Art (Lectures)

Expressions researched:
"art" |"arts"

Bhagavad-gita As It Is Lectures

Lecture on BG Introduction -- New York, February 19-20, 1966:

So if our intelligence and mind are always engaged in the thought of the Supreme Lord, then naturally our senses are also engaged in the service of the Lord. That is the secret of Bhagavad-gītā. One has to learn this art, how one can be absorbed both by the mind and intelligence twenty-four hours thinking of the Lord. And that will help one to transfer himself into the kingdom of God or in the spiritual atmosphere after leaving this material body.

Lecture on BG 1.1 -- London, July 7, 1973:

Kim akurvata sañjaya (BG 1.1). He was asking his secretary. He was blind man. He was always conducted by his secretary Sañjaya, a very faithful secretary. And he is explaining the Bhagavad-gītā by experiencing, by television within the heart. That art is not yet developed. You have got television through machine, but there is another television—you can see within your heart everything, what is going on outside. So that television was known to... That will be explained by Sañjaya, that by the grace of Vyāsadeva, he learned this televisioning, and he was sitting with his master within the room and he was actually seeing how the fighting is going on. And he was explaining. This is the basic principle of Bhagavad-gītā, I mean, the basic platform. So let us discuss gradually, one after an... Thank you very much. Hare Kṛṣṇa. (break)

Lecture on BG 1.2-3 -- London, July 9, 1973:

Dronācārya was everyone's teacher, ācārya. Ācārya means teacher. Ācāryam upasaṅgamya (BG 1.2). The military teacher. So Duryodhana, he was military teacher of the Pāṇḍavas also. When all of them were children, they were given under the instruction of Dronācārya. Dronācārya was brāhmaṇa, but he knew the military art. Therefore he was appointed teacher for all the boys, the Kauravas.

Lecture on BG 1.2-3 -- London, July 9, 1973:

So—intelligent. This Drupada, the son of Drupada, he was meant for killing Dronācārya. Drupada Mahārāja was not in good terms with Dronācārya. So he performed a yajña to get a son who could kill Dronācārya. That son is this Draupada. So Dronācārya knew that "Drupada Mahārāja has got his son. In future he would kill me." Still, when he was offered to become his disciple, to learn military art, he accepted, "Yes."

Lecture on BG 1.2-3 -- London, July 9, 1973:

But no. Duty is duty. After all, everyone will die; nobody will exist. So nobody should be afraid of death. This is Vedic civilization. Death is inevitable. "As sure as death." Who can avoid death? So being afraid of death, we should not deviate from our duties, real duty. That is Vedic civilization. So Duryodhana wanted to point out "That this boy, your disciple, he... It is fixed up that he's meant for killing you, and he has arranged nicely military phalanx just to defeat you. And he has learned this art from you."

Lecture on BG 1.4-5 -- London, July 10, 1973:

We should not be attached to things as there, but we should try to understand that there is relationship with Kṛṣṇa. And as soon as there is relationship with Kṛṣṇa, we shall properly utilize it. That is Kṛṣṇa consciousness. As soon as we understand that there is relationship with Kṛṣṇa, nirbandhaḥ kṛṣṇa-sambandhe... Everything can be utilized for Kṛṣṇa. Kṛṣṇa is not a stereotyped, stagnant block. Kṛṣṇa is a dynamic force. Therefore everything can be dovetailed in the service of Kṛṣṇa. Simply one should learn the art under proper guidance how to utilize. Then that will be perfect form of Kṛṣṇa consciousness.

Lecture on BG 2.1 -- Ahmedabad, December 6, 1972:

This is the set-up in the first chapter of the Bhagavad-gītā. This is the summary. Now sañjaya uvāca. The Sañjaya is speaking to Dhṛtarāṣṭra. Sañjaya is seeing the battlefield within his heart. That is another television. And by the grace of Vyāsadeva, he learned the art, that he advanced... He was so much advanced that the... Just like we see television, relay from the battlefield, and he, Dhṛtarāṣṭra was blind. And his secretary, Sañjaya, he was speaking.

Lecture on BG 2.2-6 -- Ahmedabad, December 11, 1972:

Madhusūdana means "the killer of Madhu demon" or "the killer or enemy." So his purpose is that "I have to kill Bhīṣmadeva, who is my so kind grandfather, and I have to kill Droṇācārya, who is my teacher, from whom I have learned this military art. So You have killed the demons and Your enemy, and why You are inducing me to kill my guru and my grandfather?" This is his argument. Kathaṁ bhīṣmam ahaṁ saṅkhye droṇaṁ ca madhusūdana, iṣubhiḥ pratiyotsyāmi: (BG 2.4) "They, my grandfather, my teacher, may chastise me, but how I can pierce with arrows their body?"

Lecture on BG 2.9 -- London, August 15, 1973:

Nobody inquires, "From which college you have passed your examination? You have passed M.A. examination? That's all right." And we are concerned, whether you are graduate, postgraduate. That's all. Nobody inquires, "From which college, from which country, from which religion, you have passed your M.A. examination?" No. Similarly, nobody should inquire, "To which religion you belong?" One must see whether he has learned this art, how to love God. That's all. That is religion.

Lecture on BG 2.13 -- New York, March 11, 1966:

The Bhagavad-gītā... Just like it is play. Kṛṣṇa is constant companion of Arjuna. So Arjuna cannot be put into that ignorance. It is for our benefit that by the will of the Lord Kṛṣṇa, Arjuna is put into that sort of ignorance. So he is asking Kṛṣṇa all these questions just like a foolish man, and Kṛṣṇa is giving instruction so that it is being recorded in the history of Mahābhārata for future generations. So here Arjuna, he was declining to fight, declining to fight, that "How can I fight with my grandfather?" You see? "He is respectable. He has brought me up since my father's death. And here is my teacher, Droṇācārya. He has taught me this military art.

Lecture on BG 2.17 -- (with Spanish translator) -- Mexico, February 17, 1975:

So we have to study this very intelligently. Then we'll understand that what is soul, what is the business of the soul, why the soul is entrapped in this bodily, material body, why there are so many varieties, body. This is a great science, and that science is explained in this Bhagavad-gītā. Actually, at the present moment there is no education, because education means to understand my identity. The so-called education which is going on, that is called art. Of course, they also say, "B.A., M.A., Bachelor of Art, Master of Art." It is just learning an art only; it is not education. Just like an electrical electrician. He knows the art how to put the negative and positive wire and bring electricity. That is an art. But that electrician does not know what is the science of understanding soul. The modern education, they are simply giving lessons on some art, generally known as technology. So by that advancement of knowledge we can construct high skyscraper building, nice motorcar, nice airplane, nice machine. That is art. But we do not know what is going to happen next life, my soul. That we do not.

Lecture on BG 2.27-38 -- Los Angeles, December 11, 1968:

A kṣatriya... It is the custom of the kṣatriya that if they are wounded on the back side, he is considered a coward, but if he is wounded on the chest, he is accepted as real kṣatriya. That means he has fought face to face. That is the injunction of military art in Vedic injunction.

Lecture on BG 2.46-62 -- Los Angeles, December 16, 1968:

Tamāla Kṛṣṇa: 50: "A man engaged in devotional service rids himself of both good and bad actions even in this life. Therefore strive for this yoga, O Arjuna, which is the art of all work (BG 2.50)." 51: "The wise, engaged in devotional service, take refuge in the Lord and free themselves from the cycle of birth and death by renouncing the fruits of action in the material world (BG 2.51)."

Prabhupāda: Yes. There is purport?

Tamāla Kṛṣṇa: No. There's a little more to that śloka.

Prabhupāda: All right. Finish.

Lecture on BG 2.49-51 -- New York, April 5, 1966:

The body means the senses. That means anything which we do for sense gratification, that is material. And anything which we do for the satisfaction of the Supreme, that is spiritual platform. That's all. So we have to discriminate "Whether I am working for sense gratification or whether I am working for the satisfaction of the Supreme?" If this art we can learn, then our life becomes spiritualized. Spiritual life does not mean that we have to change something of these activities which we are, already we are engaged, or our form of the body will change to something extraordinary. Nothing. The same body, the same feature, the same activity, same engagement—everything same. But we have to know the art, "Whether these activities are being done from the spiritual platform or from the material platform?"

Lecture on BG 2.49-51 -- New York, April 5, 1966:

Now, in the beginning you require a guide. Without guide, it is not possible. Anything which you want to learn in the beginning, any art or science, you require a guide. Without guide... Just like a small child, when he begins to walk, he requires the help of his elder brother or sister or father or mother to catch, and one step, one step, one step, one step... But when he begins to walk independently, then he doesn't require any help. Similarly, to learn this art, "Whether I am acting on the spiritual platform or on the material platform," you require a spiritual master, guide.

Lecture on BG 2.55-56 -- New York, April 19, 1966:

We are offering daily. After preparing our foodstuff, daily to Kṛṣṇa, there is witness, Mr. Paul. We offer Kṛṣṇa, but Kṛṣṇa does not take it. Whole thing, we eat. You see. He does not regard... He eats! But because His spiritual eating is such that even after His eating, the whole thing is there. Pūrṇasya pūrṇam ādāya pūrṇam evāvaśiṣyate (Īśo Invocation). So we shall not suffer a pinch if we dovetail our desires with the Supreme Lord. Simply we have to learn the art, how to dovetail. That's all. And some of the instances I have already cited to you... Just for the matter of eating. Similarly...

Lecture on BG 2.58-59 -- New York, April 27, 1966:

Just like a soldier, he is simply awaiting the order of the commander. Then his activities are approved, "Oh, he is doing nicely. Yes." By the approval of the commander, he is killing as many persons, and by this killing art, he is being rewarded, "Oh, you are a good soldier."

Lecture on BG 2.58-59 -- New York, April 27, 1966:

Similarly, if we do, if we act according to our mental speculation or mental whims, then we are bound up by the reaction. And if we practice ourself to be active under the direction of the Supreme, then we are free. This is the art. This is the whole art of spiritual life.

Lecture on BG 3.6-10 -- Los Angeles, December 23, 1968:

This Kṛṣṇa consciousness movement is an art of living by which you will feel your senses are fully satisfied, but you are going to be free next life. This is the nice process. And artificially if you want to stop your senses, you will fail. That Kṛṣṇa says, "One who restrains the sense and organs of action but whose mind dwells on sense objects."

