They learned how to write dramas, and They learned the various types of painting, beginning from simple village arts up to the highest perfectional stage. They also learned how to paint tilaka on the face by making different kinds of dots on the forehead and cheeks. Then They learned the art of making paintings on the floor with a liquid paste of rice and flour; such paintings are very popular at auspicious ceremonies performed at household affairs or in the temple. They learned how to make a resting place with flowers and how to decorate clothing and limbs with colorful paintings. They also learned how to set valuable jewels in ornaments.

Krsna Book 82:

While the men were meeting in that way, the women also met one another in the same manner. They embraced one another in great friendship, smiling very mildly, and looked at one another with much affection. When they were embracing one another in their arms, the saffron and kuṅkuma spread on their breasts was exchanged from one person to another, and they all felt heavenly ecstasy. Due to such heart-to-heart embracing, torrents of tears glided down their cheeks. The juniors were offering obeisances to the elders, and the elders were offering their blessings to the juniors. They thus welcomed one another and asked after one another's welfare. Ultimately, however, all their talk was only of Kṛṣṇa. All the neighbors and relatives were connected with Lord Kṛṣṇa's pastimes in this world, and as such Kṛṣṇa was the center of all their activities. Whatever activities they performed—social, political, religious or conventional—were transcendental.

Renunciation Through Wisdom

Renunciation Through Wisdom 4.2:

We understand from Lord Caitanya's teachings and exemplary actions that it is our duty to follow the instructions of the Bhagavad-gītā favorably. During Lord Caitanya's tour of South India, when He entered the premises of the Śrī Raṅganātha temple, He came upon a simple brāhmaṇa engrossed in reading the Bhagavad-gītā. The Lord was overjoyed to see how attentively the brāhmaṇa was reading, and how tears were streaming down his cheeks. Other brāhmaṇas sitting nearby knew that he was illiterate, and so they wondered how he could possibly read the Gītā.

Lectures

Bhagavad-gita As It Is Lectures

Lecture on BG 7.3 -- London, March 11, 1975:

But actually, they do not see that these devotees are engaged in working twenty-four hours but not for sense gratification like the hogs, but for satisfaction of Kṛṣṇa. That is the difference between Kṛṣṇa consciousness man and ordinary man, karmī man. Therefore Kṛṣṇa says that all these men, they are engaged. But the śāstra says, "No, no. You live with the minimum necessities. Don't increase your necessities unnecessarily." This is Vedic civilization. And the modern civilization is even increase your necessities—a machine for shaving your cheek. You see? Another machine, another attention diversion. More machine means more diversion of attention. I have to take care, more technician, more technologies. Simply if one razor can shave, can make my cheek very clean, where is the necessity? Formerly, at least we Indian know that go to a blacksmith and he prepares a razor, very nice razor. You pay him four annas, and it will last for your life and shave your cheek very nicely, daily or occasionally. But the modern civilization means that in everything there must be machine. That is the advancement of material... But the śāstra says, "What is the use of taking so much labor?" Kaṣṭān kāmān. Kaṣṭān means with so much labor. If you create some convenience by the so-called machine use, you create so many other inconveniences.

Srimad-Bhagavatam Lectures

Lecture on SB 1.2.17 -- Vrndavana, October 28, 1972:

So we should be very much careful. Careful... It is said, kṣurasya dhārā niśitā duratyayā. The spiritual path, Kṛṣṇa consciousness path, is just like sharpened razor. You take your sharpened razor and shave your cheek. If you are expert, it will be very clean-shaved. But if you are not expert, there is little inattention, immediately cut and blood. Kṣurasya dhārā. This is an example. Durgaṁ pathas tat kavayo vadanti. But the safest way... Here it is stated in the Śrīmad-Bhāgavatam, śṛṇvatāṁ sva-kathāḥ kṛṣṇaḥ (SB 1.2.17). If we attentively hear about Kṛṣṇa, puṇya-śravaṇa-kīrtanaḥ, if we hear about Kṛṣṇa, it doesn't matter what I am, but simply by hearing Kṛṣṇa, about Kṛṣṇa, I shall acquire some resultant action of pious activities. Just like there is the Bhāgavata-saptāha. You, within a week, nobody can understand what is Bhāgavata. And the speaker also does not know what he's speaking. But because somehow or other, they're hearing about Kṛṣṇa, there is some pious resultant action. That's a fact.

Lecture on SB 2.3.19 -- Los Angeles, June 15, 1972:

Just like if you are passing through thorns, you must be very careful. Otherwise the thorns will be stuck up with your garment, and you will be inconvenienced. It is said in the Vedas, kṣurasya dhārā niśitā duratyayā. Just like we shave with razor. Razor is very sharp. So if we can carefully handle the razor, we get our cheeks very cleansed, that business is done. But little inattention, immediately cut and there will be blood. Little inattention. That example is given. Kṣurasya dhārā niśitā duratyayā durgaṁ pathas tat kavayo vadanti. The path of salvation is very difficult. Just like we are trying to go back to home, back to Godhead, Kṛṣṇa. The path is very difficult. Kṣurasya dhārā niśitā duratyayā durgam. Durgam means very difficult to pass over. But little attention will save you. Little attention, that "I am passing through a very dangerous way, so I must be very careful." So our attention should always be how we are executing our spiritual life.

