Category:Lalita-madhava
"Lalita-madhava"
- Lalita-mādhava-nāṭaka
Subcategories
This category has the following 2 subcategories, out of 2 total.
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L
Pages in category "Lalita-madhava"
The following 36 pages are in this category, out of 36 total.
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- In the Fourth Chapter of the Lalita-madhava (4.19), Krsna addresses Uddhava as follows: My dear friend, the form of Govinda, the cowherd boy, attracts Me. Indeed, I wish to be like the damsels of Vraja, who are also attracted by this form of Govinda
- In the Lalita-madhava by Rupa Gosvami there is the following statement by Daruka, one of the servants of Krsna
- In the Lalita-madhava of Srila Rupa Gosvami it is stated, "After Krsna's arrival in Kamsa's arena, Kamsa's priest looked at Krsna with a detestful expression"
- In the Lalita-madhava, Krsna is addressed as follows, "My dear Krsna, when You are engaged in herding the animals, the dust caused by the hooves of the calves and cows covers Your nice face and artistic tilaka, and You appear very dusty"
- In the Lalita-madhava, Rupa Gosvami explains that the movements of Krsna's eyebrows are just like the Yamuna, and the smiling of Radharani is just like the moonshine
- In the same Lalita-madhava there is an account of Krsna's kidnapping Rukmini at her royal marriage ceremony. At that time all of the princes present began to converse amongst themselves
- In this way (by taking shelter of the six Gosvamis by reading the Bhakti-rasamrta-sindhu, Vidagdha-madhava, Lalita-madhava and the other books) one can understand the transcendental loving affairs between Radha and Krsna
- It is even impudent for me (Rupa Gosvami) to open my mouth before you (Ramananda Raya). Then, having said this, he recited the introductory verse of the Lalita-madhava
R
- Regarding Krsna's attractive features being ever fresh, there is a statement by Radharani in the Lalita-madhava in which Krsna is compared to the greatest sculptor, because He is expert in chiseling at the chastity of women
- Rupa Gosvami also compiled two important dramas named Vidagdha-madhava and Lalita-madhava
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- Srila Rupa Gosvami also compiled two important dramas named Vidagdha-madhava and Lalita-madhava, from which one can understand all the mellows derived from the pastimes of Lord Krsna
- Srila Rupa Gosvami could compose verses according to the desires of Sri Caitanya Mahaprabhu, and by His direction he wrote two books named Lalita-madhava and Vidagdha-madhava
- Srila Rupa Gosvami has given many other books, such as Bhakti-rasamrta-sindhu, Vidagdha-madhava and Lalita-madhava, but Upadesamrta constitutes the first instructions for neophyte devotees
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- The books compiled by Sri Rupa Gosvami include the Bhakti-rasamrta-sindhu, Vidagdha-madhava, Ujjvala-nilamani and Lalita-madhava
- The fifth (part of the Lalita-madhava deals) with the achievement of Candravali, the sixth with the achievement of Lalita, the seventh with the meeting in Nava-vrndavana, the eighth with the enjoyment in Nava-vrndavana
- The fifth part (of Lalita-madhava) deals with the achievement of Candravali, the sixth with the achievement of Lalita, the seventh with the meeting in Nava-vrndavana and the eighth with the enjoyment in Nava-vrndavana
- The first part (of Lalita-madhava) deals with festivities in the evening, the second with the killing of the Sankhacuda, the third with maddened Srimati Radharani and the fourth with Radharani's proceeding toward Krsna
- The first part (of the Lalita-madhava) deals with festivities in the evening, the second with the killing of the Sankhacuda, the third with maddened Srimati Radharani, the fourth with Radharani’s proceeding toward Krsna
- The ninth (part of the Lalita-madhava deals) with looking over pictures, and the tenth with complete satisfaction of the mind. Thus the entire drama is divided into ten parts
- The ninth part (of Lalita-madhava) deals with looking over pictures, and the tenth with complete satisfaction of the mind. Thus the entire drama is divided into ten parts
- The pleasure of the impersonalist, monist philosophers is condemned in the following verse (CC Madhya 19.165), which is also found in Srila Rupa Gosvami’s Lalita-madhava
- There is a similar statement in the Lalita-madhava, "How wonderful it is that Yasoda, the wife of King Nanda, out of her parental fection for Krsna, mixed her tears and the milk from her breasts and thus bathed her dear son Krsna"
- There is a statement in the Lalita-madhava that Lord Baladeva, intoxicated from drinking excessive quantities of honey, once began to address the ants
- This (CC Adi 17.281) is a quotation from the Lalita-madhava (6.54), by Srila Rupa Gosvami
- This (CC Madhya 9.150) is a verse spoken by Narada Muni in the Lalita-madhava-nataka (6.14), a drama written by Srila Rupa Gosvami
- This is a verse (CC Madhya 8.149) from Srila Rupa Gosvami’s Lalita-madhava - 8.34
- This verse (CC Madhya 20.180) is found in the Lalita-madhava (4.19). It was spoken by Vasudeva in Dvaraka
- This verse (CC Madhya 20.182) spoken by Vasudeva in Dvaraka is also recorded by Srila Rupa Gosvami in his Lalita-madhava - 8.34
- This verse (of CC Antya 19.35) is found in the Lalita-madhava (3.25) of Srila Rupa Gosvami
W
- When Ramananda Raya requested Srila Rupa Gosvami to speak further about various portions of the play, Srila Rupa Gosvami briefly quoted his Lalita-madhava
- When Srila Ramananda Raya inquired which of these five Srila Rupa Gosvami had used to accomplish the technical introduction to his drama Lalita-madhava, Rupa Gosvami replied that he had used the introduction technically called udghatyaka