Lecture on BG 4.6 -- Bombay, March 26, 1974:

Just like electrician. He can change a refrigerator into a heater, and a heater into a refrigerator. Because the same power, electricity, is working. He knows the art, how to change it. But we cannot do that. That is the difference between Kṛṣṇa and ourselves. Hm. Then

Lecture on BG 4.10 -- Bombay, March 30, 1974:

So everything requires sincerity. Otherwise things are not very difficult. Vīta-rāga-bhaya-krodhā man-mayā mām upāśritāḥ, bahavaḥ (BG 4.10). Kṛṣṇa says, bahavaḥ. Not that one or two. Anyone... "Many who have adopted this means..." Then jñāna-tapasā pūtāḥ: "By knowledge and tapasya, they became purified, and then..." What is that? Mad-bhāvam āgatāḥ. Then come to the stage of bhāva. So to learn this art one, must be first... Just like we are hearing.

Lecture on BG 4.34 -- New York, August 14, 1966:

In the material world also, suppose if I want to learn the art of music. Then I have to find out somebody who is a musician. Without having the association of a musician, nobody can learn the art of music. Or any art. Suppose if you want to become an engineer.

Lecture on BG 5.3-7 -- New York, August 26, 1966:

So in this way, money is not bad. Ev... Nothing is bad. Anything created by God, nothing is bad. But if it is employed in the service of the Lord... Otherwise, it is bad. So for a sannyāsī who has dedicated his life for the service of the Lord, he, he does not hate anything. He can... He knows the art how to employ anything in the service of the Lord. Therefore he does not hate anything. Na dveṣṭi. And na kāṅkṣati. Na kāṅkṣati means he does not desire any money for his personal account. That is the significance. If you offer to a devotee who has renounced his life for the service of the Lord millions of dollars, he can engage. He knows the art how to engage millions of dollars in the service of the Lord, but not a farthing for his own comfort, not a farthing for his own comfort.

Lecture on BG 5.22-29 -- New York, August 31, 1966:

. Anger is unavoidable because in so many things we are frustrated in our dealing that anger is possible. But if we are engaged in Kṛṣṇa consciousness, even we are put into such difficulty... I am very glad to inform you that one of our students is put into some difficulty, but he is very happy simply thinking of this Kṛṣṇa consciousness. Practical. He is... Not very long he is practiced the Kṛṣṇa consciousness, but within a few days he has learned the art. Just now I received telephone that he said that "I am quite happy." So this is such a thing. Kṛṣṇa consciousness can get us even in the greatest... Yasmin sthite guruṇāpi duḥkhena na vicalyate (Bg. 6.20-23). Even one is situated in a very great dangerous point, still, he is not disturbed. This is such a thing, Kṛṣṇa consciousness.

Lecture on BG 6.1 -- Los Angeles, February 13, 1969:

So everyone is searching after ānanda pleasure. But there is different standard of pleasure. The same thing. Somebody are trying to find out pleasure from the material point of view, somebody's trying to find pleasure from speculation, philosophy, poetry of art. And somebody's trying to find out pleasure in the transcendental stage. Everyone is trying to find out pleasure. That is our business only. Why you are working so hard day and night? Because you know, at night, "I shall mix with that girl" or "I shall be mixed with wife, I shall enjoy." The whole, everyone is accepting all kinds of trouble to find out that pleasure.

Lecture on BG 7.1 -- Los Angeles, December 2, 1968:

So try to be attached to Kṛṣṇa. And why you shall not be attached to Kṛṣṇa? So many nice things in Kṛṣṇa consciousness? We have got arts, we have painting, we have got dancing, we have got music, we have got first-class food, we have got first-class dress, first-class health, everything first class. It is only the foolish rascal that he'll not be attached to these first-class things. Everything. And it is easy at the same time. What is the reason that one should not be attached to this process? The reason is that he's a first-class rascal. That's all. I tell you frankly. Let anyone come, argue with me whether he's not a first-class rascal by not accepting Kṛṣṇa consciousness. I'll prove it.

Lecture on BG 7.1 -- Upsala University Stockholm, September 8, 1973:

Just like we have got attachment for something here in this material world. Somebody's attached to do business, somebody's attached to woman, somebody's attached to man, somebody's attached to riches, somebody's attached to art, somebody's attached to... So many things. There are many subject matters of attachment. So attachment we have got. That we cannot deny. Everyone. We have got some attachment for something.

Lecture on BG 7.1 -- London, March 9, 1975:

So all of a sudden to transfer the attachment to Kṛṣṇa and give up our all attachment for this material world, that is called renounced order of life. But Kṛṣṇa says, "You do this," but it is not so easy. It is not so easy. Therefore we have to go to the person... Tad-vijñānārthaṁ sa gurum eva abhigacchet (MU 1.2.12). This is the śāst..., Vedic injunction, that in order to learn that art, how to transfer your attachment to Kṛṣṇa, you must approach to guru.

Lecture on BG 7.1 -- London, March 9, 1975:

So either you take... That is not possible because Kṛṣṇa is not here present. He is present, but we have no eyes to see. Although He is present here in this Deity, He is present here, but because we have no eyes to see, we are thinking, "This is made of stone," and some rascal will say that "They are going to see some stone." Because we have no eyes to see. So we have to learn the art, how to see Kṛṣṇa, how to see Kṛṣṇa. So that practice, mad-āśrayaḥ, if we want to learn this art, we have to take the shelter of the Gosvāmīs or the devotees.

Lecture on BG 7.1 -- Bombay, December 20, 1975:

Svābhāvikī jñāna, all full knowledge He has got. Ahaṁ sarvasya prabhavaḥ (BG 10.8), He is the creator of everything. So how He got this knowledge to float these big, big planets in the air? That is knowledge, that is art. Just like when you float a big aeroplane in the sky, it requires knowledge, it requires technology, art. It is not flying automatically; that is a mistake. So if to float an ordinary airship it requires so much knowledge, so much technology, how much knowledge is there when you see that the biggest planet, the sun is floating in the air, and it is lying in one corner of the sky and exactly in time it is rotating, yasyājñayā bhramati sambhṛta-kāla-cakraḥ? There is knowledge. There is art who has fixed it. Therefore in the Vedas it is said yasyājñayā bhramati sambhṛta-kāla-cakraḥ. He is also rotating in the orbit by the order of Govinda. Govindam ādi-puruṣaṁ tam ahaṁ bhajāmi **.

Lecture on BG 9.4 -- Calcutta, March 9, 1972:

Just like here we are worshiping Deity made of stone. Everyone knows that the Deity is made of stone. That atheist class will say, "How is this? These foolish people are worshiping a stone statue." But no, that is not same stone statue. Stone is also Kṛṣṇa, because bhūmir āpo 'nalo vāyuḥ (BG 7.4). So one who knows the art, by worshiping stone also, he can worship Kṛṣṇa. By worshiping stone also. It is Kṛṣṇa's mercy.

Lecture on BG 9.11-14 -- New York, November 27, 1966:

I am combination of spirit and matter. As soon as I am spirit, I am away from this matter, this bodily matter. "Dust thou art; dust thou beist." Yes. So those who are mahātmā, they have take shelter of the spiritual energy. Of course, for God, every energy is His energy. Therefore He has no distinction what is spirit and what is matter. But for me, because I am in marginal energy, I have to make distinction that "This is spirit; this is matter."

Lecture on BG 9.18-19 -- New York, December 4, 1966:

They have no economic problem. There is no question of starvation. They are eating, they are sleeping, they are having their mating, opposite sex, and they are defending also in their own way. So they have no problem. Only the civilized men, they have got problems. Only that small number of civilized men, so-called civilized men, they have got. They do not believe that God protects everyone. By advancement of civilization they have learned this art, to refuse God. They want to make their economic problem solved by themselves.

Lecture on BG 9.20-22 -- New York, December 6, 1966:

So this is direct method. The Kṛṣṇa consciousness, which we are trying to popularize, this is direct method and just suitable for this age. As Lord Caitanya introduced, kalau nāsty eva nāsty eva nāsty eva gatir anyathā. In this age of Kali, the age of quarrel and hypocrisy—this is called Kali—in this age this is the simplest method and direct, direct action. Just like in military art there is a word, "direct action," this is the spiritual direct action, this Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Hare, Hare Rāma Hare Rāma Rāma Rāma Hare Hare.

Lecture on BG 10.2-3 -- New York, January 1, 1967:

It is not that in this association you have to do this. You can learn this art, and you can have it in your home. You can also prepare such preparation, nice preparation, at your home, offer to Kṛṣṇa. That is not very difficult. We every day prepare and offer to Kṛṣṇa and chant the mantra,

namo brahmaṇya-devāya

go-brāhmaṇa-hitāya ca

jagad-dhitāya kṛṣṇāya

govindāya namo namaḥ

Lecture on BG 13.1-2 -- Miami, February 25, 1975:

Just like one electrician. He knows how to join the two wire and bring current. In India it is called mistri. Mistri means worker. Because he knows that technical art how to bring electric current, that does not mean he is educated. Education is different thing. The worker, they are just working so many wonderfully, but that does not mean they are educated. That is... In Sanskrit it is called... What is called? The English is "craftsmanship." He knows the art, how to do it. So at the present moment the technical education is there.

Lecture on BG 13.4 -- Miami, February 27, 1975:

Male devotee: He actually learned. He actually traveled to India...

Prabhupāda: Yes, yes. We do not say that don't read Bible. Read something, but learn something. Jesus Christ said, "Thou shall not kill." You learn this art. But you read Bible and kill animals, then what is your benefit?

Indian: So Lord Kṛṣṇa speaks through other beings or...?

Prabhupāda: First of all try to understand that you read Christ and you violate his order. Then what is the use of reading? You follow. Then that is reading.

Lecture on BG 13.18 -- Bombay, October 12, 1973:

Jñeyaṁ jñāna-gamyam. So if we utilize our life for understanding the supreme, jñeyaṁ jñāna-gamyam... Mayi ca, ananya-yogena bhakti... If you learn that art, how you can become ananya-yoga-bhakti, avyabhicāriṇī-bhakti, then you'll understand what is Kṛṣṇa. Bhaktyā mām abhijānāti yāvān yaś cāsmi tattvataḥ (BG 18.55). By tattva, by truth, you will be able to understand Kṛṣṇa, and as soon as you understand Kṛṣṇa, your life becomes successful. Janma karma me divyaṁ yo jānāti tattvataḥ.