Lecture on SB 7.12.4 -- Bombay, April 15, 1976:

Just like we take some blankets, we can spread anywhere and sit down. Deerskin, it is said that if you have got deerskin, you can sleep in the jungle; the snake will not touch you. That is the dravya-guṇa, the special effect of deerskin. Either tigerskin or deerskin, if you sit down, if you sleep, the snakes will not come. This is also very scientific. Therefore, because the brahmacārīs used to live in the jungle, it was essential. But on the whole the huts are(?) recommended, not that gorgeous dress, very nice bedstead or... As far as possible, yāvad-artha, whatever is absolutely necessary... That is Vedic civilization. Vedic civilization does not recommend that artificially you increase your necessities, life, and there is so much trouble. Just like nowadays in your country the machine is there in every respect. Even for shaving your cheek you require a machine. So this increasing the artificial necessities of life is possible when there is no higher thought. After all, we are thoughtful. We have got better consciousness in the human form of life than the animals. Our consciousness is developed. But because in this age, material world, we have no spiritual idea, so whatever power we have got in thinking, we are trying to increase artificially material way of life. "The idle brain is a devil's workshop."

Philosophy Discussions

Philosophy Discussion on Jean-Paul Sartre:

Śyāmasundara: There are certain events that we cannot control. They simply happen to us.

Prabhupāda: Cannot control, that can be accepted. But it is supposed that we have controlling power. Nothing is accident. Sometimes, when you are miscontrolling, that is accident. But actually that is not accident; that is your miscontrol, not accident. The reason is miscontrol.

Śyāmasundara: Ah, miscontrol.

Prabhupāda: Yes. Because you are responsible, as soon as you act irresponsibly something happens which you take as accident. It is miscontrol. It is not accident. The same thing, just like I am shaving with control, and as soon as I am inattentive, it may cut my cheek. But it is not accident. It is due to my inattention. Nothing is accident. I am responsible for shaving, but as soon as I become inattentive, my cheek is cut. That is not accident. That is due to my inattention. So there is nothing like accident.

Conversations and Morning Walks

1974 Conversations and Morning Walks

Morning Walk -- March 31, 1974, Bombay:

Prabhupāda: Brahma-bhūyāya... Yes. (break) ...only process to take to bhakti-yoga. (break) ...Hare Kṛṣṇa means always remain guṇātīta.

Mr. Sar: Yes, correct. Because you are always... (break)

Prabhupāda: ...Kṛṣṇa. Definitely. (break) ...not independently. (break)

Guest (5): ...why the Jesus says you offer the other cheek? Which is better? Is the choice of us to be violent or nonviolent?

Prabhupāda: Yes. The persons to whom Jesus Christ taught, they were already fighting. Therefore his first injunction is "Thou shalt not kill." They were already killers. You see? And Arjuna is a gentleman. He was thinking before killing. Therefore he has to be induced, "You kill like this." But they were already killers. Otherwise why Jesus Christ said, "Thou shalt not kill"? That means that society was accustomed to kill. (break) Yes, that (indistinct) circumstance.

1976 Conversations and Morning Walks

Morning Walk -- May 12, 1976, Honolulu:

Prabhupāda: Then don't call yourself scientist. The problems are there. You cannot solve them. (break) ...intelligent way of defeating so-called scientists. (break)

Puṣṭa Kṛṣṇa: You are asking us to make solution...

Prabhupāda: That is my problem. If anyone can solve this problem, I will call him scientist. That is everyone's problem. The artists, they are trying to remain young, especially the ladies. And still, the scientist cannot stop this, that "No more becoming old, old." Then where is your improvement? You have invented some cosmetic. You apply it, and your, what is called, hollow cheek will be swollen up.

Puṣṭa Kṛṣṇa: Prabhupāda, in London recently, just like they have plastic grass, they have plastic trees, they have a plastic woman.

Prabhupāda: That is all right, but the plastic woman will not satisfy me.

Correspondence

1970 Correspondence

Letter to Mandali Bhadra -- Los Angeles 3 February, 1970:

So actually Krishna Consciousness is personal. Anyone who understands the philosophy is benefited. It does not mean that a Krishna Conscious person has to leave a legacy as far as possible, but at the end it depends on a particular person's fortune to accept it or reject it. The point is very delicate. The example is given in the Upanisad just like manipulating a sharpened razor; if one is careful in plying the razor on the cheek there is clean shaving, but a little inattention makes the same cheek a bloody affair. So we have to remain very much careful in Krishna Consciousness and the method is also very simple—to chant regularly the beads and follow the rules and regulations.

Letter to Mahananda (Michael) -- Los Angeles 29 March, 1970:

But a little inattention may cause our falling down into the clutches of Maya. The path of Krsna Consciousness is compared in the Vedas with a sharpened razor blade. If you carefully manipulate it, the blade helps by clean shaving; but a little inattention causes a bloody cheek. So this example we should always remember and carefully manipulate the blade of Krsna Consciousness.

Page Title:Cheeks
Compiler:Sahadeva, Serene
Created:08 of Apr, 2012
Totals by Section:BG=0, SB=29, CC=15, OB=21, Lec=5, Con=2, Let=2
No. of Quotes:74