Lecture on BG 13.26 -- Bombay, October 25, 1973:

So for the go-kharas, these two-handed and two hands, two legs, go-kharas, for them this Kṛṣṇa consciousness movement is being pushed on. So that the go-kharas may kindly come and hear Bhagavad-gītā and see how the Deity is being worshiped, how Kṛṣṇa is recognized as the Supreme Personality of Godhead. By seeing only, by sitting only, by hearing only, they'll come. This is the chance. It is not idol worship, nonsensical. It is worshiping the Supreme Personality of Godhead personally. But one has to learn the art and the science about it. Therefore we are opening all over the world different centers so that these go-kharas can take advantage of this movement.

Lecture on BG 15.15 -- August 5, 1976, New Mayapur (French farm):

Devotee: Śrīla Prabhupāda mentioned that everyone is looking for pleasure. So when one comes into devotional service, how is it possible to know if one is actually looking for his own pleasure or really in search of God.

Prabhupāda: So long you'll seek your own pleasure, you'll suffer. And when you'll seek Kṛṣṇa's pleasure, you'll enjoy. The example is given: Just like you catch up some sweetmeat, the fingers. If the fingers say, "We shall enjoy it," you spoil it. But if the fingers put it to Kṛṣṇa, then you'll enjoy it. Unless you know this art, that we cannot enjoy independently, that is not possible. If we enjoy through Kṛṣṇa, Kṛṣṇa's prasādam, then we'll be happy. This is the Kṛṣṇa consciousness art. Directly you cannot enjoy, that is not possible. They are making this mistake. They want to satisfy their senses directly. That is not possible. That is spoiling the life. And if you satisfy the senses of Kṛṣṇa, the through Kṛṣṇa you satisfy yourself. This is the technique. The same analogy. The fingers cannot directly enjoy the sweet ball, but when the sweet ball is put into the stomach, these five fingers enjoy, also these five fingers enjoy. These five fingers, whole body will enjoy.

Lecture on BG 16.9 -- Hawaii, February 5, 1975:

You may have some particular knowledge. Suppose you are expert singer. Very good, but if you earn your money for fulfilling your sense desires, that is demonic. But you know the art, how to sing. If you very melodiously sing Hare Kṛṣṇa mantra, then you are demigod. The same thing can be utilized both ways. Anything. Therefore śāstra says, idaṁ hi puṁsas tapasaḥ śrutasya vā (SB 1.5.22). People are advancing by research and by education.

Lecture on BG 18.41 -- Stockholm, September 7, 1973:

Who is a learned man. He said, "A person who can see all the women of the world, except his wife, as mother." Mātṛvat-para-dāreṣu. Para-dāra means other's wife. If one has learned this art how to see other's wife as mother, and para-dravyeṣu loṣṭravat, and other's riches, possessions, as garbage in the street. Just like you don't touch the garbage. Similarly, other's property, other's riches, one does not touch or even see to it.

Srimad-Bhagavatam Lectures

Lecture on SB 1.1.1 -- Caracas, February 21, 1975:

Now it is said, yato 'nvayād itarataś ca artheṣu abhijñaḥ svarāṭ. He is abhijñaḥ. Abhijñaḥ means cognizant. The original and source of everything, He has His brain. He knows. He has the power of knowledge. Everything is there. That is the reason. Anything material we think... Just like this microphone. This microphone is combination of some metal and some wires or anything is metal or something plastic. But they have not combined together automatically. A person who knows the art, he has combined all of them together.

Lecture on SB 1.1.4 -- London, August 27, 1973:

Pradyumna: Translation: "Once in a holy place in the forest of Naimiṣāraṇya, great sages, headed by the sage Śaunaka, assembled to perform a great thousand-year sacrifice for the satisfaction of the Lord and His devotees."

Prabhupāda: Yes. The... Anything sacrificed... Yajña. Yajña means Lord Viṣṇu. Yajñārthe karmaṇaḥ anyatra loko 'yaṁ karma-bandhanaḥ (BG 3.9). So whatever we do, it must be done for Kṛṣṇa. That is perfection. You do whatever you like, but do it for Kṛṣṇa. Then there is perfection. Just like Arjuna. Arjuna was a fighter, expert in killing. So he was considering, "Why shall I kill my own family members? Better stop." But Kṛṣṇa encouraged him, that "You must kill." So that is yajña. Kṛṣṇa... Under the instruction of Kṛṣṇa, Arjuna was engaged in killing art, but that is yajña, because it is for Kṛṣṇa, not for himself. For himself he was denying to fight. But when he agreed to fight and kill on account of Kṛṣṇa, it is called yajña. This secret people do not know. They think that killing is very... Killing is very bad, that's all right. Killing, why killing? Even if you give charity, if you become munificent, merciful, that is also not good unless you do it for Kṛṣṇa.

Lecture on SB 1.2.5 -- New Vrindaban, September 4, 1972:

This was the main question in the meeting, that brūhi: "Kindly tell us..." Yogeśvare kṛṣṇe. Kṛṣṇa is mentioned here as Yogeśvara. You have heard about yoga in your country. This yoga word is very popular. Yoga means mystic power, generally it is understood. If one actually becomes a yogi, he attains many mystic power. He can become smaller than the smallest. A yogi, actual, who has attained perfection yogi, he can pack up in any small thing, but if there is little hole, he will come out, a little hole. We have seen it. There was one Mr. Chakravarti. He learned this art, and he made money in cooperation with a circus, Bose's circus, in Calcutta.

Lecture on SB 1.2.6 -- Delhi, November 11, 1973:

So as it is our duty to enjoy the property of the father, similarly, it is our duty to love the supreme father. That is Kṛṣṇa consciousness movement. And it cannot be checked. Ahaituky apratihatā. Yayātmā suprasīdati. Suprasīdati. Everyone is wanting peace of mind. Ātmā. Ātmā means body, ātmā means mind, ātmā means the soul. Yayātmā suprasīdati. Suprasīdati. Prasīdati means "becomes satisfied," and su means "very much." So unless you learn this art, how to love God, you cannot be happy. This is the fact. The sooner you make business, finish this business... How to learn? Now this chance is in this human form of life. You can learn. And the method is very plain, especially in this age.

Lecture on SB 1.2.13 -- Los Angeles, August 16, 1972:

So our point is not to disregard anything, but everything use for the satisfaction of Kṛṣṇa, that is called saṁsiddhir hari-toṣaṇam: (SB 1.2.13) means satisfying Kṛṣṇa. You have manufactured, you have discovered something, but you will get perfection by manufacturing this. Anything you do, if you can satisfy Kṛṣṇa by your art and intelligence and education, by your work, then your life is perfect.

Lecture on SB 1.2.13 -- Vrndavana, October 24, 1972:

So this is the real dharma, saṁsiddhir hari-toṣaṇam (SB 1.2.13). If you, someway or other, can satisfy Kṛṣṇa... Just like Arjuna, by killing, he sat... Killing art is not very good art. But because by killing he satisfied Kṛṣṇa, Kṛṣṇa gave him certificate, bhakto 'si priyo 'si me (BG 4.3), "Oh, you are My very dear friend." Because Kṛṣṇa's purpose was to kill the demons. Paritrāṇāya sādhūnāṁ vināśāya ca duṣkṛtām (BG 4.8). So Arjuna helped to kill the demons and fulfill the desire of Kṛṣṇa. And therefore he became perfect by killing. So if you do anything which is sanctioned by Kṛṣṇa, or by His bona fide representative, that is real dharma. Saṁsiddhir hari-toṣaṇam (SB 1.2.13).

Lecture on SB 1.2.22 -- Los Angeles, August 25, 1972:

Just like Kṛṣṇa lifted the mountain, giri-bara-dhārī. Jaya rādhā-mādhava kuñja-bihārī gopī-jana-vallabha giri-bara-dhārī. When there was torrents of rain, Vṛndāvana was being overflooded, and all the inhabitants became so much disturbed. They were seeing to, looking to Kṛṣṇa, because they did not know anything beyond Kṛṣṇa. Kṛṣṇa said, "Yes, I am lifting this mountain. Let it become a big umbrella of the whole state, or whole village." The atheist will say these are all stories. No. They're not stories. Because God is supreme, He is supreme physist, He knows how to make this mountain weightless. He knows the art. Just like so many gigantic planets are floating in the sky. That is a fact. Now who is floating? You cannot float even a small thing in the air, but such gigantic... Not only one, millions and trillions, they are floating. Who has made it possible, floating? So, God can do that. Therefore He is called all-powerful, the great.

Lecture on SB 1.5.1-4 -- New Vrindaban, May 22, 1969:

But he was not satisfied even after his presentation of the Vedānta-sūtra. He summarized all the Vedic knowledge in sūtra—Sūtra means codes—so people may take advantage. Just like there are business codes, Bentley's codes, Henry's codes. So one or two words will give impression of volumes of knowledge. Businessmen, they need it to save the expenditure on wiring, on telegraphing. Just like CIF. "Accept your offering. CIF." CIF means "cost including freight." That means goods will be delivered at your door. So similarly, there are many codes in business matter. In military arts there are so many codes. So Vedānta-sūtra means codes of all Vedic knowledge. Sūtra. Sūtra means codes.

Lecture on SB 1.5.14 -- New Vrindaban, June 18, 1969:

Just like a man is addicted to commit theft. He has got a habit of stealing. And if I say, "Stealing is very nice art. You can go on with you, with it," then where is the reformation? There is no question of... He, he's already addicted. So it is encouragement. So similarly, in the dharma-śāstra... Just like in Mahābhārata there is... (aside:) Where is that "cut cut" noise? Don't make that sound. Just like in marriage ceremony.

Lecture on SB 1.5.36 -- Vrndavana, August 17, 1974:

Because my only business is to remember Kṛṣṇa. That we can do any stage of life. It does not require that you have to become a brāhmaṇa, an Indian, and so on, so on, great learned scholar in Vedic scripture. No. You may be in the far away country, in Europe, America, or you may not be in brāhmaṇa family. It doesn't matter. But you can remember Kṛṣṇa. We are teaching this art through Kṛṣṇa consciousness, that you may remain in whichever position Kṛṣṇa has put you. It doesn't matter. But try to understand Kṛṣṇa. "How can I understand?" Well, you are drinking water. You can understand Kṛṣṇa. Where is the difficulty? Raso 'ham apsu kaunteya (BG 7.8). Kṛṣṇa says that "I am the taste of water." Then where there is a person who does not drink water? Is there any land where people do not drink water? Is there any land?

Lecture on SB 1.7.12 -- Vrndavana, September 11, 1976:

Just like here, they're painting flower on the wall. It takes so much time, so much arrangement. Still, it is not as good as a natural flower. Here you have painted one rose flower, and here are roses. There is art also, and here is art also. Without art, without artistic sense, how this nice thing, beautiful thing, can come in? You'll find a beautiful flower bloom in a plant, you appreciate it. And don't think, as the rascal says, "By nature it has come automatically." No. The same energy as you are taking, you are applying your energy to paint a flower on the wall with your paints and brushes... But Kṛṣṇa is also doing that, but His energy is so inconceivable that we cannot see how He's working. But He's working.

Lecture on SB 1.7.13-14 -- Vrndavana, September 12, 1976:

So when He came, they were..., fighting was going on. So just to show Him respect, they stopped fighting and everyone was silent. Because the Pāṇḍavas knew that Balarāma was sympathetic with Duryodhana, and if He takes the side of Duryodhana, then everything will be spoiled, because He is the Supreme Person. But He did not do so. He advised them, "My dear Duryodhana, I know you are a great fighter. You have got strength. You have learned, you know the art of fighting. But you are not so strong as Bhīma." And He advised Bhīma, "My dear Bhīma, you have got the strength of ten thousand elephants. Naturally you are superiorally stronger. So he knows the art better than you, and you are bodily stronger than him. So there will be no decision. The fighting will go on. Can you not stop? Because there will not be decision. The fighting will go on. Unless one is dead, the fighting will go on. So what is the use? Nobody will be victorious. The fighting will go on. Better stop."

Lecture on SB 1.7.19 -- Vrndavana, September 16, 1976:

That is the history so far we know. So anyway, as we have got experience, the nuclear weapon is very, very dangerous. Similarly the brahmāstra is also very, very dangerous. And another weapon, they knew this art, śabda-vedhī. Śabda-vedhī means if I throw some arrow, it will go to my enemy wherever he is. A little sound of the enemy will attract this weapon, and it is sure to kill my enemy. Śabda-vedhī. There are many instances in Rāmāyaṇa, Mahābhārata. Śabda-vedhī-vāk.

Lecture on SB 1.7.28-29 -- Vrndavana, September 25, 1976:

. A kṣatriya, he is expert in the military science, how to kill. So the killing art is there. You cannot make it null and void by advocating nonviolence. No. That is required. Violence is also a part of the society. Just like here is some itching sensation. This is violence. That is required for the comfort. So similarly, Arjuna was kṣatriya. He knew the art of killing, and still, Kṛṣṇa is... Kṛṣṇa also, He appeared as a kṣatriya in the dynasty of kṣatriyas. Vāsudeva, son of Vasudeva. He also knew the art of killing. That is also one of the part of His business. Yadā yadā hi dharmasya glānir bhavati bhārata (BG 4.7), paritrāṇāya sādhūnāṁ vināśāya ca duṣkṛtām (BG 4.8). So vināśa-requires violence.

Lecture on SB 1.7.28-29 -- Vrndavana, September 25, 1976:

But these things are there in the Vedas. If you are a serious student of Veda you can also learn, you can also fight like Arjuna. There is no difficulty. Therefore Kṛṣṇa says astra-jñaḥ. Unnaddham astra-jñaḥ. You can also become learned in the higher science of military art. You can also utilize. But that requires brain, good brain. That is not possible now, because the culture is lost. Now everyone is śūdra. Nobody is kṣatriya, nobody is brāhmaṇa. By the time... Kalau śūdra sambhava. The śūdras cannot learn all these veda.

Lecture on SB 1.7.36-37 -- Vrndavana, September 29, 1976:

Nothing is bad provided it is meant for Kṛṣṇa's satisfaction. Ataḥ pumbhir dvija-śreṣṭhā varṇāśrama-vibhāgaśaḥ. The varṇāśrama-vibhāga must be there. But what is the aim of varṇāśrama? Simply by becoming a brāhmaṇa he's successful? No. Nobody can become successful unless he satisfies Kṛṣṇa. That is real success. Just like Arjuna did. By the military art, he satisfied Kṛṣṇa. Similarly, by your vaiśya-vṛtti, kṛṣi-go-rakṣya-vāṇijyam (BG 18.44), you can satisfy Kṛṣṇa. By your brāhmaṇa-vṛtti you can satisfy Kṛṣṇa. Even by your śūdra-vṛtti you can satisfy Kṛṣṇa. That possibility is here, that Kṛṣṇa says sva-karmaṇā tam abhyarcya.

Lecture on SB 1.7.44 -- Vrndavana, October 4, 1976:

Prabhupāda: So this is Vedic civilization. Draupadī advising Arjuna that "You have learned. Feel always obliged," ataḥ padarśayat. So this is Vedic... "This military art, by his grace, by guru's grace, now you are expert in the science of military art. And suppose his son has committed some sinful activity. You cannot punish him, retaliate, so that guru's family will be aggrieved." This is Vedic culture. Not only he is personally, but in his absence, his wife, his family, you should consider them. So there is nothing about... What is the purport? Read.

Pradyumna: "Dhanur-veda or military science, was taught by Droṇācārya with all its confidential secrets of throwing and controlling by Vedic hymns. Gross military science is dependent on material weapons, but finer than that is the art of throwing arrows saturated with Vedic hymns, which act more effectively than gross material weapons like machine guns or atomic bombs.

Lecture on SB 1.7.44 -- Vrndavana, October 4, 1976:

So naturally, in the court he was ordered to be hanged. Then the father appealed to the court that "My one son is already killed, and the other remaining son, if he is also killed, then what will be my condition?" So court considered this proposal, and the boy was ordered to be killed, he was saved. Yes. So this consideration is there even in ordinary way. And actually, these sons were rogues. They fought, one is killed, another is going to be killed. But this old man will be finished. The court considered it, and he was saved. He was not hanged. He was given some long duration of imprisonment. That we have seen. The same thing, the affection is everywhere. So Draupadī is giving the best instruction, that "By the mercy of Droṇācārya you have learned this art, and now this art you are going to use for killing his son? What is this logic?" Very good argument.

Lecture on SB 1.7.44 -- Vrndavana, October 4, 1976:

A similar argument was given by Duryodhana to Droṇācārya. Droṇācārya and this Draupadī's father, they became inimical. So he got a son, Uttara. No? Anyway, that son was meant for killing Droṇācārya. And at the same time, that son was a student of Droṇācārya in the art of military science. So Duryodhana reminded Droṇācārya that "This son, Virāṭa, Virāṭa Mahārāja's son, He is meant for killing you, and you have foolishly taught him the military science. Now he's using the military science to kill you." So there are so many instances like that. Sometimes this art, guru-māra-vidyā, is done by rascals and fools. That should not be done. That is instruction from every practical point of view.

Lecture on SB 1.7.47-48 -- Vrndavana, October 6, 1976:

There is no question of lamenting. But still, a Vaiṣṇava laments not for his own purpose. Just like Prahlāda Mahārāja says that na udvije para. Kṛṣṇa is para. Nṛsiṁha-deva is para, the Supreme. "O the Supreme, I am not at all disturbed." Naivodvije para duratyaya-vaitaraṇyāḥ. Why? Tvad-vīrya-gāyana-mahāmṛta-magna-cittaḥ (SB 7.9.43). "Because by the grace of Nārada Muni I have learned this art, how to chant Your holy name. That I have learned." Tvad-vīrya-gāyana. "I learned or not learned, but whenever I chant, then I merge into the ocean of nectarean."

Lecture on SB 1.7.51-52 -- Vrndavana, October 8, 1976:

So either you become a highly learned scholar in Vedic literature or you are simply an ordinary person, you can think of Kṛṣṇa and you become successful in your life. There is no difficulty. Raso 'ham. If you are ordinary person... Any, every, every person drinks water or drinks something. Let him immediately think of, as soon as he tastes, "Here is Kṛṣṇa." Puṇyo gandhaḥ pṛthivyāṁ ca. A flower, a rose flower, very fragrant. As soon as you smell you can remember Kṛṣṇa. "Oh, this smell is Kṛṣṇa." Actually, that is Kṛṣṇa. You cannot create that smell. It is Kṛṣṇa, Kṛṣṇa's art. That, puṇyo gandhaḥ pṛthivyāṁ ca, that gandha, that smell, flavor, is within the earth.

Lecture on SB 1.8.19 -- Chicago, July 5, 1974 :

Duṣkṛtinaḥ, mūḍhāḥ, they can not understand. Why they cannot understand? That because they are duṣkṛtinaḥ, always engaged in sinful activities. Who can see Kṛṣṇa? Who is not sinful. Yeṣāṁ tv anta-gataṁ pāpam (BG 7.28), one who has finished his life of sinful activities, he can understand Kṛṣṇa. Therefore it is our request to everyone: Please do not commit these four kinds of sinful activities—illicit sex, meat-eating, gambling and intoxication. This is the preliminary qualification to understand God. Especially one must not kill animals. The Bible also. Therefore it is said, "Thou shalt not kill. You rascal, if you want to understand what is God, you must stop this killing art.

Lecture on SB 1.8.40 -- Mayapura, October 20, 1974:

And actually Bhīṣmadeva went to the side of Duryodhana, considering that "These people are maintaining me. How can I give up their company at times of danger?" That is also another consideration. So similarly, Droṇācārya, although he's guru, teacher of military art, he also went to Duryodhana's side for money. So therefore... Karṇa... Nobody came to this side. So Kṛṣṇa was doing justice, that He was... This is politics, "Tit for tat." This is politics. Śaṭhe śāṭhyamācaret.(?) Cāṇakya Paṇḍita says. "If somebody is śaṭha"—śaṭha means very cunning—"so you should be also cunning." This is politics. You should not be, at that time, a brāhmaṇa, liberal. No. So the idea is that in the Bhagavad-gītā Kṛṣṇa teaches everything very rightly, properly. The whole Vedic literature is meant for that, not one-sided.

Lecture on SB 1.8.42 -- Mayapura, October 22, 1974:

If you want perfection, Caitanya Mahāprabhu said this perfection. Bhārata-bhūmite haila manuṣya-janma yāra, janma sārthaka kari (CC Adi 9.41)'. What is that janma sārthaka? This is janma sārthaka. What is that? When you learn how to satisfy Kṛṣṇa. That's all. If you learn this simple art, how to satisfy Kṛṣṇa, then your life is perfect. Bas.

Lecture on SB 1.8.43 -- Mayapura, October 23, 1974:

This was detected by Prahlāda Mahārāja. Prahlāda Mahārāja said to Nṛsiṁha-deva, "My Lord, I am not anxious at all for my welfare because I know that anywhere, if I simply remember Your transcendental pastimes, oh, I..." Śoce... Naivodvije para duratyaya-vaitaraṇyās tvad-vīrya-gāyana-mahāmṛta-magna-cittaḥ. Tvad-vīrya-gāyana-mahā. This chanting of Hare Kṛṣṇa mantra, or chanting Kṛṣṇa's pastime, it is just like ocean. So Prahlāda Mahārāja said that "I have learned this art. Therefore, for me, there is no problem. But my one problem is śoce tato vimukha-cetasaḥ.

Lecture on SB 1.10.14 -- Mayapura, June 27, 1973:

The gopīs could not tolerate even twinkling of eyes. They were condemning the creator, "The creator does not know the art of creating. Why he has created this twinkling of eyes so that it is disturbing us from seeing Kṛṣṇa." Seeing Kṛṣṇa, and the twinkling of eyes, that is natural. So the gopīs did not like it, that "Why he has created this? He does not know the art of creation." This is love. Yugāyi... Śrī Caitanya Mahāprabhu tasted the gopīs' feelings. Śrī-caitanyākhyaṁ prakaṭam adhunā tad-dvayaṁ caikyam āptam. Rādhā kṛṣṇa-praṇaya-vikṛtir hlādinī-śaktiḥ. Kṛṣṇa, when He wants to enjoy... He is the Absolute Supreme Person, spirit, Absolute, the Supreme Spirit. So for spiritual enjoyment in this material world great saintly persons, sages, they give up all material enjoyment just to taste what is spiritual enjoyment, spiritual life.

Lecture on SB 1.15.27 -- New York, March 6, 1975:

That is not knowledge. Just like I do not know how this microphone is working. If it is wrong, some man who knows the art, he repairs it immediately. That does not mean he has got knowledge. That particular department, he has got knowledge, that's all. Knowledge means that one who knows God. That is knowledge. Bahūnāṁ janmanām ante jñānavān māṁ prapadyate (BG 7.19). This is knowledge. So the western countries, they have taken-advancement of knowledge means manufacturing a big motor car. That's all. That is also good. But simply for manufacturing motor car, simply for driving motor car, if we forget our real business, God realization, then it is ruinous. Mūḍha. Mūḍha, then we become mūḍha.

Lecture on SB 1.16.10 -- Los Angeles, January 7, 1974:

Those who are sportsmen, they want to play. Naturally, one who is expert in some art... Just like there was one Bhasmāsura. So... Bhasmāsura? Bhaumāsura? What is the name? Bhaumāsura. So Bhaumāsura, by the grace of Lord Śiva, he got one thousand hands. And he wanted to fight, but he was so powerful that nobody would dare to come before him to fight.

Lecture on SB 1.16.24 -- Los Angeles, July 14, 1974:

So if we want to be Kṛṣṇa conscious, we shall fix up our mind on Kṛṣṇa, and... How to become fixed up, that art will be given to you by the spiritual master. Therefore Viśvanātha Cakravartī Ṭhākura says in connection with the explanation of this verse, vyavasāyātmikā buddhiḥ, so he says vyavasāyātmikā buddhiḥ means to take the words of the spiritual master as life and soul.

Lecture on SB 2.1.2 -- Paris, June 11, 1974:

This is the meaning of śrotavyādīni rājendra nṛṇāṁ santi sahasraśaḥ (SB 2.1.2). So they have no time to read a little news we are giving about God in the Back to Godhead. They have no... Why? Now apaśyatām ātma-tattvam (SB 2.1.2). They do not know what is ātmā, what is the active principle of all these activities. They do not know. The superficially... Bahir-art... Na te viduḥ svārtha-gatiṁ durāśayā ye, durāśayā... What is that? Na te viduḥ svārtha-gatiṁ hi viṣṇuṁ durāśayā ye bahir-artha-māninaḥ (SB 7.5.31).

Lecture on SB 2.1.5 -- Paris, June 13, 1974:

So these Vedas is considered as the desire tree, means any kind of knowledge you want, it is complete there perfectly, any kind, either spiritual or material, any department of knowledge. And that is called desire tree. All kinds of knowledge, you can achieve from the Vedic language. There is Dhanur-veda, Āyur-veda, Jyotir-veda and all kinds. Veda means knowledge. So for military art, if you want to consult Vedic literature, you will get complete information, perfect.

Lecture on SB 2.3.19 -- Los Angeles, June 14, 1972:

That is law. Just like we are vegetarians. We are vegetarian. We are also eating some... Not killing, but eating. We are taking fruit. That means we are not killing the tree. We are taking grains. We are not killing the cow. We are eating milk, but we are not drinking the blood. Milk is nothing but blood of cow. But we know the art, how to drink the blood of cow without killing. That is civilization. That is civilization. Medically, they say the cow's blood or bull's blood is very effective, and that is accepted. But you must know the art. It is the arrangement of God that cow's milk... Cow's own milk, she does not drink. She eats grass.

Lecture on SB 2.3.19 -- Los Angeles, June 15, 1972:

So din ka ḍākinī, rāt ka bāghinī, palak palak rahe cuṣe. The witches, they also, by their black art, they suck the blood of children. Do you know that? There are witches. You know? I am asking Svarūpa Dāmodara. The kamekha (?) witches, from the black art. The Pūtanā was like that.

Lecture on SB 3.22.21 -- Tehran, August 10, 1976:

Dayananda: Cloth, cap, ring.

Prabhupāda: Yes, ring. It is kept as it is. The head is shaved, but they are so practiced to keep the balance that the pot does not fall down. It remains exactly. This is an art—they will dance, and the pot on the head will never fall down, keeping the balance. So by practice it is possible. There are many professional vendors, they keep their basket on the head, and taking a child, going and canvassing, "We have got this fruit." It never falls down. They are keeping the balance.

Lecture on SB 3.22.21 -- Tehran, August 10, 1976:

So things are to be adjusted as it is prescribed by great authorities. In Bhakti-rasāmṛta you'll find the regulative principles. That is called Vaiṣṇava-smṛti. So here we cannot live without working, and still we have to become always Kṛṣṇa conscious. This art, to understand and to practice, is Kṛṣṇa consciousness movement. Then in spite of my being engaged in so many so-called material things Because a devotee has nothing to do with material things.

Lecture on SB 3.25.8 -- Bombay, November 8, 1974:

One who is actual Vedant..., knower of Vedānta, he understands the Supreme Personality of Godhead, Kṛṣṇa. Because veda means knowledge, and anta, "the late phase." Knowledge, there are different types of knowledge. Ordinary knowledge, as we are now interested for economic benefit, that is not actual knowledge. That is art of livelihood. That is not knowledge. Suppose you are a very big engineer, and another man is ordinary electric mistri. The qualification is the same: earning livelihood by some art. If there is some wrong in the electric line, I cannot repair it. I call one mistri. He knows the art.

Lecture on SB 3.25.10 -- Bombay, November 10, 1974:

I have said many times. They are arts, śilpa, to live for some time and make some artistic way of living condition and forget my real problem—janma-mṛtyu-jarā-vyādhi-duḥkha-doṣānudarśanam (BG 13.9). So for this purpose one should approach guru. Tasmād guruṁ prapadyeta (SB 11.3.21). One who is actually interested for spiritual life, he should inquire about a guru. Not as a fashion, that "I may... Let me keep one guru and..." No.

Lecture on SB 3.25.23 -- Bombay, November 23, 1974:

Therefore, in the sādhu's symptoms, beginning, that titikṣavaḥ kāruṇikāḥ (SB 3.25.21), they, a devotee, suffers; at the same time, he is very kind to these conditioned soul, how to elevate them, how to make them Kṛṣṇa conscious. This is kāruṇikāḥ. These are the very primary features of a devotee's life. People put him into suffering in so many ways, but he does not give up his job. His job is to spread Kṛṣṇa consciousness so that others may become happy. Just like Prahlāda Mahārāja said, "My Lord, I have no suffering. I have no suffering because I know the art, how to become happy."

Lecture on SB 3.26.28 -- Bombay, January 5, 1975:

So you are doing that. Every one of us, who is doing for Kṛṣṇa? Nobody is doing for Kṛṣṇa. Everyone is doing for his own purpose. He is taking one flower. The devotee is bringing the flower: "Oh, very nice flower. Let me take it to the temple and offer it to Kṛṣṇa." That is devotion. The same flower, "Oh, it is very nice flower. Oh, let me pin it on my bunch of hair." That is pāpa. The same thing. You must know how to utilize it. That is called bhakti. Everything can be utilized. Nirbandhaḥ kṛṣṇa-sambandhe yuktaṁ vairāgyam ucyate. That art we have to learn. Anāsaktasya viṣayān. Viṣayān means objectives for sense gratification, viṣayān. Āhāra-nidrā-bhaya-maithunaṁ ca. These are called viṣaya-eating, sleeping, mating, and defending. Viṣaya.

Lecture on SB 3.26.40 -- Bombay, January 15, 1975:

Everything is there, present. Kṛṣṇa, God, is present everywhere. Aṇḍāntara-stha-paramāṇu-cayāntara-stham (Bs. 5.35). Kṛṣṇa is present here. Kṛṣṇa is within your heart. Īśvaraḥ sarva-bhūtānāṁ hṛd-deśe 'rjuna tiṣṭhati (BG 18.61). But when you learn the art to see Him within your heart, that is called mystic yoga. Dhyānāvasthita-tad-gatena manasā paśyanti yaṁ yoginaḥ (SB 12.13.1).

Lecture on SB 3.26.43 -- Bombay, January 18, 1975:

Therefore Kṛṣṇa is canvassing that "If you do not take this process, that process, you simply, while drinking water, you think of Me: 'Here is Kṛṣṇa. Here is Kṛṣṇa.' " As it is said here, tāpa apanodaḥ. Everyone drinks water, so everyone can remember Kṛṣṇa, or God, if you simply learn this art, that "While drinking water, while I feel satisfaction, I must know, 'Here is God.' " Your devotional life immediately begins, without any education, without any enlightenment.

Lecture on SB 3.26.45 -- Bombay, January 20, 1975:

So we may be very intelligent scientifically or mathematically or physically, biologically. That's all right. But when we compare with the intelligence of Kṛṣṇa, it is less by two cubits. It is less. That we should always understand. Mattaḥ parataraṁ nānyat (BG 7.7). We have to accept this, that we cannot excel the intelligence of Kṛṣṇa. That is not possible. I may show varieties of magic and declare myself Kṛṣṇa, or God. But still, you cannot show as perfectly magical arts as Kṛṣṇa is showing. That is not possible.

Lecture on SB 5.5.3-4 -- Bombay, March 29, 1977:

So ārādhito yadi haris tapasā tataḥ kim, nārādhito yadi haris tapasā tataḥ kim, antar bahir yadi haris tataḥ kim. If you have learned these four principles as instructed by Bhagavān, man-manā bhava mad-bhakto mad-yājī māṁ namaskuru... (BG 18.65). Very simple thing. Antar bahir, within and without, if you have learned to think of Kṛṣṇa, antar bahir yadi haris tapasā, then where is the use of tapasya? It is already achieved. Because you are thinking always, externally and internally, Kṛṣṇa. And nārādhito yadi haris. Antar bahir yadi haris tapasā tataḥ kim. If you have not learned the art of thinking Kṛṣṇa externally and internally, then what is the use of your so-called tapasya?

Lecture on SB 6.1.1 -- Melbourne, May 21, 1975:

Sometimes there is some disagreement, that "Why one should not live outside the temple?" But that is little difficult, because in the temple you get good association. Everyone is trying to become free from this bondage of life. So there is some inspiration. But if you live outside the temple... We are making this temple commodious so that people may come here and live and learn the art, but if you do not live, there is risk. Because saṅgāt sañjāyate kāmaḥ. If you live in certain association, drunkard association, then you will learn gradually how to drink. And if you live with the association of the devotees, then you will forget drinking. You will become devotee. So we are opening these centers, giving chance everyone.

Lecture on SB 6.1.6-8 -- New York, July 21, 1971:

Dhruva Mahārāja, Prahlāda Mahārāja, they are, they were gṛhastha, householders, but they trained themselves in such a nice way that even householder, as a householder, there was no interruption. Just like Prahlāda Mahārāja said that "I have learned the art, how to remain always in Kṛṣṇa consciousness." What is that? Tvad-vīrya-gāyana-mahāmṛta: "Simply glorifying the," I mean to, "the victorious activities, pastimes of the Lord." Tvad-vīrya. Vīrya means very strenuous, very heroic.

Lecture on SB 6.1.11 -- New York, July 25, 1971:

Even Lord Zetland, in England, when he was asked to do this, one of my Godbrothers, Lord Zetland, Marquis of Zetland, he inquired from my Godbrother, "Swamiji, whether you can make us brāhmaṇa?" So he said, "Yes, why not? You have to give up these four principles of life, prohibited: no illicit sex, no intoxication, no gambling, and no meat-eating." The Lord Zetland replied "Impossible." Yes, it is impossible. Because in Europe and America, this is the way of life from the very beginning. And from India, our Indian gentlemen come here to learn this art, how to do it nicely. And they think it is advancement. India is automatically taught this tapasya by their culture, but they come here to forget that culture and accept another type of life.

Lecture on SB 6.1.11 -- New York, July 25, 1971:

Devotee: How do you feel about self-expression, art, as a path back to Godhead?

Prabhupāda: Back to Godhead means God is a person, a person like you and me. Just like your father is a person. That is a practical knowledge. Your father's father is also a person. His father is also a person. His father is also a person. Immediately you can understand. Therefore the supreme father must be a person. It is very difficult to understand? Any one of you can say it is very difficult to understand? God is called supreme father, not only in your Bible, but in the Vedas also. In all literature.

Lecture on SB 6.1.22 -- Indore, December 13, 1970:

Whatever you know, nonsense, you give it up. First of all become blank slate. So I was told by some authority, a very responsible man, that in Germany there are musical institution. So when a student who goes there who knows something about musical art, he is charged more. Is it a fact? He is charged more. He is charged more because extra endeavor has to be done to make him forget what nonsense he has learned. Because this learning is all nonsense, so one has to take... Just like so many people come.

Lecture on SB 6.1.39 -- Los Angeles, June 5, 1976:

Asaṁśayam—without any doubt. Doubt there may be. Because God is great, we are very small; how we can understand God? There is always some doubt, whether He's personal, impersonal, all-pervading. There are so many different conception of God. But therefore God Himself says asaṁśayam, "without any doubt." And samagram, "completely." Asaṁśayam samagraṁ māṁ yathā jñāsyasi tac chṛṇu (BG 7.1). Just like to study a subject matter, it takes some time, takes little endeavor to associate with person who knows the thing rightly. In this way we can understand God also. Just like we understand so many science, so many arts, by patience. Then that is Rūpa Gosvāmī's advice: niścayād dhairyāt. Dhairyāt means patience. We have to learn patiently. Niścayād dhairyāt tat-tat-karma-pravartanāt sato vṛtteḥ saṅga-tyāgāt ṣaḍbhir bhaktiḥ prasidhyati.

Lecture on SB 6.1.42 -- Los Angeles, July 23, 1975:

You cannot avoid Kṛṣṇa. Simply on account of your foolishness, māyā is covering your eyes to see Kṛṣṇa. So mām eva ye prapadyante māyām etāṁ taranti te (BG 7.14). If you surrender to Kṛṣṇa, then māyā's curtain will be taken away and you will see Kṛṣṇa, Kṛṣṇa, Kṛṣṇa, Hare Kṛṣṇa. That's all. This is required. Then you become perfect as soon as you learn how to see Kṛṣṇa everywhere. This is the art, transcendental art, spiritual art, how to see Kṛṣṇa. Then you become perfect. That is wanted.

Lecture on SB 6.1.47 -- Detroit, June 13, 1976:

Everywhere, matsarata. Para-utkarṣaṇam asahanam (indistinct). Matsarata means one cannot tolerate other's flourishing condition. Immediately envious. But this system, Kṛṣṇa consciousness, is meant for paramo nirmatsarāṇām. One who has learned this art not to become envious. Tolerant. That is the qualification of saintly persons. Kind. Tin... Hm? What is that? Titikṣavaḥ kāruṇikaḥ. Those who are preachers, they should be titikṣava. Titikṣava means titikṣa, tolerance. There will be so much insult, inconveniences, against party, everything. We have to tolerate. Titikṣavaḥ kāruṇa.

Lecture on SB 6.2.12-14 -- Allahabad, January 17, 1971, at Kumbha-mela:

The Kṛṣṇa consciousness movement, the technique, is that you may be engaged in various types of work, but the mind must be always fixed up in Kṛṣṇa. That art you have to learn. How it is possible? It is possible. Perhaps you have not seen—in India the women, they go to draw water from the well and they keep on the head. They are going, but the head is so balanced that the waterpot will never fall down. There are many instances that if you learn how to keep the balance, in spite of your movement the waterpot on the head will not fall.

Lecture on SB 6.2.12-14 -- Allahabad, January 17, 1971, at Kumbha-mela:

This is the art. Just like Ambarīṣa Mahārāja. He was also great emperor, and he had to rule over all over the world. Still, sa vai manaḥ kṛṣṇa-padāravindayoḥ: (SB 9.4.18) he always fixed up his mind on the lotus feet of Kṛṣṇa. Sa vai manaḥ kṛṣṇa-padāravindayor vacāṁsi vaikuṇṭha-guṇānuvarṇane.

Lecture on SB 7.6.5 -- Vrndavana, December 7, 1975:

So if you simply learn this art, that is Kṛṣṇa consciousness. Then the result will be tyaktvā dehaṁ punar janma naiti mām eti kaunteya (BG 4.9). You have to give up this body. That is certain. But if you don't take to Kṛṣṇa consciousness, then you have to accept another body. Bhūtvā bhūtvā pralīyate (BG 8.19). So don't do this business. Finish this business. Samupeta-mṛtyum. Na mocayed yaḥ samupetya-mṛtyum.

Lecture on SB 7.6.6-9 -- Montreal, June 23, 1968:

If you want to learn engineering, then you must admit yourself in engineering college. If you want to be a medical man, you must admit yourself in a medical college. Similarly, if you want to understand Kṛṣṇa, then you must approach a person who knows Kṛṣṇa. It is not fanaticism or mental speculation. You have to learn the art scientifically. (starts playing karatālas and someone starts playing a melody on harmonium) What is that? Begin Hare Kṛṣṇa. (changes to Hare Kṛṣṇa melody on harmonium-kīrtana) (end)

Lecture on SB 7.7.19-20 -- Bombay, March 18, 1971:

So, but there are experts otherwise how gold mines are found out? There are experts. So here it is said... It is not new thing. Prahlāda Mahārāja said that this art is known millions and millions of years ago. It is not that the modern science has discovered airplane, modern science has discovered how to go to other planet and they have mining industry, no. These are all known. There is no question of modern science. Now, otherwise how Prahlāda Mahārāja gave this example? Vivikta, viviktatma jnana, jnani napi bhavena brahmata praktikasam syat (?).

Lecture on SB 7.9.7 -- Mayapur, February 27, 1977:

As the dog, by the indication of the master, does everything very obedient, we have to learn this lesson from the dog, how to become faithful to the master. That is the instruction. In everything you can learn something. Everyone Therefore mahā-bhāgavata, they accept everyone as guru, to learn something. Actually, from the dog we can learn this art, how to become faithful at the risk of life even. There are many instances, dog have given the life for the master. So, and we should be dog to the Vaiṣṇava. Chāḍiyā vaiṣṇava-sevā, nistāra pāyeche kebā.

Lecture on SB 7.9.14 -- Mayapur, February 21, 1976:

So people do not understand. Therefore they are called mūḍhas. They are simply making arrangement how to become happy. It is not possible to become happy here. That's a fact. But still they are. Therefore they are called mūḍhas, rascals. Which will never be possible, and they are trying for that. You see, whole world is trying to be happy. They are discovering so many technological arts, but they are dying. They cannot. They have invented horseless carriage, having very, I mean to say, speedy carriages, but there are so many dangers. Every moment the life can go, the motor accident. It is happening in the Western country.

Lecture on SB 7.9.30 -- Mayapur, March 8, 1976:

So immediately Caitanya Mahāprabhu closed the paṭha-śala. So that is Kṛṣṇa varṇayati. In everything He was explaining Kṛṣṇa. And when He was preaching, He talked with the Muhammadans, Afghans, and He proved from Koran there is Kṛṣṇa devotion, from Koran. That is Kṛṣṇa-varṇayati. Kṛṣṇa-varṇam. Anywhere He will explain Kṛṣṇa. Then nothing. And therefore He has advised everyone that yāre dekha tāre kaha kṛṣṇa upadeśa (CC Madhya 7.128). This is Caitanya Mahāprabhu. Yāre dekha tāre kaha kṛṣṇa upadeśa. So one has to learn this art, how to explain Kṛṣṇa in every step of life. That is Kṛṣṇa consciousness movement.

Lecture on SB 7.9.43 -- Visakhapatnam, February 22, 1972:

So Prahlāda Mahārāja says that "For personally I have no anxiety, because I have learned the art how to become happy. I have learned the art, always thinking of Your glorious activities." There are so many glorious activities of Kṛṣṇa, so we can think of. If you take a flower, you can think of glorious activities of Kṛṣṇa. How artistically, how nicely the flower is made. You cannot say it is made by nature. It is made by Kṛṣṇa.

Nectar of Devotion Lectures

The Nectar of Devotion -- Bombay, January 8, 1973:

When there is kṛṣṇa-kīrtana, people, all classes of people, become very much pleased, and they join. As soon as your kīrtana will be pure saṅkīrtana, not artificial, not professional... There are many professional dancer. That will not attract. But, even if you do not know the art of dancing, if you simply dance in ecstasy for Kṛṣṇa's love, that will be appreciated by everyone. That will be appreciated by everyone. Kṛṣṇot-kīrtana-gāna-nartana-parau. These are the art.

The Nectar of Devotion -- Vrndavana, November 2, 1972:

One has to smear the eyes with the ointment of love, how to love Kṛṣṇa. Then one can see Kṛṣṇa always within his heart. And one who has learned this art, how to see Kṛṣṇa within himself, within his heart always... Kṛṣṇa certifies, "He's the topmost yogi."

The Nectar of Devotion -- Vrndavana, November 9, 1972:

Yoga siddhis, they are simply material arts. Just like one example is given, that aṇimā siddhi, aṇimā siddhi means to enter into the stone. So we see in the Western countries they are boring big, big hills and entering in the stone. So that aṇimā siddhi is being possible, is made possible by modern scientific research. So all the siddhis, aṣṭa siddhi, aṇimā, laghimā, prāpti, prākāmya, īśitā, vaśitā, these all siddhis are material. They are not spiritual. But people do not know what is spiritual perfection. They become amazed by seeing some magic by these yogic arts. They're simply material arts.

The Nectar of Devotion -- Vrndavana, November 9, 1972:

Therefore, bhakti-yoga is the greatest science. Other things, the yogic perfections, can be achieved by the materialist scientists. So that is not very great art. The greatest art to learn is how to learn bhakti-yoga and understand Kṛṣṇa. Bhaktyā mām abhijānāti (BG 18.55).

evaṁ prasanna-manaso

bhagavad-bhakti-yogataḥ

bhagavat-tattva-vijñānaṁ

mukta-saṅgasya jāyate

(SB 1.2.20)

When one is freed from material contamination, then one can understand the science of bhakti-yoga. So, some way or other, if we try to understand bhakti-yoga, that is the great science. That is the... To learn. If you actually want to learn something greatest in the scientific world, that is bhakti-yoga.

Sri Caitanya-caritamrta Lectures

Lecture on CC Adi-lila 1.15 -- Dallas, March 4, 1975:

Sometimes we also have some parties in the temple: someone wants to dress the Deity in a way, another wants to... Of course, they are not transgressing the rules and regulation, but still, everyone wants that "I shall serve the Lord in this particular way." We cannot change the original rules and regulation, but there is variety. We are not impersonalist. Every person has got to serve the Lord in a particular way, and that is allowed. The central point is Kṛṣṇa. So although there are parties, if the central point is Kṛṣṇa, so there is no dissension. It is a competition, that "My Godbrother, my Godsister, is serving such a way. She is so well versed in this art. Why not try myself to do something?" This is variety. That is not this ordinary party strife if we make Kṛṣṇa the center.

Sri Isopanisad Lectures

Sri Isopanisad, Mantra 7 -- Los Angeles, May 10, 1970:

Then you can see everyone on the same platform, that everyone is a spiritual spark. Na vijugupsate. Then you do not say, "Oh, he's lower; he's higher. He's intelligent; he is fool." That is also confirmed in the Bhagavad-gītā: paṇḍitāḥ sama-darśinaḥ (BG 5.18). Paṇḍitāḥ means learned. He's vijānataḥ, one who knows. So in the Vedic literature you won't find something different in Bhagavad-gītā and some things different in Īśopaniṣad or something is different in the Vedas. No. They are the same things explained in different languages in different scriptures. But one has to know the art, how to understand them.

Sri Brahma-samhita Lectures

Lecture on Brahma-samhita, Lecture -- Bombay, January 3, 1973:

Kṛṣṇa is not manufactured, as nowadays it has become a fashion to manufacture God by votes. No. God is never manufactured. God is God. Not by mystic power one becomes God or by so-called meditation or magical arts. No. God is God. Nobody can become God. Asamaurdhva. In the Bhagavad-gītā, Kṛṣṇa is described as asama urdhva prapitāmaha ca (BG 11.39).

Festival Lectures

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Disappearance Day, Lecture -- Hyderabad, December 10, 1976:

So Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura knew this art, how to turn our activities for the satisfaction of Kṛṣṇa. This is Kṛṣṇa consciousness movement. Therefore I... "Wonder thy ways to turn our face, adore they feet, Your Divine Grace. Forgotten Kṛṣṇa, we fallen souls." Why we are fallen? Because we have forgotten. Our relationship with Kṛṣṇa is eternal. Unless it was eternal, how you Western peoples could be devotee of Kṛṣṇa? Artificially you cannot be a devotee of Kṛṣṇa. The relationship is there eternally. Nitya-siddha kṛṣṇa-bhakti. By the process it is now awakened.

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Disappearance Day, Lecture -- Hyderabad, December 10, 1976:

Our relationship with Kṛṣṇa is eternal. Unless it was eternal, how you Western peoples could be devotee of Kṛṣṇa? Artificially you cannot be a devotee of Kṛṣṇa. The relationship is there eternally. Nitya-siddha kṛṣṇa-bhakti. By the process it is now awakened. Śravaṇādi-śuddha-citte karaye udaya. It is awakened. Love between young man and young woman, it is not artificial. It is there. But by certain circumstantially, environment, the love becomes manifest. Similarly, our love for Kṛṣṇa, relationship with Kṛṣṇa, is eternal. Jīvera svarūpa haya nitya kṛṣṇa-dāsa (Cc. Madhya 20.108-109). But we have to create such situation—that eternal relation should be awakened. That is the art. That is wanted.

His Divine Grace Srila Bhaktisiddhanta Sarasvati Gosvami Prabhupada's Disappearance Day, Lecture -- Hyderabad, December 10, 1976:

This is my land. This is my land." They do not know. Kṛṣṇa said tathā dehāntara prāptiḥ (BG 2.13). "You are American today. So tomorrow, even within America if you become an American cow or American animal, nobody will care for you. Nobody will care for your politics." But this art they do not know. This science they do not know. They are under illusion.

General Lectures

Lecture -- Seattle, September 30, 1968:

. Vedic literature, the Bhagavad-gītā, Śrīmad-Bhāgavatam, Vedānta-sūtra, Purāṇas, and many, many great saintly persons adopted this means. And the vivid example is Lord Caitanya. You see His picture, He is in the dancing mood. So you have to learn this art, then our life will be successful. You haven't got to practice anything artificial and speculating and bother your brain and... You have the instinct for loving others. That is instinctive, natural.

Recorded Speech to Members of ISKCON London -- Los Angeles, December 23, 1968:

Kṛṣṇa consciousness is therefore an art of changing our hearts by purification from the dust of material desires. We cannot stop our desires because as living entities, desiring is the component part of our constitution. Therefore we cannot give up our desires, but we can purify our desires. Killing of desire is no solution, but curing the desires, diseased condition of desire, is the right solution. As such, therefore, this dust of misunderstanding is cleared off. We can see our real position of life and make steady progress towards the ultimate goal of life.

Recorded Speech to Members of ISKCON London -- Los Angeles, December 23, 1968:

Misled by blind leaders, the followers who themselves are blind have failed to achieve the desired success, but here is a method called by the name Kṛṣṇa consciousness which is directly offered by Kṛṣṇa, and the instructions are plainly described in the Bhagavad-gītā, given to us five thousand years ago, and again confirmed by Him in the form of Lord Caitanya five hundred years ago. This Kṛṣṇa consciousness movement is a great art of life, very easy and sublime.

Pandal Lecture -- Bombay, April 6, 1971:

So the verdict of all śāstras, Vedic literatures, is aiming how to understand Kṛṣṇa. That is the version of all Vedas. So Kṛṣṇa here in the Seventh Chapter, recommending personally. Kṛṣṇa is teaching the process how you can understand Kṛṣṇa. You haven't got to learn some art and method how to understand Kṛṣṇa from anyone else. You can understand directly from Kṛṣṇa. That is the process. The Bhāgavata says, athāpi te deva padāmbuja-dvaya-prasāda-leśānugṛhīta eva hi (SB 10.14.29). Without Kṛṣṇa's mercy, nobody can understand Kṛṣṇa.

Pandal Lecture -- Bombay, April 10, 1971:

If you actually..., if you are actually serious to understand Kṛṣṇa consciousness, then you must be very much energetic, utsāhān: "Yes, I shall learn this art verily in this life." You must be fixed up, dṛḍha-vratāḥ. In the Bhagavad-gītā it is called dṛḍha-vratāḥ. Bhajanti māṁ dṛḍha-vratāḥ. That determination should be "Yes." Just like Dhruva Mahārāja, five-years-old boy. Nārada Mahārāja said, "My dear boy, you are king's son. You cannot undergo so much severe austerity. Why you are feeling so much insulted by your stepmother? Please go home."

Pandal Lecture -- Delhi, November 13, 1971:

Therefore, bahu-śākhā anantāś ca buddhi avyavasāyinām. Because our mind, because our desire, is not fixed up in Lord Viṣṇu, we are manufacturing different desires, because mind's business is concoction, accepting something, rejecting something. This is going on. But by intelligence we come to a certain conclusion. So one who is above the activities of the mind, manaso parā buddhi, one who has learned how to use his intelligence, that art is called buddhi-yogam.

Lecture at Art Gallery -- Auckland, April 16, 1972:

Na tasya kāryaṁ kāraṇaṁ ca vidyate. Parāsya śaktir vividhaiva śrūyate (Cc. Madhya 13.65, purport). "His energies are multi, multifarious, various kinds of energy." And the energies are working so nicely as if, svābhāvikī jñāna-bala-kriyā ca, natural gift, knowledge, art, svā bala-kriyā, and strength. Svābhāvikī jñāna-bala-kriyā. Just like you are artist. You are painting one picture, one flower, very nice flower.

Lecture at Art Gallery -- Auckland, April 16, 1972:

So therefore the greatest art is to understand Kṛṣṇa. Greatest art. If we actually want to be artist, then we shall try to understand or try to be intimately associated with the greatest artist, Kṛṣṇa. For this purpose, this society is established. This Society's name is International Society for Kṛṣṇa Consciousness. The members of this Society are trained to see in everything the display of Kṛṣṇa's artistic sense. That is Kṛṣṇa consciousness.

Lecture at Art Gallery -- Auckland, April 16, 1972:

We have some devotees in Russia, very young men. They are very much interested in Kṛṣṇa consciousness, and they are chanting, although silently, so that government may not hear. There will be danger. So Kṛṣṇa consciousness is so nice, and it is a great science. Unfortunately, there is no arrangement in any university, in any educational institution, or any arts or science college, "What is God?" There is no such arrangement. This is the most regrettable condition of the present society.

Lecture at St. Pascal's Franciscan Seminary -- Melbourne, June 28, 1974:

Satsvarūpa: "Our father who art in heaven, hallowed be thy name."

Prabhupāda: Yes. So there is name. God's name is there. God's name is Christ or Kristo or Kṛṣṇa. So we can chant combinedly. Where is the difficulty? So those who are professing Christianity, never mind. You have got the name of God. Otherwise why Jesus recommended that "You glorify the name of God"? That is chanting. So let us combinedly glorify the name of God. This is common platform.

Lecture at St. Pascal's Franciscan Seminary -- Melbourne, June 28, 1974:

To renounce this world is not very big thing because the world also, created by God. So instead of renouncing, if we utilize this God-created material world for God's service, then it is spiritual. Because originally it belongs to God. Originally it is spiritual. Therefore in the higher sense there is nothing material. Everything is spiritual because everything is coming, emanating from the Supreme Spirit. So we have to learn the art how to utilize everything for God. Just like we are. We are also living in the house.

City Hall Lecture -- Durban, October 7, 1975:

Now, just like Arjuna. What is the instruction of Bhagavad-gītā? Arjuna is a fighter. Why? He's a soldier. He knew how to fight. That's all. He's not a Vedantist; he is not a brāhmaṇa; he is not a sannyāsī. He is gṛhastha, householder. He appeared on the Battlefield of Kurukṣetra for fighting on political reasons. So he knew all this business. But he utilized his talent in fighting art for Kṛṣṇa. He did not want to fight.

Philosophy Discussions

Philosophy Discussion on Hegel:

Prabhupāda: Well, everything is the expression of spirit.

Śyāmasundara: So everything is art?

Prabhupāda: Well, what is his definition of art?

Śyāmasundara: Art is the expression of the spirit in sensuous form.

Prabhupāda: That is there. We are worshiping Rādhā-Kṛṣṇa, there is love of Rādhā and Kṛṣṇa, but that is sensuous, sensual. The gopīs are coming to Kṛṣṇa, lusty. Kṛṣṇa is beautiful, they are attracted. So these are there: sensuous, beautiful, art.

Śyāmasundara: What about a tree? We say a tree is the artful display of absolute.

Prabhupāda: Yes, tree, tree is also art. Because in a place, if you find so many green trees to (indistinct) nice. And in a barren land, in a desert, you don't think nice. Therefore there is art.

Śyāmasundara: But the barren desert is not art?

Prabhupāda: That is also art in a different way.

Philosophy Discussion on Hegel:

Śyāmasundara: But he says that the highest form that the Absolute manifests itself, the highest mode, is in philosophy. He says that this combines art and religion and it synthesizes them so it is highest, philosophy.

Prabhupāda: Philosophy means that there is some order of God. Just like God says "Thou shall not kill." Now if you want to kill, then you must present your philosophy why you are killing, why you are violating the order of God, or why you are accepting the order of God. This is philosophy, not dry speculation.

Philosophy Discussion on Hegel:

Śyāmasundara: Just a few more minutes and then it's finished. He says that art is a combination of spiritual content and sensuous form, that this is really art, that the artist should try to form spiritual content with these material...

Prabhupāda: That we are doing, whenever we are painting picture, art, music, we are praising Kṛṣṇa with it. Our music, our painting, our anything, we center Kṛṣṇa.

Śyāmasundara: He says that of all arts, that music and poetry are the highest.

Philosophy Discussion on Charles Darwin:

Śyāmasundara: Darwin passed on his traits to his son, Charles Darwin, and his son's great contribution to the world was that the moon was moving away from the earth at the rate of five inches per year. So what good is that knowledge?

Prabhupāda: What kind..., in what way you give such an evolution? It may be ten inches or five inches or (indistinct). That conclusion anyone can give. Any rascal can say anything, and what is the contribution? Just like modern day art. You just make your brush like this and it becomes art. You see?

Śyāmasundara: Relative values.

Philosophy Discussion on Arthur Schopenhauer:

Śyāmasundara: He is referring here to art, poetry.

Prabhupāda: Yes, everything is there. Here is art—we are painting. Our students are painting nice pictures. Art. And poetry, all our Bhagavad-gītā and Bhāgavatam are full of poetries.

Philosophy Discussion on The Evolutionists Thomas Huxley, Henri Bergson, and Samuel Alexander:

Prabhupāda: Oh, Kṛṣṇa is getting skinny. I must feed Him. I must protect Him from the monkeys. I must protect Him from fire." Always anxious how to give protection to Kṛṣṇa. Kṛṣṇa is giving protection everyone, but the devotee has become so great that Kṛṣṇa is taking his protection, her protection. Then, after vātsalya, then mādhurya-rasa, the gopīs or girlfriends. And of all of them, Rādhārāṇī is the highest. She is trying to make happy Kṛṣṇa in so many ways, sixty-four arts: how to dance, how to cook, how to make peace, how to smile, and Kṛṣṇa is captivated by Rādhārāṇī. Therefore the devotee says Kṛṣṇa is Madana-Mohana, He can captivate Madana.

Philosophy Discussion on Plato:

Hayagrīva: Yes. It's that art, he says.

Prabhupāda: It is an art, that our aim of life by these sensually affected senses... At the present moment we are sensually affected. I want to eat something which is very palatable, I eat it. I do not care whether this palatable eating will mislead me or lead me to the proper way. Therefore we are making this propaganda. So your eating process is not stopped. You eat, but don't eat meat, you eat Kṛṣṇa prasādam. So if we agree to this process, then gradually we become purified by Kṛṣṇa consciousness. Our aim, objective, is attained.

Philosophy Discussion on Thomas Aquinas:

Hayagrīva: Well that..., well then maybe this is saying the same thing. "By its nature the form of the soul is the form of the body. It is that form incorruptible."

Prabhupāda: No. The form..., material body is imitation, is false. Real body is the spiritual body. Because the spiritual body has form, the coating of the spiritual body by matter takes a form, as I have already explained, that the shirt and coat originally has no form, but when the shirt and coat is cut by the tailor according the form of the man, it takes a form. So actually this material form is illusion. It is not form. It, it takes the form, and when it is old enough, no more use, it again comes to the original position, earth. "Dust thou art, dust thou beist." This form is made by the material nature. It is just like a machine. Kṛṣṇa says in the Bhagavad-gītā, bhrāmayan sarva-bhūtāni yantrārūḍhāni māyayā (BG 18.61). The soul has its own form, but he is given a machine, a particular machine, which is this body, and therefore he enjoys by wandering throughout the whole universe in different conditions of life.

Philosophy Discussion on B. F. Skinner and Henry David Thoreau:

Hayagrīva: Well, his conception of religion is that of the..., having, playing some music, and uh, daliance with the supernatural, intellectual aesthetic enjoyment. He says, "What else does organized religion provide?" Religion is a form of, sort of enjoying art.

Prabhupāda: No. Art is there, and singing is there, dancing is there, but that is based on spiritual conception. That is the difficulty in the Western countries, that they are not fully aware of the conception of religion. Therefore Bhāgavata says that cheating religion, dharmaḥ projjhita-kaitavaḥ. There is no purpose, simply a recreation of different nature in material life. That is, means, they do not know, except sense gratification, any other engagement. They think religion is also another kind of, type of sense gratification, "So we can perform it." And actually that is going on. Whenever there is some festival they change the daily way of life into some more eating, drinking, and dancing, like that. But religion means to understand God and our relationship with God and live in God practically. That is real religion. That is the aim of life.